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Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
ARTS V- Entertainment
ARTS V- entertainment Titian Schlummernde Venus” (1510) Erotica? Pornography? Who Sees What? rt and the erotic and/or pornographic image have maintained a long and in cestuous alliance. Indeed, perhaps the first known work of sculpture recovered, the Paleolithic “ Venus of Wildendorf” reflects in a size somewhat larger than a person’s thumb a avoluptuous fem ale form radiating with sexual potency. The representation of woman as sexual goddess has continued to preoccupy virtually every cultural epoch. Our own age is no ex ception. In fact, images of women in a sexual context have become so alarmingly com monplace that one is coerced into endorsing it. And that is precisely why the accelerated ex ploitation of these images through the media is so insidious. A naked woman lying suggestively upon a bed is a scene celebrated and culturally legitamatized by Titian, Rembrandt, Goya, Watteau, Manet and just about every other greater or lesser talent that has applied paint to a surface. This particular kind of image has become so ingrained in us that we accept and even pay homage to it as part of our history. In both a high and low art form people of both sexes continue to help foster and encourage it. The men who buy Playboy and the women who buy Cosmopolitan are, in truth, purchasing one and the same image. In fact, we have become so saturated with these images that they tend to cancel one another out, leaving us benumbed to their subtle manipulation. This is commonplace, a fam iliar aspect of everyday life. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
Notre Dame Graduate to Receive First Tom Dooley Award
Open Forum - page 3 VOL XIX, NO. 36 llie independent student new sp.iper ser\ mg nutrt dame and saint man \ THURSDAY, OCTOBER 11, 1984 Richard Allen, former Security Adviser, talks about Reagan’s policies By PA. CIMINO speech were admittedly his own. Staff Reporter However, a strong tie to Republican ideals was evident in everything he Former National Security Advisor said. Above all, his support of Reagan to President Ronald Reagan, Richard seemed his most adamant point. Allen, was on the campus of the Uni Allen began his speech by reassur x'i versity of Notre Dame yesterday to ing his audience about the well discuss "American Foreign Affairs in being of our country. "The United the 1980s.” States is more secure today than four A press conference had also been years ago,” he said. “Respect and un planned but had to be canceled derstanding for our actions has in when Allen was delayed in travell creased around the globe and we are L ing. The evening was sponsored by also better equipped to deal with the Student Activities Board. crises,” he continued. Allen has Allen has had a long career as a great faith in the Reagan administra The Observer/Chris McLean foreign affairs advisor for the Repub tion. A representative from Harvard Law School at the Law School Caravan held yesterday in Stepan lican party and also owns an interna Next, Allen reviewed the high Center. Forty law schools attended the Caravan. tional consulting firm. speaks to (left to right) senior Patty Chandler, see ALLEN, page 5 junior Mark Rabogliatti and sophomore Tim Lyons The views he expressed in the Notre Dame graduate to receive first Tom Dooley award By KAREN THOMPSON who had fled their country He also He returned to the United states Notre Dame in 1948, had a great 1961, of cancer. -
Brevard Live March 2012
Brevard Live March 2012 - 1 2 - Brevard Live March 2012 Brevard Live March 2012 - 3 4 - Brevard Live March 2012 Brevard Live March 2012 - 5 6 - Brevard Live March 2012 Content march 2012 FEATURES page 51 LES DUDEK CY CURNIN Columns During the 70s and 80s, Les Dudek made The Fixx, lead by Cy Curnin, hit the charts with flashy hits like “One Thing Charles Van Riper waves as one of the hottest guitar players Political Satire on the rock scene. He loaned his talent to Leads to Another,” “Saved By Zero” 20 famous performers like Boz Scaggs and and “Red Skies.” Matt Bretz recently Calendars Steve Miller. With 6 solo albums under talked to Curnin. his belt, he’s now part of rock history. Page 16 23 Live Entertainment, Page 10 Concerts, Festivals THE MOODY BLUES PADDLE BOARDING Chris Long Paddle boarding has just started to come 28 Political Blog Since the 60s, as a part of the histor- into the limelight with its enjoyable ath- ic original British invasion of Super letic characteristics and the rider’s spirited Brevard Scene groups, The Moody Blues have lit up unity with the water. Joe Cronin checked We’re Out There! the hearts and minds of millions of rock it out. 31 fans creating soundtracks of our lives. Page 39 Page 13 Out & About Brevard’s vibrant CHRISTOPHER BREWER 37 club & restaurant GLEN CAMPBELL scene He’s been a legend in country music. He is an artist with a very distinct and recognizable style who has been on a Just recently he announced that he has Life & The Beach Alzheimer’s. -
Slim Jim Phantom Has Secured His Place As a True Rock-N-Roll Icon. As the Legendary Drummer for the Stray Cats, Phantom, Alongsi
Slim Jim Phantom has secured his place as a true rock-n-roll icon. As the legendary drummer for the Stray Cats, Phantom, alongside band mates Brian Setzer and Lee Rocker, spearheaded the neo-rockabilly movement of the early 80s. With a love for 50s rock-n-roll the Stray Cats took inspiration from that bygone era and mixed with their youthful energy and aggression produced the updated hard-edged rockabilly sound that saw them conquer London, Europe and later the U.S., gaining fans among the likes of Keith Richards, Mick Jagger and Robert Plant along the way. Born in the Brooklyn Borough of New York City, Jim grew up listening to his parents’ jazz records and by the age of ten took up the drums. Immersing himself in the art of drumming and the world of music, Jim took lessons with Mousie Alexander (who played with Benny Goodman), which included the study of jazz and working through books by Jim Chapin and Ted Reed. By the late 70s Jim was playing in bands with school friend and bassist Lee Rocker and they soon joined forces with guitarist Brian Setzer. The rest, as they say, is history. The Stray Cats had numerous hit singles in the early 1980s, their classic album “Built for Speed” went double platinum, and their song “Rock This Town” is in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.” Summer 2008 saw Jim and the Stray Cats reunite for an extensive tour of Europe. In February 2009 the band headed to Australia and New Zealand for the first time in 18 years - a tour which was eagerly anticipated by Australasian fans. -
One Thing Still Leads to Another
z z u b THE FIXX ONE THING STILL LEADS TO ANOTHER PHOTO COURTESY OF THE ARTIST by Katherine Yeske Taylor four decades ago. “We really do love tended to address subjects that were my dad used to always say, ‘Never rewarding to hear someone say, ‘Your Cy Curnin, lead singer for the beloved it. I think we’re enjoying it more now quite a bit more serious and intellectual underestimate human intelligence music has gotten me through some of and long-running new wave/rock band than we ever did, because of the than the usual song topics. This was when you’re writing.’” the harder parts of life,’ and that’s exactly The Fixx, calls from his home “in sunny gratitude, and because we play better especially true when, thanks to the Even though Curnin wrote all the what it’s done for us, too. So it’s a California,” though he’ll soon depart for than we used to,” Curnin says. “When introduction of the video age, many lyrics, he says his bandmates were on reciprocal thing, which is great.” a more wintery climate when he and we were younger, we had bigger other bands opted to put style over board with the things he was writing. It is this communal sense of empathy his bandmates head out on their audiences, but we weren’t at our best. substance. Curnin credits the way that “We were all like-minded guys. We’d that Curnin hopes will be particularly “FIXXmas Tour” this December, with Musicians do improve and your sense he and his bandmates were raised for be discussing events—the suffering in evidence for this upcoming FIXXmas dates across the Eastern and of what life is about and the depth that inspiring their more cerebral approach. -
Hats and Tlare Legs Made a (Omebat K. (Fan't Deal
Weather Man can U imagine it the iro, gaurhos, big (”Hats and tlare legs ec nlcian made a (omebat k. (fan't deal With that or bad breath. Breezy, (hange- able skies today With the \ high neardS Volume LXIX, Number 45 Friday, lanuar 22,1988 Raleigh, North Carolina Editorial, 7372411/Advertisin 737 029 Senate demand students receive U officials public apology By Meg Harrington plan post-game StaffWriter The Student Senate demanded an apology from the Athletics Department Wednesday night in a resolution that caused an hour-and-a-halfdebate. In the first meeting of the semester, the Senate victory party debated the correct allocation of funds from student tligkets sold during the NC. State-Kansas game on Dec. By Madelyn Rosenberg and some of the team members Executive News Editor Public Safety will try to control The resolution. authored by Senator Charles the action. Stafford said, and stu Rambeau and amended several times by the Senate. N.(‘. State offiCials are thinking dents without game tickets will be asked for“a public apology for actions that occured." optimistically about the outcome of allowed into the colisciim after the “The athletic administration owed an apology to the Sunday's basketball contest against game. student body and the general public for the actions that the UN(‘ Tar Heels by planning a "I am very pleased at (‘oach occurred on Dec. 19, I987,“ Rambeau said. post-game victory celebration on the Valvano‘s response to this idea," Senator Andrew Cook added that “we (the student floor of Reynolds ('oliscum. Stafford said. “We started working body) have been slapped in the face by the athletics “It should last about an hour." on this yesterday. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
The Music Plays On: Check out Some Tunes That’Ll Ease You Into Phase 2
The Music Plays On: Check out some tunes that’ll ease you into phase 2 Here we are, once again. I won’t pile on to the hundreds of commercials that begin with “In these times of uncertainty,” and offer some vague message of togetherness. Suffice to say I hope everybody is staying safe and sane. U.G.L.Y — Goons Live Young U.G.L.Y: This Providence band ain’t got no alibi, but they do have a pretty kick-ass debut record. Like a manic movie montage, Goons Live Young brings together the frantic pop-punk energy of the Vandals with the glamour of Panic at the Disco. They manage to put their own spin on the music of the early- aughts rock, and the results are impressive. This album sounds like a major label quality recording, plenty heavy but goes down smooth like a crisp pilsner. “Space Heater” is the most obvious single, with an addictive hook and a George Costanza sample. “Regret Juice” nimbly takes on the perils of addiction (“Red wine’s not gonna drown your demons/it’s just gonna water them down/one day you’ll be the one to drown”). It’s clear that U.G.L.Y have their chops together; there’s excellent drumming and wiry riffs, as well as the occasional off-time, stuttering rhythm, showing a slight math rock influence. Their Bandcamp page had no info regarding the names of the reclusive band members, though I did no follow-up research, preferring to assume the drummer is named “J.D. -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me.