Emphasis on Female Conductors and Composers the Royal Concertgebouw Presents Its Programme for the 2018-2019 Season

Total Page:16

File Type:pdf, Size:1020Kb

Emphasis on Female Conductors and Composers the Royal Concertgebouw Presents Its Programme for the 2018-2019 Season Press release Emphasis on female conductors and composers The Royal Concertgebouw presents its programme for the 2018-2019 season Amsterdam, 26th February 2018 – For its programme for the 2018-2019 season, The Royal Concertgebouw has decided to put an emphasis on female conductors and composers. Together with the LUDWIG music collective, Barbara Hannigan is set to return to conduct her first opera, The Rake’s Progress by Stravinsky. For her Royal Concertgebouw debut, Mirga Gražinytė-Tyla will be bringing with her the City of Birmingham Symphony Orchestra, of which she is chief conductor. Susanna Mälkki will also be heading her ‘very own’ Helsinki Philharmonic Orchestra. It will also be the first time that The Royal Concertgebouw welcomes a female composer in residence, Tansy Davies, from Great Britain. She will reside in Amsterdam for a few months to, among other things, compose new works for Asko|Schönberg. In the Rising Stars series, the audience will hear commissioned works by Roxanna Panufnik and Camille Pépin, with attention also being paid to female composers such as Alma Mahler, Clara Schumann and Fanny Mendelssohn. The Italian composer and violinist Alba Rosa Viëtor will take centre stage during the one-day festival Alba Rosa Viva!. Her works will be supported by the works of Henriëtte Bosmans, Cécile Chaminade and Rosy Wertheim. Three female ‘Sharp thinkers’ are also set to make an appearance: Petra Stienen, Griet Op de Beeck and Aaltje van Zweden. Violinist Janine Jansen will display her versatility with three concerts in the Main Hall: in a recital together with pianist Alexander Gavrylyuk, and as a soloist with the Swedish Radio Orchestra and the Chamber Orchestra of Europe. The season opens on 17th September with Andris Nelsons and his Boston Symphony Orchestra, back in Amsterdam for the first time since 2001. Another guest will be Riccardo Chailly with his Orchestra Filarmonica della Scala, and the Academy of St. Martin in the Fields will celebrate its sixtieth birthday with pianist, and regular guest conductor, Murray Perahia. Elite vocal stars such as Cecilia Bartoli, Renée Fleming and Eva-Maria Westbroek will be making comebacks. In the Recital Hall, the Borodin Quartet will mark its seventy fifth anniversary with a performance that will include all fifteen string quartets by Shostakovich. Also new in the Recital Hall: a series of three concerts by the Jazz Orchestra of the Concertgebouw including homages to the legendary American musicians Miles Davis, Thelonious Monk and Chet Baker. Various innovative programme concepts are set to continue during the 2018-2019 season. In November 2017, the successful festival Turning East marked the birth of a new tradition in which huge stars from the Middle East regularly perform in the Main Hall. This year, proceedings get underway on 17th March with the legendary Iranian singer Googoosh, who will be performing her first concert in the Netherlands at The Royal Concertgebouw. Under the banner Club Concertgebouw new experimental concerts will again take place in the Choir Hall: from jazz, singer-songwriters, to music from the Netherlands and the rest of the world. The TRACKS-concert series will also continue to take place in the Recital Hall, involving a mixture of music, theatre and storytelling. The Sunday Morning Concerts The Sunday Morning Concert is a collaboration with AVROTROS. This year will be the 24th edition. The basis of the concert series is formed by the two ensembles from the Foundation for Broadcast Music: the Radio Philharmonic Orchestra and the Netherlands Radio Choir. Together, they will open the series on 2nd September with highlights from the history of Italian opera. Conductors will include the likes of Kevin John Edusei, Edo de Waart and Gustavo Gimeno. They will be accompanied by soloists such as the pianist Severin von Eckardstein, mezzo soprano Julie Boulianne, violinist Liza Ferschtman, pianist Anna Fedorova and clarinetist Martin Fröst. Guest orchestras will include the Arctic Philharmonic Orchestra, the Bremer Philharmoniker and Concerto Köln. Furthermore, there will be chamber music programmes performed by pianist Boris Giltburg, cellist Quirine Viersen and the Cremona Quartet. The Sunday Morning Concert takes place every weekend from September to June. Robeco SummerNights On 30th June, Laura Mvula, Gretchen Parlato and the Radio Philharmonic Orchestra will open the thirtieth edition of the Robeco SummerNights with The Gershwin Project. During the summer period, 84 concerts will take place in a range of genres, including classical, opera, film music, musicals, pop, jazz and world music. Classical stars such as pianist Jorge Luis Prats will perform, as well as violinists Isabelle Faust and Gautier Capuçon, jazz legend Dianne Reeves and Eric Whitacre, the rock star of choir conductors. There will also be time for special orchestras such as I, Culture Orchestra, the Aurora Orchestra and the MIAGI Youth Orchestra. Violinist Isabelle van Keulen and pianist Ronald Brautigam, permanent fixtures since the Robeco SummerNights first started, will also join the party for this anniversary year, as will Leo van Doeselaar, who will be celebrating his 25th anniversary as titular organist of The Royal Concertgebouw (Maarschalkerweer-organ). This anniversary year sees the birth of another new tradition in the Main Hall: Star Wars – Live in Concert, in which Star Wars films will be shown accompanied by live music. Through Robeco SummerNights, Robeco and The Royal Concertgebouw aim to bring musical traditions to life in an innovative way and make them accessible to everyone. More information can be found on www.robecosummernights.nl. The Royal Concertgebouw is considered one of the most important concert halls in the world because of its unparalleled acoustics and wide range of high-quality programming. The concert hall has a long-standing tradition for putting on legendary concerts performed by musical greats. With more than 900 activities (of which almost 80% are concerts) and over 700,000 concert-goers annually, as well as educational projects and playing host to many private events, The Royal Concertgebouw is one of the most visited concert halls in the world. The Concertgebouw Café also attracts more than 100,000 visitors annually. Since its founding, the Concertgebouw has been a privately funded art institution with a rich tradition in the field of (concert) sponsorship and fundraising. The Royal Concertgebouw generates approximately 95% of its income independently. Approximately 5% comes from subsidies. A special contribution from the BankGiro Lottery has enabled The Royal Concertgebouw to realise its ambitions in the field of sustainability. For further information visit: www.concertgebouw.nl/en. Note to editors: For further information and footage/images, please contact Reinoud van Houten, PR Manager and Press Spokesperson for The Royal Concertgebouw, email: [email protected] .
Recommended publications
  • Download Booklet
    559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No.
    [Show full text]
  • 2017-18 Season Announcement News Release
    N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore.
    [Show full text]
  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Sunday 5 February 2017 7pm Barbican Hall LSO ARTIST PORTRAIT: JANINE JANSEN Sibelius The Oceanides Bernstein Serenade INTERVAL Nielsen Symphony No 4 London’s Symphony Orchestra (‘The Inextinguishable’) Sir Antonio Pappano conductor Janine Jansen violin Concert finishes approx 8.55pm Filmed and broadcast live by Mezzo 2 Welcome 5 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, LSO 2017/18 SEASON NOW ON SALE which marks the start of this season’s Artist Portrait series, focusing on violin soloist Janine Jansen. The LSO’s inaugural season with Sir Simon Rattle as Music Director is now on sale. Beginning with a ten- The LSO has performed with Janine Jansen regularly day celebration to welcome him in September, the for many years all over the world, and she is a season features concerts to mark 100 years since favourite with our audiences and with the musicians the birth of Bernstein and 100 years since the death of the Orchestra. Across three concerts we will of Debussy, world premieres from British composers, hear her perform a wide range of repertoire, from the beginning of a Shostakovich symphonies cycle, Bernstein’s Serenade tonight to Brahms’ Violin and a performance of Stockhausen’s Gruppen in the Concerto in March, and finally the Berg Violin Concerto Turbine Hall at Tate Modern. in April, showing the many different sides of her celebrated artistry. alwaysmoving.lso.co.uk This evening’s programme is conducted by another good friend of the LSO, Sir Antonio Pappano.
    [Show full text]
  • Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Béla Bartók
    Janine Jansen, Martin Fröst, Torleif Thedéen, and Lucas Debargue Tuesday, December 5, 2017 at 8:00pm Pre-concert Talk at 7:00pm This is the 871st concert in Koerner Hall Janine Jansen, violin Martin Fröst, clarinet Torleif Thedéen, cello Lucas Debargue, piano PROGRAM Béla Bartók:Contrasts, for clarinet, violin, and piano, BB 116 Verbunkos (Recruiting Dance). Moderato ben ritmato Pihenö (Relaxation). Lento Sebes (Fast Dance). Allegro vivace Karol Szymanowski: Mity (Myths), op. 30 Zrodło Aretuzy (The Fountain of Arethusa) Narcyz (Narcissus) Driady i Pan (Dryads and Pan) INTERMISSION Olivier Messiaen: Quartet for the End of Time 1. Liturgie de cristal (Crystal Liturgy) – quartet 2. Vocalise, pour l'Ange qui annonce la fin du Temps (Vocalise, for the Angel who Announces the End of Time) – quartet 3. Abîme des oiseaux (Abyss of the Birds) – clarinet 4. Intermède (Interlude) – violin, clarinet, cello 5. Louange à l’Éternité de Jésus (Praise to the Eternity of Jesus) – cello, piano 6. Danse de la fureur, pour les sept trompettes (Dance of the Fury, for the Seven Trumpets) – quartet 7. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (Tangle of Rainbows, for the Angel who Announces the End of Time) – quartet 8. Louange à l'Immortalité de Jésus (Praise to the Immortality of Jesus) – violin, piano Béla Bartók Born in Nagyszentmiklós, Hungary (now Sînnicolau Mare, Romania), March 25, 1881; died in New York, New York, September 26, 1945. Contrasts, for clarinet, violin, and piano, BB 116 (1938) This is a little acorn that grew into a three-movement classic of the repertoire.
    [Show full text]
  • Bruch's Violin Concerto
    MSO MORNINGS BRUCH’S VIOLIN CONCERTO Teaching and Learning Guide (Levels 7–12) mso.com.au/education EXTEND MSO MORNINGS: BRUCH’S VIOLIN CONCERTO CONTENTS 1. REPERTOIRE 3 2. ARTIST INFORMATION 4 3. A WORD FROM OUR MUSICIANS 5 4. BEFORE THE CONCERT 6 5. SAMPLE LESSON PLANS LESSON PLAN 1: MSO MUSICIANS AND THEIR INSTRUMENTS 8 LESSON PLAN 2: INTRODUCING THE COMPOSERS! 9 LESSON PLAN 3: DURING THE CONCERT 10 LESSON PLAN 4: ANALYSING BRUCH’S VIOLIN CONCERTO 11 6. APPENDIX 12 7. LEARN MORE 13 Front page: Lu Siqing, violin BRUCH’S VIOLIN CONCERTO MSO 2019 TEACHING AND LEARNING GUIDE – 2 SECTION 1 REPERTOIRE The repertoire featured in this concert is: BERLIOZ King Lear Overture BRUCH Violin Concerto No.1 in G minor BORODIN Prince Igor: Polovtsian Dances Find the repertoire on: • Spotify, by visiting our event page • YouTube, by visiting these links: o BERLIOZ King Lear Overture o BRUCH Violin Concerto No.1 in G minor o BORODIN Prince Igor: Polovtsian Dances BRUCH’S VIOLIN CONCERTO MSO 2019 TEACHING AND LEARNING GUIDE – 3 SECTION 2 ARTIST INFORMATION MELBOURNE SYMPHONY ORCHESTRA Established in 1906, the Melbourne Symphony Sir Andrew Davis gave his inaugural concerts as Orchestra (MSO) is an arts leader and Australia’s the MSO’s Chief Conductor in 2013, having made oldest professional orchestra. Chief Conductor his debut with the Orchestra in 2009. The MSO Sir Andrew Davis has been at the helm of the also works with Associate Conductor Benjamin MSO since 2013. Engaging more than 4 million Northey and Assistant Conductor Tianyi Lu, as well people each year, the MSO reaches diverse as with such eminent recent guest conductors as audiences through live performances, recordings, Tan Dun, John Adams, Jakub Hrůša and Jukka- TV and radio broadcasts and live streaming.
    [Show full text]
  • Britten Connections a Guide for Performers and Programmers
    Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
    [Show full text]
  • Download the Concert Programme (PDF)
    London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice.
    [Show full text]
  • The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
    20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating.
    [Show full text]
  • Media Release Embargoed Until Monday 16 May 2011
    Media Release Embargoed until Monday 16 May 2011 The National Concert Hall launches a Star-studded International Concert Series 2011/2012 to celebrate its 30th Anniversary Today, Monday 16 May 2011, Jimmy Deenihan, T.D. Minister of Arts, Heritage and the Gaeltacht launches The National Concert Hall’s star-studded 2011/2012 International Concert Series. Irish audiences can look forward to a series of some of the world’s most celebrated recitalists, conductors, orchestras and singers to include: The Philadelphia Orchestra with conductor Charles Dutoit and Danish violinist Janine Jansen, Dame Kiri Te Kanawa with the RTÉ Concert Orchestra and Patrik Ringborg, conductor. The Royal Philharmonic Orchestra with conductor /violinist Pinchas Zukerman and The London Symphony Orchestra with conductor Antonio Pappano and violinist Roman Simovid make a welcome return. New to the series are The Toulouse Orchestra with conductor Tugan Sokhiev and Alina Ibragimova, violin. This season’s recitalists include: pianist András Schiff, violinist Nicola Benedetti, pianist Stephen Hough, cellist Han-Na Chang. Britten Sinfonia, The King’s Singers and The RTÉ Vanbrugh Quartet also make their series debut. Speaking about the launch Minister Deenihan said “once again the programme for the Concert Series is impressive in its variety of celebrated artists who will perform at The National Concert Hall this coming season. It provides a wonderful opportunity for Irish people to hear some of the world’s most talented masters of musical artistry. For those who deeply appreciate music the most difficult of choices will be made over the coming months in the selection of concerts to attend. I congratulate The National Concert Hall for their innovation of the ‘Discover Classical Music’ Package.” David Byrne, Chairman of the National Concert Hall says “It is always an exciting occasion for us at The National Concert Hall to announce such a line-up of world-class orchestras, conductors and musicians particularly in this, our 30th anniversary year.
    [Show full text]
  • Facts & Figures Het Concertgebouw
    Factsheet of The Royal Concertgebouw The Concertgebouw Built in 1886. First concert April 11, 1888; One of the most famous concert halls in the world with unparalleled acoustics; Two famous concert halls within the Concertgebouw: the Main Hall (1974 seats) and the Recital Hall (437), as well as the recently opened Choir Hall (150 seats); Mission: The Royal Concertgebouw connects and enriches people by offering them a sublime musical experience Vision: The Royal Concertgebouw uses its unique concert hall building and high level of artistic programming to connect people of all ages and to enrich them with a sublime musical experience. All staff members are fully engaged with this mission. It is our daily ambition to write music history and to continue to be in the world’s top league of concert halls. We cherish the private nature of our business – we are responsible for 95% of our own income and our building. We aim to preserve the Concertgebouw in its highest possible state for the following generations. The Concertgebouw has a great tradition of legendary concerts with illustrious names in classical, jazz and world music, such as Gustav Mahler, Richard Strauss, Bernard Haitink, Yehudi Menuhin, Jessye Norman, Vladimir Horowitz, Cecilia Bartoli, Louis Armstrong, Sting, and many more. Together with its house orchestra, the Royal Concertgebouw Orchestra, which has been voted the best orchestra in the world, it has reached the absolute top during its years of existence; With over 900 events (80% concerts) and over 700.000 visitors a year the Concertgebouw is one of the best visited concert halls of the world; The Concertgebouw Café attracts over 100.000 guests a year.
    [Show full text]
  • Amihai Grosz Viola
    „His tone is confident and passionate, he is an eloquent narrator without words, sovereignly covering the melancholic-dreamy width of the score.“ Frederik Hanssen, Der Tagesspiegel AMIHAI GROSZ VIOLA Amihai Grosz looks back on a very unusual career path: At first a quartet player (founding member of the Jerusalem Quartet), then and until today Principal Violist with the Berlin Philharmonic Orchestra, and also a renowned soloist. Initially, Amihai Grosz learned to play the violin, before switching to the viola at age 11. In Jerusalem, he was taught by David Chen, later by Tabea Zimmermann in Frankfurt and Berlin as well as in Tel Aviv by Haim Taub, who had a formative influence on him. At a very early age, he received various grants and prizes and was a member of the “Young Musicians Group” of the Jerusalem Music Center, a program for outstanding young musical talents. As a soloist Grosz has collaborated with renowned conductors such as Zubin Mehta, Tugan Sokhiev, Ariel Zukermann, Daniel Barenboim, Sir Simon Rattle, Alexander Vedernikov and Gerard Korsten and performs internationally with orchestras such as the Finnish Radio Symphony Orchestra, the Warsaw Philharmonic Orchestra, the Danish National Symphony Orchestra, the Orchestre d'Auvergne and the Zurich Chamber Orchestra. In the world of chamber music, Amihai Grosz performs with artists such as Yefim Bronfman, Mitsuko Uchida, Daniel Hope & Friends, Eric le Sage, Janine Jansen & Friends, Julian Steckel, Daishin Kashimoto and David Geringas. Internationally, he can be heard regularly at the most prestigious concert halls such as the Concertgebouw Amsterdam, Tonhalle Zurich, Wigmore Hall in London and the Philharmonie Luxembourg, as well as at leading festivals including the Jerusalem Chamber Music Festival, the Schleswig-Holstein Musik Festival, the Evian, Verbier and Delft Festivals, the BBC Proms and the Utrecht International Chamber Music Festival.
    [Show full text]
  • Final 2011-12 Winter Chronological Listings
    WALT DISNEY CONCERT HALL 2011/12 CHRONOLOGICAL LISTING OF EVENTS SEPTEMBER 2011 LOS ANGELES PHILHARMONIC Tuesday, September 27, 2011, at 7 PM -OPENING NIGHT GALA- Walt Disney Concert Hall OPENING NIGHT GALA (Non-subscription) Gustavo Dudamel, conductor Herbie Hancock, piano GERSHWIN Cuban Overture GERSHWIN An American in Paris GERSHWIN Rhapsody in Blue The gala evening benefits the Los Angeles Philharmonic Association. LOS ANGELES PHILHARMONIC Friday, September 30, 2011, at 8 PM Walt Disney Concert Hall Gustavo Dudamel, conductor ADAMS Short Ride in a Fast Machine STRAVINSKY SympHony in C BERLIOZ Symphonie fantastique OCTOBER 2011 LOS ANGELES PHILHARMONIC Saturday, October 1, 2011, at 8 PM Walt Disney Concert Hall Sunday, October 2, 2011, at 2 PM Gustavo Dudamel, conductor ADAMS Short Ride in a Fast Machine STRAVINSKY SympHony in C BERLIOZ Symphonie fantastique GREEN UMBRELLA Tuesday, October 4, 2011, at 8 PM Walt Disney Concert Hall LA Phil New Music Group Otto Tausk, conductor DI CASTRI La forma dello spazio for solo violin FELDMAN Viola in My Life Nos. 1 and 2 TAKEMITSU Rain Coming HAAS new work (U.S. premiere, LAPA commission) LOS ANGELES PHILHARMONIC Thursday, October 6, 2011, at 8 PM Walt Disney Concert Hall Friday, October 7, 2011, at 11 AM Saturday, October 8, 2011, at 8 PM Sunday, October 9, 2011, at 2 PM Gustavo Dudamel, conductor Janine Jansen, violin MENDELSSOHN Hebrides Overture MENDELSSOHN Violin Concerto MENDELSOHN SympHony No. 3, “ScottisH” BAROQUE VARIATIONS Tuesday, October 11, 2011, at 8 PM Walt Disney Concert Hall
    [Show full text]