David Wisken

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DAVID WISKEN + 61 439 347 653 Training: PIANO: Licentiate Diploma in Music Teachers: Joanna Barrett & Sandra Alexsijeva-Birze Extremely competent sight-reader, improvisation. VOICE: Estill Level 1 & 2 Teachers: Tim Smith, Naomi Eyers OTHER INSTRUMENTS: Flute, Clarinet, Saxophone MUSIC DIRECTION: Goodspeed Institute Of Musical Theatre – Connecticut CONDUCTING: Master classes and private training with Fabien Russell, Chris Van Tuinen, Richard Gill, Tim Smith ACTING: Australian College Of Dramatic Art – Merilyn Brend Assistant Music Direction Credits 1999 Sweeney Todd SLAMS/Chris Van Tuinen 2001 MSO Season Marcus Stenz 2003 West Side Story SLAMS/Chris Van Tuinen 2003 Saturday Night Magnormos/Peter Burgess 2004 Les Miserables SLAMS/Chris Van Tuinen 2005 Anything Goes NOVA/Greg Smith 2005 McCubbin – World Premiere Peter Burgess 2005 Seriously – The Pet Shop Boys Reinterpreted (MELB) Dean Lotherington 2007 Seriously – The Pet Shop Boys Reinterpreted (EDINB.) Dean Lotherington 2013 King Kong Live ON Stage (Secondment) Global Creatures/Max Lambert 2013 Children Of Eden Magnormos 2013 Gypsy (Secondment) The Production Company Music Direction Credits: 2004 Company Loyola Music Theatre Co. 2008 VCA Music Theatre Cabaret Showcase Martin Croft/Sally Bourne 2008 Patrick Studios Australia Resident Music Director 2010 Really?! Erin Cornell 2011 Songs of Instability Caity Fowler 2011 The New Broadway Patrick Studios/Andrew Hallsworth 2012 In The Living Years Patrick studios/Andrew Hallsworth 2012 Normie The Musical Richard Beveridge 2013 In Conversation with Stephen Schwartz Magnormos 2013 LaChuisa’s “The Wild Party” Patrick Studios/Andrew Hallsworth 2014 An Evening With Erin Cornell Bennetts Lane 2014 Spring Awakening Patrick Studios/Tanya Mitford 2014 Pororo Christmas Spectacular Kissing Bee Productions Singapore 2014 Chugginton Christmas Adventures Kissing Bee Productions Singapore 2014 Chadstone Christmas Stories Chadstone – The Fashion Capitol Orchestration Credits: 2012 Normie The Musical Richard Beveridge 2005 Seriously – The Pet Shop Boys Reinterpreted (MELB) Dean Lotherington 2007 Seriously – The Pet Shop Boys Reinterpreted (EDINB.) Dean Lotherington 2014 An Evening With Erin Cornell Bennetts Lane 2014 Spring Awakening Patrick Studios/Tanya Mitford Awards Credits: 2004 Music Theatre Guild – Best Musical Direction Company The Musical 2013 Lyrebird Award – Orchestrations Normie The Musical Address: 75 A CHARLES ST, ASCOT VALE, VICTORIA, 3032 Phone: + 61 439 347 653 [email protected] Address: 75 A CHARLES ST, ASCOT VALE, VICTORIA, 3032 Phone: + 61 439 347 653 [email protected] .

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Night Game Ordinance 2013
City of Chicago SO2013-7858 Office of the City Clerk Document Tracking Sheet Meeting Date: 10/16/2013 Sponsor(s): Emanuel (Mayor) Type: Ordinance Title: Amendment of Municipal Code Section 4-156-430 regarding athletic contests at night and weekday afternoons Committee(s) Assignment: Committee on License and Consumer Protection 09-013 - 18S% syBSIITUTE ORDINANCE BE IT ORDAINED BY THE CITY COUNCIL OF THE CITY OF CHICAGO: SECTION 1. Section 4-156-430 of the Municipal Code of Chicago is hereby amended by adding the language underscored and by deleting the language struck through, as follows: 4-156-430 Athletic contests at night and on weekday afternoons Restrictions. (A) (1) It shall be unlav^^ul for any licensee or other person, firm, corporation or other legal entity to produce or present or permit any other person, firm, corporation or other legal entity to produce or present any athletic contest, sport, game, including any baseball game, or any other amusement as defined in Article I of this chapter, if any part of such athletic contest, sport, game, including any baseball game, or any other^ amusement as defined in Article I of this chapter (also known in this section and in this Ordinance as (" Event(6) Event or major league baseball game that takes place between the hours of 8:00 p.m. and 8:00 a.m., or is scheduled to begin between the hours of 2:01 p.m. and 4:09 p.m. on weekdays (except for Memorial Day, Independence Day or Labor Day), and is presented in the open air portion of any stadium or playing field which is not totally enclosed and contains more than 15,000 seats where any such seats are located within 500 feet of 100 or more dwelling units.
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Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances.
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INTO the WOODS Stephen Sondheim (Music and Lyrics) and James Lapine (Book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards
Press Release For immediate release May 2014 [email protected] Download Hi Res photos here INTO THE WOODS Stephen Sondheim (music and lyrics) and James Lapine (book) Directed by Susi Damilano Music Director: Dave Dobrusky Choreography: Kimberly Richards June 24th to September 6th Previews June 24 – June 27 at 8pm Tuesdays through Thursdays at 7pm, Fridays and Saturdays at 8pm Saturdays at 3pm and Sundays at 2pm (except 6/29) PRESS OPENING: Saturday, June 28th at 8pm San Francisco, CA (May 2014) – San Francisco Playhouse (Artistic Director Bill English & Producing Director Susi Damilano) concludes its provocative eleventh season with Into the Woods by Stephen Sondheim (music and lyrics) and James Lapine (book). What happens after “happily ever after?” Fractured fairy tales of a darker hue provide the context for Into the Woods, which deconstructs the Brothers Grimm by way of “The Twilight Zone.” While the faces and names are familiar, Cinderella, Rapunzel, Little Red Riding Hood, Jack in the Beanstalk and company inhabit a sylvan neighborhood in which witches and bakers are next-door neighbors, handsome princes from once-parallel fables are competitive (and equally vain) brothers, and all the stories intersect through unexpected new plot twists. Stephen Sondheim and James Lapine’s beloved musical intertwines classic fairytales with a contemporary edge to tell stories of wishes granted and “the price” paid. Susi Damilano (Director), Dave Dobrusky (Music Director) and Kimberly Richards (Choreographer) will team up to bring a fresh twist to this familiar tale by adding a time-travelling boy, Ian DeVaynes to the Bay Area cast that features: Louis Parnell* (Narrator), Safiya Fredericks* (Witch), El Beh (Baker’s Wife), Keith Pinto* (Baker), Tim Homsley* (Jack), Joan Mankin* (Jack’s Mom), Monique Hafen* (Cinderella), Becka Fink (Cinderella’s Stepmom), identical twins, Lily and Michelle Drexler (Cinderella’s Stepsisters), Noelani Neal (Rapunzel), Corinne Proctor (Red), Ryan McCrary and Jeffrey Adams (Princes/Wolves) and John Paul Gonzales (Steward).
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2019 July PERFORMANCE RESUME Copy 8.20.04 Pm Copy 2
MAUREEN J. ANDREW STATISTICS: Height: 167cm - 5’6” Dress: 10 Hair: (currently) Blonde Eyes: Green Weight: 63kg Bust - 38” - 96cm. Waist 29”- 74 cm Hips – 38” - 97 cm. Shoes - 8/39 Vocal Range. Belt C2-D4. Soprano to E5 Diploma Theatre Arts. Swinburne 2011. Fitness Leaders. Fitness Institute Frankston (Hons). R.A.D. (Intermediate. Hons.) C.S.Th.D. (Teachers diploma.) Honours all grades. Equity/ MEAA Platinum Member. Media Super: 9213456 Email: [email protected] . IMBD. Linkedin. http://www.imdb.com/name/nm0028528/mediaindex au.linkedin.com/pub/dir/ Maureen/Andrew MOBILE 0414511612 2016 www.artsparty.org Political Candidate. The Arts Party. 2018 Ballarat National Theatre Company. Board member. CABARET…WRITER /PRODUCER /PERFORMER 2019 CLUB VOLTAIRE. South Melbourne Liza Minnelli 2017 CHILLOUT. Daylesford ‘I’M WITH DOROTHY’ Judy Garland/Liza Minnelli ‘SMARVELLOUS’ NOEL AND GERTIE. With Peter Hurley Gertrude Lawrence 2016 CHILLOUT. Daylesford. The Grande Hotel Cabaret room Rhinestone Cowgirl 2016 LOL. Comedy music. Lunchtime Cabaret Touring country towns Entertainer 2015 CHILLOUT. Daylesford RHINESTONE COWGIRL Dolly Parton RHINESTONE COWGIRL. Dimboola, Katamatite, Tasmania. Hepburn Springs. Daylesford. BLISS BOMBS. JAZZ BABES. Liza Minnelli Madam MCee BLENDED FRUITS WEEKEND The Grande Hotel Cabaret Tina, Bette, Liza, Barbra ++ SWISS ITALIAN Festival. with Maestro Peter Hurley Classic opera, Noel Coward, and more NEW YORK NEW YORK! The Grande Hotel Cabaret Room Liza Minnelli BLISS BOMBS BURLESQUE - The Grande Hotel Cabaret Room Madam MCee 2014 CHILLOUT. Daylesford MY NAME IS BARBRA - The Grande Hotel Cabaret Barbra Streisand 2014/15 MARLENE - The Life, the Loves, the Legend. The Grande Hotel, Hepburn Marlene Dietrich 1982 WOMEN OF CHARACTER ( Season 2) Real Theatre Productions.
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George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette
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Paul Watson Biography
PAUL WATSON BIOGRAPHY THEATRE DIRECTOR | THEATRE DESIGNER | ACTOR | SINGER | VOICE ARTIST | MUSICIAN Born in Melbourne’s eastern suburbs, Paul began his interest in music and theatre at an early age when he discovered his Uncle had toured Australia as a supporting act for The Beatles. A predominantly self-taught musician (Drums, Guitar, Uke, Piano, Vocals etc.) his music work to date includes many theatrical productions with various producers such as GFO, Disney, Dainty, Liflelike Touring, Ambassadors, Stage by Stage, MTC, New Theatricals, Essential Theatre, Magnormos, Melbourne Gang Show, The Chosen Few, The Living Room Floor and What’s On? Production Company, and professional music industry projects that include: Pete Murray (Guide Drums, Guitar, Keys, Backing Vocals and Touring Drummer/Backing Vocalist on the #1 Multi-Platinum Album “FEELER” & Australian and Thailand Tours), Dave Thomas (Guitar, Vocals, Arrangements), Planet Vox and Simple Folk (Guitar, Piano, Song Writer, Lead Vocals) Kalibrium, (Guitars, Vocals, Arrangements) and an ongoing role as front man for Melbourne’s Crowded House/Split Enz tribute band Pineapplehead! This interest in music is what led Paul to the musical theatre stage where he has portrayed varied roles on and off the stage. Some of these onstage roles include: The Baker, Orin Scrivello, Mark Cohen, Pontias Pilate, Frederic and more, which eventually led to a solid career as a professional actor, musician, entertainer and fueled his passion to be a theatrical director, producer and creator. Paul most recently was seen on-stage professionally as an original cast member in the Tony Award winning musical Once, produced in Australia by GFO and Melbourne Theatre Company and directed by Tony Award winner John Tiffany.
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Side by Side by Sondheim Jan
Side by Side by Sondheim Jan. 27 – Feb. 19, 2017 at Spencer Theatre Cast & Creative Team Overview About the Artists JENNY ASHMAN (Ensemble) KC Rep: Evita; Off Broadway: Sleep No More; Regional: The Little Mermaid in Concert (The Hollywood Bowl); Evita (Opera North); Sweeney Todd (The Production Company); As You Like It (The Next Stage Theatre); Romance Language (Seven Angels Theatre); Little Women (The Lyric Theatre); A New Brain (Orlando Repertory Theatre); Awards: Nominated for a Los Angeles Ovation Award for Featured Actress in a Musical for Sweeney Todd; Upcoming: Bea Stein in J.D. Salinger biopic, Rebel in the Rye (directed by Empire creator Danny Strong); Education: University of Central Florida Conservatory Theatre - www.jennyashman.com - AEA Member. SHANNA JONES (Ensemble) KC Rep: The Diary of Anne Frank, Sunday in the Park with George, Stillwater, Hair: Retrospection, The Santaland Diaries (2013, 2014, 2015, 2016); New York: Phaedra’s Cabaret, Undone, and Decline and Fall (New York Theatre Workshop); Chicago: Tug of War; Foreign Fire & Civil Strife (Chicago Shakespeare Theatre); Regional: Les Misérables (Pioneer Theatre Company); Romeo and Juliet (Utah Shakespearean Festival); Saturday’s Voyeur (Salt Lake Acting Company); Education: BA, the Actor Training Program at the University of Utah (2008) - www.shannajonesmusic.com - AEA Member. ORVILLE MENDOZA (Ensemble) made his KC Rep debut in the world premiere of A Christmas Story, The Musical directed by Eric Rosen. He is thrilled to be back in Kansas City where he was most recently seen as “The Engineer” in Miss Saigon at Starlight Theatre. Orville is excited to be performing Side by Side by Sondheim having worked with Stephen Sondheim in three of his shows: Pacific Overtures, which was Orville’s Broadway debut; Road Show, directed by John Doyle, original company member and original cast recording (Nonesuch Records); and the 2013 Classic Stage Company revival of Passion, also directed by John Doyle, cast recording (P.S.
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Brooklyn Bound You Can Take Manhattan—Peter Jon Lindberg Finds Attitude, Energy, and a Refreshing Counterpoint to That Other Borough Right in His Own Backyard
Destinations United States + Canada Europe Caribbean Latin America Asia Australia + South Pacific Africa + Middle East All Destinations Getaways PHOTO CONTEST Ideas Adventure Travel Beach Vacations Business Travel Cruise Vacations Family Vacations Luxury Travel Romantic Getaways All Travel Ideas Awards World's Best Awards T+L 500 Best Hotels America's Favorite Cities It List: Best New Hotels Design Awards Global Vision Awards All Awards Deals T+L Deals Vacationist Blog New this month Brooklyn Bound You can take Manhattan—Peter Jon Lindberg finds attitude, energy, and a refreshing counterpoint to that other borough right in his own backyard. From November 2006 By Peter Jon Lindberg When I first moved to New York—that is, to Manhattan—in my early twenties, I had only the vaguest conception of Brooklyn. There was Welcome Back, Kotter, I guess. Alvy Singer, growing up under the Cyclone in Annie Hall. Moonstruck and The Warriors. Tony Manero—Travolta again—strutting through Bay Ridge in Saturday Night Fever. Egg creams, Ralph Kramden. And the Dodgers, the Dodgers, always with the Dodgers. Beyond that, not much. I knew friends who’d grown up there, but hardly anyone who’d stayed. Brooklyn was a place people left (Woody Allen, Mr. Kotter, the Dodgers). Manhattan was where people hoped to arrive. In the received wisdom of NYC, Brooklyn was the Old Country, and the East River a vast, roiling Atlantic. It’s said that one in seven Americans can trace roots back through Brooklyn. I can’t, but I live here now. I came seven years ago, for the quiet, a bigger apartment, and the novelty of open sky.
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Into the Woods Program
O C T OUT OF THE BOX O B E R THEATRICS 2 6 - N presents O V E M B E R 9 , 2 0 1 8 MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE PRESENTED IN THREE LOCATIONS JEFFERSON MARKET LIBRARY P R E V I E W S : O C T O B E R 2 6 - 2 7 O P E N I N G N I G H T : O C T O B E R 2 8 RIZZOLI BOOKSTORE O C T O B E R 3 0 - N O V E M B E R 1 NANCY MANOCHERIAN’S THE CELL THEATRE N O V E M B E R 2 - N O V E M B E R 9 @ootbtheatrics CAST Amara J. Brady Gabriella Garcia Alie B. Gorrie* Alicia Krakauer* Alaina Mills* Celena Vera Morgan Sydney Ronis Brian Charles Katherine Yacko* Rooney* * Actors' Equity Association MUSICAL NUMBERS ACT I Prologue: "Into the Woods" "Hello, Little Girl" "I Guess This is Goodbye" "Maybe They're Magic" "I Know Things Now" "A Very Nice Prince" "Giants in the Sky" "Agony" "It Takes Two" "Stay With Me" "On the Steps of the Palace" "Ever After" ACT II Prologue: "So Happy" "Agony" "Lament" "Any Moment' "Moments in the Woods" "Your Fault" "Last Midnight" "No More" "No One is Alone" Finale: "Children Will Listen" MUSICIANS Piano.....................................................................................................Anessa Marie Into the Woods will be performed with an intermission. Run Time: 2 hours 40 minutes Opening Night: October 28, 2018 nancy manocherian’s Jefferson Market Library RIzzoli Bookstore the cell theatre 425 Avenue of the Americas 1133 Broadway 338 W.
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Read the Road Show Program
NEW YORK CITY CENTER AT THE CENTER OF THE ARTS FOR 75 YEARS Arlene Shuler, President & CEO Anne Kauffman Jeanine Tesori Chris Fenwick Encores! Off-Center Artistic Director Encores! Off-Center Creative Advisor Encores! Off-Center Music Director NEW YORK CITY CENTER Encores! Off-Center Music and Lyrics by Stephen Sondheim Book by John Weidman Orchestrations by Jonathan Tunick Featuring Chuck Cooper Raúl Esparza Jin Ha Mary Beth Peil Brandon Uranowitz Brandon Contreras Rheaume Crenshaw Daniel J. Edwards Marina Kondo Jay Lusteck Liz McCartney Matt Moisey Shereen Pimentel Sharone Sayegh Vishal Vaidya Scenic Designer Costume Designer Lighting Designer Sound Designer Donyale Werle Clint Ramos Mark Barton Leon Rothenberg Music Coordinator Production Stage Manager Seymour Red Press Cynthia Cahill Casting by Laura Stanczyk, CSA Music Director James Moore Directed and Choreographed by Will Davis Originally commissioned by the John F. Kennedy Center for the Performing Arts. Bounce, an earlier version of this play, was originally produced by the Goodman Theatre, Chicago, Illinois on June 30, 2003 (Robert Falls, Artistic Director; Roche Schulfer, Executive Director). Off-Broadway premiere of Road Show by the Public Theater in 2008 (Oskar Eustis, Artistic Director; Andrew D. Hamingson, Executive Director). Leadership Support for Encores! Off-Center is provided by Stacey and Eric Mindich Fund for Musical Theater Major Support is provided by Ford Foundation Series Sponsors Stacy Bash-Polley • Luigi Caiola and Sean McGill • Elizabeth and Dean Kehler •
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A BED and a CHAIR: a New York Love Affair
Contact: Helene Davis [email protected]/212.354.7436 Helene Davis Public Relations: NORM LEWIS, JEREMY JORDAN join CYRILLE AIMÉE, BERNADETTE PETERS in A BED AND A CHAIR: A New York Love Affair New Stephen Sondheim/Wynton Marsalis Collaboration Presented by NEW YORK CITY CENTER & JAZZ AT LINCOLN CENTER Directed by John Doyle; Choreographed by Parker Esse November 13 – 17 at City Center Special Gala Benefit Performance on November 14 New York, N.Y., October 11, 2013 – Norm Lewis and Jeremy Jordan will join Cyrille Aimée and Bernadette Peters in Stephen Sondheim and Wynton Marsalis’s A BED AND A CHAIR: A New York Love Affair, a new musical event featuring Sondheim’s music arranged and performed by the Jazz at Lincoln Center Orchestra with Wynton Marsalis. This Encores! Special Event, directed by frequent Sondheim collaborator John Doyle, with choreography by Parker Esse and musical supervision by David Loud, was conceived by Peter Gethers, Jack Viertel and John Doyle, and will run for seven performances, November 13 – 17 at City Center. The cast will include Cyrille Aimée, Jeremy Jordan, Norm Lewis and Bernadette Peters with dancers Meg Gillentine, Tyler Hanes, Grasan Kingsberry and Elizabeth Parkinson. A BED AND A CHAIR: A New York Love Affair, presented by the combined forces of City Center’s Encores! program and Jazz at Lincoln Center, celebrates love in New York and love of New York. Native Manhattanite Sondheim and adopted citizen Marsalis (originally from New Orleans) and compared musical notes on their shared passion for our city in a program that features more than two dozen Sondheim compositions, each piece newly re-imagined by the unique musical sensibility of Marsalis and performed by the Jazz at Lincoln Center Orchestra.
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SWEENEY TODD Is Presented Through Special Arrangement with Musical Theatre International (MTI)
July 22-August 7, 2021 Music and Lyrics by Book by Stephen Sondheim Hugh Wheeler From an Adaptation by CHRISTOPHER BOND Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Scenic Designer Costume Designer Lighting Designer Sound Designer Diggle† Sarita P Fellows† Marika Kent Sun Hee Kil† Music Director Choreographer Casting Director Simone Allen Ben Hobbs Michael Cassera Production Stage Manager Production Manager Assistant Musical Director Amanda Spooner* Adam Zonder Megan Smythe Assistant Directors/Dramaturgs Deck Stage Manager/ Dialect Coach/ Fight Captain Intimacy Consultant Kate Semmens~, Arianna Tilley~ Vicki Whooper* Robin Christian McNair * Directed by Member of the Actors' Equity Association, Sanaz Ghajar the Union of Professional Actors and Stage Managers in the United States. Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos † USA - Member of United Scenic Artists Local 829 SWEENEY TODD Is presented through special arrangement with Musical Theatre International (MTI). ‡ Member of the Hangar Theatre All authorized performance materials are also supplied by MTI. Company Design Fellows www.mtishows.com ~ Member of the Hangar Theatre Any video and/or audio recording of this production is strictly prohibited. 2021 Lab Company Premier Performance Sponsor Mainstage Media Sponsor Partner In The Arts Partner In Health CAST Sweeney Todd.............................................................................................................................................................Nik
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