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“Music as a catalyst for Dialogue and Communication”

International forum in celebration of the International Year for Cultural Raprochement 15h-17h Conference Room IV

Multi-cultural Music recital: Conference Room IV 17h30 28 June 2010 Organized by: Melody for Dialogue Among Civilizations Association www.melodydialogue.org

In partnership with: UNESCO American University in Paris Mission of Uzbekistan Mission of Hungry 3

List of speakers 4

Andrew Kaiser

Associate Fellow, The STUDIO for Creative Inquiry Carnegie Mellon University Founding Member of the Deep Space Signaling Group

Andrew Kaiser is an Associate Fellow at the Studio for Creative Inquiry at Carnegie Mellon University, where he is a founding member with Lowry Burgess of the Deep Space Signaling Group. Kaiser’s work follows questions that resonate with a liturgical construct of deep space, mixing sonic analysis, psycho-geography and electromagnetic sculpture. In the summer of 2008, Andrew consulted with Squonk Opera for their latest work, Astrorama, a multimedia piece that addresses the human urge to reach into space presented as part of the recent Pittsburgh 250 celebration. As an author, Kaiser has had articles published in Computer Music Journal, Leonardo Journal of Art and Science, and in an upcoming collection of essays entitled Between Worlds, to be released by MIT Press, also with Doug Vakoch of the SETI Institute. His work has been included on documentaries produced by the Canadian Broadcast Corporation (in a history of electronic music) and the BBC (on SETI, based on work with Doug Vakoch). He has presented papers on the Art and Science of Extra-terrestrial communication at workshops sponsored by the SETI institute, and at the Space Art conference held at the European Space Agency. Kaiser follows an Ivesian split between composition and business, with a professional career in technology project management. In addition, he has significant involvement in non-profit management including terms as treasurer and president on the Board of Trustees of the Waldorf School of Pittsburgh. 5

Michael Schindhelm

Founding Director of Cultural & Arts Authority in Dubai

Since 2007 Michael Schindhelm has been Founding Director for Cultural & Arts Authority in Dubai and Advise Hong Kong on new large-scale culture center. In 1979 he studied at the International University of Voronezh (USSR) and graduated with a Master of Science in Quantum Chemistry. From 1984 to 1986 he was Research Assistant at the Academy of Science in East Berlin where he worked in the department of theoretical chemistry, where among others Angela Merkel was also active. Afterwards he worked as a freelancer translator, author and dramaturge. In 1990 Mr. Schindhelm became Managing Director adviser of the Theatre Nordhausen. In1992, he was appointed as Managing Director of the Theatre Gera. From 1994 to 1996, he was Managing Director of the Theatre Altenburg Gera, and afterwards, from 1996 to 2006, Managing Director at the Theatre Basel. Since 2005, he has been Executive Director of the newly founded “Stiftung Oper in Berlin”, the world’s largest opera group, comprising three houses: Staatsoper Berlin, Deutsche Oper, Komische Oper. Beyond that, Mr. Schindhelm is active as a novelist (Roberts Reise, Zauber des Westens, Die Herausforderung), screenwriter and translator. Amongst others, he has made documentaries on “Chants of the Steppes” (2004) in the desert Gobi and in Beijing Opera House and Herzog & de Meuron in China called the “Bird’s Nest” (2008). 6

Susanna Mälkki

Music Director of the Ensemble Intercontemporain (EIC) Former Artistic Director of the Stavanger Symphony Orchestra and other Opera in Europe and Asia

Susanna Mälkki’s versatility and broad repertoire have taken her to symphony orchestras, chamber orchestras, contemporary music ensembles and opera houses around the world. She is currently Music Director of the Ensemble intercontemporain and was Artistic Director of the Stavanger Symphony Orchestra until the end of 2005. In recent seasons, Ms. Mälkki has conducted many prestigious orchestras including the Berliner Philharmoniker, Royal Concertgebouw Ochestra, Boston Symphony Orchestra, Philharmonia Orchestra and Münchner Philharmoniker. Highlights in coming seasons include debuts with the NHK Symphony Orchestra, Los Angeles Philharmonic, Symphonieorchester des Bayerischen Rundfunks, Deutsches Symphonie Orchester Berlin, and the San Francisco, Pittsburgh and National Symphony Orchestras. 7

Bartholomeus-Henri Van de Velde

Founding Music Director of the Charlemagne Orchestra for Europe, Music Conductor

Maestro Van de Velde has enjoyed great success as guest conductor of many orchestras around the world. He began his professional career in music as a violinist in his native Belgium. He studied conducting at The Pierre Monteux School for Advanced Conductors and at the Tanglewood Center for the Arts under the personal direction of Lorin Maazel. In 2008-2009, Maestro Van de Velde led the Nirvana Philharmonic Orchestra in a nationally televised gala in the KBS hall in Seoul, Korea, as well as the Flint Symphony and the Buenos Aires Philharmonic. Maestro Van de Velde and the Charlemagne Orchestra have recorded the Tchaikovsky “Serenade for Strings”, Shostakovitch’s “Kammersinfonie”, and the Concerto for violin and piano of “Mendelssohn” with Katchatour Almazian, violin and Martin Cousin, piano for the SONORIS label. The Charlemagne Orchestra was in residence at the 2008 Intermezzo Opera Festival in Bruges, where Maestro Van de Velde led performances of Die Zauberflöte and the opening Gala Concert and Finals Concert of the Elardo International Opera Competition. Maestro Van de Velde was selected as a Rolex Artist Ambassador in 2005 and has appeared in the prestigious watchmaker’s print advertising campaign since that time. He added a second Ambassadorship in 2008, that of luxury car manufacturer BMW. 8

Richard Bourdarham

Conductor of Bel’Arte Symphonic Orchestra Artistic Director of l’Opera d’Ile de France

Richard Boudarham since September 2007 is the Artistic Director of the “Opera d’Ile de France” and the founder and Conductor of the Bel’Arte Symphonic Orchestra. He studied piano and clarinet while attending university. Interested in conducting the orchestra, he pursued his studies with R.P. Chouteau and S. Celibidache. He began his career as the Conductor of the Symphony Orchestra of the Academy of Music of Ile-de-France, and subsequently he established his own orchestra, the Bel’Arte Symphony orchestra, in 1992. Since then, Mr. Boudarham has conducted with various orchestras in France (Paris, Bordeaux, Agen...) and participated as a Guest Conductor in a number of festivals in France and abroad. He directed the Oratorio Society of New York (official chorus of Carnegie Hall). In November 2006, he performed at a multi-cultural concert (Mozart, but not only,..) organized by the Association Melody for Dialogue Among Civilizations (MDACA) for the 60th anniversary of UNESCO in Paris, and in June 2007, he was invited as a Guest Conductor to the International Opera Festival in Miskolc, Hungary, where he directed Charles Gounod’s opera, “Mireille”. In Dec 2007, he was also invited by MDACA, Northeastern University and UNESCO to perform as a Guest Conductor with the Prague Philarmonic Orchestra at UNESCO and with the St. Luke’s Orchestra at the Lincoln Center (Avery Fisher Hall) in New York. 9

Sylvie Douche

Maître de Conférences en Musicologie à l’Université de Paris-Sorbonne (Paris IV)

Après des études de Musicologie à la Sorbonne et au Conservatoire National Supérieur de Musique de Paris, Sylvie Douche effectua un diplôme de troisième cycle en Histoire de l’art (à Paris I) et en Littérature comparée (à Paris IV). Agrégée, Docteur et Maître de Conférences en Musicologie à l’Université de Paris-Sorbonne (Paris IV), où elle co-dirigea la Faculté de Musique & Musicologie jusqu’en 2008, elle s’intéresse, dans ses recherches, aux liens unissant musique et texte littéraire (articles sur la mélodie) et publie essentiellement sur la musique française des XIXe- XXe siècles ; elle a ainsi récemment dirigé un ouvrage consacré à Maurice Emmanuel. Ses recherches concernent également le répertoire pianistique de cette époque et les études interprétatives. Titulaire des palmes académiques, elle dirige, depuis de nombreuses années, des choeurs et orchestres de jeunes étudiants avec qui elle donna maints concerts en France et à l’étranger (Londres, Cracovie, Prague, Bratislava, Todmoos, Abu Dhabi, Stockholm, Budapest, Kiev...)

Elle a aussi fait des disques et des comédies musicales avec des enfants de tous bords. Mme Douche par son probité intellectuelle, ne peut défendre l’idée de la «musique universelle». En revanche, elle est persuadée que la musique demeure un des arts les plus propices à l’échange culturel entre les nations, si tant est qu’elles en aient le désir, car son expérience ‘a prouvé que les codes musicaux diffèrent grandement d’un pays à l’autre. 10

András Batta, PhD

President of the Franz Liszt Academy of Music, Budapest

Andás Batta, PhD, studied musicology and cello at the Liszt Ferenc Academy of Music in Budapest, and since 1979 has taught the history of music there. Between 1976 and 1996 he was responsible for numerous music broadcasts on Hungarian Broadcast and Television (Budapest) and ORF (Vienna). Between 1996 and 2001 he worked as an editor for music publishers Könemann (Cologne-Budapest). 2002- 2004 he was head of the department of musicology and vice president at the Liszt Ferenc Academy of Music in Budapest. Since 2004 he is the president of the Liszt Academy. 11

Musicians

“Music and dialogue” (innovative musical) (performances) 12

Programme:

I.Antonio Vivaldi: L’Été op. 8

Allegro non molto Adagio Presto A new interpretation with Violin (Wolfgang David) and Erhu (Guo Gan) Quartet: Sine Qua Non II. Pablo de Sarasate: Airs bohémiens New interpretation: Violin W. David with Erhu, Guo Gan Quartet: Sin Qua Non Improvisation: Guo Gan (Erhu) Fiona Siang Yun Sze (zither) III. Bartok : Romanian Folk Dances Violin: Adam Banda Quartet: Sin Qua Non

IV. Improvisation (Music du Monde) With:

Kengo Saito : Sitar and Robab Latif Ahmed Khan (Tabla) Guo Gan (Erhu) Fiona Siang Yun Sze (zither) Tshering Wangdu (le luth, la flûte) 13

Guo Gan (Erhu)

Born in 1968 into a family of musicians in Shenyang, China, Guo Gan (stage name: Yi-zhen) began playing the erhu for the first time in public at age 4. He rounded out his studies by learning violin, cello and piano while in secondary school (1981-1987). In 1987 he entered Shenyang Music Conservatory and in 1991 he won a prize with honours for his thesis on “erhu techniques borrowed from the violin”. From 1991 to 1994, Guo Gan performed with his erhu and percussion groups and played for the dance and theater company of Liaoning Province. In 1992, he won the first prize in a traditional-music competition held in the province. In 1995, he was named professor of erhu and percussion at the Conservatory of Liaoning Province. In 2002, Guo Gan was invited by Gabriel Yared to play in a recording of the music for the film “L’Idole” and was soloist in the opening ceremony of the 55th Cannes Festival. The same year, he formed one of the first Asian jazz bands in Paris – Dragon Jazz - and the Fan Yin Trio, which won second prize in the Asian music competition in Belgium. In 2005, he appeared with the contemporary dance group Gang Peng in DIALOGUES as part of the program of “The Year of France in China” . In 2005, invited by the composer Yvan Cassar, he appeared as the erhu soloist in the production of the symphonic poem “L’Encre de Chine” with the Orchestra of the Opera de Paris at the Palais des Congrès in Paris. Chinese filmmaker, Zhang YimouI, also invited him to play in concerts to promote the film “Le secret des poignards volants”. He has appeared as the feature artist with Melody for Dialogue Association in a number of concerts and in 2009 he performed with Lang Lang in the Carnegie Hall, NY. 14

Wolfgang David (violin)

Wolfgang David played as a soloist with the Royal Philharmonic Orchestra, Vienna Radio Symphony Orchestra, Johannesburg Symphony Orchestra, New York Virtuosi etc. He has been well received by the press - the Washington Post wrote that he “scaled the heights of music making” and The Strad described his playing “as emotionally wide-ranging as one could hope for”.

The winner of many competitions and prizes, Wolfgang David has performed in major halls such as Konzerthaus and Musikverein Hall in Vienna, Carnegie Hall in New York, Cerritos Center in Los Angeles, Suntory Hall in Tokyo, Wigmore Hall in London, and Philharmonie in Cologne. He performs on a violin built in 1715 by Carlo Bergonzi, Cremona, on exclusive loan to him from the Austrian National Bank. 15

Adam Banda (violin)

At the age of 12, Adam Banda was selected to enter the Special School of Extraordinary Young Talents of Budapest’s Franz Liszt Academy as a student of renowned Professor Eszter Perenyi. Born in a small rural Hungarian town, Banda first played the violin at age 8 in the local music school. Within the next four years he had won first prize in two national competitions.

He has won numerous national and international competitions namely he was the first non-faculty winner of the Academy’s Ferenc Halasz-Prize in 2001, won the Carl Flesch International Violin Competition in 2003, the Dubai International Violin Competition in 2005, and the Szigeti - Hubay International Violin Competition in Budapest in 2007, where he was also awarded the Hubay Special Prize. Other notable recognition includes the Pro-Europe Prize in 2004, and his 2nd place at the 2006 Yampolsky International Violin Competition in Moscow.

He has performed in the USA, Canada, United Arab Emirates, Italy, China, and many other concert halls around the world and with many renowned artists including Andras Schiff. Banda’s influences stem from the rich tradition and heritage of Hungarian music, especially the work of Bela Bartok. His interpretation of Bartok’s Violin Concerto No.2 has been compared in style and performance to the great Yehudi Menuhin, whom Banda has admired since childhood. 16

Sine Qua Non Quatuor

Les quatre jeunes femmes du quatuor Sine Qua Non se rencontrent lors de leurs études au sein du Conservatoire National Supérieur de Musique de Paris.

Leurs affinités les réunissent d’emblée : le même amour de la musique, un réel besoin d’exigence, le goût du partage, une envie d’ouverture aux horizons actuels et une soif de belles aventures ! Leur parcours et leurs expériences multiples et variées (musique baroque, classique, romantique, musique contemporaine, chanson française ou encore musique du monde), sont autant de richesses qui fusionnent dans le Quatuor Sine Qua Non et en font un ensemble à multiples facettes.

Les musiciennes de Sine Qua Non privilégient l’échange, avec d’autres artistes ou avec d’autres arts, pour des projets autour de la guitare, du chant, du cinéma…

Sine Qua Non apprécie de jouer pour un public intime, dans l’atmosphère conviviale des concerts de chambre, mais aussi pour des évènements et lieux exceptionnels, et se tourne également vers les productions des scènes actuelles. 17

Le quatuor Sine Qua Non, créé en 2006, a déjà été amené à jouer en France dans des lieux prestigieux (l’Olympia, Cité de la Musique…), mais aussi en Afrique, aux Emirats Arabes Unis, en Amérique du Sud…Cette grande expérience fait apparaître sur scène le quatuor Sine Qua Non comme une évidence.

Premier violon Sara Chenal Premier Prix mention très bien en violon au Conservatoire National Supérieur de Musique de Lyon en 2003 et Premier Prix mention Très Bien en musique de chambre au Conservatoire National Supérieur de Musique de Paris en 2004, Sara Chenal a suivi également le cycle de perfectionnement de violon au Rotterdams Conservatorium et celui de musique de chambre au C.N.S.M. de Paris. Partenaire du guitariste Olivier Pelmoine dans le duo « Cordes et Ames », elle est également invitée comme violon solo par les orchestres J.W.Audoli, Forum Sinfonietta, ensemble Musica. Elle est titulaire du Certificat d’Aptitude et professeur depuis 2007 au Conservatoire à Rayonnement Régional de Nantes.

Second violon Hélène Decoin Née en 1982, Hélène DECOIN obtient toutes les distinctions lors de ses études musicales : Médaille d’Or de violon, Premier Prix de violon baroque, Prix de perfectionnement, Premier Prix de Quatuor, Premier Prix d’Analyse dans les conservatoires de Paris, Aubervilliers, Saint-Maur et Boulogne, ainsi que le Diplôme d’Etat d’enseignement artistique en mars 2004. Ouverte à des styles musicaux variés, elle joue au sein de formations diverses (Les Siècles, l’Ensemble Aquilon, l’Orchestre de Chambre de l’Yonne dont elle est le Violon solo…), est membre de l’ensemble FJ2D, et accompagne également des artistes de chanson française. Elle enseigne le violon à Saint Maur depuis 2004.

Alto Catherine Demonchy Catherine Demonchy débute le violon à l’âge de 6 ans au Conservatoire 18

National de Région de Douai. En 1994, elle obtient une Médaille d’Or de violon à l’unanimité ainsi qu’en musique de chambre et formation musicale. Elle poursuit ses études dans les classes de J.Moulin et J.Alvarez en violon, dans les classes de O.Grimoin et M.Michalakakos et de J.Sulem en alto, et dans la classe du quatuor Ysaïe en musique de chambre. En 2005, Catherine Demonchy obtient un Premier Prix d’alto mention très bien à l’unanimité du Conservatoire National Supérieur de Musique de Paris. Elle se produit actuellement dans des orchestres tels que l’opéra de Paris et l’Orchestre National d’Ile de France, et enseigne au conservatoire de Montereau.

Violoncelle Emilie Wallyn Premier Prix à l’unanimité du Conservatoire National Régional de Boulogne Billancourt dans la classe de Xavier Gagnepain, elle est passionnée de musique de chambre et fait partie du Quatuor Diabelli, qui travaille aux côtés du quatuor Ysaïe. Elle étudie en même temps avec Ophélie Gaillard qui lui fait découvrir le violoncelle baroque. Elle entre alors au Conservatoire National Supérieur de Paris dans la classe de Christophe Coin où elle obtient le prix de violoncelle baroque en 2007. D’autres rencontres musicales la marqueront, que ce soit avec Kenneth Weiss, Blandine Ranoue, Jan De Winn ou Sigiswald Kuijken. Elle joue régulièrement en orchestre dans des formations variées : Les Siècles, l’Orchestre de Chambre de l’Yonne, l’Orchestre Baroque de Nice… et enseigne au conservatoire du Kremlin-Bicêtre. 19

Latif Ahmed Khan

Latif Ahmed Khan est né dans une famille de tablistes à Jaipur où il est initié au tabla dès son plus jeune âge par son père Bashir Ahmed Khan et son oncle Rahman Khan. Il approfondit sa pratique auprès d’Ustad Hidayat Khan, grand maître de tabla du Delhi Gharana. Il devient à 22 ans un tablatiste reconnu en obtenant le statut de ‘A-Grade Artist’, décerné par la radio et la télévision indienne. Il collabore depuis à de nombreux projets avec des artistes occidentaux et indiens, sa grande connaissance du rythme lui permettant de s’adapter à tout styles musicaux.

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Kengo Saito

Un musicien japonais. Après un apprentissage en musique occidentale (au violon et à la guitare), il a découvert sa passion pour la musique de l’Inde du Nord et a suivi des enseignements de tabla et de sitar en France et en Inde. Il est un des disciples émérites de l’un des plus grands sitaristes actuels, Pt. Kushal Das de Calcutta et également approfondit sa connaissance musicale auprès d’un grand chanteur Ustad Ghulam Sadiq Khan à Delhi. Résident à Paris, il donne des cours de sitar et se produit sur scène en France et à l’étranger non seulement en musique classique de l’Inde du Nord mais aussi en Jazz, en collaboration l’interculturelle (musique du monde) et avec la danse indienne et la danse contemporaine. Inspiré par le vaste domaine des musiques du monde, il a écrit nombreuses compositions originales aux influences de l’Inde, de l’Iran, de l’Afghanistan, et du Japon. 21

Tshering Wangdu

Artiste tibétain, Tshering Wangdu joue de la musique depuis son plus jeune âge et au fil du temps, il a acquis la maîtrise parfaite d’un répertoire traditionnel riche et coloré. Artiste complet, il est à la fois musicien, chanteur et danseur. Doté d’un timbre de voix délicat, il maîtrise la majeure partie du répertoire tibétain, depuis les chants traditionnels jusqu’aux airs contemporains. Il joue également de plusieurs instruments typiques tels que le luth, la flûte, la trompe, les cymbales et le tambour, ainsi que le tympanon, pour lequel il possède un talent inégalé. Tshering Wangdu vit en France où il propose régulièrement des spectacles de musique traditionnelle, en solo ou avec le groupe de danseurs qu’il a formés. Il a réalisé plusieurs CD qui dévoilent chacun un pan du riche répertoire musical tibétain. 22

Fiona Siang Yun Sze

Fiona Siang Yun Sze, harpist (guzheng/Chinese zither) and pianist, began her musical debut at age 9 in Singapore’s Victoria Concert Hall. Since then, her career has taken her to venues such as Lincoln Center, Alice Tully Hall, Avery Fisher Hall, Merkins Concert Hall, Carnegie Hall, Maison des cultures du monde, and many others. Sze has traveled on international tours to Sydney, Melbourne, Budapest, Venice, Milan, London, Paris, etc A guzheng/zither solo concertist since 1990, she has appeared on television in New York (Times Warner Cable), Singapore (Singapore Broadcasting Corporation) and Japan (FUJI Television). Three-time laureate of Asian Cup (guzheng performance), Sze studied mainly with world-renowned zheng masters, Zhang Yan and Wang Changyuan. In addition to her solo guzheng/zither performances, she has taken residencies with ensembles such as New York Chinese Music Ensemble, IIIZ+ Music Ensemble, etc. Sze has received selected awards and scholarships that include the All-Asian Star Performance Award, International Asian Heritage Award, International Youth Music Festival Award, and many others.

In January 2004, Division of Sheng Productions (The Asian New Yorker, Time Warner Cable) in New York filmed and released a feature-length documentary that showcases Sze’s artistic career, Fiona Sze: Between two cultures (Fiona Sze: Entre deux cultures). Recordings of her music have also been released on radio stations such as France Culture, Radio 938, etc. Her first feature CD In One Take (with Guo Gan, erhu) will be released in France, in 2009/10. 23

Melody for Dialogues among Civilizations Association

Objective and background

MDACA was established in Paris, France in December 2004 and incorporated as a non-profit organization in NY in March 2007 with an annex organization in Geneva. The general objective of the Association is to promote multicultural dialogues through music as a new and innovative means of communications and to promote universal respect for cultural diversity and tolerance. Dialogues through melody could provide a major breakthrough in mutual understanding among people who share respect for universal values and can help in creating culture of peace among the global community. To that end, the Association since its inception has chosen a practical approach to peace and harmony by organizing major multi-cultural concerts and has produced written literature and recordings of its organized events to facilitate further transmission of its messages worldwide. In the course of the past 2 years the Association has engaged close to 412 international musicians from 72 countries who, while each were a treasure in their own locality but, isolated and deprived of a chance of sharing their talents and enhancing their knowledge of music with others. The Association by bringing these individuals together and exposing their rare and not well- known musical instruments to the world, has helped to create important binds among humanity of all races, and provided a fertile ground for new learning.

In furthering its message of tolerance, and respect for cultural diversity and peaceful coexistence through music, the Association plans to organize a major concert at the opening of the 16th Asian Games in Guangzhou, China in November 2010.

Since Dec 2004, the Association, has enjoyed the patronage of UNESCO and it is the recipient of 60th Anniversary Medal of this Organization in recognition of its efforts. Prior to this, in 2005 the Association was nominated as the winner of the International Marrakech Price.

Three major concerts reflecting on dialogue and on the importance of intangible cultural heritage brought success and recognition to the work of the Association in 2005-2006 at UNESCO. In addition, three of its major regional concerts were organized in Nigeria (June 2006), in Havana, Cuba (Feb 2007) and in New York City Lincoln Center (Avery Fisher Hall Dec 2007). The recording and the literatures emanating from these concerts, are distributed free of charge to public upon request. The web site of the Association (www.melodydialogue. org) is also a public domain and provide detail information about the past and future activities.

In principle, we consider music a language of peace and comprehension or, an international language that is understood by all: one world one language. Music has no border and is inclusive by its nature. By bringing together -with no discrimination- talented musicians from North, South, East and West of the Universe, putting them together with classical and modern orchestras and Creating en environment condusive to dialogue in a few limited rehearsals of not exceeding a couple of days, in practice, we have given rise to an important understanding that humanity is linked as part of the same membrane, regardless of the imposed artificial barriers of language, tradition, religion and value system. Through our concerts we have proven that peaceful means of coexistence could be achieved by creating melodies representing our common heritage.

The President Mehri Madarshahi is a veteran of the United Nations who has enjoyed long careers as an international civil servants and diplomats. The Board of Governors consists of 19 distinguished individuals ranging from President to producer of films, authors, managers, conductors, composers, musicians and other artists. Further information on the Association and its activities could be found on www.melodydialogue.org. or [email protected] 24

Special Thanks To:

UNESCO American U Mission of Nigeria Mission of Hungry Mission of Uzbekistan Mission Arts Arena - l’Universite American à Paris Musee d’Orsay- Service Audio Visuelle BSP- UNESCO

Andrew Kaiser Michael Schindhelm Susanna Mälkki Henry Van de Velde Richard Boudarham Sylvie Douche Andás Batta

Russ Russell Mary Mone Marylynne Hassan

Rudi Swinnen Annie Coueffe

«Domaine Oenotouristique Daniel-Etienne DEFAIX - un des plus vieux vignobles de Chablis»