RECRUITMENT PACK Company Manager
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A PSILLAS Biog Audiocraft
Sound Designer: Mr Avgoustos Psillas Avgoustos established AudioCarft Scandinavia in 2020 after 12 years at Autograph Sound in London, where he worked as a sound designer. Autograph Sound is a leading British sound design and equipment hire company, responsible for numerous theatre productions in the UK and abroad, including: Hamilton, Les Misérables, Wicked!, Mamma Mia!, Book of Mormon, Marry Poppins, Matilda, Harry Potter and the cursed child and many others. Avgoustos’ designer credits for musical theatre and theatre: The Sound of Music Stockholm Stadsteater Circus Days and Night Malmö Opera & Circus Cirkör Matilda The Musical Royal Danish Theatre Funny Girl Malmö Opera Sweeney Todd Royal Danish Opera BIG The Musical Dominion Theatre, London Blues in the Night The Kiln Theatre Matilda The Musical Malmö Opera The Ferryman St James Theatre, on Broadway, NY Kiss Me Kate Opera North, London Coliseum Pippin Malmö Opera Elf The Musical The Lowry, Manchester BIG The Musical Theatre Royal Plymouth & Bord Gais, Dublin Oliver! The Curve, Leicester AGES The Old Vic, London Pygmalion Garrick Theatre, London Strangers on a Train Gielgud Theatre, London Spamalot The Harold Pinter Theatre, London Spamalot (Remount) London Playhouse EPIDEMIC The Musical The Old Vic, London Henry V Open Air Theatre Regent’s Park Hobson’s Choice Open Air Theatre Regent’s Park Winter’s Tale Open Air Theatre Regent’s Park AudioCraft Scandinavia AB | Svanvägen 59, 611 62, Nyköping, Sweden e: [email protected] | t: +44 79 50292095 | Organisation no: 559281-2035 | VAT -
Latest News and Opera Glass Top 10 Winter 2015/16
Latest News and Opera Glass Top 10 Winter 2015/16 London Opera Glass Top 10 Theatres For the last quarter of 2015, we decided to double the number of hampers to 10! Transformation at the Apollo Victoria Opened in 1930 as the New Victoria Cinema, the auditorium was designed to represent a ‘fairy cavern under the sea, or a mermaid’s dream of heaven’. This theme was reflected in the original seating and carpet design which created a wave effect in greens, blues and silvers. The 10 winning theatres, Now, fast-forward to last year and the start of the major project, replacement seating, in alphabetical order, are: carpet and new green opera glasses, will be completed in time for Wicked’s 10th Anniversary in September 2016. Apollo Victoria Theatre The first phase in the Stalls, finished over recent weeks, is creating another ripple in Cambridge Theatre terms of great positive feedback from theatre staff and many patrons regarding the Dominion Theatre comfort of the new seats. Duke of York’s Theatre Her Majesty’s Theatre Lyceum Theatre Manchester, Opera House Nottingham, Theatre Royal Savoy Theatre Shaftesbury Theatre Our winning theatres are based on Front of House teams, who on a regular basis, replaced lost or You Have Been Spotted! missing opera glasses between Following a request from the film makers,we supplied blue binoculars which guests can our frequent service visits. be seen using during an episode of Don’t Tell the Bride filmed late last year in Cornwall. A big thank you must also go to all Musical Week was the 2015 Strictly Quarter Final when the dancing couples can be the other venues offering our opera seen eyeing up their opposition! glass service to their theatregoers who love using our service to enhance their theatre experience. -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
Download Cast and Crew Here
I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole). -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
The Corner Shop PR Current Projects 2017
The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................ -
RECRUITMENT PACK Assistant Stage Manager / Book Cover
RECRUITMENT PACK Assistant Stage Manager / Book Cover (Fixed Term, Full-time) ASSISTANT STAGE MANAGER / BOOK COVER The Prince of Egypt opened at the Dominion Theatre, London in February 2020 and performances continued until the closure of all West End theatres on 16 March 2020 due to the COVID-19 pandemic. Following a re-rehearsal process and technical recommissioning in June we are planning to reopen at the Dominion Theatre on Thursday 1 July 2021. Featuring a company of more than 60 artists, The Prince of Egypt is one of the biggest musicals on the West End. Delivering each performance involves more than 100 people backstage, including stage management, automation, sound, video, wardrobe, wigs and chaperones; working closely with the Dominion Theatre team. We are looking for an experienced Assistant Stage Manager / Book Cover to join our busy Stage Management department of 6 staff. Ideal candidates will have a passion for technical theatre, be detail orientated, highly organised, empathic, work well with large teams and have a flexible approach to working unsociable hours. The COVID-19 pandemic has severely impacted the theatre industry, it is of the utmost importance that all of The Prince of Egypt staff attend COVID-19 health and safety training, follow all guidance and regulations as instructed and take personal responsibility for their safety as well as the safety of our colleagues and our audiences. The Prince of Egypt is committed to making our recruitment process inclusive. We are seeking candidates who support our principles of equal opportunity and broadening access to the arts. We aim for our workforce to be representative of our society and encourage applications from everyone. -
Af School Information.Doc
I want all children in the East End, regardless of any financial, physical or learning difficulties, to have access to professional training normally only available to more affluent families. To keep young people away from gun and knife crime in the East End we must develop life skills and encourage dreams and aspirations. Anna Fiorentini The not for profit Anna Fiorentini Theatre & Film School opened in 2001 as a Prince’s Trust Business. Since then it has won three Business of London awards, a social Investor award and a Highly Commended Diversity in Business. Unique to the East End of London, the school has proved a great success, attracting children from many diverse cultural backgrounds and is fast becoming one of the most talked about ventures in London. With its dedication to providing the kind of first class education normally only found in more affluent areas and its all inclusive policy, the school has attracted the attention of the media and celebrities alike: "I am so pleased I am not starting again in showbiz! The talent I saw from this school was superb." Barbara Windsor "Anna, thank you for all your hard work in getting me funding for a place at your school.....Thank you too for getting me the audition for EastEnders and for believing in me." Belinda Owusu (Libby Fox, EastEnders) Three years ago in partnership with Equator Media, Anna Fiorentini set up City Academy, aimed at City Professionals who wish to use the performing arts as a creative outlet; a percentage of profits from this sister school go towards bursaries for children at the AF school. -
Choreography Credits Include
ASHLEY NOTTINGHAM Choreography credits include: Spamalot (UK TOUR 2017-18/Daegu Opera House) Selladoor; Directed by Daniel Buckroyd Top Hat (Arts Educational School) Chris Hocking; Directed by Richard Fitch Aladdin (Lichfield Garrick) Evolution & The Garrick Theatre; Directed by Tim Ford La La London (Adcan Commercial) Werk For Peace; Directed Madeleine Spivey BBC Television Dance Workshop (London) Expectation Entertainment; Gareth Davis Red Riding Hood in Mandarin (KC Arts Centre, Singapore) Gaurav Kripalani; Directed by Kate Golledge Ruby Strippers - West End Bares 2017 (Novello) MAD Trust; Directed by David Grewcock Merrily We Roll Along (Guildhall School, Of Music & Drama) Directed by Martin Connor Disaster! (Charing Cross Theatre) Darren Lee Murphy; Directed by Jack Plotnick & Seth Rudetsky Way, Meravigoso & Virtual (Broadway Theatre, Meraviglia) MSC, Showup Meraviglia Opening Ceremony - Sophia Loren (International Broadcast from Le Harve) MSC Snow White (Woking, Victoria) First Family Entertainment; Directed by Warwick Davis Sleeping Beauty (Lichfield, Garrick) Evolution & The Garrick Theatre; Directed by Tim Ford First Date - European Premiere (Ivy Arts Centre) GSA; Directed By Luke Sheppard End Of The Rainbow (UK Tour) Paul Taylor Mills/The Mercury; Directed by Daniel Buckroyd Snow White & The Seven Dwarfs (Reading, Hexagon) Imagine; Directed by Steve Boden & Justin Fletcher Thoroughly Modern Millie (Adelphi) Showtime Challenge; Directed By Esther Biddle Marry The Knight - West End Bares 2016 (Novello) MAD Trust; Directed by David -
Laura-Michelle Kelly
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Laura-Michelle Kelly Photo: Paul Smith Location: London Other: Equity Height: 5'5" (165cm) Eye Colour: Grey-Green Weight: 8st. 6lb. (54kg) Hair Colour: Black Playing Age: 16 - 30 years Hair Length: Long Appearance: Eastern European, Mediterranean,Voice Quality: Melodious White Stage 2012, Stage, Paula Ray, The Second Mrs Tanqueray, Kingston Rose Theatre, Stephen Unwin 2008, Stage, Karen, Speed The Plow, Old Vic Company, Matthew Warchus Musical 2014, Musical, Sylvis Llewelyn Davies, Finding Neverland, A.R.T Loeb Drama Center, Diane Paulus 2013, Musical, Eliza Doolittle, My Fair Lady, Kennedy Centre Washington DC, Marica Milgrim Dodge 2013, Musical, Nellie Forbrush, South Pacific, MUNY, St Louis, Rob Ruggiero 2012, Musical, Anna, The King & I, St Louis MUNY, Rob Ruggiero 2010, Musical, Mary Poppins, Mary Poppins, New Amsterdam Theatre, Richard Eyre 2004, Musical, Hodel, Fiddler On The Roof, Minskoff Theatre, Broadway, David Leveaux 2005, Musical, Emma, A Twist Of Fate, Singapore Esplanade Theatre 2005, Musical, Mary Poppins, Mary Poppins, London Prince Edward Theatre, Richard Eyre 2003, Musical, Eliza, My Fair Lady, Cameron Mackintosh Productions, Trevor Nunn 2002, Musical, Sophie, Mamma Mia, Littlestar Productions, Peter Addis 2002, Musical, Soloist, Night Of A Thousand Voices, Albert Hall 2002, Musical, Lolita, Zorro, The Old Vic, London, Chris Wrenshaw 2001, Musical, Principal, -
180 Market Avenue Playhouse Theatre (Formerly Pantages Theatre)
180 MARKET AVENUE PLAYHOUSE THEATRE (FORMERLY PANTAGES THEATRE) HISTORICAL BUILDINGS COMMITTEE September 30, 1980 180 MARKET AVENUE PLAYHOUSE THEATRE (FORMERLY PANTAGES THEATRE) From its early days, live theatre has had a solid tradition in Winnipeg. In the years before movies, television and radio, performance on some sort of public stage was a treasured form of entertainment, common to all leisured societies. The long winter evenings in Red River were particularly suitable for such social activity and by 1866, an amateur theatre group had been spawned. Other groups followed in succession, each providing bright moments of drama, comedy, music and variety. "Theatres" pressed into use included army huts, the upper floor of City Hall, a store and a church hall that creaked ominously when it held an enthusiastic crowd of 200 people.1 In the 1870s, the Theatre Royal and the Princess Theatre were both constructed for Winnipeg patrons but were both rather cheaply done. The Royal had a party wall with a stable and the animals would bray and whinny when the audience made noise. The Princess, like so many of its genre, caught fire from its wood stove and burned to the ground. Better facilities and a growing population eventually promoted local theatrical groups and permitted Winnipeg to lure travelling stock shows and the early vaudeville circuits. Still, the theatres were a little too quaint by our standards. In the winter, exits and windows were sealed to prevent drafts which resulted in serious fire hazard. In the summer, the auditoriums became oppressively hot and patrons were wedged in so tightly that those who fainted had no place to fall.2 In 1904, the Dominion Theatre in Winnipeg opened as the first of the well-built, permanent stages.