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Margaret Ross “Of Friends and Trees
Margaret Ross “Of friends and trees, tents, paths and playing fields”:1 Nature, Gender, and Race at Camp Orendaga History 9833B: Environmental History April 25th, 2018 Professor Alan MacEachern 1 Western Archives, Western University (hereafter referred to as ARCC), YMCA-YWCA fonds, Box 5368, Orendaga summer camp newspaper (Orendaga Saga), 1936, 1. Ross 1 Camp Orendaga was an all-girls camp that ran during the 1930s and 1940s near Bayfield, Ontario. Operated by the Young Women’s Christian Association (YWCA), it catered to middle- class girls looking to partake in general camp activities and learn specialized skills in “God’s great out-of-doors.”2 Many girls contributed to the writing of the Orendaga Saga, a newspaper that was distributed to campers at the end of their two-week sessions. The Orendaga “scribes” wrote varied articles, stories, and poems to document their stay, often including drawings and paintings to provide visuals. Although the secondary literature on summer camping highlights the perspectives and opinions of adult reformers and camp directors, the camp newspaper offers a rare opportunity to balance their views with the perceptions of youth. This essay will examine the Orendaga Saga between 1934 and 1950 in order to shed light on adolescent interpretations of changing discourses about nature and its relationship to gender and race in the early to mid- twentieth century.3 First and foremost, this essay is an environmental history, and questions what female campers thought about nature and their recreational outdoor experiences.4 While reformers and administrators believed that the Canadian wilderness was beneficial for children and adolescents, campers themselves were far less reflective about nature’s redemptive qualities, and typically viewed the camp setting as a backdrop against which they negotiated personal relationships and burgeoning friendships. -
Annual Report 2012 Contents Welcome
music.people.connected ANNUAL REPORT 2012 CONTENTS WELCOME ..................................................................................................... 1 INTRODUCTION ............................................................................................ 1 MESSAGE FROM SOCAN CEO ERIC BAPTISTE .......................................... 2 MESSAGE FROM SOCAN BOARD PRESIDENT STAN MEISSNER ............................................................................................ 4 BOARD ELECTIONS ...................................................................................... 6 GOVERNANCE .............................................................................................. 6 STRATEGY ...................................................................................................... 7 VISION ........................................................................................................... 7 BUSINESS PURPOSE ..................................................................................... 7 STRATEGIC OBJECTIVES .............................................................................. 8 2012 FINANCIAL REPORT ..........................................................................10 A WORD FROM SOCAN’S CHIEF FINANCIAL OFFICER .......................... 10 PERFORMING RIGHTS REVENUE ............................................................... 10 SOCAN FINANCIAL STATEMENTS ............................................................19 MEMBERSHIP ............................................................................................. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
To Make Good Canadians: Girl Guiding in Indian Residential Schools
TO MAKE GOOD CANADIANS: GIRL GUIDING IN INDIAN RESIDENTIAL SCHOOLS A Thesis Submitted to the Committee on Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Sciences TRENT UNIVERSITY Peterborough, Ontario, Canada © Copyright by Mary Jane McCallum 2001 Canadian Studies and Native Studies M.A. Program May2002 ABSTRACT To Make Good Canadians: Girl Guiding in Indian Residential Schools Mary Jane McCallum Between 1910 and 1970, the Guide movement became active and, indeed, prolific in Indian residential, day, and hostel schools, sanatoriums, reserves and Northern communities throughout Canada. In these contexts, Guiding embraced not only twentieth century youth citizenship training schemes, but also the colonial project of making First Nations and Inuit people good citizens. But ironically, while the Guide programme endeavoured to produce moral, disciplined and patriotic girls who would be prepared to undertake home and civic responsibilities as dutiful mothers and wives, it also encouraged girls to study and imitate 'wild' Indians. This thesis will explore the ways in which Girl Guides prepared girls for citizenship, arguing that the Indian, who signified to Guides authentic adventure, primitive skills and civic duty, was a model for their training. 'Playing Indian' enabled Guides to access these 'authentic' Indian virtues. It also enabled them to deny their roles as proponents of colonialism. Acknowledgements I would like to thank a number of people who have helped me to research and write this thesis. First, I would like to thank the Munsee Delaware First Nation for their continued assistance in my post-secondary academic endeavours. -
Canadian Romance at the Dawn of the Modern Era, 1900-1930
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Hearts and minds: Canadian romance at the dawn of the modern era, 1900-1930 Azoulay, Dan University of Calgary Press Azoulay, Dan. "Hearts and minds: Canadian romance at the dawn of the modern era, 1900-1930". University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48751 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com HEARTS AND MINDS: CANADIAN ROMANCE AT THE DAWN OF THE MODERN ERA, 1900–1930 by Dan Azoulay ISBN 978-1-55238-582-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Core 1..230 Hansard
House of Commons Debates VOLUME 148 Ï NUMBER 435 Ï 1st SESSION Ï 42nd PARLIAMENT OFFICIAL REPORT (HANSARD) Monday, June 17, 2019 Speaker: The Honourable Geoff Regan CONTENTS (Table of Contents appears at back of this issue.) 29155 HOUSE OF COMMONS Monday, June 17, 2019 The House met at 11 a.m. therapy because they cannot afford the costs of the supplies, devices and medications. The impacts of this are far reaching. Unable to comply with their therapy, it puts people at increased risk of serious health complications. In addition to the human impact, this adds Prayer strain to our health care system, as it must deal with completely avoidable emergency interventions. It does not need to be this way. New Democrats, since the time we won the fight for medicare in PRIVATE MEMBERS' BUSINESS this country under Tommy Douglas, believe that our work will not Ï (1100) be done until we also have a universal public pharmacare plan. The [English] health and financial impacts of not having a universal public pharmacare plan are as clear as day when we look at the impacts of DIABETES AWARENESS MONTH diabetes in this country. We must also keep in mind that prevention The House resumed from May 28 consideration of the motion. is cheaper than intervention. We know that there are other social Ms. Jenny Kwan (Vancouver East, NDP): Mr. Speaker, I am policies we can engage in to reduce the risk of people developing very happy to engage in this important discussion. In 2014, the Steno diabetes in the first place. -
“Lifting As We Climb”: the Emergence of an African-Canadian Civil Society in Southern Ontario (1840-1901) by Lorene Bridgen
“Lifting As We Climb”: The Emergence of an African-Canadian Civil Society in Southern Ontario (1840-1901) by Lorene Bridgen A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2016 © Lorene Bridgen 2016 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation examines Black civil society organizations that brought the African- Canadian community closer to their rights as citizens of Canada West from 1840-1901. Past scholars have applied the concept of civil society to White organizations, but the following considers civil society organizations in the context of African-Canadian life. Through a broader discussion of multiple Black cultural organizations, including literary societies, fraternal orders, religious societies, and etiquette groups, “Lifting As We Climb” highlights the community’s training of future activists and the application of the lessons learned within the walls of these groups to “mainstream” society. During the nineteenth century African Canadians experienced the harsh realities that accompanied their newfound freedom in Canada West, particularly from racist Whites. In response, the Black community utilized African-Canadian cultural organizations to create change. “Lifting As We Climb” argues that, while African-Canadian citizens came together through organizational work, for the common and overarching reason of equality, their fight against injustice resulted in the emergence of a Black civil society. -
An Assessment of Sex Trafficking
AN ASSESSMENT OF SEX TRAFFICKING Nicole A. Barrett, Director, Global Justice Associates May 2013 commissioned by Table of Contents 1. INTRODUCTION 3 1.1 A note on prostitution 4 2. METHODOLODY 5 3. CAN THE INCIDENCE OF SEX TRAFFICKING IN CANADA BE ESTIMATED 5 3.1 Seven impediments 6 i. Varying definitions of “sex trafficking” 6 ii. Varying definitions of “trafficked person” 7 iii. Trafficking prosecuted as related crime 7 iv. Fragmented data 7 v. Trafficked individuals treated as criminals 8 vi. Trafficked individuals rarely come forward 8 vii. Reactive police investigations 8 4. THE NUMBERS 9 4.1 Government information 9 i. Public Safety Canada / National Action Plan 9 ii. Royal Canadian Mounted Police 10 iii. Citizenship and Immigration Canada 10 iv. Statistics Canada 10 4.2 A national human trafficking data collector 11 4.3 Global Uncertainty 11 5. AN UNOFFICIAL PROFILE OF TRAFFICKED WOMEN AND GIRLS 12 5.1 Human trafficking snapshots from the provinces 13 i. Multi-province trends / characteristics 13 a) A move from the streets to indoors 13 b) Trafficker “boyfriends” 13 c) First trafficked when young 14 d) Histories of poverty and sexual abuse 14 e) Aboriginals over-represented but under-investigated 14 f) Increasing Asian exploitation, but difficult to gain victim cooperation 15 ii. Provincial snapshots 16 a) British Columbia 16 b) Alberta 17 c) Manitoba 17 d) Ontario 18 e) Quebec 19 f) Nova Scotia 19 5.2 Victim characteristics and traffickers’ tactics 19 i. Victim characteristics 20 ii. Traffickers’ tactics 23 6. THE DEMAND TO BUY SEX 24 6.1 Demand studies 26 6.2 Sex buyers’ online communities 28 6.3 Distributing supply to demand 28 6.4 Deterrence 29 1 7. -
Anglo-Canadian Sheet Music and the First World War
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2016 The Sounds They Associated with War Came from Pianos, Not Guns: Anglo-Canadian Sheet Music and the First World War Wedel, Melanie Wedel, M. (2016). The Sounds They Associated with War Came from Pianos, Not Guns: Anglo-Canadian Sheet Music and the First World War (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/28386 http://hdl.handle.net/11023/3086 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Sounds They Associated with War Came from Pianos, Not Guns: Anglo-Canadian Sheet Music and the First World War by Melanie Lisa Wedel A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN HISTORY CALGARY, ALBERTA JUNE, 2016 © Melanie Wedel 2016 Abstract The study of wartime popular sheet music produced by Anglo-Canadians is vitally important, as it illustrates what was popular in society and demonstrates how Canadians reacted to the world around them. During the First World War, the medium of patriotic sheet music catalysed the management of morale during on the home front, as it offered an emotional outlet for thousands of people in desperate need of a diversion from the grim reality and toll of the war overseas. -
Imperial Plots
IMPERIAL PLOTS IMPERIAL PLOTS Women, Land, and the Spadework of British Colonialism on the Canadian Prairies SARAH CARTER UMP-IMPERIAL-LAYOUT-REVISEDJAN2018-v3.indd 3 2018-03-09 12:19 PM Imperial Plots: Women, Land, and the Spadework of British Colonialism on the Canadian Prairies © Sarah Carter 2016 Reprinted with corrections 2018 21 20 19 18 2 3 4 5 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, or stored in a database and retrieval system in Canada, without the prior written permission of the publisher, or, in the case of photocopying or any other reprographic copying, a licence from Access Copyright, www.accesscopyright.ca, 1-800-893-5777. University of Manitoba Press Winnipeg, Manitoba, Canada Treaty 1 Territory uofmpress.ca Cataloguing data available from Library and Archives Canada isbn 978-0-88755-818-4 (paper) isbn 978-0-88755-532-9 (pdf) isbn 978-0-88755-530-5 (epub) Cover design: Frank Reimer Interior design: Jess Koroscil Cover image: Sarah Minnie (Waddy) Gardner on her horse “Fly,” Mount Sentinel Ranch, Alberta, 1915. Museum of the Highwood, MH995.002.008. Printed in Canada This book has been published with the help of a grant from the Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publica- tions Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. The University of Manitoba Press acknowledges the financial support for its publication program provided by the Government of Canada through the Canada Book Fund, the Canada Council for the Arts, the Manitoba Department of Sport, Culture, and Heritage, the Manitoba Arts Council, and the Manitoba Book Publishing Tax Credit. -
And Others TITLE in Search of Canadian- Materials
DOCUAENT EBSUBB ED 126 351 CB 007 4890 AUTHOV Phillips, Donna; Coop.; And Others TITLE In Search of Canadian- Materials. INSTITUTION Hanitoba Dept. of Education, Hinnipeg. PUB DATE Apr 76 NOTE 213p. EDRS PRICE OF -$0.83 BC-$11.37 Plus Postage. DESCRIPTORS *Annotated 'Bibliographies; Audiovisual Aids; Books; *Elementary Secondary Education; *Foreign Countries; *Library Haterial Selection; Periodicals;Reference Materials; Resource Haterials; *SchoolLibraries tZENTIFIERS *Canada; '}Manitoba ABSTRACT The annotated bibliography, commissioned by the Canadian Studies Project. Committee, isa basic list of available Canadian materials suitable for school libraries.It consists of over 1,000 entries withan emphasis on materials ,relevant to Manitoba.A broad range of topics is covered: business education,e consumer eduegation, fine arts, guidance, familylife and health, hope economics, language and literature (biography,drama, novels, short stories, folktales, language arts, miscellaneous,picture books and picture story books, and poetry), literarycriticism, mathematics, physical education, social studies (geography,history, native studies, and 4sobitical studies), and science(general, physical, and natural). The majority of items listedare library or trade books but some text book series, periodicals, and reference materialshave been included. All types of audiovisual materialsare included except 16mb films and videotapes. For each entry typicalbibliographical data, grade level, and a brief description,are included. A title index is appended. (BP) ********************************************************************** DocAtheAts acquired by ERIC includemany informal unpublished * materials not available `from othersources. ERIC cakes every effort * * to obtain the best copy available. Nevertheless,items of marginal * * reproducibility are often encountered and thisaffects the quality * * of the picrofiche and hardcopy reproductionsERIC makes available * * via the ERIC Docutent Reproduction Service (EbRS).EDRS is not * * responsible for the quality of the originaldocument. -
Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who
Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History, University of Western Ontario, 2003 Bachelor of Education, University of Western Ontario, 2009 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology School of Music, Faculty of Fine Arts Susan Elizabeth Dalby, 2009 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History), The University of Western Ontario, 2003 Bachelor of Education, The University of Western Ontario, 2009 Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member iii Abstract Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member Conducting musical analyses over three case studies, Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who considers issues of genre, culture, and identity in the music of Canadian rock band the Guess Who. The first case study discusses soft rock transformations in the songs “These Eyes” (1968), “Laughing” (1969), and “Undun” (1969).