A Better Way Is Published Bimonthly by the Practice, the Course’S Thought System REGULAR CLASSES PORTLAND, OR Penetrates More and More Deeply Into Our E-Mail
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University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE TRANSVERSING OUR BORDERS: DECOLONIZING COMMUNICATION THEORY A DISSERTATION SUBMITED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By STERLIN LEDREW MOSLEY Norman, Oklahoma 2015 TRANSVERSING OUR BORDERS: DECOLONIZING COMMUNICATION THEORY A DISSERTATION APPROVED FOR THE DEPARTMENT OF COMMUNICATION BY ___________________________ Dr. Clemencia Rodriguez, Chair ___________________________ Dr. Eric Kramer ___________________________ Dr. Lupe Davidson ___________________________ Dr. James Olufowote ___________________________ Dr. Catherine John ©Copyright STERLIN LEDREW MOSLEY 2015 All Rights Reserved. Table of Contents Introduction……………………………………………………………………1 Shifts Exploring Another Way Research Motivation Gaps in Intercultural Scholarship Chapter I: Literature Review ………………………………………………..13 Fragmented Meaning Romanticism and Idealism Existentialism and Post-Modernism Marxism, Critical Theory and The Frankfurt School Feminist Theory Postcolonial Theory Edward Said and Orientalism Homi Bhaba and Colonial Discourse Analysis Gayarti Spivak and Postcolonial Reflexivity African and Afro-Caribbean Postcolonialism Sylvia Wynter Edouard Glissant Paul Gilroy Lewis Gordon Patricia Hill Collins, Afrocentrism and Afro-Idealism Chapter II: Research and Methodology……………………………………66 Research Questions The Paradox of Postcolonial Theory Building Methodology Reflexive Scholarship and Spiritual Activism Traditional Rhetorical Analysis in the Postcolonial Tradition -
Weekend Glance
Friday, Dec. 1, 2017 Vol. 11 No. 43 12040 Foster Road, Norwalk, CA 90650 Norwalk Norwalk City Council votes restaurant to give themselves grades Donut King 12000 Rosecrans Ave. NOVEMBER 30 12 more months in office Date Inspected: 11/17/17 FridayWeekend74˚ Neighborhood Watch meeting Grade: B CITY COUNCIL: Council members at a DATE: Thursday, Nov. 30 Glance choose to extend elections one year Buy Low Market TIME: 6:30 pm under legislation signed by Gov. Jerry Saturday 75˚⁰ LOCATION: Paddison Elementary 10951 Rosecrans Ave. 68 Brown. Date Inspected: 11/13/17 Friday DECEMBER 2 Grade: B By Raul Samaniego SnowFest and Christmas Tree Contributor Wienerschnitzel Sunday 71˚70⁰ Lighting 11660 Imperial Hwy. Saturday DATE: Saturday, Dec. 2 NORWALK – The Norwalk City Date Inspected: 11/15/17 TIME: 12-8 pm Council voted 5-0 on November Grade: A 21, to approve Ordinance 17-1698 LOCATION: City Hall lawn which called for the changing of Waba Grill Holiday Sonata Election Dates to comply with 11005 Firestone Blvd. California Senate Bill 415. DATE: Saturday, Dec. 2 Date Inspected: 11/16/17 TIME: 4-9 pm For Norwalk residents, it means Grade: A that with the approval of the Norwalk’s next election will be in 2020. Photo courtesy city of LOCATION: Uptown Whittier ordinance, “all five council members Norwalk Ana’s Bionicos have added another 12 months to 11005 Firestone Blvd. DECEMBER 5 their terms,” according to City Clerk numbered years to even, it could California’s history. Date Inspected: 11/16/17 Theresa Devoy increase the voter turnout for those City Council meeting This transition was mandated Grade: A elections. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Designing for Equity: Social Impact in Performing Arts-Based Cultural Exchange Permalink https://escholarship.org/uc/item/46p561r4 Author Murdock, Sara Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Designing for Equity: Social Impact in Performing Arts-Based Cultural Exchange A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in Culture and Performance by Sara Murdock 2018 © Copyright by Sara Murdock 2018 ABSTRACT OF THE DISSERTATION Designing for Equity: Social Impact in Performing Arts-Based Cultural Exchange by Sara Murdock Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2018 Professor David H. Gere, Chair This dissertation focuses on the concept of social equity in the context of performing arts-based cultural exchange. The work draws upon with Performance Studies and Cultural Studies, reviews several examples through Critical Race Studies and Memory Studies lenses, and then makes advances in Whiteness Studies. All cases revolve around the performing arts as a vehicle for bridging difference. From a practical vantage, the dissertation reviews how organizations do or do not succeed in activating their intentions in an equitable fashion. The document culminates in a Checklist for Social Good, offering a tangible way to link programmatic intentions with implementation. Fieldwork cited includes interviews, ethnographies, and participant observations to determine how programmatic design within cultural exchange has affected social narratives, such as whose cultures have value and on whose terms the programs progress. The dissertation is ii particularly concerned with the ways in which different worldviews and cultures can communicate effectively so as to decrease violence and xenophobia. -
Healing Our History Mother That All His Judgments Had Pre - but Because They Are Mutually Exclusive
May / June, 2013 A Miracle Distribution Center Publication IN ME JO at the Healing CCenter’senter’s CConferenonferen ce A u See Back Page 1 g 1 Our History ust 10• Admissions... by Beverly Hutchinson McNeff a short film based on the Course IN ME JO at the together and avoid freeing the slaves. CCenter’senter’s s readers of THE HOLY ENCOUNTER With so much new light on these old CConferenonferen ce A u See Back Page 1 know, the Center turned thirty- stories of history, are we to judge and g •1 A ust 10 five this year, and we have been running condemn those we have previously by articles about our history. This got me applauded? No, not at all. If anything, we John Viscount thinking about history in general and how can look at them with a new understanding it’s taught. that can help us see how the average originally wrote Admissions as a Back in the old days, when I was in person (with their flaws and less than school, our heroes were always so noble Iresponse to 9/11. After that tragedy perfect motives) can grow, change, and and true. For example, Christopher Colum - occurred, I felt an overwhelming achieve great things. Columbus helped compassion for the family of humanity bus was the great, daring discoverer of establish a great deal of knowledge about because I knew we were entering into America, and Abraham Lincoln was the trade winds and began a permanent another destructive cycle of attack and saint who emancipated the slaves. -
Five by Five Karaoke As of 113017
Five By Five Karaoke As of 113017 Come See Me 112 SC8357 Cupid 112 SC3015 It's Over Now 112 SC3238 Only You 112 SC8295 Peaches & Cream 112 SGB65 Right Here For You 112 PHU0403 U Already Know 112 PHM0505 Amber 311 THR0206 Beyond The Gray Sky 311 THR0402 Creatures (For A While) 311 THR0311 Don't Tread On Me 311 SD4512 I'll Be Here Awhile 311 THR0201 You Wouldn't Believe 311 THR0110 Dumb 411 SF221 On My Knees 411 SF219 Get It Together 702 SC8357 Steelo 702 SC8325 All I Want Is You 911 SF121 How Do You Want Me To Love You 911 SF123 More Than A Woman 911 SF127 Party People (Friday Night) 911 SF118 Heaven Hop (Broadway) SC2233 Hello Dolly (Broadway) DK905 Hooray For Hollywood (Broadway) MM6100A I Am The Very Model Of A Modern Major General (Broadway) SC2233 Impossible Dream, The (Broadway) DK079 It Might As Well Be Spring (Broadway) DK065 What Kind of Fool Am I (Broadway) DK086 Chewing Gum (Broadway) Annie SF222 Tomorrow (Broadway) Annie MXUPH2 Tomorrow (Broadway) Annie DK905 Tomorrow (Broadway) Annie PI032 Almost Like Being In Love (Broadway) Brigadoon DK905 Kids (Broadway) Bye Birdie DK905 Lot of Livin' To Do, A (Broadway) Bye Birdie MM6100A You Gotta Be Sincere (Broadway) Bye Birdie MM6219 If I Loved You (Broadway) Carousel SF008 All I Care About (Broadway) Chicago SFG048 Cell Block Tango (Broadway) Chicago PS1526 Class (Broadway) Chicago SFG048 Funny Honey (Broadway) Chicago SFG048 Little Bit of Good, A (Broadway) Chicago PS1526 Me & My Baby (Broadway) Chicago SFG048 Mister Cellophane (Broadway) Chicago PS1526 Mr Cellophane (Broadway) Chicago -
The Knife, the Sting and the Tooth: Manifestations of Shadow in the Lord of the Rings
FACTA UNIVERSITATIS Series: Linguistics and Literature Vol. 3, No 1, 2004, pp. 111 - 121 THE KNIFE, THE STING AND THE TOOTH: MANIFESTATIONS OF SHADOW IN THE LORD OF THE RINGS UDC 821.111-31.09 Nataša Tučev University of Niš, Faculty of Philosophy Abstract. Archetypal analysis of Tolkien's narrative points to the centrality of the motif of shadow, a mythological term adopted by Jung to refer to undesirable and suppressed aspects of both the personal and collective psyche. The paper focuses on Tolkien's treatment of this motif with a view to exposing cultural and anthropological implications of his work, as well as his concept of personal growth, as exemplified by his protagonist Frodo. It is demonstrated that the collective shadow contents of Tolkien's imaginary universe, which is predominantly patriarchal, originate in the projection of Thanatos and the hostility towards the daemonic, orgiastic (and hence disruptive) elements of the feminine. At the personal level, however, Tolkien is more hopeful and examines the prospect of integrating the shadow through the complex dynamic evolving between Frodo and Gollum as his Other. The process whereby this integration is achieved is gradual and the psychological experiences it entails – withdrawing projections, relinquishing the ideological constructs which justify animosity towards the Other, and recovering wholeness by recognizing the disowned portion of the Self – may all be discerned in Tolkien's novel. On the journey back home, after he has completed his heroic quest, Frodo suddenly realizes that he has saved his native Shire for others, but not for himself: 'There is no real going back. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Psychodynamics of Drug Dependence, 12
PSYCHODYNAMICS OF DRUG DEPENDENCE US DEPARTMENT OF HEALTH. EDUCATION, AND WELFARE • Public Health Service • Alcohol, Drug Abuse. and Menial Health Administration PSYCHODYNAMICS OF DRUG DEPENDENCE Editors Jack D. Blaine, M.D. Demetrios A. Julius, M.D. Division of Research National Institute on Drug Abuse May 1977 NIDA Research Monograph 12 U.S. Department of Health, Education, and Welfare Public Health Service Alcohol, Drug Abuse and Mental Health Administration For sale by the Superintendent of Documents, U.S. Government Printing Office Washington. D.C. 20402 Stock No. 017-024-00642-4 The NIDA Research Monograph series is prepared by the Division of Research of the National Institute on Drug Abuse. Its primary objective is to provide critical re- views of research problem areas and techniques, the content of state-of-the-art conferences, integrative research reviews and significant original research. Its dual publication emphasis is rapid and targeted dissemination to the scientific and professional community. Editorial Advisory Board Avram Goldstein, M.D. Addiction Research Foundation Palo Alto, California Jerome Jaffe, M.D. College of Physicians and Surgeons Columbia University. New York Reese T. Jones, M.D. Langley Porter Neuropsychiatric Institute University of California San Francisco. California William McGlothlin, Ph.D. Department of Psychology, UCLA Los Angeles. California Jack Mendelson, M.D. Alcohol and Drug Abuse Research Center Harvard Medical School McLean Hospital Belmont. Massachusetts Helen Nowlis, Ph.D. Office of Drug Education. DHEW Washington. DC. Lee Robins, Ph.D. Washington University School of Medicine St Louis. Missouri NIDA Research Monograph series Robert DuPont, M.D. DIRECTOR, NIDA William Pollin, M.D. -
The Channeled Wisdom of Osiris, Ra, and Thotthere Is No
There Is No 'Other' is a no-holds-barred look at recognizing and releasing misperception, revealing the stark contrast between the wisdom of the Heart and the petty, tyrannical demands of the ego. Throughout this book, the channeled energies of Osiris, Ra, and Thoth point to the truth over and over again: what we perceive through human physical senses is not Reality. Reality is love. Love is life. And life is timeless. Your True Identity is timeless. There Is No ‘Other’ Ego vs. Heart The Channeled Wisdom of Osiris, Ra and Thoth Order the complete book from Booklocker.com http://www.booklocker.com/p/books/8071.html?s=pdf or from your favorite neighborhood or online bookstore. Your free excerpt appears below. Enjoy! There Is No 'Other': Ego vs. Heart The Channeled Wisdom of Osiris, Ra, and Thoth Tim Birchard Copyright © 2015 Tim Birchard ISBN 978-1-63490-471-1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., Bradenton, Florida. Printed on acid-free paper. BookLocker.com, Inc. 2015 First Edition CHAPTER ONE Foolish cousin ego Come back here and have a seat next to me. Sit here with me in the sunshine, here in the back yard. Feel the warmth of the sun on your face. Here, have some water. Have some sunshine. Have some lemonade. Have some delicious food. Have some company. Have some quiet time. -
Five by Five Karaoke As of 113017
Five By Five Karaoke As of 113017 17 Cross Canadian Ragweed SC3350 22 Swift, Taylor DT17445 24 Jem THM0506 911 Jean, Wyclef & Mary J. Blige THP0101 1969 Stegall, Keith MM6140 1979 Smashing Pumpkins PI045 1982 Travis, Randy CB90027 1999 Prince and The Revolution PI011 1999 Wilkinsons, The SC3245 1/2/2003 Estefan, Gloria & Miami Sound Machine BS8417 1/2/2003 Barry, Len DK002 15-May Who, The AH8015 54321 Mann, Manfred SF069 (Just Like) Starting Over John Lennon SFD802-D01 '03 Bonnie & Clyde Beyonce (Feat. Jay Z) MM6380A 1, 2, 3, 4, Sumpin' New Coolio SF049 10 Days Late Third Eye Blind SC3201 10 Out of 10 Lou, Louchie PHM0104 100 Years Five For Fighting SC10013 100 Years From Now Lewis, Huey & The News SC2106 100% Pure Love Waters, Crystal PI039 12 51 Strokes, The THR0401 12Th of Never Mcdonald, Jane SF128 13 Is Uninvited Morissette, Alanis SGB06 16Th Avenue Dalton, Lacy J. THC9901F 18 'til I Die Adams, Bryan SFMW803 18 Yellow Roses Darin, Bobby SC8255 19 Somethin' Wills, Mark KM5998 19 Somethin' Wills, Mark SC8854 19-2000 Gorillaz THR0202 19Th Nervous Breakdown Rolling Stones, The LG091 2 Become 1 Spice Girls, The DK905 2 Become 1 Jewel THP0403 2 Faced Louise LGTP01 2 Reasons Songz, Trey Ftg. T.I. SBC86388 2 Sparrows In A Huricane Tucker, Tanya THM035 20Th Century Boy T Rex SFG055 21St Century Girls 21St Century Girls SF140 24 Hour Party People Happy Mondays SFG030 24 Hours At A Time Marshall Tucker Band, The HSPAK3-06 24 Hours From Tulsa Pitney, Gene MM6228 24 Hours From You Next of Kin SF134 2468 Motorway Tom Robinson Band, The SF098 24-7 Edmonds, Kevon THP0003 24k Magic Bruno Mars 51925 25 Miles Starr, Edwin LG131 25 Minutes To Go Cash, Johnny SFMW846 25 Or 6 To 4 Chicago PI034 29 Nights Leigh, Danni SC8512 3 A.M. -
Transformation Overview Shorter.Doc 4/20/2007 3
Transformation: Aquarian Teacher Training Overview and Welcome Welcome to Transformation: The Aquarian Teacher Training, Level II. This will give you an overview of the purpose, goals and approach of this second stage of training in Kundalini Yoga as taught by Yogi Bhajan. The vision of the Aquarian Teacher Training programs is to produce teachers of Kundalini Yoga who demonstrate awareness in consciousness, excellence in teaching skills, and serve as an example of depth and maturity of character. The purpose of creating our global community of teachers has three main parts: We are creating a global community of teachers in order to 1. Prepare the foundations for the shift of humanity to the Aquarian Age by applying the legacy of the teachings, the golden chain and the example of Yogi Bhajan. 2. Serve and uplift individuals to be healthy, happy and holy. 3. Provide the opportunity for each person to awaken his or her capacity, character and sensitivity as a self-sensory human being who can be effectively intuitive, creative and compassionate. To achieve these goals we have created, with the direct guidance of Yogi Bhajan, a training program whose core process has three stages: 1. Aquarian Teacher: Foundations and Awakening. This stage includes the fundamental understanding and experience that the basic self is always one with the One (Ek Ong Kar); understanding of the essential parts and character of a human being; and the fundamental principles and practices of Kundalini Yoga as taught by Yogi Bhajan. Completing this stage makes you a certified instructor of Kundalini Yoga. 2. Aquarian Teacher: Transformation . -
Resources in Organizing Systems
Chapter 4 Resources in Organizing Systems Robert J. Glushko Daniel D. Turner Kimra McPherson Jess Hemerly 4.1. Introduction . 175 4.2. Four Distinctions about Resources . 180 4.3. Resource Identity . 196 4.4. Naming Resources . 203 4.5. Resources over Time . 214 4.6. Key Points in Chapter Four . 220 4.1 Introduction This chapter builds upon the foundational concepts introduced in Chapter 1 to explain more carefully what we mean by resource. In particular, we focus on the issue of identity—what will be treated as a separate resource—and discuss the issues and principles we need to consider when we give each resource a name or identifier. The Discipline of Organizing Navigating This Chapter In §4.2 Four Distinctions about Resources (page 180) we introduce four distinctions we can make when we discuss resources: domain, format, agency, and focus. In §4.3 Resource Identity (page 196) we apply these distinctions as we discuss how resource identity is deter mined for physical resources, bibliographic resources, resources in information systems, as well as for active resources and smart things. §4.4 Naming Resources (page 203) then tackles the problems and principles for naming: once we have identified resources, how do we name and distinguish them? Finally, §4.5 Resources over Time (page 214) considers issues that emerge with respect to resources over time. 4.1.1 What Is a Resource? Resources are what we organize. We introduced the concept of resource in §1.3 The Concept of “Resource” (page 36) with its ordinary sense of “anything of value that can support goal-oriented activity” and emphasized that a group of resources can be treated as a collec tion in an organizing system.