Ultimate Comics: Hawkeye Pdf, Epub, Ebook
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A Supplemental Material References
A Supplemental Material HotpotQA FEVER size of word vectors: dw 400 435 A.1 Details of the Implementation width of RNN: dc 150 150 dropout keep ratio 0.8 0.8 We implemented our model in PyTorch and batch size 72 96 trained it on four Nvidia Tesla P100 GPUs. The learning rate 0.001 0.001 RNN was a gated recurrent unit (GRU) (Cho et al., beam size 5 5 2014). The optimizer was Adam (Kingma and Table 1: Hyper Parameters. Ba, 2014). The word-based word embeddings were fixed GloVe 300-dimensional vectors (Pen- nington et al., 2014). The character-based word References embeddings were obtained using trainable eight- dimensional character embeddings and a 100- Kyunghyun Cho, Bart Merrienboer, Caglar Gulcehre, Fethi Bougares, Holger Schwenk, and Yoshua Ben- dimensional CNN and max pooling. Table 1 gio. 2014. Learning phrase representations using shows other hyper parameters. rnn encoder-decoder for statistical machine transla- tion. In EMNLP, pages 1724–1734. In FEVER, if the model predicts AT as ‘Sup- ports’ or ‘Refutes’, the model extracts at least one Diederik P. Kingma and Jimmy Ba. 2014. Adam: A sentence by removing the EOE sentence from the method for stochastic optimization. arXiv preprint candidates to be extracted at t = 1. arXiv:1412.6980. Jeffrey Pennington, Richard Socher, and Christo- A.2 Samples of QFE Outputs pher D. Manning. 2014. GloVe: Global vectors for word representation. In EMNLP, pages 1532–1543. The section describes some examples of QFE out- puts. Table 2 shows examples on HotpotQA, and Table 3 shows examples on FEVER. -
A Ambientação De Personagens Negros Na Marvel Comics: Periferia, Vilania E Relações Inter-Raciais
A AMBIENTAÇÃO DE PERSONAGENS NEGROS NA MARVEL COMICS: PERIFERIA, VILANIA E RELAÇÕES INTER-RACIAIS Amaro Xavier Braga Junior1 RESUMO: O trabalho faz um levantamento, com base em uma análise de conteúdo, dos personagens negros nos quadrinhos de super-heróis da editora Marvel Comics. Analisa sua inserção nos ambientes socialmente descritos e identifica, através de padrões quali-quantitativos, a situações de ambientação periférica destes personagens, heroicos e coadjuvantes. Questiona, através das publicações entre as décadas, a relação entre super-heróis e vilões negros; conclui fazendo uma varredura sobre as relações inter-raciais sexuais e afetivas surgidas neste campo dos quadrinhos. Palavras-chave: Discriminação Racial. Estereótipos. Quadrinhos. ABSTRACT: The study is a survey based on a content analysis of the black characters in comics superhero of Marvel Comics. Analyzes its insertion in the environments described socially and identifies, through qualitative and quantitative standards, the ambiance peripheral situations these characters, heroic and adjuncts. Questions, through publications between the decades, the relationship between superheroes and villains blacks; concludes doing a scan on interracial sexual and affective relations encountered in this field of comics. Keywords: Racial Discrimination. stereotypes. Comics. INTRODUÇÃO Para compreendermos o papel da identidade negra nos quadrinhos, além de analisar nossas próprias representações históricas, quase que obrigatoriamente, precisamos seguir pela história da Editora Marvel. Esta necessidade advém do grande impacto que os materiais desta editora tiveram (e ainda têm) sobre o mercado de quadrinhos no Brasil e a mentalidade dos quadrinhistas e quadrinhófilos brasileiros. Seus personagens e revistas são muito mais facilmente reconhecidos no imaginário popular do nosso país que as investidas de outras editoras e as publicações de outros países. -
The Avengers (Action) (2012)
1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Legendary Pop Culture Innovator JIM STERANKO Joins Liquid Avatar to Create Digital Icons, New Format Comic Books with Augmented Reality, Nfts and More!
Legendary Pop Culture Innovator JIM STERANKO Joins Liquid Avatar to Create Digital Icons, New Format Comic Books with Augmented Reality, NFTs and more! From cinema to comic books, the visionary artist, designer, author, illusionist, and storyteller—who electrified the Marvel and DC universes—now brings his legendary touch to the digital world! Toronto, Canada / New York, NY – May 4, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) (“Liquid Avatar Technologies” or the “Company”,), a global blockchain, digital identity and fintech solutions company is teaming up with Jim Steranko, legendary artist, comic book creator, storyteller, illusionist, and contributor to films, including Steven Spielberg’s Raiders of the Lost Ark and Francis Ford Coppola’ s Bram Stoker’s Dracula. Steranko is bringing his iconic talents which have reached millions of fans in the Marvel and DC universes over the past 50 years, to Liquid Avatar. Steranko will create new, integrated, multi-media programs consisting of custom Liquid Avatar icons, Augmented Reality, alongside conventional media programs to the Liquid Avatar Mobile App. Steranko will also be creating a series of original digital artwork for Non-Fungible Tokens (NFTs) for the comic book, pop-culture, and blockchain community through Oasis Digital Studios. This Summer, Steranko is scheduled to focus his talents on the Liquid Avatar Marketplace, and will engage in a series of projects, including Augmented Reality, 3D Avatars, and NFTs. His massive international fanbase has been anxiously anticipating his next venture into narrative art, and Steranko promises to deliver compelling characters, dynamic imagery, and a format unique in comic book history. -
Club Add 2 Page Designoct07.Pub
H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V. -
PRELUDE Part Four
PRELUDE part four CAPTAIN AMERICA, AKA STEVE ROGERS, HAS BEEN WORKING FOR S.H.I.E.L.D. UNDER DIRECTOR NICK FURY. FURY BRIEFED ROGERS ON PROJECT INSIGHT: A SPY PROGRAM WITH A WIDE SCOPE DESIGNED TO ELIMINATE THREATS. WHEN FURY WAS LOCKED OUT FROM THE PROJECT DATA, HE BECAME SUSPICIOUS AND REQUESTED THAT SENIOR S.H.I.E.L.D. OFFICIAL ALEXANDER PIERCE DELAY IT. LATER, FURY’S CAR WAS AMBUSHED BY A MYSTERIOUS ASSASSIN CALLED THE WINTER SOLDIER. FURY ESCAPED TO CAP’S APARTMENT, AND WARNED HIM THAT S.H.I.E.L.D. WAS COMPROMISED. WHILE AT THE APARTMENT, FURY WAS SHOT AND KILLED. BUT BEFORE HE DIED, HE HANDED ROGERS A FLASH DRIVE. WHEN CAP REFUSED TO HAND THE INFORMATION OVER TO PIERCE, HE WAS DECLARED A TRAITOR. USING DATA IN THE FLASH DRIVE, CAP AND BLACK WIDOW DISCOVER A SECRET S.H.I.E.L.D. BUNKER, WHERE THEY ACTIVATE A SUPERCOMPUTER CONTAINING NONE OTHER THAN THE CONSCIOUSNESS OF ARNIM ZOLA! WRITER: WILL CORONA PILGRIM ARTIST: LEE FERGUSON COLORIST: DONO SANCHEZ ALMARA LETTERER: TRAVIS LANHAM EDITOR: EMILY SHAW EDITOR IN CHIEF: AXEL ALONSO CHIEF CREATIVE OFFICER: JOE QUESADA PUBLISHER: DAN BUCKLEY CAPTAIN AMERICA CREATED BY JOE SIMON AND JACK KIRBY MARVEL STUDIOS SVP PRODUCTION & DEVELOPMENT: NATE MOORE PRESIDENT: KEVIN FEIGE MARVEL’S CAPTAIN AMERICA: CIVIL WAR PRELUDE No. 4, March 2016. Published Monthly except in January by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. -
Livability Court Records 1/1/1997 to 8/31/2021
Livability Court Records 1/1/1997 to 8/31/2021 Last First Middle Case Charge Disposition Disposition Date Judge 133 Cannon St Llc Rep JohnCompany Q Florence U43958 Minimum Standards For Vacant StructuresGuilty 8/13/18 Molony 148 St Phillips St Assoc.Company U32949 Improper Disposal of Garbage/Trash Guilty- Residential 10/17/11 Molony 18 Felix Llc Rep David BevonCompany U34794 Building Permits; Plat and Plans RequiredGuilty 8/13/18 Mendelsohn 258 Coming Street InvestmentCompany Llc Rep Donald Mitchum U42944 Public Nuisances Prohibited Guilty 12/18/17 Molony 276 King Street Llc C/O CompanyDiversified Corporate Services Int'l U45118 STR Failure to List Permit Number Guilty 2/25/19 Molony 60 And 60 1/2 Cannon St,Company Llc U33971 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 60 Bull St Llc U31469 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 70 Ashe St. Llc C/O StefanieCompany Lynn Huffer U45433 STR Failure to List Permit Number N/A 5/6/19 Molony 70 Ashe Street Llc C/O CompanyCobb Dill And Hammett U45425 STR Failure to List Permit Number N/A 5/6/19 Molony 78 Smith St. Llc C/O HarrisonCompany Malpass U45427 STR Failure to List Permit Number Guilty 3/25/19 Molony A Lkyon Art And Antiques U18167 Fail To Follow Putout Practices Guilty 1/22/04 Molony Aaron's Deli Rep Chad WalkesCompany U31773 False Alarms Guilty 9/14/16 Molony Abbott Harriet Caroline U79107 Loud & Unnecessary Noise Guilty 8/23/10 Molony Abdo David W U32943 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony Abdo David W U37109 Public Nuisances Prohibited Guilty 2/11/14 Pending Abkairian Sabina U41995 1st Offense - Failing to wear face coveringGuilty or mask. -
For-Hire Motor Carriers-Unrestricted Property
For-Hire - Unrestricted Property September 23, 2021 PIN USDOT MC Name DBA Name Phone Street Suite City State Zip 172318 2382342 1ST CALL HOTSHOT SERVICE LLC 1ST CALL HOTSHOT SERVICE LLC (405) 205-1738 Mail: 2410 W MEMORIAL RD STE C533 OKLAHOMA CITY OK 73134 Physical: 406 6TH ST CHEYENNE OK 73628 106139 1129401 2 B TRUCKING LLC 2 B TRUCKING LLC (936) 635-1288 Mail: 1430 N TEMPLE DIBOLL TX 75941 Physical: 214671 3131628 2 K SERVICES LLC 2 K SERVICES LLC (405) 754-0351 Mail: 2305 COUNTY ROAD 1232 BLANCHARD OK 73010 Physical: 142776 587437 2 R TRUCKING LLC 2 R TRUCKING LLC (402) 257-4105 Mail: 1918 ROAD ""P"" GUIDE ROCK NE 68942 Physical: 152966 2089295 2 RIVERS CONVERSIONS LLC 2 RIVERS CONVERSIONS LLC (405) 380-6771 Mail: 3888 N 3726 RD HOLDENVILLE OK 74848 Physical: 227192 3273977 2 VETS TRUCKING LLC 2 VETS TRUCKING LLC (405) 343-3468 Mail: 9516 TATUM LANE OKLAHOMA CITY OK 73165 Physical: 250374 3627024 2A TRANSPORT LLC 2A TRANSPORT LLC (918) 557-4000 Mail: PO BOX 52612 TULSA OK 74152 Physical: 10055 E 590 RD CATOOSA OK 74015 144063 1885218 3 C CATTLE FEEDERS INC 3 C CATTLE FEEDERS INC (405) 947-4990 Mail: PO BOX 14620 OKLAHOMA CITY OK 73113 Physical: PO BOX 144 MILL CREEK OK 74856 193972 2881702 3 CASAS TRUCKING LLC 3 CASAS TRUCKING LLC (405) 850-0223 Mail: 3701 KEITH COURT OKLAHOMA CITY OK 73135 Physical: 3701 KEITH COURT OKLAHOMA CITY OK 73135 251354 3678453 3 FEATHERS LOGISTICS LLC 3 FEATHERS LOGISTICS LLC (918) 991-4528 Mail: 411 N HODGE ST SAPULPA OK 74066 Physical: 134041 1728299 3 LANE TRUCKING LLC 3 LANE TRUCKING LLC Mail: RR1 -
East Bay Deputy Held in Drug Case Arrest Linked to Ongoing State Narcotics Agent Probe
Sunday, March 6, 2011 California’s Best Large Newspaper as named by the California Newspaper Publishers Association | $3.00 Gxxxxx• TOP OF THE NEWS Insight Bay Area Magazine WikiLeaks — 1 Newsom: Concerns Spring adventure World rise over S.F. office deal 1 Libya uprising: Reb- How Europe with donor. C1 tours from the els capture a key oil port caves in to U.S. 1 Shipping: Nancy Pelo- Galapagos to while state forces un- si extols the importance leash mortar fire. A5 pressure. F6 of local ports. C1 South Africa. 6 Sporting Green Food & Wine Business Travel 1 Scouting triumph: 1 Larry Goldfarb: Marin The Giants picked All about falafel County hedge fund manager Special Hawaii rapidly rising prospect who settled fraud charges Brandon Belt, right, — with three stretched the truth about section touts 147th in the ’09 draft. B1 recipes. H1 charitable donations. D1 Kailua-Kona. M1 RECOVERY East Bay deputy held in drug case Arrest linked to ongoing state narcotics agent probe By Justin Berton custody by agents representing CHRONICLE STAFF WRITER the state Department of Justice and the district attorney’s of- A Contra Costa County sher- fice. iff’s deputy has been arrested in Authorities did not elaborate connection with the investiga- on the details of the alleged tion of a state narcotics agent offenses, but a statement from who allegedly stole drugs from the Contra Costa County Sher- Michael Macor / The Chronicle evidence lockers, authorities iff’s Department said Tanabe’s Chris Rodriguez (4) of the Bay Cruisers shoots over Spencer Halsop (24) of the Utah Jazz said Saturday. -
|||GET||| Old Man Logan 1St Edition
OLD MAN LOGAN 1ST EDITION DOWNLOAD FREE Mark Millar | 9780785131724 | | | | | Old Man Logan #1 The United States and the world of Earth has been conquered and divided among supervillains, with territories belonging to the Abomination later conquered by the HulkMagneto later conquered by a new KingpinDoctor DoomOld Man Logan 1st edition the Red Skullwho has named himself President of the United States. This article's plot summary may be too long or excessively detailed. Flashbacks reveal that on the night the attack happened, Old Man Logan 1st edition group of 40 supervillains attacked the X-Mansion. Wolverine then decided to never draw his claws again and became a pacifist. Just a moment while we sign you in to your Goodreads account. Issue 1. Afterward, Old Man Logan 1st edition discovers a baby Hulk named Bruce Banner, Jr. The two lifestyles are very much at odds with one another. Issue 1F. Some overlap each other and other pages there Old Man Logan 1st edition a single gutter. After healing from his Old Man Logan 1st edition, Logan awakens only to find himself in a totally different domain from the one where he was. Check out our Recommended Reading Guide! Sep 17, Karrigan Linkous rated it it was amazing. Ashley King rated it really liked it Jan 28, Clark Burnap rated it it was amazing Nov 26, During the " Inhumans vs. But you know what has the highest price? From Wikipedia, the free encyclopedia. Logan and Hawkeye encounter several diversions on their journey. While on the way back to meet with Danielle CageLogan witnesses the head of an Ultron Sentinel fall from above. -
Avengers Dissemble! Transmedia Superhero Franchises and Cultic Management
Taylor 1 Avengers dissemble! Transmedia superhero franchises and cultic management Aaron Taylor, University of Lethbridge Abstract Through a case study of The Avengers (2012) and other recently adapted Marvel Entertainment properties, it will be demonstrated that the reimagined, rebooted and serialized intermedial text is fundamentally fan oriented: a deliberately structured and marketed invitation to certain niche audiences to engage in comparative activities. That is, its preferred spectators are often those opinionated and outspoken fan cultures whose familiarity with the texts is addressed and whose influence within a more dispersed film- going community is acknowledged, courted and potentially colonized. These superhero franchises – neither remakes nor adaptations in the familiar sense – are also paradigmatic byproducts of an adaptive management system that is possible through the appropriation of the economics of continuity and the co-option of online cultic networking. In short, blockbuster intermediality is not only indicative of the economics of post-literary adaptation, but it also exemplifies a corporate strategy that aims for the strategic co- option of potentially unruly niche audiences. Keywords Marvel Comics superheroes post-cinematic adaptations Taylor 2 fandom transmedia cult cinema It is possible to identify a number of recent corporate trends that represent a paradigmatic shift in Hollywood’s attitudes towards and manufacturing of big budget adaptations. These contemporary blockbusters exemplify the new industrial logic of transmedia franchises – serially produced films with a shared diegetic universe that can extend within and beyond the cinematic medium into correlated media texts. Consequently, the narrative comprehension of single entries within such franchises requires an increasing degree of media literacy or at least a residual awareness of the intended interrelations between correlated media products.