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Los Versos Satánicos
LOS VERSOS SATÁNICOS SALMAN RUSHDIE Salman Rushdie - Los versos satánicos http://elortiba.galeon.com ÍNDICE I EL ÁNGEL GIBREEL ............................................................................................................................................. 6 II MAHOUND............................................................................................................................................................54 III ELEOENE DEERREEESE ..................................................................................................................................... 75 IV AYESHA ............................................................................................................................................................... 117 V UNA CIUDAD VISIBLE PERO NO VISTA ................................................................................................................................................. 137 VI REGRESO A JAHILIA ........................................................................................................................................ 201 VII EL ÁNGEL AZRAEEL ........................................................................................................................................ 221 VIII LA RETIRADA DEL MAR DE ARABIA ...................................................................................................................................... 263 IX UNA LÁMPARA MARAVILLOSA .................................................................................................................. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Flores, Juan. “Creolité in the 'Hood: Diaspora As Source and Challenge
Centro Journal City University of New York. Centro de Estudios Puertorriqueños [email protected] ISSN: 1538-6279 LATINOAMERICANISTAS 2004 Juan Flores CREOLITÉ IN THE ‘HOOD: DIASPORA AS SOURCE AND CHALLENGE Centro Journal, fall, año/vol. XVI, número 002 City University of New York. Centro de Estudios Puertorriqueños New York, Latinoamericanistas pp. 282-293 Flores(v12).qxd 3/1/05 7:55 AM Page 282 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Creolité in the ‘Hood: Diaspora as Source and Challenge* JUAN FLORES ABSTRACT This article highlights the role of the Puerto Rican community in New York as the social base for the creation of Latin music of the 1960s and 1970s known as salsa, as well as its relation to the island. As implied in the subtitle, the argument is advanced that Caribbean diaspora communities need to be seen as sources of creative cultural innovation rather than as mere repositories or extensions of expressive traditions in the geographical homelands, and furthermore as a potential challenge to the assumptions of cultural authenticity typical of traditional conceptions of national culture. It is further contended that a transnational and pan- Caribbean framework is needed for a full understanding of these complex new conditions of musical migration and interaction. [Key words: salsa, transnationalism, authenticity, cultural innovation, New York music, musical migration] [ 283 ] Flores(v12).qxd 3/1/05 7:55 AM Page 284 he flight attendant let out became the basis of a widely publicized other final stop of the commute, -
Bobby Sanabria Reflects on His New Role at WBGO, and a Life of Advocacy for Latin Jazz
Bobby Sanabria Reflects on His New Role at WBGO, And a Life of Advocacy For Latin Jazz By NATE CHINEN • 8 HOURS AGO Latin Jazz Cruise TwitterFacebookGoogle+Email Bobby Sanabria, the new host of Latin Jazz Cruise, in the studio at WBGO. NATE CHINEN / WBGO Bobby Sanabria was a teenager, growing up in the Bronx, when he placed his first call to a radio station. The station was WRVR, a beacon of jazz in the New York area at the time, and he was calling to request a song by vibraphonist Cal Tjader. “I asked for ‘Cuban Fantasy’ — the live version from an album called Concert on the Campus,” Sanabria recalls. “Willie Bobo takes an incredible timbale solo on that track. As a percussionist, that was something I knew I needed to study.” To his surprise and dismay, the DJ at the station brusquely replied that “Cuban Fantasy” was Latin music, and had no place on a jazz program. Then he hung up. Sanabria called back again, and again and again, until finally his protestations got the song played on the air. But why had it been such a struggle? “That was when I realized this branch of the music was not considered part of the mainstream by the jazz intelligentsia,” Sanabria says. “I guess you could call that my first ‘A-ha moment’ of being an advocate. I always remember that. And I always will be a champion for this art form.” Sanabria is about to bring that passion to a new platform as the incoming host of Latin Jazz Cruise, which broadcasts on Fridays from 9 to 11 p.m. -
Jueves 10 Octubre, 2013 HORIZONTE MIDN ********************************************************************************
Page 1 ******************************************************************************** Jueves 10 Octubre, 2013 HORIZONTE MIDN ******************************************************************************** TITULO : Lokeslatt INTER : BRAZZ BROTHERS ALBUM : NOTA: DUR:3:39 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO : Black coffee INTER : ROSEMARY CLOONEY ALBUM : CROSSING JORDAN NOTA:MUSICA DE LAS SERIES DE T.V DE LA NBC DUR:3:41 TITULO : My funny valentine INTER : CATERINA VALENTE ALBUM : CATERINA VALENTE IN LONDON NOTA: DUR:2:54 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO : Manha de carnaval INTER : RON CARTER ALBUM : BLUE NOTE PLAYS BOSSA NOVA NOTA: DUR:5:52 TITULO : Autumn leaves INTER : PAULA COLE ALBUM : POSTCARDS FROM EAST OCEANSID NOTA: DUR:5:00 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO : Tell me more and then some INTER : NINA SIMONE ALBUM : COMPACT JAZZ:NINA SIMONE NOTA: DUR:3:06 ******************************************************************************** CORTE ******************************************************************************** TITULO : Noo moon at all INTER : ELDAR DJANGIROV ALBUM : BREAKTROUGHT NOTA: DUR:3:13 ******************************************************************************** -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
The Man I Love Full Score
Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement. -
Henri Dominiqie Lacordaire
HENRI D OMINIQUE LACORDAIRE A V Z AZAZ SAME A UTHOR. Madame L ouise de France, Daughter of Louis XV., known also as the Mother TÉRESE DE S. AUGUSTIN. A D ominican Artist ; a Sketch of the Life of the REv. PERE BEsson, of the Order of St. Dominic. Henri P errey ve. By A. GRATRY. Translated. S. Francis de Sales, Bishop and Prince of Geneva. The Revival of Priestly Life in the Seventeenth Century i n France. CHARLEs DE ConDREN–S. Philip NERI and CARDINAL DE BERULLE—S. VINCENT DE PAUL–SAINT SULPICE and JEAN JAQUES OLIER. A C hristian Painter of the Nineteenth Century; being the Life of HIPPolyte FLANDRIN. Bossuet a nd his Contemporaries. Fénelon, Archbishop of Cambrai. la ± | ERS. S NIN, TOULOUSE. HENRI D OMINIQUE LACORDAIRE Ø 1 5ío grapbital = kett) BY H.. L SIDNEY LEAR |\ a“In l sua Volum fade e mostra pace." PARADiso III. * t 1 . - - - - -, 1 - - - - VR I IN GT ON S WVA TER LOO PLACE, LONDO W MDCCCLXXXII *==v---------------- - - - - - PREF A CE. THIS s ketch of a great man and his career has been framed entirely upon his own writings—his Conferences and others—the contemporary literature, and the two Memoirs of him published by his dearest friend the Comte de Montalembert, and by his disciple and companion Dominican, Père Chocarne. I have aimed only at producing as true and as vivid a portrait of Lacordaire as lay in my power, believing that at all times, and specially such times as the present, such a study must tend to strengthen the cause of Right, the cause of true Liberty, above all, of Religious Liberty. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • June 16, 2008 Volume 4, Number 29 • $7.95
JazzWeek with airplay data powered by jazzweek.com • June 16, 2008 Volume 4, Number 29 • $7.95 Jazz Album No. 1: Steve Turre, Rainbow Smooth Album No. 1: Jessy J, Tequila Moon People (HighNote) (Peak) World Music No. 1: Lionel Loueke, Karibu Smooth Single No. 1: Jessy J, “Tequila (Blue Note) Moon” (Peak) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 12 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 13 World Music Album Chart. 6 Smooth Jazz Current Tracks. 14 Jazz Add Dates. 7 Smooth Jazz Station Panel. 15 Register Now: JazzWeek Summit 2008, June 19-21, Clarion Riverside Hotel, Rochester, N.Y. During the Rochester International Jazz Festival Visit http://summit.jazzweek.com for information and to register! Jazz Birthdays June 16 June 27 July 8 Joe Thomas (1933) Elmo Hope (1923) Louis Jordan (1908) Albert Dailey (1938) June 28 Billy Eckstine (1914) Tom Harrell (1946) Jimmy Mundy (1907) July 9 Javon Jackson (1965) June 29 Frank Wright (1935) June 17 Julian Priester (1935) July 10 Tony Scott (1921) June 30 Noble Sissle (1899) Joe Thomas (1933) Lena Horne (1917) Ivie Anderson (1905) Chuck Rainey (1940) Andrew Hill (1937) Cootie Williams (1911) June 20 Stanley Clarke (1951) Milt Buckner (1915) Eric Dolphy (1928) Major Holley (1924) July 1 Lee Morgan (1938) June 21 Earle Warren (1914) Jamil Nasser (1932) Leon “Ndugu” Chancler (1952) July 12 Will Bradley (1912) June 23 July 2 Paul Gonsalves (1920) Milt Hinton (1910) Herbie Harper (1920) Conte Candoli (1927) Helen Humes (1913) Richard Wyands -
Biografía De Héctor Lavoe
Biografía de Héctor Lavoe Héctor Juan Pérez, nacido en el pueblo de Ponce, el 30 de septiembre de 1946, se trasladó a la ciudad de Nueva York a mediados de la década del 60 en busca de fama y fortuna como cantante. Trabajó por algunos meses con la orquesta del percusionista Francisco "Kako" Bastar, logrando grabar como primera voz del coro en el año 1967. El disco saldría al mercado al año siguiente. Pero durante el mismo 67, se produce su unión con el trombonista y arreglista Willie Colón, que redundaría en su primer disco como cantante principal, "El malo". Héctor, con su estilo callejero y desafiante, resultaría el complemento perfecto para la música de Colón, estridente y atrevida para los puristas en la fusión de ritmos. Del 1967 al 1973 el binomio produce discos como "La Gran Fuga", "Cosa Nostra", "Lo mato", " El Juicio" y los dos volúmenes de "Asalto Navideño". Los mismos son de vital importancia para la solidificación de la salsa como género. Canciones como "Juana Peña", "Barrunto", "Calle Luna, Calle Sol", y "La murga", son sólo algunos de sus éxitos. Luego de casi una década juntos, Willie, incapaz de seguir el ritmo de vida de Héctor, dado a la juerga y el exceso, decide que es mejor que siga cada cual por su lado. Esto coincide con, o tal vez propicia, la estrategia a seguir por el sello Fania, de lanzar a los cantantes de más éxito como solistas, apartados de las orquestas que le dieran fama. La separación es amistosa y no definitiva, pues Colón fue el productor de varios de los álbumes más exitosos de la carrera solista de Lavoe, que comienza en el 1975 con el disco "La Voz". -
Stage Door Swings Brochure
. 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert.