Chapter I Introduction
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Reimagining the Brontës: (Post)Feminist Middlebrow Adaptations and Representations of Feminine Creative Genius, 1996- 2011
Reimagining the Brontës: (Post)Feminist Middlebrow Adaptations and Representations of Feminine Creative Genius, 1996- 2011. Catherine Paula Han Submitted in partial fulfilment for the degree of Doctor of Philosophy (English Literature) Cardiff University 2015 Acknowledgements First and foremost, I would like to thank my supervisor Professor Ann Heilmann for her unflagging enthusiasm, kindness and acuity in matters academic and otherwise for four years. Working with Professor Heilmann has been a pleasure and a privilege. I am grateful, furthermore, to Dr Iris Kleinecke-Bates at the University of Hull for co-supervising the first year of this project and being a constant source of helpfulness since then. I would also like to acknowledge the assistance of Professor Judith Buchanan at the University of York, who encouraged me to pursue a PhD and oversaw the conception of this thesis. I have received invaluable support, moreover, from many members of the academic and administrative staff at the School of English, Communication and Philosophy at Cardiff University, particularly Rhian Rattray. I am thankful to the AHRC for providing the financial support for this thesis for one year at the University of Hull and for a further two years at Cardiff University. Additionally, I am fortunate to have been the recipient of several AHRC Research and Training Support Grants so that I could undertake archival research in the UK and attend a conference overseas. This thesis could not have been completed without access to resources held at the British Film Institute, the BBC Written Archives and the Brontë Parsonage Museum. I am also indebted to Tam Fry for giving me permission to quote from correspondence written by his father, Christopher Fry. -
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO Elizabeth Filipecki Machado
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO Elizabeth Filipecki Machado “Lado a Lado” - Reflexões sobre a criação do figurino para teledramaturgia Rio de Janeiro 2016 Elizabeth Filipecki Machado “Lado a Lado” - Reflexões sobre a criação do figurino para teledramaturgia Programa de Pós-graduação em Artes Visuais da Universidade Federal do Rio de Janeiro. Dissertação Final para obtenção do título de Mestre em História e Crítica da Arte. Orientadora: Prof.ª Dr. ª Maria Cristina Volpi Rio de Janeiro 2016 Elizabeth Filipecki Machado LADO A LADO: Reflexões sobre a criação do figurino para teledramaturgia Dissertação de Mestrado submetida ao Programa da Pós-Graduação em Artes Visuais/ Escola de Belas Artes, da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários à obtenção do título de Mestre em Imagem e Cultura. CIP - Catalogação na Publicação M149l Machado, Elizabeth Filipecki Lado a Lado: Reflexões sobre a criação do figurino para a teledramaturgia / Elizabeth Filipecki Machado. -- Rio de Janeiro, 2016. 210 f. Orientadora: Maria Cristina Volpi. Dissertação (mestrado) - Universidade Federal do Rio de Janeiro, Escola de Belas Artes, Programa de Pós-Graduação em Artes Visuais, 2016. 1. figurinos de época. 2. teledramaturgia. 3. práticas artísticas. 4. iconografia. 5. Lado a Lado. I. Volpi, Maria Cristina, orient. II. Título. Elaborado pelo Sistema de Geração Automática da UFRJ com os dados fornecidos pelo(a) autor(a). AGRADECIMENTOS Expresso, de modo singelo e carinhoso, minha gratidão a todas as pessoas que me acompanharam nesta breve e desafiadora experiência intelectual, como discente do Programa de Pós-graduação em Artes Visuais da Escola de Belas Artes. Meus agradecimentos aos profissionais da Secretaria Acadêmica, sempre atentos aos prazos e aos protocolos. -
Chawton House Library Fellowships 2016-17
CHAWTON HOUSE LIBRARY FELLOWSHIPS 2016-17 NAMED FELLOWSHIPS Catherine Han (Yablon Fellowship for Brontë Studies) Dr Catherine Paula Han completed her PhD in English Literature at Cardiff University in 2015. She will be undertaking the Yablon Fellowship for Brontë Studies at Chawton House Library in February 2017 to conduct research for a monograph provisionally entitled Reimagining the Brontës: Readers and Reading in Contemporary Middlebrow Women’s Writing. Her publications include: 'The Myth of Anne Brontë', Brontë Studies, forthcoming. 'Bringing Portraits Alive: Catherine Paula Han interviews Andrea Galer, the costume designer for Jane Eyre (BBC, 2006)', Brontë Studies 39.3: 213-24. Gillian Russell (Marilyn Butler Fellowship) Professor Gillian Russell from the University of Melbourne will be taking up her Marilyn Butler Fellowship at Chawton House Library in March 2017. The title of her research project while in residence at Chawton will be 'Making a Scene: Women Writing Private Theatricals, 1750-2004'. A list of Gillian's publications can be found on her university home page: http://shaps.unimelb.edu.au/about/staff/professor-gillian-russell Brianna Robertson-Kirkland (BSECS Fellowship) Dr Brianna E Robertson-Kirkland from the University of Glasgow will take up her BSECS fellowship at Chawton House Library in April 2017. The subject of her research during her residency will be 'Experiences of music lessons: A woman's perspective'. Further information can be found on her university web page: http://www.gla.ac.uk/schools/cca/postgraduateresearchstudents/briannarobertson-kirkland/ Betty Schellenberg (BARS Fellowship) Betty Schellenberg, Professor of English at Simon Fraser University, Canada, will be the BARS visiting fellow at Chawton House Library in May 2017. -
Tsuinfo Alert, October 2006
Contents Volume 8, Number 5, October 2006 ______________________________________________________________________________________________________________________________ Special features Departments Disaster myths and their implications for disaster planning 1 Hazard Mitigation News 4 Do you know the hazard in your backyard? 9 Publications 7 Tsunami glossary (T) 10 Websites 6 Faster tsunami warnings with GPS 11 Conferences/seminars/symposium 8 Tsunami fears and bay development 12 Classes 8 Stop the presses 16 Material added to NTHMP Library 11 IAQ 13 Video Reservations 14 State Emergency Management Offices 12 NTHMP Steering Group Directory 15 ____________________________________________________________________________________________________ Disaster Myths…First in a Series DISASTER MYTHS AND THEIR IMPLICATIONS FOR DISASTER PLANNING AND RESPONSE By Henry W. Fischer III, Center for Disaster Research & Education, Millersville University of Pennsylvania From: Natural Hazards Observer, v. 31, no. 1, September 2006 http://www.colorado.edu/hazards/o/sept06/sept06.pdf Reprinted with permission NHO Editor’s Note: As recent events have demonstrated, the perpetuation of myths following a disaster is yet another by-product of ineffective planning, education, response, and reporting. To foster awareness and further discussion and action on the issue of disaster myths, the next six Observers will each feature an article related to disaster mythology. The article below represents the first in the series. It served as a general introduction to the topic, explaining what disas- ter myths are and the implication for the acceptance of these myths as truth. The next four articles will address specific myths: panic, dead bodies and disease, looting, and role abandonment. A concluding article will focus on how disaster myths are perpetuated and what can be done to counteract them or avoid perpetuation altogether. -
For Programming One Hour Or More
Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network -
Pdf>, Accessed 10 December 2011
FROM SELF-FULFILMENT TO SURVIVAL OF THE FITTEST This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. FROM SELF-FULFILMENT TO SURVIVAL OF THE FITTEST WORK IN EUROPEAN CINEMA FROM THE 1960S TO THE PRESENT EWA MAZIERSKA Berghahnonfilm This open access edition has been made available under a CC BY-NC-ND 4.0 license, thanks to the support of Knowledge Unlatched. Published in 2015 by Berghahn Books www.berghahnbooks.com © 2015 Ewa Mazierska Open access ebook edition published in 2019 All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without written permission of the publisher. Library of Congress Cataloging-in-Publication Data Mazierska, Ewa. From self-fulfilment to survival of the fittest: work in European cinema from the 1960s to the present / Ewa Mazierska. pages cm Includes bibliographical references and index. ISBN 978-1-78238-486-1 (hardback: alk. paper) -- ISBN 978-1-78238-487-8 (ebook) 1. Work in motion pictures. 2. Working class in motion pictures. 3. Motion pictures-- Europe--History--20th century. 4. Motion pictures--Europe--History--21st century. I. Title. PN1995.9.L28M39 2015 791.43’6553--dc23 2014029467 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978-1-78238-486-1 hardback E-ISBN 978-1-78920-474-2 open access ebook An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched. -
Chawton House Library Fellowships 2016-17
CHAWTON HOUSE LIBRARY FELLOWSHIPS 2016-17 NAMED FELLOWSHIPS Catherine Han (Yablon Fellowship for Brontë Studies) Dr Catherine Paula Han completed her PhD in English Literature at Cardiff University in 2015. She will be undertaking the Yablon Fellowship for Brontë Studies at Chawton House Library in February 2017 to conduct research for a monograph provisionally entitled Reimagining the Brontës: Readers and Reading in Contemporary Middlebrow Women’s Writing. Her publications include: 'The Myth of Anne Brontë', Brontë Studies, forthcoming. 'Bringing Portraits Alive: Catherine Paula Han interviews Andrea Galer, the costume designer for Jane Eyre (BBC, 2006)', Brontë Studies 39.3: 213-24. Gillian Russell (Marilyn Butler Fellowship) Professor Gillian Russell from the University of Melbourne will be taking up her Marilyn Butler Fellowship at Chawton House Library in March 2017. The title of her research project while in residence at Chawton will be 'Making a Scene: Women Writing Private Theatricals, 1750-2004'. A list of Gillian's publications can be found on her university home page: http://shaps.unimelb.edu.au/about/staff/professor-gillian-russell Brianna Robertson-Kirkland (BSECS Fellowship) Dr Brianna E Robertson-Kirkland from the University of Glasgow will take up her BSECS fellowship at Chawton House Library in April 2017. The subject of her research during her residency will be 'Experiences of music lessons: A woman's perspective'. Further information can be found on her university web page: http://www.gla.ac.uk/schools/cca/postgraduateresearchstudents/briannarobertson-kirkland/ Betty Schellenberg (BARS Fellowship) Betty Schellenberg, Professor of English at Simon Fraser University, Canada, will be the BARS visiting fellow at Chawton House Library in May 2017. -
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Saffron Cullane Costume 0044 (0)7957455901
Saffron Cullane Costume 0044 (0)7957455901 [email protected] Education [email protected] B.A. Honours Costume Interpretation Wimbledon College of art (First class) Features/TV 2019 Censor Director Prano Bailey-Bond Designer Costume designer Saffron Cullane 2019 Little Birds Director Stacie Passon Cutter/Maker Costume designer Jo Thompson 2018 The Capture Director Ben Chanan Buyer Costume designer Hayley Nebauer 2017 Dumbo Director Tim Burton Maker Costume designer Colleen Atwood 2016/17 The Crown 2 Director Various Workroom Supervisor Costume designer Jane Petrie 2016 Justice League Director Zack Snyder Cutter (Batsuit) Costume designer Michael Wilkinson 2015 Bridget Jones Baby Director Sharon Maguire Assistant Costume designer Steven Noble 2015 The Living And The Dead Director Alice Troughton Cutter Costume designer Phoebe DeGaye 2015 King Arthur Director Guy Ritchie Cutter Costume designer Annie Symons 2014/15 Genius Director Michael Grandage Cutter Costume designer Jane Petrie 2014 Nasty (short) Director Prano Bailey-Bond Designer Costume designer Saffron Cullane 2014 Road Games Director Abner Pastel Designer Costume designer Saffron Cullane 2014 Our World War –BBC interactive Directors Scott Rawsthorne/Jon Shaikh Designer Costume designer Saffron Cullane 2014 Suffragette Director Sarah Gavron Maker Costume designer Jane Petrie 2013/14 Exodus Director Ridley Scott Cutter/Maker Costume designer Janty Yates 2013 Cinderella Directors Kenneth Branagh Cutter/Maker Costume designer Sandy Powell 2013 Guardians of the Galaxy Director -
Il Traditore Tipo
Presenta IL TRADITORE TIPO con EWAN McGREGOR STELLAN SKARSGÅRD DAMIAN LEWIS NAOMIE HARRIS Basato sul romanzo di JOHN LE CARRÉ Scritto da HOSSEIN AMINI Regia di SUSANNA WHITE UFFICIO STAMPA Ornato Comunicazione Via Flaminia, 954 00191 Roma Tel. + 39 06.3341017 + 39 06.33213374 [email protected] DIGITAL PR Viale delle delle Milizie, 38 – Roma Tel.: +39 06 98968055 Samanta Dalla Longa – [email protected] DISTRIBUZIONE VIDEA Via Livigno, 50 - 00188 Roma - Tel 06.331851 [email protected] - www.videaspa.it www.youtube.com/videa - www.twitter.com/videaspa - www.facebook.com/videa C A SINOSSI BREVE S T Durante una vacanza a Marrakech, una coppia inglese, Perry (Ewan McGregor – THE IMPOSSIBLE, L’UOMO NELL’OMBRA, STAR WARS) e Gail (Naomie Harris – SPECTRE, SOUTHPAW - L’ULTIMA SFIDA), fa amicizia con un appariscente e carismatico uomo d’affari russo di nome Dima (Stellan Skarsgård – NYMPHOMANIAC, AVENGERS: AGE OF ULTRON, MILLENNIUM - UOMINI CHE ODIANO LE DONNE), che si rivela essere un boss del riciclaggio di denaro appartenente alla mafia russa. Perry e Gail accettano di aiutare Dima a fornire informazioni confidenziali ai servizi segreti inglesi, ritrovandosi così coinvolti nel mondo dello spionaggio politico internazionale. Tra Parigi e Berna, le Alpi francesi e i bassifondi di Londra, la coppia vive un pericoloso viaggio che li porterà a stringere alleanza con il governo britannico tramite uno spietato e determinato agente segreto dell’MI6 (Damian Lewis - HOMELAND). Dallo sceneggiatore di DRIVE e basato sull’omonimo best seller di John le Carré, autore del romanzo da cui è tratto il film LA TALPA, IL TRADITORE TIPO è un thriller intenso, ricco di colpi di scena e dal ritmo serrato. -
Presseheft Zu JOJO RABBIT
FOX SEARCHLIGHT PICTURES präsentiert In Zusammenarbeit mit TSG ENTERTAINMENT Eine DEFENDER und PIKI FILMS Produktion ROMAN GRIFFIN DAVIS THOMASIN McKENZIE TAIKA WAITITI REBEL WILSON STEPHEN MERCHANT ALFIE ALLEN mit SAM ROCKWELL und SCARLETT JOHANSSON REGIE…..……………………………………………………………………..TAIKA WAITITI DREHBUCH………………………………………………………….……….TAIKA WAITITI NACH DEM ROMAN CAGING SKIES VON ………………….........CHRISTINE LEUNENS PRODUZENTEN……………………………………………………...CARTHEW NEAL, p.g.a. …………………………………………………………………………....TAIKA WAITITI, p.g.a. ………………………………………………………………………..CHELSEA WINSTANLEY AUSFÜHRENDER PRODUZENT………………………………..KEVAN VAN THOMPSON KAMERA………………………………….........................................MIHAI MALAIMARE JR. PRODUKTIONSDESIGN ………………………………………………….…….RA VINCENT SCHNITT…………………………………………………………………………TOM EAGLES MUSIK…………………………………………………………………MICHAEL GIACCHINO KOSTÜMDESIGN……………………………………….………………….MAYES C. RUBEO MAKE-UP & HAAR DESIGN………………………………..…...DANNELLE SATHERLEY VISUAL EFFECTS SUPERVISOR……………………………………………….JASON CHEN CASTING ………………………………………………………………………DES HAMILTON http://www.foxsearchlight.com/press Laufzeit: 108 Minuten FSK-Freigabe: tba 2 Regisseur und Drehbuchautor Taika Waititi (THOR: RAGNAROK – „Thor: Tag der Entscheidung“, 2017, HUNT FOR THE WILDERPEOPLE - „Wo die wilden Menschen jagen“, 2016) demonstriert auch in seinem neuen Film JO JO RABBIT („Jojo Rabbit“, 2020) seinen charakteristisch schrägen Stil, in dem schwarzer Humor und ergreifendes Drama Hand in Hand gehen. In dieser Satire auf den Zweiten Weltkrieg wird das Leben eines einsamen deutschen -
INVESTIGATING the STYLE, FORM and GENRE of PERIOD DRAMA in 2010S BRITISH TELEVISION
A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy December 2020 HERITAGE AND POST-HERITAGE: INVESTIGATING THE STYLE, FORM AND GENRE OF PERIOD DRAMA IN 2010s BRITISH TELEVISION WILL STANFORD This image is unavailable. Please consult reference on page ii for further information. ABBISS ii ABSTRACT This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post- heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history.