The World Today Is a Dangerous Place, Filled
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Flatliners (1990) 68,725 This R | 1H 55Min | Drama, Horror, Sci-Fi | 10 August 1990 (USA)
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE 6.6/10 Rate Flatliners (1990) 68,725 This R | 1h 55min | Drama, Horror, Sci-Fi | 10 August 1990 (USA) Five medical students experiment with "near death" experiences, until the dark consequences of past tragedies begin to jeopardize their lives. Director: Joel Schumacher Writer: Peter Filardi Stars: Kiefer Sutherland, Kevin Bacon, Julia Roberts | See full cast & crew » IMDb Picks: December Metascore Reviews Popularity 55 From metacritic.com 160 user | 42 critic 1,662 ( 260) Watch Now From EUR2.99 (SD) on Amazon Video ON DISC Nominated for 1 Oscar. Another 2 nominations. See more awards » Videos Photos "Doctor Who" We can't wait to travel through time and space one last time with the Twelfth Doctor. See which other movies and TV shows we're excited about this month. 58 photos | 1 video | Related news articles » Visit IMDb Picks » Edit Like 5.6K people like this. Sign Up to see what Cast your friends like. Cast overview, first billed only: Kiefer Sutherland ... Nelson Wright Related News Julia Roberts ... Dr. Rachel Mannus New Flatliners Movie Coming to Blu-ray, DVD, and Digital Platforms This Kevin Bacon ... David Labraccio December 15 November 2017 7:21 PM, +01:00 | DailyDead William Baldwin ... Dr. Joe Hurley Julia Roberts Acts Out 26 of Her Movies in Under 10 Minutes Oliver Platt ... Randy Steckle 5 October 2017 12:55 PM, +01:00 | E! Online The ‘Flatliners’ Remake Buckled Under Kimberly Scott .. -
Superman Or Batman Cakes
2105-8507SMnBatWebIs50530.qxd 7/12/05 11:42 AM Page 1 Instructions for To Decorate Superman Cake To make the Superman cake in the colors shown you will need Wilton Baking & Decorating Icing Colors in Royal Blue, Christmas Red, Copper (skin tone), and Lemon Yellow, tips 3, 16 and 18. We suggest that you tint all icing at Superman or Batman one time while cake cools. Refrigerate tinted icings in covered containers until ready to use. Cakes Make 3 cups buttercream icing: 1 PLEASE READ THROUGH INSTRUCTIONS BEFORE YOU BEGIN. • Tint 1 ⁄2 cups blue 3 IN ADDITION, to decorate cakes you will need: • Tint ⁄4 cup red • Tint 1⁄4 cup copper (skin tone) • Wilton Decorating Bag and Coupler or • Tint 1⁄4 cup yellow parchment paper triangles • Reserve 1⁄4 cup white • Tips 3, 16, and 18 • Wilton Icing Colors in Royal Blue, WITH RED ICING WITH YELLOW ICING • Use tip 3 and “To Outline” • Use tip 16 and “To Make Stars” Christmas Red, Copper (skin tone), directions to outline details on cape directions to cover belt Lemon Yellow and Black • Use tip 18 and “To Make Stars” • Use tip 16 and “To Make Stars” • Serving plate directions to cover cape directions to squeeze out a second • One 2-layer cake mix or ingredients for layer of stars in a circle to give the your favorite layer cake recipe WITH BLUE ICING appearance of a belt buckle • 3 cups buttercream icing (recipe) or • Use tip 3 and “To Outline” directions to outline details on suit WITH RED ICING 2 packages of creamy vanilla type • Use tip 16 and “To Make Stars” frosting mix (15.4 oz. -
F5833 FLATLINERS (USA, 1990) (Other Titles: Egyenesen At; Experience Interdite; Linea Mortale)
F5833 FLATLINERS (USA, 1990) (Other titles: Egyenesen at; Experience interdite; Linea mortale) Credits: director, Joel Schumacher ; writer, Peter Filardi. Cast: Kiefer Sutherland, Julia Roberts, Kevin Bacon, William Baldwin. Summary: Horror film set in the contemporary U.S. An ambitious, charismatic medical student (Sutherland) persuades two classmates (Roberts and Bacon) to take part in an experiment to determine if there is life after death. When the Julia Roberts character crosses over to the other side, she is greeted as a little girl by images of her father returning home from Vietnam. She sees what she has suppressed since childhood: her father mainlining dope and killing himself with a .45 pistol. Blair, Iain, “Chicago quickens pulse of ‘Flatliners’: Sci-fi thriller mixes local sets, Sutherland and Roberts with macabre experiments seeking life after death” Chicago tribune (Aug 8, 1990), Tempo, p. 1. Boesch, Xavier (see under Outarquin, Laurent) Brown, Joe. “‘Flatliners’ lacks intensive scare” Washington post (Aug 10, 1990), Weekend, p. 49. Brudny, Wolfgang. “Jenseits - hin und zurueck” Medien 35/1 (1991), p. 40-41. Buehrer, Beverly Bare. “Flatliners” Magill’s cinema annual Englewood Cliffs, N.J. : Salem Press, 1982- (1991, p. 109-112) Busby, Scott. “Do or die” Millimeter 18 (Jun 1990), p. 205. Carr, Jay. “Dark ‘Flatliners’ takes idealism to heart” Boston globe (Aug 10, 1990), Arts and film, p. 31. Cosford, Bill. “Flatliners: A blip on the silver screen” Miami herald (Aug 10, 1990), p. 10G. Dawes, Amy. “Flatliners” Variety 340 (Aug 1, 1990), p. 67. Dwyer, V. [Flatliners] Maclean’s 103 (Aug 13, 1990), p. 58. Edelstein, David. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Download the Full Dc Future State Checklist!
Store info: FILL OUT THIS INTERACTIVE CHECKLIST AND RETURN TO YOUR RETAILER TO MAKE SURE YOU DON’T MISS AN ISSUE OF DC: FUTURE STATE! (Tuesday availability at participating stores) DC: FUTURE STATE TITLES DC: FUTURE STATE TITLES COMING JANUARY 2021 COMING FEBRUARY AND MARCH 2021 M V M = Main V = Variant M V M = Main V = Variant Check with your retailer for variant cover details. Check with your retailer for variant cover details. Available Tuesday, January 5, 2021 Available Tuesday, February 2, 2021 _ _ Future State: The Next Batman #1 (of 4) _ _ Future State: The Next Batman #3 (of 4) _ _ Future State: The Flash #1 (of 2) _ _ Future State: The Flash #2 (of 2) _ _ Future State: Harley Quinn #1 (of 2) _ _ Future State: Harley Quinn #2 (of 2) _ _ Future State: Superman of Metropolis #1 (of 2) _ _ Future State: Superman of Metropolis #2 (of 2) _ _ Future State: Swamp Thing #1 (of 2) _ _ Future State: Swamp Thing #2 (of 2) _ _ Future State: Wonder Woman #1 (of 2) _ _ Future State: Wonder Woman #2 (of 2) Available Tuesday, January 12, 2021 Available Tuesday, February 9, 2021 _ _ Future State: Dark Detective #1 (of 4) _ _ Future State: Dark Detective #3 (of 4) _ _ Future State: Green Lantern #1 (of 2) _ _ Future State: Green Lantern #2 (of 2) _ _ Future State: Justice League #1 (of 2) _ _ Future State: Justice League #2 (of 2) _ _ Future State: Kara Zor-El, Superwoman #1 (of 2) _ _ Future State: Kara Zor-El, Superwoman #2 (of 2) _ _ Future State: Robin Eternal #1 (of 2) _ _ Future State: Robin Eternal #2 (of 2) _ _ Future State: Superman/Wonder -
Heroic Subjectivity in Frank Miller's the Dark Knight
Ruzbeh BABAEE, Kamelia TALEBIAN SEDEHI, Siamak BABAEE* HEROIC SUBJECTIVITY IN FRANK MILLER’S THE DARK KNIGHT RETURNS Abstract. The genre of superhero is challenging. How does one explain the subjectivity of the hero with super- powers, morality norms, justice orders and ideologi- cal backgrounds? Many authors and critics interpret superheroes in cultural, political, religious and social contexts. However, none has investigated a superhero’s subjectivity as a dynamic and in-process phenomenon. The present paper examines the relationship between hero and subjectivity through Frank Miller’s The Dark Knight Returns (1986). Miller shows the necessity of subjective dynamics for the sublime in a model of sub- jectivity that echoes with questions about the subject that has flourished within literary, psychoanalytic and linguistic theories since the mid-twentieth century. Thus, this study employs Julia Kristeva’s concept of subject in 199 process with the aim to indicate that subjectivity is a dynamic phenomenon in Miller’s superhero fiction. Keywords: Batman, subjectivity, justice, morality, sub- ject in process Introduction Recently, there has been a near-deafening whir surrounding comic books. This is partly due, of course, to their adaptation into superhero blockbuster films.1 But something else is also going on. There is a diversifi- cation of the content and its readers along race and gender lines. According to a recent interview with Frederick Luis Aldama, the comic book is “a mate- rial history and an aesthetic configuration” that depicts issues of social jus- tice (“Realities of Graphic Novels” 2). Indeed, social justice and race as artic- ulated within the superhero comic book storytelling mode is the focus of several recent PhD, MA and book-length monograph studies. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Honoring Batman, Superman Creators
February 23, 2016 CK Reporter of the Week Jasmine Douglas, Thornton Honoring Batman, Superman creators one else’s needs before themselves or anything for that matter.” “Bill the Boy Wonder” was written as a follow up for “Boys of Steel.” Unlike Shuster and Siegel, Bill Finger hadn’t gotten recognition as a creator of Batman. Bob Kane had taken all the cred- it for creating the character. Finger wasn’t okay with this, but when he tried to stand up for himself, nothing changed. According to Nobleman, “If Bill was here right now, he would say ‘thank you.’ He wouldn’t be full of himself like many people are today.” hen people hear the names “Superman” and “Batman” they Bill Finger was the one who came up immediately know the two superheroes who are being men- with the characters, the back story, the costume, the symbol, and a tioned. W secret identity for Batman. When people hear the names Joe Shuster, Jerry Siegel, or Bill Finger, “If you are a Batman fan you are also a big Bill Finger fan,” Noble- though, a blank expression washes over their faces. man said, “you just didn’t know it right then.” These are the men behind two of the best known fictional charac- Without Finger, we wouldn’t have the Batman we know today, and ters in the world, and many people are trying to make them better Nobleman said that it is important for us to recognize him for all he known, including Marc Tyler Nobleman, who has written two books has given to Batman, and giving him credit for creating Batman is one dedicated to the creators and spoke at the 2016 CCIRA conference. -
June Music Lessons 2021
June Music Lessons 2021 Pre-K through 2nd Grade Watch Motown Magic in class. Have a class discussion on the events and history of Motown. https://www.motownmuseum.org/ Last week of school- Enjoy playing some fun interactive music games. 3rd through 8th Grade Watch The Wiz in class. Learn about the history and discuss the discussion questions. The Wiz is a 1978 American musical adventure fantasy film produced by Universal Pictures and Motown Productions and released by Universal Pictures on October 24, 1978. A reimagining of L. Frank Baum's classic 1900 children's novel The Wonderful Wizard of Oz featuring an all-black cast, the film was loosely adapted from the 1974 Broadway musical of the same name. It follows the adventures of Dorothy, a shy, twenty-four-year-old Harlem schoolteacher who finds herself magically transported to the urban fantasy Land of Oz, which resembles a dream version of New York City. Befriended by a Scarecrow, a Tin Man, and a Cowardly Lion, she travels through the city to seek an audience with the mysterious Wiz, who they say is the only one powerful enough to send her home. Filming took place in Queens, New York from October to December of 1977. Produced by Rob Cohen and directed by Sidney Lumet, the film stars Diana Ross, Michael Jackson, Nipsey Russell, Ted Ross, Mabel King, Theresa Merritt, Thelma Carpenter, Lena Horne and Richard Pryor. Its story was reworked from William F. Brown's Broadway libretto by Joel Schumacher, and Quincy Jones supervised the adaptation of Charlie Smalls and Luther Vandross' songs for it. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
GRAPHIC NOVELS in ADVANCED ENGLISH/LANGUAGE ARTS CLASSROOMS: a PHENOMENOLOGICAL CASE STUDY Cary Gillenwater a Dissertation Submi
GRAPHIC NOVELS IN ADVANCED ENGLISH/LANGUAGE ARTS CLASSROOMS: A PHENOMENOLOGICAL CASE STUDY Cary Gillenwater A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Education. Chapel Hill 2012 Approved by: Madeleine Grumet James Trier Jeff Greene Lucila Vargas Renee Hobbs © 2012 Cary Gillenwater ALL RIGHTS RESERVED ii ABSTRACT CARY GILLENWATER: Graphic novels in advanced English/language arts classrooms: A phenomenological case study (Under the direction of Madeleine Grumet) This dissertation is a phenomenological case study of two 12th grade English/language arts (ELA) classrooms where teachers used graphic novels with their advanced students. The primary purpose of this case study was to gain insight into the phenomenon of using graphic novels with these students—a research area that is currently limited. Literature from a variety of disciplines was compared and contrasted with observations, interviews, questionnaires, and structured think-aloud activities for this purpose. The following questions guided the study: (1) What are the prevailing attitudes/opinions held by the ELA teachers who use graphic novels and their students about this medium? (2) What interests do the students have that connect to the phenomenon of comic book/graphic novel reading? (3) How do the teachers and the students make meaning from graphic novels? The findings generally affirmed previous scholarship that the medium of comic books/graphic novels can play a beneficial role in ELA classrooms, encouraging student involvement and ownership of texts and their visual literacy development. The findings also confirmed, however, that teachers must first conceive of literacy as more than just reading and writing phonetic texts if the use of the medium is to be more than just secondary to traditional literacy. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history.