The Strange Fruit of American Political Development
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Cultural Anthropology Through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-Based Sentiment
Cultural Anthropology through the Lens of Wikipedia: Historical Leader Networks, Gender Bias, and News-based Sentiment Peter A. Gloor, Joao Marcos, Patrick M. de Boer, Hauke Fuehres, Wei Lo, Keiichi Nemoto [email protected] MIT Center for Collective Intelligence Abstract In this paper we study the differences in historical World View between Western and Eastern cultures, represented through the English, the Chinese, Japanese, and German Wikipedia. In particular, we analyze the historical networks of the World’s leaders since the beginning of written history, comparing them in the different Wikipedias and assessing cultural chauvinism. We also identify the most influential female leaders of all times in the English, German, Spanish, and Portuguese Wikipedia. As an additional lens into the soul of a culture we compare top terms, sentiment, emotionality, and complexity of the English, Portuguese, Spanish, and German Wikinews. 1 Introduction Over the last ten years the Web has become a mirror of the real world (Gloor et al. 2009). More recently, the Web has also begun to influence the real world: Societal events such as the Arab spring and the Chilean student unrest have drawn a large part of their impetus from the Internet and online social networks. In the meantime, Wikipedia has become one of the top ten Web sites1, occasionally beating daily newspapers in the actuality of most recent news. Be it the resignation of German national soccer team captain Philipp Lahm, or the downing of Malaysian Airlines flight 17 in the Ukraine by a guided missile, the corresponding Wikipedia page is updated as soon as the actual event happened (Becker 2012. -
Maryland Women's Heritage Trail
MARYLAND WOMEN’S HERITAGE TRAIL 1 2 3 4 5 6 7 8 9 101112131415161718192021 A A ALLEGANY COUNTY WASHINGTON COUNTY CECIL COUNTY GARRETT COUNTY CARROLL COUNTY HARFORD COUNTY B B BALTIMORE COUNTY FREDERICK COUNTY C C BALTIMORE CITY KENT COUNTY D ollowollow thethe footstepsfootsteps HOWARD COUNTY D ollow the footsteps and wander the paths where in Southern Maryland, to scientists, artists, writers, FMaryland women have built our State through- educators, athletes, civic, business and religious MONTGOMERY COUNTY F QUEEN ANNE’S out history. Follow this trail of tales and learn about leaders in every region and community. Visit these ANNE ARUNDEL E COUNTY E the contributions made by women of diverse back- sites and learn about women’s accomplishments. COUNTY grounds throughout Maryland – from waterwomen Follow in the footsteps of inspirational Maryland on the Eastern Shore to craftswomen of Western women and honor our grandmothers, mothers, Maryland, to civil rights activists of Baltimore and aunts, cousins, daughters and sisters whose contri- F Central Maryland, to women who worked the land butions have shaped our history. F Washington D.C. TALBOT WESTERN MARYLAND REGION PRINCE GEORGE’S COUNTY ALLEGANY COUNTY Anna Eleanor Roosevelt Memorial Tree COUNTY CAROLINE G Chesapeake and Ohio (C&0) Canal National Historic Park Gladys Noon Spellman Parkway COUNTY G Jane Frazier House Adele H. Stamp Student Union Elizabeth Tasker Lowndes Home Mary Surratt House The Woodyard Archeological Site FREDERICK COUNTY CALVERT H Beatty-Creamer House H Nancy Crouse House CENTRAL MARYLAND REGION CHARLES COUNTY COUNTY Barbara Fritchie Home ANNE ARUNDEL COUNTY Hood College Annapolis High School Ladiesburg Banneker-Douglass Museum National Museum of Civil War Medicine DORCHESTER COUNTY Charles Carroll House of Annapolis National Shrine of Elizabeth Ann Seton Chase-Lloyd House Helen Smith House and Studio I Coffee House I Steiner House/Home of the WICOMICO COUNTY Government House Frederick Women’s Civic Club ST. -
COMING MARCH 30! WOMEN's HISTORY TRIP to Cambridge
COMING MARCH 30! WOMEN’S HISTORY TRIP to Cambridge, Maryland, on the Eastern Shore, to see the Harriet Tubman Museum and the Annie Oakley House. Call 301-779-2161 by Tuesday, March 12 to reserve a seat. CALL EARLY! Limited number of seats on bus - first ones to call will get available seats. * * * * * * * MARCH IS WOMEN’S HISTORY MONTH – AND HERE ARE SOME WOMEN FROM MARYLAND’s AND COTTAGE CITY’s PAST! By Commissioner Ann Marshall Young There are many amazing women in Maryland and Cottage City’s history. These are just a few, to give you an idea of some of the “greats” we can claim: Jazz singer Billie Holiday (1915 – 1959) was born Eleanora Fagan, but took her father’s surname, Holiday, and “Billie” from a silent film star. As a child she lived in poverty in East Baltimore, and later gave her first performance at Fell’s Point. In 1933 she was “discovered” in a Harlem nightclub, and soon became wildly popular, with a beautiful voice and her own, truly unique style. Her well-known song, “Strange Fruit,” described the horrors of lynchings in Jim Crow America. Through her singing, she raised consciousness about racism as well as about the beauties of African-American culture. Marine biologist and conservationist Rachel Carson (1907-1964) wrote the book Silent Spring, which, with her other writings, is credited with advancing the global environmental movement. Although opposed by chemical companies, her work led to a nationwide ban on DDT and other pesticides, and inspired a grassroots environmental movement that led to the creation of the U.S. -
The Influence of Female Jazz Musicians on Music and Society Female Musicians Tend to Go Unrecognized for Their Contributions to Music
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:00 PM - 3:20 PM Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society Kirsten Saur Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons, Music Performance Commons, and the Women's Studies Commons Saur, Kirsten, "Swing It Sister: The nflueI nce of Female Jazz Musicians on Music and Society" (2016). The Research and Scholarship Symposium. 15. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/15 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Kirsten Saur, 1 Kirsten Saur Swing It, Sister: The Influence of Female Jazz Musicians on Music and Society Female musicians tend to go unrecognized for their contributions to music. Though this has changed in recent years, the women of the past did not get the fame they deserved until after their deaths. Women have even tried to perform as professional musicians since ancient Greek times. But even then, the recognition did not go far. They were performers but were not seen as influences on music or social standings like male composers and performers were. They were not remembered like male performers and composers until past their time, and the lives of these women are not studied as possible influences in music until far past their times as well. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Black Lives Matter
This is a community curated list of books, poems, articles and blog posts that explore race, not only in St. Louis, but America as a whole. By no means a full comprehensive list, here are a few to get you started on the trail of understanding what's happening. For more information, please visit www.left-bank.com/black-lives-matter Children’s Books Freedom on the Menu: The Greensboro Sit-Ins by Carole Boston Weatherford Many Thousand Gone: African Americans from Slavery to Freedom by Virginia Hamilton One Crazy Summer by Rita Williams-Garcia Civil Rights History Freedom Summer: The Savage Season of 1964 That Made Mississippi Burn and Made America a Democracy by Bruce Watson Lynching of Cleo Wright by Dominic J. Capeci JR The Freedom Summer Murders by Don Mitchell The Eve of Destruction: How 1965 Transformed America by James T. Patterson The Fire Next Time by James Baldwin American Slavery, American Freedom by Edmund S. Morgan A Mighty Long Way: My Journey to Justice at Little Rock Central High School by Carlotta Walls Lanier Olivia's Story: The Conspiracy of Heroes Behind Shelley V. Kraemer by Jeffrey S. Copeland Waking from the Dream: The Struggle for Civil Rights in the Shadow of Martin Luther King, Jr. by David Chappell Turn Away Thy Son: Little Rock, the Crisis That Shocked the Nation by Elizabeth Jacoway Claudette Colvin: Twice Toward Justice by Phillip Hoose Buried in the Bitter Waters: The Hidden History of Racial Cleansing in America by Elliot Jaspin Medical Apartheid: The Dark History of Medical Experimentation on Black Americans from Colonial Times to the Present by Harriet Washington Race Riot: Chicago in the Red Summer of 1919 by William Tuttle Strange Fruit, Volume I: Uncelebrated Narratives from Black History by Joel Christian Gill, Henry Louis Gates, Jr. -
Strange Fruit, Analyzing the Lyrics
Strange Fruit, Analyzing the Lyrics GRADE LEVEL 6-12 SUBJECT AREAS U.S. History, Ethnic Studies, U.S. Government, Language Arts, Music ESTIMATED DURATION 2 hours OVERVIEW Southern trees bear a strange fruit…blood on the leaves and blood at the root. These are the opening words to one of the world’s most famous protest songs. Its music and lyrics were written by Abel Meeropol (pen name Lewis Allan), a Bronx public school teacher but are often attributed to Billie Holiday, who first sang Strange Fruit in 1939 at Café Society, New York’s first integrated nightclub. The film looks at the history of the anti-lynching campaign in the United States, the history of the song Strange Fruit and explores the impact of Strange Fruit today. ASSOCIATED KQED LESSONS • Strange Fruit, Lynching in America (6-12) http://uw.kqed.org/edresources/plan.php?id=276 • Strange Fruit, Reconstruction to Jim Crow (6-12) http://uw.kqed.org/edresources/plan.php?id=277 • Flash activity, The Road to Equality (6-12) http://www.kqed.org/w/mosaic/africanamerican/strangefruit.html • The Life and Times of Strange Fruit (4-8) http://uw.kqed.org/edresources/plan.php?id=275 MATERIALS • DVD copy of Strange Fruit, directed by Joel Katz, 2002, 57 minutes. (For information on ordering this film please visit California Newsreel at www.newsreel.org.) • Companion Website for KQED’s Bay Area Mosaic project at www.kqed.org/mosaic/. • Companion Website for Strange Fruit at http://www.pbs.org/independentlens/strangefruit/. PROCEDURE Activity 1 – Warm Up (Connecting students to music in their lives) (45 min.) 1. -
Billie Holiday, “Strange Fruit” (1939)
Billie Holiday, “Strange Fruit” (1939) “Strange Fruit” was written by Abel Meeropol, a white English teacher from New York City, as a protest against the horrors of lynching. Lynching was a practice that involved mob-style execution without trial, most often by hanging, and almost exclusively of African Ameri- cans. Thousands of African Americans were lynched between the end of the Civil War and the 1960s. In spite of the efforts of anti-lynching crusaders such as Ida B. Wells beginning in the 1880s, lynching was never directly addressed by the federal government until the Justice for Lynching Act was passed on December 19, 2018, making lynching a federal crime. Jazz great Billie Holiday recorded “Strange Fruit” in 1939. Her recording company, Columbia Records, re- fused to release it, fearing the response in the South. So Holiday released the al- bum with the Commodore label, where it would go on to become her best-sell- ing record. With its harsh indictment of the Jim Crow south, the song enjoyed a revival during the Civil Rights movement, and has been covered by numerous artists in the years since. Lyric Excerpt Southern trees bear a strange fruit, Blood on the leaves and blood at the root Black bodies swinging in the southern breeze, Strange fruit hanging from the poplar trees Pastoral scene of the gallant south The bulging eyes and the twisted mouth Scent of magnolias, sweet and fresh Then the sudden smell of burning flesh Here is fruit for the crows to pluck For the rain to gather, for the wind to suck For the sun to rot, for the trees to drop Here is a strange and bitter crop. -
'It Was a Modern-Day Lynching': Violent Deaths Reflect a Brutal American
6/10/2020 Violent deaths of George Floyd, Breonna Taylor reflect a brutal American legacy https://www.nationalgeographic.com/history/2020/06/history-of-lynching-violent-deaths-reflect-brutal-american-legacy.html © 1996-2015 National Geographic Society, © 2015- 2020 National Geographic Partners, LLC. All rights reserved H I STO RY ‘It was a modern-day lynching’: Violent deaths reflect a brutal American legacy As black people continue to die at the hands of police and vigilantes, the nation faces its long history of racial violence. BY DENEEN L. BROWN PUBLISHED J U NE 3 , 2 0 2 0 Editor’s Note: This story contains sensitive imagery. We included a photograph of the lynching of Rubin Stacy as a historical reference to the horrific incidents described in this article. Lynching imagery was used to perpetuate white supremacist ideology by creating a record of brutality against black men and women. It was important to show that as part of this story. A video shows George Floyd, a black man, lying in the street in anguish, with his head crushed against the pavement. A white officer presses his knee into Floyd’s neck. “I can’t breathe,” Floyd, 46, says repeatedly. “Please. Please. Please. I can’t breathe. Please, man.” Bystanders, filming the scene, plead with the officer to stop. He doesn’t. As three other officers stand by, he kneels on Floyd for eight minutes and 48 seconds as the life seeps from his body. “It was a modern-day lynching,” said Arica Coleman, an historian, cultural critic, and author. “This man was lying helplessly on the ground. -
Read, Listen, Watch, ACT BECOMING an ANTI-RACIST EDUCATOR
Read, Listen, Watch, ACT BECOMING AN ANTI-RACIST EDUCATOR “In a racist society, it is not enough to be non-racist, we must be anracist.” --Angela Davis Curated Resources Jusce in June dRworksBook - Home (Dismantling Racism resources) This List Of Books, Films And Podcasts About Racism Is A Start, Not A Panacea Books to read on racism and white privilege in the US Understanding and Dismantling Racism: A Booklist for White Readers People Are Marching Against Racism. They’re Also Reading About It. Books to Read to Educate Yourself About An-Racism and Race An-Racist Allyship Starter Pack Black History Library An-Racism Resource List: quesons, definions, resources, people, & organizaons RESOURCES- -Showing Up for Racial Jusce Read “You want weapons? We’re in a library! Books! Best weapons in the world! This room’s the greatest arsenal we could have. Arm yourself!” ― T he Doctor David Tennant Books and arcles related to anracism (general): A More Perfect Reunion: Race, Integraon, and the Future of America, Calvin Baker Eloquent Rage: A Black Feminist Discovers Her Superpower, Briany Cooper How to Be an Anracist , Ibram X. Kendi Me and White Supremacy, Layla F. Saad Racism without Racists: Colorblind Racism and the Persistence of Racial Inequality in the United States, Eduardo Bonilla-Silva So You Want to Talk about Race , Ijeoma Oluo The New Jim Crow , Michelle Alexander This Book Is An-Racist: 20 Lessons on How to Wake Up, Take Acon, and Do The Work , Tiffany Jewell and Aurelia Durand Waking Up White, White Rage; the Unspoken Truth of Our Racial Divide , Carol Anderson White Awake: An Honest Look at What It Means to Be White , Daniel Hill hps://blacklivesmaer.com/what-we-believe/ What the data say about police shoongs What the data say about police brutality and racial bias — and which reforms might work Police Violence Calls for Measures Beyond De-escalaon Training Books and arcles related to anracism in educaon: An-Racism Educaon: Theory and Pracce, George J. -
Lynching Jennie Gunn FNP, Ph.D
Online Journal of Health Ethics Volume 5 | Issue 1 Article 6 Lynching Jennie Gunn FNP, Ph.D. University of Mississippi Medical Center, [email protected] Carroll Gunn BA University of Mississippi, [email protected] Follow this and additional works at: http://aquila.usm.edu/ojhe Recommended Citation Gunn, J., & Gunn, C. (2008). Lynching. Online Journal of Health Ethics, 5(1). http://dx.doi.org/ 10.18785/ojhe.0501.06 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Online Journal of Health Ethics by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Running head: LYNCHING 1 LYNCHING Jennie Gunn FNP, PhD Assistant Professor University of Mississippi Medical Center Oxford Campus Carroll Gunn, BA Graduate Student University of Mississippi Abstract A single word can bring forth a plethora of emotions. Such a word, lynching, appeared repeatedly in the news recently; its use offended many in the African American community and others. The purpose of this article was: to explore the history and current meaning of the word lynching; to determine why the concept should be examined at this point in time; to examine the meaning of lynching specifically to African Americans; and to create a discussion so that health care providers may reflect upon and understand the concept it calls forward to the African American community and others. In order to provide cultural care to clients, the health care provider is called upon to understand the culture of the client. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Permalink https://escholarship.org/uc/item/79v6m6c0 Author Singleton, Tyfahra Danielle Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939.