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Stage Door Swings Brochure
. 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert. -
JREV3.6FULL.Pdf
KNO ED YOUNG FM98 MONDAY thru FRIDAY 11 am to 3 pm: CHARLES M. WEISENBERG SLEEPY I STEVENSON SUNDAY 8 to 9 pm: EVERYDAY 12 midnite to 2 am: STEIN MONDAY thru SATURDAY 7 to 11 pm: KNOBVT THE CENTER OF 'He THt fM DIAL FM 98 KNOB Los Angeles F as a composite contribution of Dom Cerulli, Jack Tynan and others. What LETTERS actually happened was that Jack Tracy, then editor of Down Beat, decided the magazine needed some humor and cre• ated Out of My Head by George Crater, which he wrote himself. After several issues, he welcomed contributions from the staff, and Don Gold and I began. to contribute regularly. After Jack left, I inherited Crater's column and wrote it, with occasional contributions from Don and Jack Tynan, until I found that the well was running dry. Don and I wrote it some more and then Crater sort of passed from the scene, much like last year's favorite soloist. One other thing: I think Bill Crow will be delighted to learn that the picture of Billie Holiday he so admired on the cover of the Decca Billie Holiday memo• rial album was taken by Tony Scott. Dom Cerulli New York City PRAISE FAMOUS MEN Orville K. "Bud" Jacobson died in West Palm Beach, Florida on April 12, 1960 of a heart attack. He had been there for his heart since 1956. It was Bud who gave Frank Teschemacher his first clarinet lessons, weaning him away from violin. He was directly responsible for the Okeh recording date of Louis' Hot 5. -
Jazzletter PO Box 240, Ojai CA
Gene Lees Jazzletter PO Box 240, Ojai CA. 93024-0240 April 1999 Vol. 18 No. 4 There is a widespread competence in young players, but they are The Immortal joker ofien as interchangeable as the parts on a GM pickup. They may Part Three be accomplished at the technical level, but too many are no more individual than Rich Little doing impressions. It is impossible in our time to perceive how Beethoven’s music The flatted fiflh chord and the minor-seventh-flat-five chord was perceived in his. This is true of artists generally We can were not new in westem music, but as composer Hale Smith points deduce it from the outrage visited on them by critics — Nicolas out, they were probably, for Monk and other jazz musicians, Slonirnsky’s Lexicon ofMusical Invective is a fascinating compen- discoveries, and thus became personal vocabulary. dium of such writings — but we can never actually feel the _ As" composers explored what we call western music over these original impact. last centuries, they expanded the vocabulary but they did not Even knowing how original Louis Annstrong was, we can invent, or re-invent it. However, this expansion, particularly in the never perceive him the way the thunderstruck young musicians of Romantic music of the nineteenth century, appeared to be.inven- his early days did. By the time many of us became aware of him, tion. Thus too with jazz, when Parker and Gillespie entered with Joe Glaser, his manager had manipulated him into position as an such éclat on the scene. -
Jazzletter 93023 September 1989 V01
P. O. BOX 24 Ojai, Calif Jazzletter 93023 September 1989 V01. 8 N0. 9 Letters became too strong to resist, she booked a week or two in one of several nightclubs on the west coast. The article on Spike Robinson filled a gap in my knowledge I left the Army in 1949 and was playing drums that summer that had bothered me ever since I discovered Spike a couple with a quartet (drums, piano, trumpet and tenor saxophone) at -of years ago on record. It’s hard to research these lesser- the Cirque Club in Seattle when Ivie came in for a week. We known jazzmen when you live in a small town with a poor had just struggled through the previous week accompanying a library. comedian and a guy who caught lighted cigarettes in his mouth If a man who can play tenor as well as Getz and Sims while blindfolded. I could play enough drums to keep time, remains in musical obscurity most of his life,_ the fact can but I hadn’t learned to play a proper vaudeville long roll, so wisely temper one’s own ambitions and expectations. It’s those I received a lot of glares every night after the cigarette act. It expectations that -drag us down. was a great relief to discover that Ivie was working alone, and I’,ve enjoyed your three books very much. that she just wanted the band to swing for her. I . Ogden Plumb, Streator, Illinois We were lucky that Ken Kimball, our pianist, could read well. -
Seldon Powell
1 The TENORSAX of SELDON POWELL Solographer: Jan Evensmo Last update: Feb. 16, 2021 2 Born: Lawrenceville, Virginia, Nov. 15, 1928 Died: New York, Jan. 25, 1997 Introduction: I remember very well our first encounter with Seldon Powell; through the exciting 1956 Atlantic album “Boss Of The Blues” with Joe Turner. We enjoyed his music very much from the start, and realizing the enormous number of recording sessions he had taken part in, we called him a ‘tenorsax potato’, suitable for all jazz dishes. It was meant as an honour. In our opinion, SP did never get the recognition he deserved History: First musical studies at Brooklyn and New York Conservatories 1947-49 and graduated at Juillard 1957. First job with the band of Betty Mays 1949, Tab Smith at Savoy Ballroom 1949 and Dec. 1949 with Lucky Millinder until 1951. Did army service 1951-52 playing in bands in France and Germany where he was stationed. After discharge returned to New York and played with Sy Oliver, Erskine Hawkins, Neal Hefti, Louis Bellson and Don Redman 1952-55. Studied at Juillard. In 1958 he travelled to Europe with Benny Goodman’s band, and then he played briefly with Woody Herman. In the 1960s he worked chiefly for ABC TV but also recorded heavily. His numerous recordings as a studio musician include many made in the late 1960s and early 1970s with soul and soul-jazz musicians, including Groove Holmes (ca. 1973) and sessions in the big bands that accompanied Gato Barbieri (1974) and Anthony Braxton and Dizzy Gillespie (both 1976). -
LESTER BOWIE Brass Memories
JUNE 2016—ISSUE 170 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LESTER BOWIE brASS MEMories REZ MIKE BOBBY CHICO ABBASI REED PREVITE O’FARRILL Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2016—ISSUE 170 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Rez Abbasi 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Mike Reed 7 by ken waxman General Inquiries: [email protected] On The Cover : Lester Bowie 8 by kurt gottschalk Advertising: [email protected] Encore : Bobby Previte by john pietaro Calendar: 10 [email protected] VOXNews: Lest We Forget : Chico O’Farrill 10 by ken dryden [email protected] LAbel Spotlight : El Negocito by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Miscellany 41 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 42 Andrew Vélez, Ken Waxman Contributing Writers Tyran Grillo, George Kanzler, Matthew Kassel, Mark Keresman, Eric Wendell, Scott Yanow Jazz is a magical word. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
Milestone Records Discography
Milestone Label Discography Milestone Records was established in New York City in 1966 by Orrin Keepnews and Dick Katz. The label recorded mostly jazz with a small amount of blues. The label was made part of Fantasy Records in 1972. Since that time it has been used as a reissue label in addition to new jazz recordings. Milestone has also reissued many historic jazz recordings, including the Jelly Roll Morton, King Oliver and the New Orleans Rhythm Kings recordings that were originally made in the 1920’s by Richmond Indiana label Gennett Records. This discography was compiled using Schwann catalogs from 1966 to 1982 and information from the Michael Fitzgerald website. www.JazzDiscography.com 2000 Series: MLP 2001 - The Immortal Ma Rainey - Ma Rainey [1966] Jealous Hearted Blues/Cell Bound Blues/Army Camp Harmony Blues/Explainin' The Blues/Night Time Blues/'Fore Day Honry Scat///Rough And Tumble Blues/Memphis Bound Blues/Slave To The Blues/Bessemer Bound Blues/Slow Driving Moan/Gone Daddy Blues MLP 2002 - The Immortal Johnny Dodds - Johnny Dodds [1967] Rampart Street Blues/Don't Shake It No More/Too Sweet For Words/Jackass Blues/Frog Tongue Stomp/C.C. Pill Blues//Oriental Man/Steal Away/Oh Daddy/Lonesome Blues/Long Distance Blues/Messin' Around No. 2 MLP 2003 - The Immortal Jelly Roll Morton - Jelly Roll Morton [1967] Froggy Moore/35th Street Blues/Mamanita/London Blues/Wolverine Blues/My Gal/ /Big Fat Ham/Muddy Water Blues/Mr. Jelly Lord/Fish Tail Blues MLP 2004 - The Immortal Blind Lemon Jefferson - Blind Lemon Jefferson [1967] Lemon's -
Discographie Leader/Co-Leader
Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues. -
Jose Mangual, Sr
Jose Mangual, Sr José Mangual was born in Puerto Rico on March 18, 1924, and came to New York at the age of 14 (just weeks from the day I was born). In 1956, I first saw José Mangual play at a Monday night jam session at New York City’s famous jazz club, Birdland. I remember being amazed at how so much music could come out of the small pair of bongos between his legs. I also vividly remember the look of confidence on Mangual’s face as he massaged every bit of music from those drums. It was a look that I later got to know on a first hand basis, when he and I became friends. My friendship with Mangual was one that was forged by a chance meeting in a Spanish Harlem after-hours club. He set a standard in bongo playing and was considered by many to have the greatest sound on the instrument. He played for years with the Machito Orchestra, a Latin dance band that had the opportunity to performed in jazz settings in the 1940’s and 1950’s with such legends as Charlie Parker, Buddy Rich and Flip Phillips. Through this exposure to broader musical idioms, José Mangual, who was often referred to as Buyú by his close friends, left the Machito band to join Herbie Mann around 1961. He also toured Africa with his favorite rhythm man, Carlos “Patato” Valdez, and went on to accompany Abbie Lane and Nancy Ames. A Christmas Eve long ago, José Mangual who had who played guitar in addition to percussion, demonstrated a tune for Kenny Gomez in an apartment on 116 Street. -
Of Oscar Zeta Acosta, “Coloniality of Being,” and the Critique of De-Humanized Brown Existence 15
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Suspending the Desire for Recognition: Coloniality of Being, the Dialectics of Death, and Chicana/o Literature Permalink https://escholarship.org/uc/item/5vr5g2r3 Author Gonzalez, Jorge Manuel Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Suspending the Desire for Recognition: Coloniality of Being, the Dialectics of Death, and Chicana/o Literature by Jorge Manuel Gonzalez A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nelson Maldonado-Torres, Chair Professor Laura E. Pérez Professor Abdul JanMohamed Professor Marcial González Fall 2011 Suspending the Desire for Recognition: Coloniality of Being, the Dialectics of Death, and Chicana/o Literature Copyright, 2011 By Jorge Manuel Gonzalez Abstract Suspending the Desire for Recognition: Coloniality of Being, the Dialectics of Death, and Chicano/a Literature by Jorge Manuel Gonzalez Doctor of Philosophy in Ethnic Studies and the Designated Emphasis in Critical Theory University of California, Berkeley Professor Nelson Maldonado-Torres, Chair Writing, as Abdul JanMohamed posits in relation to Richard Wright’s literature, is an alternative manner of negating negation. “Negating the negation” in this sense must be understood dialectically, as a methodology of the oppressed seeking to transcend social negation from a continuous colonial logic that seeks to alienate, exploit, and reify racialized existence. The function of writing for historically marginalized communities, then, is a symbolic gesture that often takes the place of the act of physical resistance seeking recognition –as the Hegelian master/bondsman or Marxist proletariat/bourgeoisie models would describe—from exterior dominating forces. -
Elenco Codici Lp Completo 29 01 15
1 LADNIER TOMMY Play That Thing L/US.2.LAD 2 WOODS PHIL Great Art Of Jazz L/US.2.WOO 3 PARKER CHARLIE Volume 3 L/US.2.PAR 4 ZEITLIN DENNY Live At The Trident L/US.2.ZET 5 COLTRANE JOHN Tanganyika Strut L/US.2.COL 6 MCPHEE JOE Underground Railroad L/US.2.MCP 7 ELLIS DON Shock Treatment L/US.2.ELL 8 MCPHEE/SNYDER Pieces Of Light L/US.2.MCP 9 ROACH MAX The Many Sides Of... L/US.2.ROA 10 MCPHEE JOE Trinity L/US.2.MCP 11 ELLINGTON DUKE The Intimate Ellington L/US.2.ELL 12 V.S.O.P V.S.O.P. L/US.2.VSO 13 MILLER/COXHILL Coxhill/Miller L/EU.2.MIL 14 PARKER CHARLIE The "Bird" Return L/US.2.PAR 15 LEE JEANNE Conspiracy L/US.2.LEE 16 MANGELSDORFF ALBERT Birds Of Underground L/EU.2.MAN 17 STITT SONNY Stitt's Bits Vol.1 L/US.2.STI 18 ABRAMS MUHAL RICHARD Things To Come From Those Now Gone L/US.2.ABR 19 MAUPIN BENNIE The Jewel In The Lotus L/US.2.MAU 20 BRAXTON ANTHONY Live At Moers Festival L/US.2.BRA 21 THORNTON CLIFFORD Communications Network L/US.2.THO 22 COLE NAT KING The Best Of Nat King Cole L/US.2.COL 23 POWELL BUD Swngin' With Bud Vol. 2 L/US.2.POW 24 LITTLE BOOKER Series 2000 L/US.2.LIT 25 BRAXTON ANTHONY This Time... L/US.2.BRA 26 DAMERON TODD Memorial Album L/US.2.DAM 27 MINGUS CHARLES Live With Eric Dolphy L/US.2.MIN 28 AMBROSETTI FRANCO Dire Vol.