Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-23-1999 Ch'ullus in Cosco: Identity in the Andes Susan M. Kaesgen Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the American Art and Architecture Commons, and the Fiber, Textile, and Weaving Arts Commons Recommended Citation Kaesgen, Susan M., "Ch'ullus in Cosco: Identity in the Andes" (1999). MALS Final Projects, 1995-2019. 25. https://creativematter.skidmore.edu/mals_stu_schol/25 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact
[email protected]. Ch 'ullus in Cosco: Identity in the Andes by Susan M. Kaesgen FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEG REE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE April 1999 Advisors : Lisa Aronson, Phd. & Patrice Rubio, Phd. TABLE OF CONTENTS ABSTRACT ACKNOWLEDGEMENTS 2 LIST OF FIGURES 3 INTRODUCTION 6 TEXT 9 BIBLIOGRAPHY 61 ABSTRACT This study centers on the ch 'uffu, the knitted cap, usually with ear flaps and an elongated peak or tail, a hat that identifies the wearer as an indigenous Anden male. The long history of the ch 'ulluis marked by both its use as geographic identifier, and as a canvas upon which to present the same designs that represent ancient Andean ideas about ancestory, land and time. Because the knitted hats of today functionexactly as ancient ones did, the ch 'ulluis proven a descendant of ancient hats, an important element to be preserved rather than discarded for factory made caps .