DOCSLIB.ORG

Colleen Nachtrieb Blog: [email protected] Cell: 412.965.9364

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Colleen Nachtrieb Blog: Nachtrieb.Art@Gmail.Com Cell: 412.965.9364 Colleen Nachtrieb Blog: http://seasidecorgi.wordpress.com/ [email protected] Cell: 412.965.9364 SUMMARY . Detail oriented Designer with a passion for various levels of creative user experiences . Lead Designer on 3+ projects, collaborations and prototypes with 8 released titles in the game industry. UX/UI experience with iOS, Android and other mobile systems, including weather applications for iPad and iPhone. Takes initiative, highly adaptable, and motivated listener. SKILLS . Exceptionally skilled at multitasking across art and design disciplines. Highly organized with the ability to plan and meet short term goals & build contingency options, while keeping higher long term goals in sight. UI/UX Design/ Game Design Implementation, spec document creation, proof of concept prototypes for both developers and client demonstrations. Thrives on learning new skill sets that build on previous knowledge. Challenged by taking on additional tasks to improve and streamline production. Skilled at analyzing and formulating usability tests to improve product quality. Leadership & Management, including creation of tutorials for new hires. TECHNICAL SKILLS . Photoshop . 3D Studio Max . JavaScript . Illustrator . MS Office 2010 (Visio/Word) . HTML & CSS . Bridge . After Effects . Traditional Art Mediums . Flash . Axure RP . Film Editing . Action Script 2.0 . C++ . UDK Game Engine . Perforce . C# . Unity PROFESSIONAL EXPERIENCE WSI 2012 - Current UX Designer (Mobile) Pilot Brief Optima 1.4 iPad; Intellicast HD iPhone/iPad/Android; Intellicast Boating iPhone/iPad . Responsible for all mobile UX designs, from requirements, creating wire frames, spec documentation, and communicating design to development team. Prototype creation for clients, usability testing, and design proof of conception using Axure prototyping tool. Keeps the end user experience in sight while balancing clients’ needs. Breaks down user edge cases in Visio flow diagrams saving time and cost in development. 38 Studios 2012 UI Designer Copernicus (Unreleased MMO) . UI/UX Designer for the Map UI system, the Mail UI system, the Grouping/Raid UI system and the Window Depth Management UI System. Created wire frames and prototypes (Scripted in Flash) of the UI for use by developers and proof of concepts. Made improvements to current UI systems in order to make playability more intuitive given product’s intended audience. Headed UI play tests and reviews and was responsible for designing systems and standards across the entire games UI. LEGO Play Well Studios | Net Devil, Louisville, CO 2011 UI Designer LEGO Universe (PC MMO + 1.9-1.12 Content Releases) . Created proof of concepts, maintained project documentation, responsible for wireframe and flow charts. Documented and championed UI standards going forward on LEGO Universe. Designed and implemented UI prototypes and layouts across multiple aspects of LEGO Universe, under strict technical limitations . Worked closely with Web developers on free trial purchase flow. Headed usability tests/ and filtered data collected from live users. Collaborated and drew feedback from the rest of the development team, promoting a sense of community and inspiration Budcat Creations | Activision, Iowa City, IA 2007 – 2011 Lead Designer | Game Artist Top Shot Arcade (Wii w/ Shotgun Peripheral); Pix Maze (iPhone); Guitar Hero 3: Legends of Rock (PS2 & Wii); Guitar Hero: Metallica (PS2 & Wii); Guitar Hero: Aerosmith (PS2 & Wii); Our House Party (Wii); Spyros Skylanders (Wii); Blast-works: Build, Trade & Destroy (Wii) . Designed layouts and implemented levels, along with collectibles, enemy placements and additional content. Scripted various level hazards and enemy behaviors in Unity Engine as well as in house engine . Prototyped game elements, balanced peripheral play and standard Wii mote controls. Animated and created sprites in Photoshop and Flash for mobile and DSi titles . Poly reduction and skinning for multiple Guitar Hero characters, as well as texture solutions for several venues/environments . Implemented basic prototypes using flash in game using action scripting 2.0 as well as in various game engines . Mentored other designers and artists on various projects as well as researched and presented new theories/technologies relevant to upcoming projects . Created interesting encounters in gameplay resulting in an excellent end user experience as a Designer while working at a sister company [“Toys For Bob” Studio]. Innovated and improved existing work pipelines in order to iterate faster on design work . Created proof of concepts, maintained project documentation, and presented pitches to executives & development team that lead to fully released titles . Successfully laid out tasks and met audience and executive demands, within a tight development cycle. TC3 Community College, Ithaca, NY Summer 2010 Guest Lecturer . Produced inspirational lectures to student developers as a mentor and example Vicarious Visions | Activision, Albany, NY 2003 Quality Assurance Tester Crash Nitro Kart (PS2, Xbox) . Used Dev Track System to document bugs and went beyond normal QA tasks EDUCATION & CERTIFICATIONS Art Institute of Pittsburgh, Pittsburgh, PA 2007 . BS, Media Arts & Animation Syracuse University, Syracuse, NY 2004 . BFA, Computer Graphics Art Institute of Pittsburgh, Pittsburgh, PA 2006 . Certificate of Leadership .
Load more

Recommended publications
  • Video Games and the Mobilization of Anxiety and Desire
    PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games.
    [Show full text]
  • Sound Designer, Digital Extremes - Warframe (03/2018 - 11/2019) ​ Design, Implement, Script, Mix Sound for UI, Weapons, Props, Ambiance, Creatures
    MARC CARLTON :: SOUND DESIGNER :: marccarlton.com :: [email protected] ​ ​ ​ ​ Sound Designer on Warframe at Digital Extremes, 2019 Webby Winner for Best Sound Design ​ ​ 10+ yrs developing interactive audio for 13 video games, 8 toys, multiple TV shows, films, videos. MS Immersive Media, BA Telecom Production, AS Recording Arts, Indiana University. Enthusiastic team player eager to learn, audio-nerd with a positive attitude. WORK HISTORY Sound Designer, Digital Extremes - Warframe (03/2018 - 11/2019) ​ Design, implement, script, mix sound for UI, weapons, props, ambiance, creatures. Record, edit, design creative vocal fx, master, implement dialog. Design, mix, master promo videos and other show material. Sacrifice Quest, Venus, Orb Heist, Rail Jack, Ember Rework, Nightwave, Water Fight. Sound Designer, Fisher-Price, Mattel (01/2014 – 03/2018) ​ Design, implement, sound and speech for Smart Cycle titles; Best of CES 2017 Create interactive sound, speech, music content for learning products, toys and robots. Fisher-Price Award for scripting dialog pipeline between Wwise and Google Sheets. Leveraged Max MSP and Arduino for rapid prototyping of hardware products. Sound Designer, Clean Cuts Music and Sound (07/2012 – 12/2013) ​ Design, implement sound, expand game-audio services to include implementation. Helped team learn middleware audio tools (Wwise, Fmod) Served as general audio engineer for broadcast TV: Record, Edit, Mix, Master, VO Clients: Microsoft, Sony, Big Fish, Discovery, Travel, Nat Geo Audio Engineer / Sound Designer, Freelance (02/2011 – 06/2012) ​ Post-production audio engineer for 2011 Cannes Film Fest Official Selection (Short) Contract Audio Designer for multiple mobile game titles (iOS/Android). Sound Designer, Budcat Creations, Activision (01/2009 – 02/2011) ​ Produced and Implemented audio for titles released on Wii, NDS, Playstation, XBox.
    [Show full text]
  • Vgarchive : My Video Game Collection 2021
    VGArchive : My Video Game Collection 2021 Nintendo Entertainment System 8 Eyes USA | L Thinking Rabbit 1988 Adventures in the Magic Kingdom SCN | L Capcom 1990 Astérix FRA | L New Frontier / Bit Managers 1993 Astyanax USA | L Jaleco 1989 Batman – The Video Game EEC | L Sunsoft 1989 The Battle of Olympus NOE | CiB Infinity 1988 Bionic Commando EEC | L Capcom 1988 Blades of Steel SCN | L Konami 1988 Blue Shadow UKV | L Natsume 1990 Bubble Bobble UKV | CiB Taito 1987 Castlevania USA | L Konami 1986 Castlevania II: Simon's Quest EEC | L Konami 1987 Castlevania III: Dracula's Curse FRA | L Konami 1989 Chip 'n Dale – Rescue Rangers NOE | L Capcom 1990 Darkwing Duck NOE | L Capcom 1992 Donkey Kong Classics FRA | L Nintendo 1988 • Donkey Kong (1981) • Donkey Kong Jr. (1982) Double Dragon USA | L Technōs Japan 1988 Double Dragon II: The Revenge USA | L Technōs Japan 1989 Double Dribble EEC | L Konami 1987 Dragon Warrior USA | L Chunsoft 1986 Faxanadu FRA | L Nihon Falcom / Hudson Soft 1987 Final Fantasy III (UNLICENSED REPRODUCTION) USA | CiB Square 1990 The Flintstones: The Rescue of Dino & Hoppy SCN | B Taito 1991 Ghost'n Goblins EEC | L Capcom / Micronics 1986 The Goonies II NOE | L Konami 1987 Gremlins 2: The New Batch – The Video Game ITA | L Sunsoft 1990 High Speed ESP | L Rare 1991 IronSword – Wizards & Warriors II USA | L Zippo Games 1989 Ivan ”Ironman” Stewart's Super Off Road EEC | L Leland / Rare 1990 Journey to Silius EEC | L Sunsoft / Tokai Engineering 1990 Kings of the Beach USA | L EA / Konami 1990 Kirby's Adventure USA | L HAL Laboratory 1993 The Legend of Zelda FRA | L Nintendo 1986 Little Nemo – The Dream Master SCN | L Capcom 1990 Mike Tyson's Punch-Out!! EEC | L Nintendo 1987 Mission: Impossible USA | L Konami 1990 Monster in My Pocket NOE | L Team Murata Keikaku 1992 Ninja Gaiden II: The Dark Sword of Chaos USA | L Tecmo 1990 Rescue: The Embassy Mission EEC | L Infogrames Europe / Kemco 1989 Rygar EEC | L Tecmo 1987 Shadow Warriors FRA | L Tecmo 1988 The Simpsons: Bart vs.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark one) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 1-15839 ACTIVISION BLIZZARD, INC. (Exact name of registrant as specified in its charter) Delaware 95-4803544 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification No.) 3100 Ocean Park Blvd., Santa Monica, CA 90405 (Address of principal executive offices) (Zip Code) Registrant's telephone number, including area code: (310) 255-2000 Securities registered pursuant to Section 12(b) of the Act: Title of each Class Name of Each Exchange on Which Registered Common Stock, par value $.000001 per share The NASDAQ Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15 (d) of the Act. Yes o No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Of 118 in the UNITED STATES DISTRICT COURT
    Case 1:17-cv-00181 Document 1 Filed 04/25/17 Page 1 of 119 IN THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF ALABAMA BAMA GAMING, LLC, 1:17-cv-00181 Plaintiff, Civil Action No. ______________ v. INFINITY WARD, INC., NEVERSOFT JURY TRIAL DEMANDED ENTERTAINMENT, INC., ACTIVISION PUBLISHING, INC., ACTIVISION BLIZZARD, INC., ACTIVISION BLIZZARD INTERNATIONAL B.V., FREESTYLEGAMES LTD., VICARIOUS VISIONS, INC., BUDCAT CREATIONS, INC., Defendants. COMPLAINT FOR PATENT INFRINGEMENT Plaintiff Bama Gaming, LLC (“Bama” or “Plaintiff”), for its Complaint against Defendants Infinity Ward, Inc., Neversoft Entertainment, Inc., Activision Publishing, Inc., Activision Blizzard, Inc., Activision Blizzard International B.V., FreeStyleGames, Ltd., Vicarious Visions, Inc., Budcat Creations, Inc., (collectively referred to as “Infinity” or “Defendants”), alleges the following: NATURE OF THE ACTION 1. This is an action for patent infringement arising under the Patent Laws of the United States, 35 U.S.C. § 1 et seq. THE PARTIES 2. Plaintiff Bama is a limited liability company organized under the laws of the State of Alabama with a place of business at 951 Government Street, Suite B, Mobile, Alabama 36604. Page 1 of 118 Case 1:17-cv-00181 Document 1 Filed 04/25/17 Page 2 of 119 3. Upon information and belief, Infinity Ward, Inc. is a corporation incorporated and existing under the laws of Delaware, with a place of business at 3100 Ocean Park Boulevard, Santa Monica, California, 90405, and can be served at 2711 Centerville Road, Suite 400, Wilmington, Delaware, 19808. Upon information and belief, Defendant sells and offers to sell products and services throughout the United States, including in this judicial district, and introduces products and services that perform infringing processes into the stream of commerce knowing that they would be sold in this judicial district and elsewhere in the United States.
    [Show full text]
  • Iowa Department of Economic Development DATE: March 16, 2009 RE: “Iowa Innovators”
    TO: Iowa Newspaper Association Member Editors FROM: Iowa Department of Economic Development DATE: March 16, 2009 RE: “Iowa Innovators” The “Iowa Innovators” series is a joint project of the Iowa Newspaper Association and the Iowa Department of Economic Development (IDED). The series is an outgrowth of an idea from member INA publishers. “Iowa Innovators” articles describe initiatives that Iowa communities have used to improve their ability to attract business and industry and demonstrate community innovation. The articles also describe Iowa companies on the leading edge of technology, business expansion, workforce development and recycling. It is hoped that these article ideas will be published locally and spark community and business initiatives statewide. If you have community or business success stories to share, contact IDED, 200 East Grand Ave., Des Moines, IA 50309, 800.245.IOWA (4692) or e-mail: [email protected]. The following is a list of companies and communities featured in this round of “Iowa Innovators” articles: 1. Ames-based GlobalVetLink, an eight-year-old technology company with 12 employees, located in offices in the Iowa State University Research Park, serves veterinarians who work with breeding stock, show animals, pets and even exotic zoo animals. “We digitize and transmit data on horses and other live- stock, companion animals, and even exotic animals to produce electronic certificates of health for animals moving between states or between countries,” says Kevin Maher, GVL founder and president. A typical GVL veterinary electronic inspection form displays the animal’s name, date of birth, types of medical tests and vaccines administered, distinctive markings and veterinarian information, and Maher says more than 120 million animals have been certified using GVL’s Web-based applications.
    [Show full text]
  • Activision Publishing Acquires Budcat Creations
    Activision Publishing Acquires Budcat Creations SANTA MONICA, Calif., Nov 10, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Activision Publishing, Inc. (Nasdaq: ATVI) today announced that it has acquired video game developer Budcat Creations. Based in Iowa City, Iowa, Budcat Creations is an award-winning development studio with expertise on the Wii(TM) home video game system and the Nintendo DS(TM). Activision Publishing has worked with Budcat Creations on the development of multiple games in the Guitar Hero franchise including Guitar Hero(R) III: Legends of Rock(TM), Guitar Hero(R): Aerosmith(R) and Guitar Hero(R) World Tour. The studio is currently in development on a new game in the Guitar Hero franchise. "Budcat Creations is an outstanding developer with an experienced management team and a very talented group of programmers, designers and artists," said Mike Griffith, President and CEO of Activision Publishing, Inc. "In addition to strengthening our development capabilities on the Nintendo platforms, this acquisition increases our Guitar Hero development resources as we continue to grow the franchise and expand our global leadership position in the music-based genre." "We are thrilled to partner with Activision and believe that this acquisition is a perfect fit for both companies," said Jeremy Andersen, General Manager of Budcat Creations. "Their world class sales and marketing support coupled with best-in-class execution across all areas of their business means that we can focus our time and resources on what we love and do best -- creating great games." Under the terms of the acquisition agreement, Budcat Creations has become a wholly owned subsidiary of Activision Publishing and the company's management team has signed multi-year employment contracts with Activision Publishing.
    [Show full text]
  • Game Developer
    >>PRODUCT REVIEWS ENDORPHIN 2 * CLAYTOOLS SYSTEM AUGUST 2005 THE LEADING GAME INDUSTRY MAGAZINE >>SID WILL PROVIDE >>BUSINESS LEVEL >>HDR FOR OPEN GL BUILDING MODDABILITY GROWING PANDEMIC ENLIGHTENED ME INTO CIVILIZATION IV STUDIOS SMOOTHLY WITH SCIENCE POSTMORTEM: DOUBLE FINE’S PSYCHONAUTIC BREAK So real it renders fear. Idea: Create the most gripping and realistic stealth action game on the market. Realized: With Tom Clancy’s Splinter Cell® Chaos Theory™, Ubisoft™ wanted to continue setting records for the visual gaming experience. That’s why they chose Autodesk’s 3ds Max software to model and animate the game’s realistic characters and backgrounds. By providing a highly creative and stable platform, 3ds Max helped Ubisoft artists continue their impressive work on Tom Clancy’s Splinter Cell series that has already sold 10 mil- lion copies worldwide. 3ds Max’s robust, work- horse capabilities also helped Ubisoft stay on target with their grueling production schedules. As a result, Ubisoft met their highly anticipated launch and garnered a 9.9 out of 10 by Offi cial Xbox Magazine because of the game’s amazing looks and lifelike play. From taking out the competition to taking out the warehouse guard, Autodesk software helps today’s top developers realize their ideas to compete and win. To learn more, please visit autodesk.com/3dsmax Autodesk and 3ds Max are registered trademarks of Autodesk, Inc., in the USA and/or other countries. All other brand names, product names, or trademarks belong to their respective holders. © 2005 Autodesk, Inc. All rights reserved. Tom Clancy’s Splinter Cell® Chaos Theory,™ image courtesy of Ubisoft.
    [Show full text]
  • Activision L Blizzard
    ACTIVISION BLIZZARD , INC . 2008 ANNUAL REPORT ACTIVE ENTERTAINMENT 1 2008 ANNUAL REPORT ACTIVISION BLIZZARD , INC . BY COMBINING 3 ACTIVISION ’ S TOP - SELLING PORTFOLIO OF CONSOLE AND HANDHELD GAMES WITH BLIZZARD ENTERTAINMENT ’ S LEADING PC AND ONLINE SUBSCRIPTION FRANCHISES 2008 ANNUAL REPORT WE ARE NOW THE LARGEST MOST PROFITABLE PURE - PLAY INTERACTIVE ENTERTAINMENT SOFTWARE PUBLISHER IN THE WORLD WITH LEADING MARKET POSITIONS ACROSS ALL MAJOR CATEGORIES OF THE INDUSTRY 8 ACTIVISION BLIZZARD , INC . $ 5.0 BILLION IN TOTAL NET REVENUES * + 26% GROWTH IN NET REVENUES * $ 1.2 BILLION IN OPERATING INCOME * + 24% OPERATING MARGIN * $ 3.1 BILLION IN CASH & INVESTMENTS 9 *Non-GAAP comparable basis – For a full reconciliation see tables at the end of the annual report. 2008 ANNUAL REPORT TO OUR SHAREHOLDERS : Our accomplishments in calendar year 2008 were the most significant in our company’s 29 years. We completed the largest merger in the history of our industry; on a non-GAAP basis, we delivered record net revenues and operating income, with double-digit growth; and we significantly strengthened our portfolio of leading entertainment franchises. These accomplishments follow 16 years of strong performance by Activision, Inc. Since 1998, we had a cumulative average annual growth rate in our share price of 25% as compared to the Standard & Poor’s 500, which decreased at an average annual rate of 1%, during that same period of time. Over those 10 years, we also outperformed every other third-party video game company in providing superior shareholder returns. On July 9, 2008, we completed our transaction with Vivendi to create Activision Blizzard, the world’s largest and most profitable online and console video game company.
    [Show full text]
  • An Analysis of Activision-Blizzard and Electronic Arts
    Business Models and Strategies in the Video Game industry: an analysis of Activision-Blizzard and Electronic Arts By Ruri Lee B.A. Art Studies, Hong Ik University, 2010 M.B.A. Sungkyunkwan University, 2013 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES ARCHIE AT THE MASCHUS IOE, MASSACHUSETTS INSTITUTE OF TECHNOLOGY OF TECH NOGY JUNE 2013 MAY 3 0 2013 @2013 Ruri Lee. All rights reserved. reproduce LIBRARIES The author hereby grants to MIT permission to and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: MIT Sloan School of Management May 13, 2013 Certified by: Michael A. Cusumano SMR Distinguished Professor of Management Thesis Supervisor Accepted by: (Michael A. Cusumano SMR Distinguished Professor of Management Program Director, M.S. in Management Studies Program MIT Sloan School of Management "page intentionally left blank" Business Models and Strategies in the Video Game industry: an analysis of Activision-Blizzard and Electronic Arts By Ruri Lee Submitted to MIT Sloan School of Management on May 13, 2013 in Partial Fulfillment of the requirements for the Degree of Master of Science in Management Studies. ABSTRACT In recent years the video game industry has been of great importance in the business world beyond the role of a cultural medium. With its huge size and potential for more growth, the industry has attracted many newcomers. The target customers are expanding to females and elders who have not been known to be game players.
    [Show full text]
  • Robert Keiser Drexel Hill, PA | 330.827.8446 | [email protected] |
    Robert Keiser Drexel Hill, PA | 330.827.8446 | [email protected] | https://www.linkedin.com/in/robert-keiser-7597902/ 3D Artist & Digital Sculptor Accomplished 3D Artist/Design Sculptor with ten years of experience creating computer games, characters, and product images including cars and architectural interiors. Effectively gathers flexible team of creatives to efficiently respond to client and corporate demands and opportunities. Master of original, creative thinking who also brings structure and organizational experiences to teams. Works independently and remotely depending on the circumstances. Work samples: https://robbiek1000.artstation.com/ and https://www.twitch.tv/robbiek1000. Areas of Expertise: ● 3D Developer ● Concept Development ● Originality ● Team Development ● Remote Contributor ● Marketing ● Internal Promotions ● Idea Generator ● Solution Oriented Software: ● 3D Studio Max & Maya ● Photoshop & Illustrator ● Substance Painting ● ZBrush ● Premiere & After Effects ● Unity & Unreal 4 Career Highlights ● Recruited and developed team of freelance talent to meet changing needs of company marketing/graphic design department. Identified pipeline of talent, created tutorials and best practices guides; nurtured communications and built lasting relationships which produced flexible team able to turn out 3D assets quickly and efficiently. ● Created library of almost 30 3D vehicles and 500 unique exterior styling parts which ultimately saved $100K in investment of physical parts; saved/reduced photography costs by as well by $200K annually. Professional Career Overview & Published Title Work 3D Modeler | TURN5, INC. | Malvern, PA | 2016 – 2019 As the only creative artist on staff, created and maintained all assets for promotional material, ads, catalog, and internal projects, including: Multiple generations of Ford Mustang, Jeep Wrangler, Chevy Silverado, Dodge Challenger and Ram Developed design concepts for sets and architectural interiors.
    [Show full text]
  • European Game Industry Report 2013
    The research is commissioned by The Research Grant Council, Hong Kong Special Administration Region. The project code is 4001-SPPR-09. The European Game Industry dr. David B. Nieborg & prof. dr. Jeroen de Kloet, University of Amsterdam Table of Contents List of figures & tables Executive summary 1. Introduction 1.1 Aim of the report 1.2 Structure of the report 1.3 Methodology and empirical data 2. Defining and segmenting the European games industry 2.1 Which European game industry? 2.2 A brief overview of the European game industry 2.3 Key EU game industry characteristics: continuity & change 2.4 Major EU policy initiatives 3. Dutch Design? The political economy of the Dutch games industry 3.1 The history of the Dutch game industry in a European context 3.2 The Netherlands in the 90's: Planting seeds of growth 3.3 Building a foundation/infrastructure: 2001 - 2005 4. Clusters of the Dutch game industry 5. Conclusion Literature Appendices 2 List of tables & figures Table 1: x Figure 1: x 3 Executive summary This report surveys the European game industries. Similar to the culturally and economically heterogeneous set of nations comprising the European Union, the European game industry consists of a patchwork of individual markets and industries. Rather than exploring the entire European continent in depth, this exploratory research will map the geographical creative clusters in the Netherlands, Sweden and the United Kingdom. Each industry is at a different stage of development and each country gives way to a different political economy and economic geography. Whereas the British game industry market is relatively large and its industry influential and productive, the Swedish and Dutch gaming markets and industries are much smaller.
    [Show full text]