A Child Is Born Christmas Jazz Waltz by Thad Jones Brass Quintet Sheet Music

Total Page:16

File Type:pdf, Size:1020Kb

A Child Is Born Christmas Jazz Waltz by Thad Jones Brass Quintet Sheet Music A Child Is Born Christmas Jazz Waltz By Thad Jones Brass Quintet Sheet Music Download a child is born christmas jazz waltz by thad jones brass quintet sheet music pdf now available in our library. We give you 6 pages partial preview of a child is born christmas jazz waltz by thad jones brass quintet sheet music that you can try for free. This music notes has been read 7030 times and last read at 2021-09-25 13:47:46. In order to continue read the entire sheet music of a child is born christmas jazz waltz by thad jones brass quintet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: B Flat Trumpet, Horn, Trombone, Tuba Ensemble: Brass Quintet Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Quintet sheet music has been read 3444 times. A child is born christmas jazz waltz by thad jones flute quintet arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-25 11:53:06. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones String Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones String Quintet sheet music has been read 3796 times. A child is born christmas jazz waltz by thad jones string quintet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-25 21:18:41. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Mallet Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones Mallet Quintet sheet music has been read 4192 times. A child is born christmas jazz waltz by thad jones mallet quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-22 01:51:37. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Brass Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones Brass Quartet sheet music has been read 3785 times. A child is born christmas jazz waltz by thad jones brass quartet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-24 01:48:41. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Brass Trio A Child Is Born Christmas Jazz Waltz By Thad Jones Brass Trio sheet music has been read 5303 times. A child is born christmas jazz waltz by thad jones brass trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 20:36:17. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Wind Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones Wind Quintet sheet music has been read 4291 times. A child is born christmas jazz waltz by thad jones wind quintet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-24 00:04:15. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Quintet sheet music has been read 4236 times. A child is born christmas jazz waltz by thad jones clarinet quintet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-25 16:00:28. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Quartet sheet music has been read 3620 times. A child is born christmas jazz waltz by thad jones saxophone quartet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-25 10:51:20. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Quartet sheet music has been read 4357 times. A child is born christmas jazz waltz by thad jones clarinet quartet arrangement is for Intermediate level. The music notes has 5 preview and last read at 2021-09-25 17:36:08. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones String Orchestra A Child Is Born Christmas Jazz Waltz By Thad Jones String Orchestra sheet music has been read 3477 times. A child is born christmas jazz waltz by thad jones string orchestra arrangement is for Early Intermediate level. The music notes has 5 preview and last read at 2021-09-25 20:26:24. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones String Trio A Child Is Born Christmas Jazz Waltz By Thad Jones String Trio sheet music has been read 3950 times. A child is born christmas jazz waltz by thad jones string trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 09:39:22. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones String Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones String Quartet sheet music has been read 4104 times. A child is born christmas jazz waltz by thad jones string quartet arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-25 18:09:26. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Wind Trio A Child Is Born Christmas Jazz Waltz By Thad Jones Wind Trio sheet music has been read 3532 times. A child is born christmas jazz waltz by thad jones wind trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 04:34:35. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Quartet sheet music has been read 3444 times. A child is born christmas jazz waltz by thad jones flute quartet arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-24 14:44:17. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Trio A Child Is Born Christmas Jazz Waltz By Thad Jones Flute Trio sheet music has been read 4225 times. A child is born christmas jazz waltz by thad jones flute trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 12:07:11. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Trombone Quartet A Child Is Born Christmas Jazz Waltz By Thad Jones Trombone Quartet sheet music has been read 5688 times. A child is born christmas jazz waltz by thad jones trombone quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 17:16:01. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Trio A Child Is Born Christmas Jazz Waltz By Thad Jones Clarinet Trio sheet music has been read 3895 times. A child is born christmas jazz waltz by thad jones clarinet trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 21:26:26. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Quintet A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Quintet sheet music has been read 3554 times. A child is born christmas jazz waltz by thad jones saxophone quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 03:58:48. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Piano Duet 4 Hands A Child Is Born Christmas Jazz Waltz By Thad Jones Piano Duet 4 Hands sheet music has been read 4104 times. A child is born christmas jazz waltz by thad jones piano duet 4 hands arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-23 23:14:06. [ Read More ] A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Trio A Child Is Born Christmas Jazz Waltz By Thad Jones Saxophone Trio sheet music has been read 3928 times. A child is born christmas jazz waltz by thad jones saxophone trio arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-25 21:06:30. [ Read More ] For Unto Us A Child Is Born From Messiah G Brass Quintet For Unto Us A Child Is Born From Messiah G Brass Quintet sheet music has been read 1816 times. For unto us a child is born from messiah g brass quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 21:07:52. [ Read More ] For Unto Us A Child Is Born From Messiah F Brass Quintet For Unto Us A Child Is Born From Messiah F Brass Quintet sheet music has been read 1695 times. For unto us a child is born from messiah f brass quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-25 13:59:26. [ Read More ] In Dulci Jubilo Christmas Song Jazz Waltz Brass Quintet In Dulci Jubilo Christmas Song Jazz Waltz Brass Quintet sheet music has been read 3708 times.
Recommended publications
  • Jazz Audition Materials Spring 2021
    Jazz Bass Audi+ons Spring 2021 Submit a link to a single unlisted YouTube recording to [email protected]. Record with camera placement that captures the en;rety of the fingerboard. Play all three pieces without pausing the video recording. Minimize ;me between pieces by having music and accompaniment cued in advance. Play the en;re audi;on on double bass. Audi;on Material: 1. Using this link to an Evidence play-along, play the Audi%oning Basses Evidently pdf. Observe the mul;ple repeats and vary between melodic reading, accompaniment, and improvisa;on as instructed on the pdf. hKps://www.youtube.com/watch?v=EEI7aoxSY4E 2. Using 1:35 to 1:55 in this link to Tommy Igoe's Groove Essen%als #79: Very Fast Swing, play two choruses of a blues in any key. hKps://www.youtube.com/watch?v=EjMRgT5dytM 3. Choosing a tempo that allows strong ;me and ar;cula;on, record 16th note reading 1 using a metronome set within the range of 72 to 120 b.p.m. Be sure the metronome is audible in your recording. Spring 2021 Jazz Ensemble Audi+ons: Jazz Guitar Your audi;on is to completed by recording a short video of you playing the following two tunes (3 min). Upon comple;on you will submit your video directly to me, Mac Himes, [email protected]. 1.“Bag’s Groove” (Milt Jackson)- Video record yourself playing this tune with the aKached play-a-long en;tled, “Bag’s Groove” Blues Play-a-Long final mp3*. With the recording you will play the melody of “Bag’s Groove” 2 ;mes followed by you soloing on the chord changes for 2 choruses and then ending with the melody 1 ;me.
    [Show full text]
  • Powell, His Trombone Student Bradley Cooper, Weeks
    Interview with Benny Powell By Todd Bryant Weeks Present: Powell, his trombone student Bradley Cooper, Weeks TBW: Today is August the 6th, 2009, believe it or not, and I’m interviewing Mr. Benny Powell. We’re at his apartment in Manhattan, on 55th Street on the West Side of Manhattan. I feel honored to be here. Thanks very much for inviting me into your home. BP: Thank you. TBW: How long have you been here, in this location? BP: Over forty years. Or more, actually. This is such a nice location. I’ve lived in other places—I was in California for about ten years, but I’ve always kept this place because it’s so centrally located. Of course, when I was doing Broadway, it was great, because I can practically stumble from my house to Broadway, and a lot of times it came in handy when there were snow storms and things, when other musicians had to come in from Long Island or New Jersey, and I could be on call. It really worked very well for me in those days. TBW: You played Broadway for many years, is that right? BP: Yeah. TBW: Starting when? BP: I left Count Basie in 1963, and I started doing Broadway about 1964. TBW: At that time Broadway was not, nor is it now, particularly integrated. I think you and Joe Wilder were among the first to integrate Broadway. BP: It’s funny how it’s turned around. When I began in the early 1960s, there were very few black musicians on Broadway, then in about 1970, when I went to California, it was beginning to get more integrated.
    [Show full text]
  • Thad Jones Discography Copy
    Thad Jones Discography Compiled by David Demsey 2012-15 Recordings released during Thad Jones’ lifetime, as performer, bandleader, composer/arranger; subsequent CD releases are listed where applicable. Each entry lists Thad Jones compositions/arrangements contained on that recording. Album titles preceded by (•) are contained in the Thad Jones Archive collection. I. As a Leader or Co-Leader Big Band Leader or Co-Leader (chronological): • Thad Jones/Mel Lewis Orchestra, Live at the Vanguard (rec. 1/7 [sic], 3/21/66) [live recording donated by George Klabin] Contains: All My Yesterdays (2 versions), Backbone, Big Dipper (2 versions), Mean What You Say, Morning Reverend, Little Pixie, Willow Weep for Me (Brookmeyer), Once Around, Polka Dots and Moonbeams (small group), Low Down, Lover Man, Don’t Ever Leave Me, A-That’s Freedom • Thad Jones/Mel Lewis Orchestra, On Tour (rec. varsious dates and locations in Europe) Discs 1-7, 10-11 [see Special Recordings section below] On iTunes. • Thad Jones/Mel Lewis Orchestra, In the Netherlands (rec. 1974) [unreleased live recording donated by John Mosca] • Thad Jones/Mel Lewis Orchestra, Presenting the Thad Jones-Mel Lewis Orchestra (rec. 5/4-5-6/66) Solid State UAL18003 Contains: Balanced Scales = Justice, Don’t Ever Leave Me, Mean What You Say, Once Around, Three and One • Thad Jones/Mel Lewis Orchestra, Opening Night (rec. 1[sic]/7/66, incorrect date; released 1990s) Alan Grant / BMG Ct. # 74321519392 Contains: Big Dipper, Polka Dots and Moonbeams (small group), Once Around, All My Yesterdays, Morning Reverend, Low Down, Lover Man, Mean What You Say, Don’t Ever Leave Me, Willow Weep for Me (arr.
    [Show full text]
  • Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
    September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others.
    [Show full text]
  • Guide to the Martin Williams Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files.
    [Show full text]
  • Debut Label Discography
    Début Label discography Début was established in 1951 by Charles Mingus and possibly others. It was located at 4364 Bryon Avenue in New York City in 1952, relocated to the Grand Central Station in 1954. By 1956 it was located at 331 West 51st Street. Début recorded jazz and pop music. Fantasy Records acquired the Début Catalog in the early 1960’s. This Debut Label discography was compiled using Schwann catalogs from 1950 to 1957, The Jazz Discography Project Website (http://www.jazzdisco.org) and The American Record Label Directory and Dating Guide, 1940-1959 by Galen Gart, 10 Inch Series DLP-1 - Strings and Keys - Charles Mingus [1951] Body and Soul/Blue Moon/Blue Tide/What Is This Thing Called Love/Darn That Dream/Yesterdays DLP-2 - Jazz at Massey Hall Volume 1- Quintet - Various Artists [1952] Perdido/Salt Peanuts//Salt Peanuts Continued/All the Things You Are DLP-3 - Jazz at Massey Hall Volume 2 - Bud Powell [1952] Embraceable You/Sure Thing/Cherokee//Jubilee/Lullabye of Birdland/Basically Speaking DLP-4 - Jazz at Massey Hall Volume 3 - Charles Mingus [1952] Wee//Hot House/A Night in Tunisia DLP-5 - Jazz Workshop Volume 1-Trombone Rapport - J.J. Johnson, Kai Winding, Benny Green & Willie Dennis [1953] Move/Stardust//Yesterdays DLP-6 - Explorations - Ted Macero [1954] Teo/I’ll Remember April/How Low the Earth//Mitzi/Yesterdays/Explorations DLP-7 - Introducing Paul Bley - Paul Bley With Art Blakey and Charles Mingus [1954] Opus 1/Teapot/Like Someone In Love//Spontaneous Combustion/Split Kick/Can’t Get Started DLP-8 - The New Oscar Pettiford
    [Show full text]
  • Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
    Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan,
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • For Additional Information Contact the Archives Center at 202.633.3270 Or
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon.
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • 1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
    GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement.
    [Show full text]