Corrected Proof

Total Page:16

File Type:pdf, Size:1020Kb

Corrected Proof CORRECTED PROOF Copyright © The British Psychological Society Reproduction in any form (including the internet) is prohibited without prior permission from the Society 1 The British Psychological British Journal of Developmental Psychology (2008), 00, 1–12 Society q 2008 The British Psychological Society www.bpsjournals.co.uk Early tracking of informant accuracy and inaccuracy Kathleen H. Corriveau1, Kerstin Meints2 and Paul L. Harris1* 1Harvard Graduate School of Education, Harvard University, Cambridge, Massachusetts, USA 2University of Lincoln, Lincoln, UK Three- and four-year-old children (N ¼ 131) were tested for their sensitivity to the accuracy and inaccuracy of informants. Children were presented with one of three conditions. In the Accurate–Inaccurate condition, one informant named objects accurately whereas the other named them inaccurately. In the Accurate–Neutral condition, one informant named objects accurately whereas the other merely drew attention to them. Finally in the Inaccurate–Neutral condition, one informant named objects inaccurately whereas the other merely drew attention to them. In subsequent test trials, 4-year-olds preferred to seek and accept information in a selective fashion across all three conditions, suggesting that they monitor informants for both accuracy and inaccuracy. By contrast, 3-year-olds were selective in the Accurate–Inaccurate and Inaccurate–Neutral conditions but not in the Accurate–Neutral condition, suggesting that they monitor informants only for inaccuracy and take accuracy for granted. Several recent experiments have shown that young children attend to the differential accuracy of their informants. When one informant proves to be accurate and the other inaccurate, 3- and 4-year-olds prefer to seek out and accept information from the hitherto accurate informant (Cle´ment, Koenig, & Harris, 2004; Koenig, Cle´ment, & Harris, 2004). This selective trust is quite wide-ranging in its effects. Having observed that informants differ in the accuracy with which they name objects, children display selective trust not just in learning about object names from them but also in learning about object functions (Birch, Vauthier, & Bloom, in press; Corriveau, Harris, & Nelson, 2007; Koenig & Harris, 2005). Moreover, accuracy-based selectivity can override pre-existing preferences. For example, although 3- and 4-year-olds initially displayed greater trust in an adult informant rather than a child informant, this preference was reversed if the adult but not the child subsequently proved inaccurate ( Jaswal & Neely, 2006). Similarly, although 3- to 5-year-olds showed greater trust in their familiar preschool teacher rather than * Correspondence should be addressed to Dr Paul L. Harris, Harvard Graduate School of Education, Harvard University, Cambridge, MA 02138, USA (e-mail: [email protected]). DOI:10.1348/026151008X310229 CORRECTED PROOF Copyright © The British Psychological Society Reproduction in any form (including the internet) is prohibited without prior permission from the Society 2 Kathleen H. Corriveau et al. an unfamiliar teacher as an informant, this preference was reversed among older preschoolers if the familiar preschool teacher subsequently proved inaccurate (Corriveau & Harris, in press, a). Accuracy-based selectivity is also stable over time. Three- and 4-year-olds not only show selective trust in a more accurate informant immediately after observing differences in accuracy, they continue to do so the next day and even the next week (Corriveau & Harris, in press, b). Finally, although 3-year-olds only differentiate between informants who are consistently accurate as compared to consistently inaccurate, 4-year-olds are sensitive to relative differences in accuracy. For example, if one informant is predominantly – but not always – accurate and the other informant is predominantly – but not always – inaccurate, 4-year-olds, but not 3-year-olds, display more trust in the former informant (Pasquini, Corriveau, Koenig, & Harris, 2007). Taken together, these results show that preschoolers track differences between informants in their accuracy and make wide-ranging and persistent use of those differences when seeking and accepting new information. However, despite the robust evidence for such tracking, its exact basis is unclear. In all the experiments described above, one informant was accurate all or most of the time whereas the other informant was inaccurate all or most of the time. Therefore, children might adopt at least three different strategies in tracking relative accuracy. First, they might take an informant’s accuracy for granted but track and remember an informant’s inaccuracy. Thus, in using this strategy, preschoolers would adopt a stance of default trust but withdraw that default trust when they detect error. This simple model explains all the results described above by assuming that children come to mistrust an informant who is consistently or mostly inaccurate. A second possibility is that children do the reverse. They do not take accuracy for granted. Instead, they track informants’ claims for truth and take notice whenever accurate claims are made. More specifically, they build-up trust in an informant who proves to be consistently or mostly accurate. This strategy is consistent with the possibility that children might register the fact that an informant has erred but keep no record of that error. For example, they might notice when an object has been misnamed – a sensitivity that is displayed by toddlers of 16 months (Koenig & Echols, 2003) – but fail to characterize the speaker as in any way untrustworthy. Again, this model explains all recent results but it does so by emphasizing the accumulation of trust as opposed to mistrust. A third possibility is that children monitor concurrently for both truth and falsity. Not only do they accumulate trust in informants who produce true claims, they accumulate mistrust in those who make false claims. This model explains the findings reported so far by assuming that earlier studies were optimally, albeit inadvertently, designed to provoke preschoolers into maximal differentiation between the two informants with the accurate informant eliciting trust and the inaccurate informant eliciting mistrust. Of these three strategies, the first would appear to be the simplest and most plau- sible. After all, informants generally make true or accurate claims. Obvious inaccuracy in communication is the exception rather than the rule especially in the context of adult– child communication. Accordingly, it makes sense that children would bring to any unfamiliar interlocutor an expectation that he or she will be informative and accurate. Admittedly, that default trust might first be built-up on the basis of encounters with prior, accurate informants and then extended to the claims made by a newly encountered informant – an inductive strategy first identified by Hume (1748/1957) in his discussion of our belief in miracles. Still, it seems unlikely that children treat each CORRECTED PROOF Copyright © The British Psychological Society Reproduction in any form (including the internet) is prohibited without prior permission from the Society Early tracking of informants 3 new informant as worthy of trust only after he or she has proved accurate. It seems more plausible that children bring a stock of trust to each new encounter, that they take it for granted when that trust is not violated, but nevertheless notice and record signs of untrustworthiness. In order to assess whether 3- and 4-year-olds use any of the three strategies just described, particularly the first, we designed an experiment that retained many of the features of earlier studies but the initial familiarization period with the two informants was systematically varied. In condition 1 (Accurate–Inaccurate), the earlier, standard procedure was replicated in that children were presented with one informant who was consistently accurate in naming objects and one informant who was consistently inaccurate. In condition 2 (Accurate–Neutral), a consistently accurate informant was included but the second informant made only neutral remarks (e.g. ‘Let me take a look at that’) that could not be easily evaluated for their truth. Finally, in condition 3 (Inaccurate–Neutral), a consistently inaccurate informant was paired with a neutral informant. Subsequently, in all three conditions, children’s relative trust in the two informants was probed via three different types of question. In Ask questions children were invited to ask one of the two informants for help regarding the names of unfamiliar objects. In Endorse questions, they were invited to agree with the name proposed by one or other of the two informants. Finally, in Explicit Judgment questions, they were asked to judge how good each informant was at answering questions. Note that Explicit Judgment questions were always asked at the end of the test procedure, following the Ask and Endorse questions. This was to eliminate the possibility that the experimenter’s invitation to make explicit judgments about the two informants would cue children with respect to whom they should ask and endorse. According to our favoured hypothesis, children should bring default trust to each unfamiliar informant but come to mistrust an informant who proves inaccurate. Hence, they should display selective trust in conditions 1 and 3, because in each of those conditions one of the two informants makes false claims. In condition 2 (Accurate– Neutral),
Recommended publications
  • Three Times I Woke, but Talked Myself Back to Sleep So That When the Alarm Went Off I Felt Like I’D Accomplished Something
    MAY 6 Three times I woke, but talked myself back to sleep so that when the alarm went off I felt like I’d accomplished something. For the day I mentioned sStepping on Edgy under the blanket, if I hadn’t already said this, mention that it was the first time that I told him that I loved him. Edgy had torn up an empanada box and Times Metro Section. He kept running in front of my foot and sitting. We have these silver vertical blinds that catch the spring light beautifully. The neighbor next door (on oxygen tanks) swore all morning. I realized I was stretching in my outdoor shoes based on how they made the floor smell. A weird, baby powder scent in the kitchen with a big fan out. The landlord’s turned the heat off, so the place feels 60—cold and clammy. The cChopped almonds I added to my tempeh somehow burned the bottom of my tongue. While eating, here’s a Krauss quote.: “The body of the subject, focused around so many separate organs and their needs and desires, interacts with the word outside itself—the object-word—in terms of their reciprocal organs that will satisfy those needs and desires: the world of the infant as so many breasts, mouths, bellies, penises, anuses…. The part-object speaks to the imperiousness of the drives, to the rapacity of their demands, to the way the body can, in the grip of fantasy, be riven, cannibalized, shattered.” Okay, I’m going to just use letters for people’s names here.
    [Show full text]
  • The Criminalization of Bootlegging: Unnecessary and Unwise
    Buffalo Intellectual Property Law Journal Volume 1 Number 2 Article 1 10-1-2002 The Criminalization of Bootlegging: Unnecessary and Unwise Lee H. Rousso Follow this and additional works at: https://digitalcommons.law.buffalo.edu/buffaloipjournal Part of the Intellectual Property Law Commons Recommended Citation Lee H. Rousso, The Criminalization of Bootlegging: Unnecessary and Unwise, 1 Buff. Intell. Prop. L.J. 169 (2002). Available at: https://digitalcommons.law.buffalo.edu/buffaloipjournal/vol1/iss2/1 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Intellectual Property Law Journal by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. BUFFALO INTELLECTUAL PROPERTY LAW JOURNAL VOLUME 1 FALL 2002 NUMBER 2 ARTICLES THE CRIMINALIZATION OF BOOTLEGGING: UNNECESSARY AND UNWISE LEE H. Roussot Abstract: In 1994 the United States extended copyright-like protection to live musi- cal performances by adopting17 U.S. C. §1101, which authorizes civil remedies that are the same as those for copyright infringement, and 18 U.S.C. §2319A, which subjects violators to fines and prison terms. These new statutes, referred to jointly as the "anti-bootleggingstatute," led to raidsof record stores and "sting" operations aimed at persons involved in the manufacture and distribution of live concert re- cordings. This Comment argues that the benefit to society of having these live re- cordings in circulation outweighs the minimal economic damage incurred by the music industry. Furthermore,the music industry has always had the ability to ad- dress this perceived problem through non-legal measures, that is by releasing live concert recordings and thereby eliminating the incentives for unauthorized record- ing and distribution.
    [Show full text]
  • Elvis Costello & the Attractions
    Elvis Costello & The Attractions Accidents Will Happen mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Accidents Will Happen Country: UK Released: 1979 Style: New Wave MP3 version RAR size: 1423 mb FLAC version RAR size: 1512 mb WMA version RAR size: 1926 mb Rating: 4.8 Votes: 553 Other Formats: MP4 MP1 VOC APE DXD MPC AIFF Tracklist A Accidents Will Happen 3:00 B1 Talking In The Dark 1:55 B2 Wednesday Week 2:01 Companies, etc. Record Company – Radarscope Records Ltd. Licensed From – Riviera Global Record Productions Ltd. Phonographic Copyright (p) – Riviera Global Record Productions Ltd. Copyright (c) – Riviera Global Record Productions Ltd. Pressed By – WEA Records Pressing Plant, West Drayton Published By – Plangent Visions Music Ltd. Credits Lacquer Cut By – Porky Producer – Nick Lowe Written-By – Elvis Costello Notes Made in UK Plangent Visions Music Ltd. ℗ & © 1979 Riviera Global Record Prods. Ltd. Issued under license from Riviera Global Record Productions Ltd. © 1979 Radarscope Records Ltd. trading as Radar Records in association with WEA Records Ltd A Warner Communication Company Barcode and Other Identifiers Matrix / Runout (Side A label): ADA 35 A* Matrix / Runout (Side B label): ADA 35 B* Matrix / Runout (A-side runout - variant 1): PORKY PRIME CUTS WILL HAPPEN S-4 ADA 35 A2 Matrix / Runout (B-side runout - variant 1): PECKO S-6 ADA 35 B2 Matrix / Runout (A-side runout - variant 2): ADA 35 A3 PORKY PRIME CUTS WILL HAPPEN Matrix / Runout (B-side runout - variant 2): ADA 35 B-3 PECKO Matrix / Runout (A-side runout
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Crush Garbage 1990 (French) Leloup (Can't Stop) Giving You Up Kylie Minogue 1994 Jason Aldean (Ghost) Riders In The Sky The Outlaws 1999 Prince (I Called Her) Tennessee Tim Dugger 1999 Prince And Revolution (I Just Want It) To Be Over Keyshia Cole 1999 Wilkinsons (If You're Not In It For Shania Twain 2 Become 1 The Spice Girls Love) I'm Outta Here 2 Faced Louise (It's Been You) Right Down Gerry Rafferty 2 Hearts Kylie Minogue The Line 2 On (Explicit) Tinashe And Schoolboy Q (Sitting On The) Dock Of Otis Redding 20 Good Reasons Thirsty Merc The Bay 20 Years And Two Lee Ann Womack (You're Love Has Lifted Rita Coolidge Husbands Ago Me) Higher 2000 Man Kiss 07 Nov Beyonce 21 Guns Green Day 1 2 3 4 Plain White T's 21 Questions 50 Cent And Nate Dogg 1 2 3 O Leary Des O' Connor 21st Century Breakdown Green Day 1 2 Step Ciara And Missy Elliott 21st Century Girl Willow Smith 1 2 Step Remix Force Md's 21st Century Girls 21st Century Girls 1 Thing Amerie 22 Lily Allen 1, 2 Step Ciara 22 Taylor Swift 1, 2, 3, 4 Feist 22 (Twenty Two) Taylor Swift 10 Days Late Third Eye Blind 22 Steps Damien Leith 10 Million People Example 23 Mike Will Made-It, Miley 10 Seconds Jazmine Sullivan Cyrus, Wiz Khalifa And 100 Years Five For Fighting Juicy J 100 Years From Now Huey Lewis And The News 24 Jem 100% Cowboy Jason Meadows 24 Hour Party People Happy Mondays 1000 Stars Natalie Bassingthwaighte 24 Hours At A Time The Marshall Tucker Band 10000 Nights Alphabeat 24 Hours From Tulsa Gene Pitney 1-2-3 Gloria Estefan 24 Hours From You Next Of Kin 1-2-3 Len Berry 2-4-6-8 Motorway Tom Robinson Band 1234 Sumptin' New Coolio 24-7 Kevon Edmonds 15 Minutes Rodney Atkins 25 Miles Edwin Starr 15 Minutes Of Shame Kristy Lee Cook 25 Minutes To Go Johnny Cash 16th Avenue Lacy J Dalton 25 Or 6 To 4 Chicago 18 And Life Skid Row 29 Nights Danni Leigh 18 Days Saving Abel 3 Britney Spears 18 Til I Die Bryan Adams 3 A.M.
    [Show full text]
  • S1E13 Let the Sunshine In: the Legacy of Logan Boulet Transcript
    Let the Sunshine In: the legacy of Logan Boulet [00:00:00] Brittany: Welcome to Living Transplant. [00:00:02] Courtney: The podcast that takes you behind the scenes of the transplant program at Toronto General Hospital, [00:00:07] Brittany: and brings you open and honest conversations about the transplant experience. [00:00:11] Courtney: My name is Courtney and I'm the communication specialist for the Centre for Living Organ Donation. [00:00:16] Brittany: And my name is Brittany. I'm a bedside nurse in the Ajmera Transplant Centre. [00:00:20] Courtney: Full disclosure: we are not physicians. [00:00:22] Brittany: No. And we are not here to give you medical advice. [00:00:26] Courtney: Think of us like your guides through the world of transplant, as we know it, [00:00:29] Brittany: Whether transplant is your past present or future your passion, or your curiosity , [00:00:34] Courtney: Living Transplant will show you the world of transplant like you've never seen it before. Welcome back to living transplant. Today, we're joined by Toby and Bernadine Boulet. They are the parents of Logan Boulet whose decision to be an organ donor inspired thousands of Canadians after his death on April 6 2018. What followed was a drastic increase in organ donor registration, which came to be known as the Logan Boulet Effect. [00:01:01] So thanks so much to both of you for joining us today. It's really nice to see you both again. [00:01:05] Bernie: Thank you for having us.
    [Show full text]
  • Covers 569 Songs, 2 Days, 2.91 GB
    Covers 569 songs, 2 days, 2.91 GB Name Time Album Artist Abracadabra 3:42 14:59 Sugar Ray Act Nice and Gentle 2:56 Give the People What We Want: Son… Larry Barrett The Adventures of Grandmaster Fla… 5:46 The Document DJ Andy Smith & Grandmaster Flash After the Love Has Gone 3:58 Somewhere in Time Donny Osmond Against All Odds 4:13 The Postal Service Alcohol 3:26 Give the People What We Want: Son… The Murder City Devils Alex Chilton 3:18 Left of the Dial - a Pop Tribute to t… The Marlowes Alison (Live) 3:47 Cover Me Badd - EP Butch Walker Always Something There to Remind… 3:39 Heads Are Gonna Roll The Hippos Always Something There to Remind… 4:13 Cover Me Badd - EP Butch Walker Ana Ng 3:23 Hello Radio: The Songs of They Mig… Self And I Ran 4:25 Punk Goes 80's - Compilation Hidden in Plain View And She Was 3:49 Sky High Keaton Simons and your bird can sing 1:55 extras jam And Your Bird Can Sing 2:08 Under the Covers Vol. 1 Matthew Sweet & Susanna Hofs (The Angels Wanna Wear My) Red S… 2:40 A Tribute to Elvis Costello Patrik Tanner Annie Get Your Gun 3:39 Happy Doing What We're Doing Elizabeth McQueen and the Firebra… Another Girl Another Planet 2:41 Blink-182: Greatest Hits Blink-182 Another Nail for My Heart 2:39 Ultra Feel, Vol. 1 Rubber Ashes to Ashes 5:01 Ashes to Ashes - Single Grant-Lee Phillips & The Section Q… Ashes to Ashes 4:32 Saturnine Martial & Lunatic Tears for Fears Athena 4:15 Who's Not Forgotten, FDR's Tribute… Grandfabric B*****s Ain't S**t 3:55 B*****s Ain't S**t - Single Ben Folds Baba O'Riley 4:56 Who's Not Forgotten, FDR's Tribute… Guided by Voices ..
    [Show full text]
  • Break Oliver Stone
    BREAK OLIVER STONE Copyright @ 1969 Anthony's trip through three moods/locations: 1. The City -- Speed and Fear 2. The Forest --Decreasing Speed Fading Into Dream 3. Prison -- Silence (The Death of Words) Freedom (End of Movie) 1. Small, student's French-type garret decorated in deep-red, suitcase on bed. Anthony to his desk, hurriedly examining his thick papers and books, and throwing them on the floor. Takes a book (closeup photograph of Genet, book's author, a photo from early 50's, in his burglar's T-shirt, his name in large, Visible letters at base of photo) off night table, puts it in suitcase, locks suitcase, opens door, suitcase out door. A. back into the room, wine bottle from mantelpiece, pouring red gasoline over books and manuscripts piled on floor, spreading the gasoline around the small room. Looks it all over, bends, lights match, tosses on fire, backing up, an instant later sound of wind popping a tent and red flames shooting up. A. forced hack. Shot of A. through the jumping flames, sweating with the heat and watching. Opening the door. Shot of closing door through fire. A's fleeing footsteps down the gothic stairs, trotting. Fire. Footsteps (running). cut. 2. Voice Off: So you ran away from school. (Pause) Yes. Shot of father and son, son in jeans, boots and vest, long hair, early twenties, his hair getting longer with the progress of the movie, his features, icily handsome, becoming more and more expressive and tender. You quit. A :* : (Inwardly) Yea. (A.'s small pocket knife is out, playing the edge with his nail, shot close of his hands slightly quivering with inner tension.) Father: I can see you're on acid, you're on pot.
    [Show full text]
  • Stardigio Program
    スターデジオ チャンネル:450 洋楽アーティスト特集 放送日:2019/09/09~2019/09/15 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■ELVIS COSTELLO 特集 (1) WELCOME TO THE WORKING WEEK ELVIS COSTELLO LESS THAN ZERO ELVIS COSTELLO ALISON ELVIS COSTELLO (THE ANGELS WANNA WEAR MY) RED SHOES ELVIS COSTELLO WATCHING THE DETECTIVES ELVIS COSTELLO NO ACTION Elvis Costello & The Attractions THIS YEAR'S GIRL Elvis Costello & The Attractions PUMP IT UP Elvis Costello & The Attractions (I DON'T WANT TO GO TO) CHELSEA Elvis Costello & The Attractions RADIO, RADIO Elvis Costello & The Attractions ACCIDENTS WILL HAPPEN Elvis Costello & The Attractions OLIVER'S ARMY Elvis Costello & The Attractions GREEN SHIRT Elvis Costello & The Attractions (WHAT'S SO FUNNY 'BOUT)PEACE,LOVE AND UNDERSTANDING? Elvis Costello & The Attractions LOVE FOR TENDER Elvis Costello & The Attractions OPPORTUNITY Elvis Costello & The Attractions KING HORSE Elvis Costello & The Attractions I CAN'T STAND UP FOR FALLING DOWN Elvis Costello & The Attractions NEW AMSTERDAM Elvis Costello & The Attractions HIGH FIDELITY Elvis Costello & The Attractions TEMPTATION Elvis Costello & The Attractions ■ELVIS COSTELLO 特集 (2) Clubland Elvis Costello & The Attractions From A Whisper To A Scream Elvis Costello & The Attractions Watch Your Step Elvis Costello & The Attractions Fish'n' Chip Paper Elvis Costello & The Attractions Good Year For The Roses Elvis Costello & The Attractions Sweet Dreams Elvis Costello & The Attractions Why Don't You Love Me(Like You Used To Do) Elvis Costello & The Attractions I'm Your Toy Elvis
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2014 How To Use This Songfinder: We’ve indexed all the songs from 23 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 08. The Real Blues Book/00240264 C Instruments/00240221 09. Miles Davis Real Book/00240137 B Instruments/00240224 Eb Instruments/00240225 10. The Charlie Parker Real Book/00240358 BCb Instruments/00240226 11. The Duke Ellington Real Book/00240235 Mini C Instruments/00240292 12. The Bud Powell Real Book/00240331 Mini B Instruments/00240339 CD-ROMb C Instruments/00451087 13. The Real Christmas Book C Instruments with Play-Along Tracks C Instruments/00240306 Flash Drive/00110604 B Instruments/00240345 Eb Instruments/00240346 02. The Real Book – Volume II BCb Instruments/00240347 C Instruments/00240222 B Instruments/00240227 14. The Real Rock Book/00240313 Eb Instruments/00240228 15. The Real Rock Book – Volume II/00240323 BCb Instruments/00240229 16. The Real Tab Book – Volume I/00240359 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 17. The Real Bluegrass Book/00310910 03. The Real Book – Volume III 18. The Real Dixieland Book/00240355 C Instruments/00240233 19. The Real Latin Book/00240348 B Instruments/00240284 20. The Real Worship Book/00240317 Eb Instruments/00240285 BCb Instruments/00240286 21.
    [Show full text]
  • WLIR Playlist
    I believe this complete list of WLIR/WDRE songs originally appeared on this site, but the full playlist is no longer available. https://wlir.fm/ It now only has the list of “Screamers and Shrieks” of the week—these were songs voted on by listeners as the best new song of the week. I’ve included the chronological list of Screamers and Shrieks after the full alphabetical playlist by artist. 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Can't Ignore The Train 10,000 Maniacs Eat For Two 10,000 Maniacs Headstrong 10,000 Maniacs Hey Jack Kerouac 10,000 Maniacs Like The Weather (Non-Live version) 10,000 Maniacs Like The Weather (Live) 10,000 Maniacs Peace Train 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10,000 Maniacs What's The Matter Here 10,000 Maniacs Because The Night 12 Drummers Drumming We'll Be The First Ones 2 NU This Is Ponderous 3D Nearer 4 Of Us Drag My Bad Name Down 9 Ways To Win Close To You 999 High Energy Plan 999 Homicide A Bigger Splash I Don’t Believe A Word (Innocent Bystanders) A Certain Ratio Life's A Scream A Flock Of Seagulls Heartbeat Like A Drum A Flock Of Seagulls I Ran A Flock Of Seagulls It's Not Me Talking A Flock Of Seagulls Living In Heaven A Flock Of Seagulls Never Again (The Dancer) A Flock Of Seagulls Nightmares A Flock Of Seagulls Space Age Love Song A Flock Of Seagulls Telecommunication A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls What Am I Supposed To Do A Flock Of Seagulls Who's That Girl A Flock Of Seagulls Wishing A Popular History Of Signs The Ladderjack
    [Show full text]
  • DUANE ALLMAN and AMERICAN MUSIC by Bob Beatty A
    “YOU WANNA PLAY IN MY BAND, YOU’D BETTER COME TO PICK”: DUANE ALLMAN AND AMERICAN MUSIC by Bob Beatty A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Department of History Middle Tennessee State University August 2018 Doctoral Committee: Carroll Van West, Ph.D., Chair John Dougan, Ph.D. C. Brendan Martin, Ph.D. Kristine M. McCusker, Ph.D. Dedicated to Suzi and Pat Beatty. Thank you, Mom and Dad, for the unwavering support of all of my various interests and in my pursuit of my life and career goals. I am sorry you aren't here to celebrate this moment with me. ii ACKNOWLEDGMENTS All acknowledgments begin with my family: my wife Candy and daughters Ryan and Tyler, who lived this journey with me. Thanks to each of you for the role you play in my life and my life's work. Thank you to Dr. Carroll Van West, whose careful shepherding of this project and this phase of my graduate career is so appreciated. Thank you also to my dissertation committee, Drs. John Dougan, C. Brendan Martin, and Kristine M. McCusker, whose insights into this process were invaluable. To Troy Wilson, Brandon Munson, and Steve Marshall: a man is blessed to have one friend as good as each of you, my cup overflows that I have three. The same is true of my first best friend, my cousin Brad Beatty. I am forever grateful to my friends in the Allman Brothers Band world who encouraged and inspired me to dig deeper into this band and its meaning: most notably: Andy Beichler; Jules Fothergill; Gary Barrett;
    [Show full text]
  • Songs by Artist Title Artist Title Artist Title Artist Title Artist "Weird Al" Yankovic 1910 Fruitgum Co
    Songs by Artist Title Artist Title Artist Title Artist Title Artist "Weird Al" Yankovic 1910 Fruitgum Co. 1930s - Bunny Berigan 1940s Pretty Fly For A Rabbi "Weird Al" Indian Giver 1910 Louisianna 1930s - Bewitched 1940s Yankovic Fruitgum Bunny Blue Lou Take 1 1940s Co. Berigan #9 DREAM Blue Lou Take 2 1940s 1930s - Andy Kirk Moonshine Over Kentucky 1930s - R.E.M. #9 DREAM Blue Lou Take 3 1940s A Mellow Bit Of Rhythm 1930s - Bunny & More Blue Moon 1940s Andy Kirk Berigan You'll Never Find Another & More Rose Room 1930s - Blue Tail Fly (Burl Ives) 1940s Love (Club Version) Bear Down 1930s - Andy Kirk Bunny Blue Tango 1940s (1996,Ricochet;arrRonChancey; Berigan Blues 1940s PAAnnouncer~TanyaTucker) Better Luck Next Time 1930s - Andy Kirk Round My Old Deserted Farm 1930s - Body And Soul 1940s Star Spangled Banner (1996, Bunny Downstream 1930s - Boogie Woogie Bugle Boy 1940s Ricochet; Berigan arrRonChan Andy Kirk (Andrews Sisters) Shanghai Shuffle 1930s - cey; Foolin' Myself 1930s - Bugle Call Rag 1940s Bunny PAAnnounc Andy Kirk Berigan Cab Driver ( Mills Brothers) 1940s er~TanyaTu I Surrender Dear 1930s - Star Dust 1930s - Can't We Be Friends? 1940s cker) Andy Kirk Bunny Caravan 1940s (Another Song) All Over Again [Main I Went To A Gypsy 1930s - Berigan Cheek To Cheek 1940s Version Andy Kirk Sweet Varsity Sue 1930s - Clean] (Another Coquette 1940s I'll Get Along Somehow 1930s - Bunny Song) All Daddy (Sammy Kaye, The 1940s Andy Kirk Berigan Over Again Kayedetts) I'll Get By 1930s - [Main Whistle While You Work 1930s - Andy Kirk Dedicated To
    [Show full text]