DOCSLIB.ORG

Sewing Machine Comparison Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sewing Machine Comparison Guide Sewing Machine Comparison Guide Store (S), Number of NoError Top Surefit™ Programable Number Maximum Sewing Machine Model Online (O) Built in Threading™ Makes Buttonholes Drop-in Bobbin Needle of Lights Stitch Width Both (B) Stitches Process Bobbin System Up/Down Singer® 2932 (limited quantity) S 35 Fully Automatic 6mm Singer® 4205 Inspiration™ S 5 √ Automatic - Four Step √ √ 1 LED light 6mm Singer® 4206 Inspiration™ B 6 √ Fully Automatic √ √ 1 LED light 6mm Singer® 4210 Inspiration™ S 10 √ Automatic - Four Step √ √ 1 LED light 6mm Singer® 4212 Inspiration™ B 12 √ Fully Automatic √ √ 1 LED light 6mm Singer® 7462 Touch & Sew™ B 30 2 Styles of Fully Automatic √ 1 LED light 7mm Singer® 7466 Touch & Sew™ B 70 3 Styles of Fully Automatic √ 1 LED light 7mm One-step Buttonhole ® O 93 1 LED light 7mm Singer Touch & Sew 7468 (multi style) √ √ One-step Buttonhole ® O 144 1 LED light 7mm Singer 7430 CB5 (multi style) √ Singer® 7470 Confidence™ B 173 7 Styles of Fully Automatic √ 2 LED lights √ 7mm ® Singer CE-150 Futura™ S 24 2 Styles of Fully Automatic 3 LED lights √ 7mm (Embroidery Capable) √ ® Singer CE-250 Futura™ S 100 7 Styles of Fully Automatic 3 LED lights √ 7mm (Embroidery Capable) √ One-step Buttonhole Brother ES2000 O 40 Dual LED 7mm (multi style) √ Brother CS6000i One-step Buttonhole O 60 Dual LED 7mm Computerized Sewing Machine (multi style) √ Brother XL 2610 O 25 Four Step √ 1 light 5mm One-step Buttonhole Brother XL3750 O 35 1 light 5mm (multi style) √ Brother PE-700 Embroidery O 1 light n/a Embroidery Machine only √ √ Brother SE270D One-step Buttonhole O 67 Dual LED 7mm Embroidery Machine (multi style) √ √ 1 (straight Straight Juki TL-98Q O No (no built-in pattern) 1 light stitch) stitch only 1 (straight Straight Juki TL-98QE O No (no built-in pattern) 1 light stitch) stitch only White 1730 Quilt'N Sew S 17 Automatic - Four Step √ 1 light 6mm White D'Lite 1750 S 66 5 Styles of Fully Automatic √ 1 light √ 7mm Store (S), Extra-High Stitches Thread Differential Flatlock/ Sergers Online (O) Free Arm Lay-in Threading/Tension Presser Foot per Min Capacity Feed Coverhem Both (B) Lift 2 or 3 Needle Lay-in Threading with 2/3/4/5 Thread ® B 1300 Coverhem and Singer 14t967DC Quantumlock Automatic Tension Capacity √ Flatlock Lay-in Color Coded ® 2/3/4 Thread Flatlock Singer 14CG754 B 1300 Threading and One-turn √ Capacity √ Stitch √ Commercial Grade Serger Numbered Tension Dials 3/4 Thread Flatlock Brother 1034D O 1300 Lay-in Threading √ Capacity √ Stitch P448-288 Sewing Machine Comparison Guide (continued) Twin Needle Automatic Sewing Machine Model Drop Feed Needle Free Arm Snap - On Presser Feet that come with the Machine Positions Needle Threader Capability ® Singer 2932 2 Zipper, Buttonhole, Button Sewing and General Purpose Foot (limited quantity) √ √ √ √ General Purpose, Buttonhole, Special Purpose, Zipper, Blind Hem Bonus - ® Cover Plate Multiple Singer 4205 Inspiration™ √ √ Darning and Embroidery, Gathering Foot General Purpose, Buttonhole, Special Purpose, Zipper, Blind Hem Bonus - ® Cover Plate Multiple Singer 4206 Inspiration™ √ √ √ Darning and Embroidery, Gathering, Rolled Hem and 1/4" Foot General Purpose, Buttonhole, Special Purpose, Zipper, Blind Hem Bonus - ® Cover Plate Multiple Singer 4210 Inspiration™ √ √ √ Darning and Embroidery, Gathering, Rolled Hem and 1/4" Foot General Purpose, Buttonhole, Special Purpose, Zipper, Blind Hem Bonus - ® Cover Plate Multiple Singer 4212 Inspiration™ √ √ √ Darning and Embroidery, Gathering, Rolled Hem, 1/4" Walking Foot Singer® 7462 Touch & Sew™ Cover Plate √ √ 13 √ General Purpose, Satin Stitch, One-step Buttonhole, Zipper, Blind Hem Singer® 7466 Touch & Sew™ √ √ √ 13 √ General Purpose, One-step Buttonhole, Satin, Zipper, Blind Hem Singer® Touch & Sew 7468 √ √ √ 13 √ General Purpose, One-step Buttonhole, Satin, Zipper, Blind Hem Singer® 7430 CB5 √ √ √ 13 √ General Purpose, One-step Buttonhole, Satin, Zipper, Blind Hem General Purpose, One-step Buttonhole (With Underplate), Special Purpose, ® 13 Singer 7470 Confidence™ √ √ √ √ Zipper, Blind Hem ® General Purpose, One-step Buttonhole, Zipper, Blind Hem, Embroidery Foot Singer CE-150 Futura™ 13 (Embroidery Capable) √ √ √ √ and 2 Hoops 4.5" x 6.75" and 3.125" x 4.75" ® General Purpose, One-step Buttonhole, Satin, Button, Zipper, Blind Hem, Singer CE-250 Futura™ 13 (Embroidery Capable) √ √ √ √ Embroidery Foot and 2 Hoops 4.5" x 6.75" and 3.125" x 4.75" Straight-ZigZag, Buttonhole, Zipper, Button Sewing, Blind Stitch, Overcasting, Brother ES2000 variable √ √ √ √ Monogramming Brother CS6000i Straight-ZigZag, Buttonhole, Overcasting, Monograming, Zipper, Blind Stitch, variable Computerized Sewing Machine √ √ √ √ Button Fitting, Walking foot with Quilt guide Straight-ZigZag, Buttonhole, Zipper, Button Sewing, Rolled Hem, Blind Stitch Brother XL 2610 variable √ √ √ √ Foot Straight-ZigZag, Buttonhole, Zipper, Button Sewing, Narrow Hemmer, Blind Brother XL3750 variable √ √ √ √ Stitch, Spring Action Quilting, Walking Foot with Quilt Guide Brother PE-700 Embroidery Foot Embroidery Machine √ √ √ Brother SE270D Straight-ZigZag, Buttonhole, Zipper, Button Sewing, Blind Stitch, Overcasting, variable Embroidery Machine √ √ √ √ Monogramming-Embroidery Foot Hemming, Zipper Attachment, Even Feed, 1/5" Quilting, 1/4" Quilting and 1/4" Juki TL-98Q 1 √ √ Straight Stitch Foot with Guide Juki TL-98QE √ 1 Even Feed, 1/4" Quilting and 1/4" Straight Stitch Foot with Guide White 1730 Quilt'N Sew √ √ √ 3 √ All purpose, Buttonhole, Zipper, Piecing Foot, Cover Plate and Twin needle White D'Lite 1750 √ √ √ √ All purpose, Buttonhole, Zipper, Satin, Overcasting and Blind Hem Foot P448-288.
Load more

Recommended publications
  • First Review - Professional Peers - ITAA Members
    DESIGN EXHIBITION COMMITTEE First Review - Professional Peers - ITAA Members Mounted Gallery Co-Chairs: Melinda Adams, University of the Incarnate Word Laura Kane, Framingham State University Su Koung An, Central Michigan University Ashley Rougeaux-Barnes, Texas Tech University Laurie Apple, University of Arkansas Lynn Blake, Lasell College Lynn Boorady, Buffalo State College Design Awards Committee: Melanie Carrico, University of North Carolina, Greensboro Review Chair: Belinda Orzado, University of Delaware Chanjuan Chen, Kent State University Kelly Cobb, University of Delaware Catalog: Sheri L. Dragoo, Texas Woman’s University Sheri Dragoo, Texas Woman’s University V.P. for Scholarship: Youn Kyung Kim, University of Tennessee Rachel Eike, Baylor University Andrea Eklund, Central Washington University Jennifer Harmon, University of Wyoming First Review Erin Irick, University of Wyoming A total of 107 pieces were accepted through the peer review Ashley Kim, SUNY Oneonta process for display in the 2017 ITAA Design Exhibition with Eundeok Kim, Florida State University a 37% acceptance rate. All jurying employed a double blind Helen Koo, Konkuk University process so the jurors had no indication of whose work they Ashley Kubley, University of Cincinnati were judging. A double-blind jury of textile and apparel peers Jung Eun Lee, Virginia Tech reviewed each submission including design statement and YoungJoo Lee, Georgia Southern University images. Further, a panel of Industry experts reviewed submissions Diane Limbaugh, Oklahoma State University
    [Show full text]
  • ABBREVIATIONS: Worsted Weight Yarn Approximately 250-400 CC=Coordinating Color (I Used White) Yards
    SNOWLICIOUS SLOUCHy hat MATERIALS: ABBREVIATIONS: Worsted weight yarn approximately 250-400 CC=coordinating color (I used white) yards. I used Red Heart Super Saver and Loops ch=chain & Threads Impeccable hdc=half double crochet Tapestry needle Hhdc=herringbone half double crochet GAUGE: MC=main color H 5.0mm hook rsc=reverse single crochet 7-8 st = 2” RS=right side of work (outside of hat) Hdc x 4 rows=1.5-1.75” sc=single crochet Hhdc x 4 rows=1.25-1.5” sk=skip SIZE: SRT=seamless round technique Circum. Length Fits sl st=slip stitch S: 16” 8-9” 18” st=stitch M: 18” 10-11” 20” sts=stitches L: 20” 12-13” 22” WS=wrong side of work (inside of hat) Snowlicious Slouch Hat http://www.thehookedhaberdasher.com SPECIAL STITCHES & TECHNIQUES: Herringbone half double crochet (Hhdc) - Yarn over and insert the hook into the next stitch. Yarn over and pull the loop through the stitch AND through the first loop on the hook. Two loops remain on hook. Yarn over again and pull the loop through both loops on the hook. Reverse single crochet (rsc) – Working left to right, insert hook in next stitch to the right, complete as sc. Seamless Rounds Tutorial – All body rows of this pattern utilizes this technique. If you haven’t watched the tutorial yet, please do so prior to beginning your project. For hdc and Hhdc, I go into both loops to join, instead of just the BLO – watch the videotutorial and you’ll understand what I mean. Beginning with R2 of the body, you will be using the technique at the beginning and end of each row.
    [Show full text]
  • Instruction Manual for Sewing Machine
    f2D /3a INSTRUCTION MANUAL FOR I SEWING MACHINE EL3-1© j WHITE’ _____________________________________ WHITE SEWING MACHINE COMPANY Record in space provided below the Serial No. and Model No. of this appliance. The Serial No. is located on Bed Plate. The Model No. is located on Rating Plate. Serial No. Model No. Retain these numbers for future reference. 21&22 CONTENTS Name of Parts 1 & 2 Accessories 3 Before sewing (Power supply and Sewing lamp) 4 Take out extension table, free arm sewing 5 Winding the bobbin 6 Removing bobbin case and bobbin 7 Inserting bobbin into bobbin case 7 Inserting bobbin case into shuttle race 8 Threading upper thread & Twin needle threadg. 9 Drawing up bobbin thread 10 Changing sewing directions 10 Control dial & Adjusting thread tension 11&12 Regulating the presser foot pressure 13 Drop feed 13 Changing needle 14 Fabric. Thread. Needle table 15 Sewing (pattern selector) and operation table 16 To start sewing 17 To finish seam 18 Straight stitch 19 Zigzag sewing 19 Overcasting 20 Stretch stitch 20 Blind stitch Button sewing 23 Binding 23 Zipper sewing 24 Button hole sewing 25 Hemming 26 Twin Needle 27 Embroidery 27 Quilter 28 Seam guide 28 Maintenance (Cle.ning and oiling) 29 Checking Performance Problems WHAT TO DO 30 NAME OF PARTS (FRONT VIEW) 1 Pattern selector dial 8 Sub-spool pins 2 Pressure regulator 9 Top cover 3 Take up lever 10 Zigzag width dial 4 Thread tension dial 1 1 Stitch length dial 5 Presser foot 12 Reverse button 6 Shuttle cover 13 Thread guide for upper 7 Extension table threading —1— (REAR VIEW) Bobbin winder spindle Bobbin winder stopper Upper thread guide Stop Motion knob Hand wheel Face cover Thumb screw Needle plate Presser foot lever —2— ACCESSOR I ES / Bobbin Felt Zigzag foot Button hole (On machine) foot Button foot Machine Oil / Zipper foot 0 Button hole cutter Screw driver Needle #11 #14 —3— BEFORE SEWING 1.
    [Show full text]
  • SPIN Sewing Curriculum.Pdf
    Debra Proctor, USU Extension Associate Professor, FCS/4-H, Wasatch County Susan Haws, USU Extension Assistant Professor, FCS/4-H, Summit County Stacey Mac Arthur, USU Extension Assistant Professor, 4-H, State Office Description The Discover 4-H Clubs series guides new 4-H volunteer leaders through the process of starting a 4-H club or provides a guideline for seasoned volunteer leaders to try a new project area. Each guide outlines everything needed to organize a club and hold the first six club meetings related to a specific project area. Purpose The purpose is to create an environment for families to come together and participate in learning activities that can engage the whole family, while spending time together as a multi-family club. Members will experiment with new 4-H project areas. What is 4-H? 4-H is one of the largest youth development organizations in the United States. 4-H is found in almost every county across the nation and enjoys a partnership between the U. S. Department of Agriculture (USDA), the state land-grant universities (e.g., Utah State University), and local county governments. 4-H is about youth and adults working together as partners in designing and implementing club and individual plans for activities and events. Positive youth development is the primary goal of 4-H. The project area serves as the vehicle for members to learn and master project-specific skills while developing basic life skills. All projects support the ultimate goal for the 4-H member to develop positive personal assets needed to live successfully in a diverse and changing world.
    [Show full text]
  • To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
    To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN
    [Show full text]
  • Measurement Chart
    Measurement Chart NAME: ___________________________________ DATE: __________________ 1. High bust circumference: 2. Full bust circumference: 2a. Distance between bust points: 3. Distance from shoulder/neck point to bust point: 4. Waist circumference: 5. High Hip circumference: 5a. Distance from waist: 6. Full hip circumference: 6a. Distance from waist: 7. Stride (crotch length) plus 1" to 2": 8. Length from waist to floor minus 1": 9. Shoulder length: 10. Upper arm circumference: 11. Sleeve length: 12. Back width: 13. Back length to waist: © The Sewing Workshop Fitting the Bust: Ease Chart Garment Minimum Bust Ease Blouse, Dress 2½" to 3" Unlined jacket 3" to 4" Lined jacket 3½" to 4½" Coat 4" to 5" Fitting the Bust: Ease Chart © The Sewing Workshop Fitting the Back: Ease Chart Garment Minimum Back Ease Blouse, Dress ½" to 1" Jacket 1" Coat 1" to 2" Fitting the Back: Ease Chart © The Sewing Workshop Fitting Sleeves: Ease Chart Garment Minimum Upper Arm Ease Blouse 1" to 1½" Dress 1½" to 2" Unlined jacket 3" to 4" Lined jacket 3" to 4½" Coat 4" to 5½" Fitting Sleeves: Ease Chart © The Sewing Workshop Fitting Pants: Ease Chart Minimum Pants Ease Waist 1" to 2" Hip 2" - Fitted Pants 4" - Elastic Waist Pants Crotch Length 1" - If hips are less than 37" 1½" - If hips are 37"-40" 2" - If hips are 40" or more Fitting Pants: Ease Chart © The Sewing Workshop How to Measure For Successful Fitting by Linda Lee Tips! Tips! Tips! Gather Your Tools Know Your Notions Two very specific tools are recommended: Elastic - Use 1”-wide Stretchrite woven polyester flat non-roll elastic.
    [Show full text]
  • Principles of Pattern Alteration Pattern Alteration
    E-372 02/06 Principles of Pattern Alteration Pattern Alteration it is an important ingredient that makes a garment a wardrobe plus or minus. Standards of good fit Fare influenced by many things such as the current fashion look, the hang and stretch of the fabric, the amount of ease preferred and figure size and type. For any seamstress, whether beginning or experienced, the art of fitting requires skill and patience. When this art has been mastered, garments will look better and feel more comfortable. Once the fabric is cut, however, fitting adjustments are limited to existing darts and seam allowances. Therefore, fitting problems should be solved before the garment is cut by making needed changes in the pattern. Preserve the altered pattern for later use by fusing nonwoven stabilizer on the pattern’s wrong side or redraw the pattern and new markings onto pattern paper. Use dry heat for fusing because steam wrinkles the tissue paper and smears the ink. Extension Family Development and Resource Management Specialists Know your measurements Accurate measurements are the key to good fit.Mea - surements should be taken at least every 6 months and/or when weight or the figure has varied significantly. Take all measure- ments snugly, but not tightly, over undergarments usually worn. Also, wear shoes similar to those usually worn. A string tied around the waist and the base of the neck helps establish reference points for measuring. Work in front of a mirror or with a partner to make sure that the tape is straight, parallel to the floor and positioned on the body in the correct locations.
    [Show full text]
  • Summer Dress with Center Front Pleat Center Front Pleat Dress
    Summer Dress with Center Front Pleat Center Front Pleat Dress In celebration of Mother’s Day, our featured style in this volume is a pretty, breezy summer mother and daughter dress. This project is perfect for beginners just learning to use the PatternMaster Pattern Editor. This style also makes a great maternity dress. This style features a center front contrasting pleat. This technique can be used with many of the PatternMaster silhouettes and necklines in all of the PatternMaster programs. The separate pleat can be created in Pattern Editor or with a pencil and ruler. Figure 1. Patterns Make the Patterns To make the center front pleat pattern: 1. To make sure your patterns not grouped, choose Select All (SA) and then choose Ungroup Objects (Ctrl U) from the Utilities menu. 2. Select the lower neckline curve and center front line as shown and choose Copy (CO) from the Tools menu (Fig. 2). 3. Make 1 copy of the selected objects and move them to the Center Front Pleat Dress right of original front dress pattern to make the center pleat pattern. To recreate our mother/daughter style choose the following PatternMaster options. These options can be chosen in Boutique, Child’s Play, and Knits. • Boutique: Sheaths - sleeveless • Knits: Tops/Sheaths/Jackets - sleeveless • Child’s Play: Dresses - sleeveless and dress length • Neckline - front and back scoop neck • Closure - front zipper • Waist Fit - unfitted • Hemline Sweep - flared • Darts - none • Neckline Shape - reshape front and back neckline, if desired • Dress length - set as desired • Front and back neck depth and neck width - set as desired (just make sure the neck is wide enough and low enough to Figure 2.
    [Show full text]
  • The Well Dress'd Peasant
    TheThe WWellell DrDress’dess’d Peasant:Peasant: 1616thth CenturCenturyy FlemishFlemish WWorkingwomen’orkingwomen’ss ClothingClothing by Drea Leed The Well-Dress’d Peasant: 16th Century Flemish Workingwoman’s Dress By Drea Leed Costume & Dressmaker Press Trinidad, Colorado ACKNOWLEDGEMENTS The author and publisher wish to thank the following institutions for their help with the color images for the cover and interior color plates. Copyright for these images is retained by them, in accordance with international copyright laws. The images are used with permission. Cover A Marketwoman and Vegetable Stand, by Pieter Aertsen © Bildarchiv Preüssuscher Kulturbesitz Märkishes Ufer 16-18 D-10179 Berlin Germany Inside front cover Harvest Time by Pieter Aertsen and Plates 1, 3 The Pancake Bakery by Pieter Aertsen Harvest Time (A Vegetable and Fruit Stall) by Pieter Aertsen © Museum Boijmans van Beuningen Museumpark 18-20 CX Rotterdam The Netherlands Plate 2 (Centerfold) The Meal Scene (Allegorie van de onvoorzichtigheid) by Joachim Beuckelaer © Koninklijk Museum voor Schone Kunsten Plaatsnijderstraat2, B-2000 Antwerp Belgium © November 2000 by Drea Leed © November 2000 by Costume & Dressmaker Press Published by Costume & Dressmaker Press 606 West Baca Street Trinidad Colorado 81082 USA http://www.costumemag.com All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means - graphic, electronic or mechanical, including scanning, photocopying, recording, taping or information storage
    [Show full text]
  • Methods to Master
    Methods to Master: Five Patternmaking Skills Learn five key skills for { by Sarah Veblen } adjusting and correcting your garment patterns. Employ these techniques to streamline the fitting process and create more flattering, comfortable garments. 38 sew NEWS AUGUST/SEPTEMBER 2014 Pattern Precision In garment sewing, the pattern plays A transparent 2”x18” plastic ruler 1 a key role: It allows you to repeatedly marked with an ⁄8” grid allows you to 1 achieve consistent and predictable re- see the pattern markings through the 1 sults. A well-executed pattern makes it ruler as you work. The ⁄8” interval easier to sew the garment because all of works well for patternmaking because the puzzle pieces fit together perfectly. garment seam allowances are usually 1 3 1 5 In addition, subtle pattern changes, ⁄4”, ⁄8”, ⁄2” or ⁄8”. such as slightly adjusting the hip curve A transparent curved fashion ruler, to fit you more precisely, make the sometimes called a Styling Design finished garment look more flattering. Ruler, aids in measuring and Incorporating just a few skills into drawing curves. your patternmaking arsenal gives you more control. For example, if you #1: Focusing on Seamlines notice that two side seams are not the When making pattern alterations, 2 same length, rather than wondering concentrate on the seamlines (stitch- what you did incorrectly, you’ll know ing lines) and ignore the cutting lines. how to check—and more importantly, Many patterns, especially multi-sized correct—the pattern. Having this patterns, don’t have any seamlines knowledge puts you in charge of the marked on the pattern.
    [Show full text]
  • Raleigh Haberdasher
    -RALEIGH HABERDASHER- Arrow "Dart" White Shirt of fine broodcloth with America's most popular collar the regular point non-wilt. San- forized for less than 1 % shrink- age and mitoga cut for comfort. Sizes 14 to 17, sleeves 30 to 36.-..3.65 Top to bottom: White All-Silk Muffler with a jacquard design. Idea! for dress or daytime wear. Fringed edge, generously sized_7.50 Hand-Printed Silk Foulard Muf- fler, hand-blocked in Italy. Smart and luxurious in a rich paisley pattern on red grounds, $10 Initial Buckle and Belt Set by Hickok. Belt is stitchless East India brown buffalo calf. Buckle is rolled gold with ribbon initial. Both in an attractive plastic cigarette gift box. Sizes 32 to 44 -6.70* ’Price* Include Federal Tax. Top to bottom: Genuine Pigskin Wallet by Swank. Removable billfold, com- partments with lots of room for Above: business cords and identifico- tiortr Hazel shade. "Strod-O-Gab" Leisure Shirt by -$9* Stradivari. Fine washable rayon Bobardine tailored in the custom man- Easy Selector Key Case in genu- ner. Rich tones of wine, grey, tan, ine pigskin. Inner pocket for sandune, green and blue. Sizes small driver's license. Styled by Swank to large. Ours Exclusively-8.95 with zip closure. Hazel shade, 4.20* ’Prices Include Pedersl Til. If the old problem of what to get him Christmas has you look at these from Colorful Royon Pajamas in nov- perplexed just suggestions elty patterns. Coat style with his favorite men's store. They're all tops for quality cuffed trousers and drawstring waistband.
    [Show full text]
  • Savile-Row-Inside-Out.Pdf
    Savile Row: Inside Out 1 Savile Row BeSpoke aSSociation he Savile Row Bespoke Association is dedicated to protecting and promoting Tthe practices and traditions that have made Savile Row the acknowledged home of the best bespoke tailoring and a byword for unequalled quality around the world. The SRBA comprises of fifteen member and associate houses, who work together to protect and champion the understanding of bespoke tailoring and to promote the ingenious craftsmen that comprise the community of Savile Row. The SRBA sets the standards that define a Savile Row bespoke tailor, and all members of the Association must conform to the key agreed definitions of a bespoke suit and much more besides. A Master Cutter must oversee the work of every tailor employed by a member house and all garments must be constructed within a one hundred yard radius of Savile Row. Likewise, every member must offer the customer a choice of at least 2,000 cloths and rigorous technical requirements are expected. For example, jacket foreparts must be entirely hand canvassed, buttonholes sewn, sleeves attached and linings felled all by hand. It takes an average 50 plus hours to produce a suit in our Savile Row cutting rooms and workshops. #savilerowbespoke www.savilerowbespoke.com 2 1 Savile Row: inSide out Savile Row: Inside Out looks inside the extraordinary world of bespoke tailoring; an exclusive opportunity to step behind the scenes and celebrate the tailor’s art, the finest cloth and the unequalled expertise that is British Bespoke. A real cutter will be making a real suit in our pop-up cutting room in front of a collection of the work – both ‘before’ and ‘after’ to show the astonishing level of craftsmanship you can expect to find at Savile Row’s leading houses.
    [Show full text]