Pride and Prejudice
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The Meet-Cute: the Obstacles: the Reveal: the Scandal: the Rescue: the Happily Ever After
Pride & Prejudice Need to Know: The Meet-Cute: The Reveal: Elizabeth Bennet and Mr. Darcy first Elizabeth learns that Darcy did not refuse meet at the Meryton Assembly Ball, Wickham his inheritance. Darcy did, in an event that Mr. Darcy is less than fact, give him the money, which Wickham enthused to attend. Elizabeth finds promptly squandered and then asked him rude and prideful. She is more for more to pursue a career in the law. than happy never to see him again. He lost this money as well, and then asked for more again. Darcy refused, The Obstacles: at which point their relationship soured. • A soldier named Mr. Wickham tells Elizabeth about his past The Scandal: with Darcy: they grew up together, Lydia, Elizabeth’s youngest sister, leaves as Wickham’s father had passed the family to summer in Brighton. Once away and Darcy’s father was there, she and Wickham run off alone Wickham’s godfather. When Darcy’s to London as lovers. Mr. Bennet and father died, Darcy Mr. Gardiner, Elizabeth’s uncle, was supposed to pass leave at once to prevent a on a sum of inheritance scandal. They succeed in to Wickham so that arranging a marriage for he could join the clergy. Wickham and Lydia. Darcy withheld the money, seemingly The Rescue: out of jealousy for Elizabeth learns that it was Wickham’s relationship Mr. Darcy who put up the with his father. money for Lydia and Wickham’s wedding. Her opinion of him • Darcy convinces alters as she learns that not Mr. Bingley not to only has Darcy saved her family marry Elizabeth’s sister from societal shame, but that Jane, an engagement that up until he has encouraged Bingley to once then seemed inevitable, because of again pursue an engagement to Jane. -
Pride and Prejudice, by Jane Austen
Pride and Prejudice Jane Austen The Harvard Classics Shelf of Fiction, Vol. III, Part 2. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents Biographical Note Criticisms and Interpretations I. By Sir Walter Scott II. By Lord Macaulay III. By W. F. Pollock IV. By Anne Thackeray Ritchie V. By Goldwin Smith VI. By F. W. Cornish List of Characters Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Chapter XXIX Chapter XXX Chapter XXXI Chapter XXXII Chapter XXXIII Chapter XXXIV Chapter XXXV Chapter XXXVI Chapter XXXVII Chapter XXXVIII Chapter XXXIX Chapter XL Chapter XLI Chapter XLII Chapter XLIII Chapter XLIV Chapter XLV Chapter XLVI Chapter XLVII Chapter XLVII Chapter XLIX Chapter L Chapter LI Chapter LII Chapter LIII Chapter LIV Chapter LV Chapter LVI Chapter LVII Chapter LVIII Chapter LIX Chapter LX Chapter LXI Biographical Note THE IMPRESSION of the condition of the Church of England in the eighteenth century which is conveyed by the character and writings of Laurence Sterne receives some necessary modification from a study of the life and works of Jane Austen. Her father, the Reverend George Austen, held the two rectories of Deane and Steventon in Hampshire, having been appointed to them by the favor of a cousin and an uncle. He thus belonged to the gentry, and it seems likely that he entered the church more as a profession than a vocation. -
Play Guide Table of Contents
PLAY GUIDE TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 SONG LIST 3 MEET THE CHARACTERS 4 MEET THE CREATORS: PAUL GORDON AND JANE AUSTEN 5 INTERVIEW WITH PAUL GORDON 7 THE NOVEL IN THE MUSIC 9 POLLOCK’S TOY THEATRES 11 LITERARY CATEGORIZATION OF AUSTEN 12 LITERARY TIMELINE 13 THE AUSTEN INDUSTRY 14 AUSTEN IN POPULAR CULTURE 15 FEMINISM IN EMMA 16 THE EMMA DEDICATION 18 HISTORICAL CONTEXT 18 HISTORICAL TIMELINE 22 DISCUSSION QUESTIONS AND ACTIVITIES 23 Jane Austen’s Emma Play Guide written and compiled by Katherine Monberg, Literary Assistant, and R Elisabeth Burton, Artistic Intern Discussion questions and activities provided by April Jackson, Associate Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS JPMorgan Chase The Marshall Foundation Arizona Commission on the Arts John and Helen Murphy Foundation The Maurice and Meta Gross Bank of America Foundation National Endowment for the Arts Foundation Blue Cross Blue Shield Arizona Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Boeing PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company -
ENGL 2234 Novel, Movie, Meme— Adaptations and Media Culture
ENGL 2234 Novel, Movie, Meme— Adaptations and Media Culture General Information Instructor: Dr. Erin MacWilliam ([email protected]) (Office: A324d) Course Times: Tuesday / Thursday 12:30-2:20 Credits: 3 (for information about transfer credit, visit bctransferguide.ca) Course Description What do Bridget Jones and Cher Horowitz have in common? Beside notable fashion and questionable paths to romance, both heroines owe their iconic appeal to the novels of Jane Austen and the adaptation of Austen’s free indirect discourse into sharp but often cringeworthy narrative voiceovers. Twenty-five years after its release, Amy Heckerling’s Clueless, a film adaptation of Jane Austen’s Emma starring Alicia Silverstone, is still influencing the vocal and sartorial inflections of young adults, while the BBC’s Pride and Prejudice miniseries starring Colin Firth as Mr. Darcy, released the same year, informed Helen Fielding’s classic chick lit novel Bridget Jones’ Diary, later to be a film starring, of course, Colin Firth. In 2021, what Austen created has become the inspiration for a #drunkausten hashtag and countless memes that bring Austen’s observations about social relationships into the internet age. This course will explore the ways in which Austen’s novels continue to influence and produce what William Warner, writing on the effects of Richardson’s 1740 Pamela has described as “media culture,” where the extraordinary popularity of a text shifts not only taste, but the production and consumption of media itself. The eighteenth-century media culture of Pamela has become the twenty-first century internet culture of, among other forms, the meme, defined by Limor Shifman as not only a text, but a cultural practice embedded within digital culture. -
Novels Inspired by the Life and Works of Jane Austen
Dearest Cousin Jane Definitely Not Mr. Darcy Jill Pitkeathley Karen Doornebos Eliza is determined to remain indomita- Chloe Parker, a thirty-nine-year-old ble, unpredictable, and unfettered. And divorced mother and lifelong member Novels Inspired it is this passionate spirit that she brings of the Jane Austen Society, auditions to a simple English country parsonage for a Jane Austen-inspired reality da- to influence the life, the work, and the ting show set in 1812 and competes world of her unsuspecting cousin . a with eight women to snare Mr. by the Life quiet and unassuming young writer named Jane Aus- Wrightman, the heir to a gorgeous estate, along ten. with a $100,000 prize. and Works of Mr. Darcy’s Secret Undressing Mr. Darcy Jane Odiwe Karen Doornebos Shortly after their marriage, Elizabeth Vanessa Roberts enjoys her thor- Jane Austen begins to find evidence that Darcy may oughly modern life..When she takes have something to hide -- old love on public relations for a very private letters hidden in a book and a young man from England who's written a man of questionable parentage, to book called My Year as Mr. Darcy, start. Caroline Bingley and George she's not "excessively diverted," as Jane Austen Wickham begin to besmirch Darcy's good name and would say; until she sees Julian Chancellor take his sow seeds of discontent, but while Darcy and Eliza- tight breeches off. But can this old-fashioned man beth are already at odds, revelations of past conduct find his way into her heart without so much as a emerge that threaten to destroy their happiness. -
JANE AUSTEN's OPEN SECRET: SAME-SEX LOVE in PRIDE and PREJUDICE, EMMA, and PERSUASION by JENNIFER ANNE LEEDS a Thesis Submitte
JANE AUSTEN’S OPEN SECRET: SAME-SEX LOVE IN PRIDE AND PREJUDICE, EMMA, AND PERSUASION By JENNIFER ANNE LEEDS A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN ENGLISH WASHINGTON STATE UNIVERSITY Department of English MAY 2011 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of JENNIFER ANNE LEEDS find it satisfactory and recommend that it be accepted. ___________________________________ Debbie Lee, Ph.D, Chair ___________________________________ Carol Siegel, Ph.D. ___________________________________ Jon Hegglund, Ph.D. ii JANE AUSTEN’S OPEN SECRET: SAME-SEX LOVE IN PRIDE AND PREJUDICE, EMMA, AND PERSUASION Abstract by Jennifer Anne Leeds, M.A. Washington State University May 2011 Chair: Debbie Lee I argue that Austen’s famously heteronormative novels do not actually begin with compulsory heterosexuality: they arrive there gradually, contingently, and only by first carving out an authorized space in which queer relations may, or indeed must, take hold. Engaging intimacies between both men and women within Pride and Prejudice, Persuasion, and Emma, I explore how Austen constructs a heteronormativity that is itself premised upon queer desire and the progressive implications this casts upon Austen as a female writer within Regency England. In each of my three chapters, I look at how same- sex intimacies are cultivated in the following social spheres: the realm of illness within Persuasion, the realm of Regency courtship within Pride and Prejudice, and the realm of domesticity within Emma. I argue that Austen conforms to patriarchal sanctions for female authorship while simultaneously undermining this sanction by depicting same-sex desire. -
APPENDIX Elizabeth Bennet Was a Girl Who Comes from a Middle-Class
115 APPENDIX Appendix 1. Synopsis of J Pride and Prejudice (1813) Elizabeth Bennet was a girl who comes from a middle-class family. She was one of Bennet’s daughters. Actually, the Bennet had five unmarried daughters, namely Jane Bennet, Elizabeth Bennet, Lydia Bennet, Mary Bennet, and Catherine Bennet. Unfortunately, the Bennets did not have a son who would inherit their wealth and Longbourn. Regrettably, when Mr. Bennet died the Longbourn would become the property of his closest male relative, namely Mr. Collins. The only source of income was Mrs. Bennet’s legacy but it was not possible to meet all of the Bennet sisters’ needs. The Bennet social class did not allow them to do work, such as trading, servants, etc. Mr. Bennet just stayed at home or they often attend balls. Therefore, Mrs. Bennet tried to ensure that her daughter lived a decent life after the death of their father, which was by finding her five unmarried daughters a respectable husband. Elizabeth or Lizzy was her father's favorite daughter who had the intelligence, determination, and courage that distinguished her from the other Bennet’s sisters. Mrs. Bennet tended to be competitive in finding her daughter a husband. When she heard that Netherfield had been bought by a wealthy young man from north of England, namely Mr. Bingley, she asked her husband to visit their new neighbor and hoped to introduce her five daughters. During a ball held at Meryton, Mr. Bingley was attracted by Jane's charm. Apparently, Mr. Bingley did not come alone; he brought his best friend named Mr. -
Celebrating 200 Years of Jane Austen at Sharon Public Library
Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org Celebrating 200 Years of Jane Austen at Sharon Public Library Austen’s Works The Novels of Jane Austen, Volumes Sanditon 1-5 Fic Austen, Jane Fic Austen, Jane Sense and Sensibility Mansfield Park Fic Austen, Jane Fic Austen, Jane Jane Austen’s Pride & Prejudice: The Persuasion Graphic Novel by Laurence Sach Fic Austen, Jane GN Austen, Jane Pride and Prejudice Sense and Sensibility Fic Austen, Jane New YA GN King, Stacy Sense Inspired by Austen The Mysterious Death of Miss Jane The Jane Austen Book Club Austen Fic Fowler, Karen Fic Ashford, Lindsay (Mystery) Austentatious Longbourn Fic Goodnight, Alyssa Fic Baker, Jo Midnight in Austenland Jane and the Unpleasantness at Fic Hale, Shannon Scargrove Manor Fic Barron, Stephanie (Mystery) Arsenic with Austen Fic Hyde, Katherine (Mystery) Jane Austen in Boca Fic Cohen, Paula Death Comes to Pemberley Fic James, P.D. (Mystery) Jane Austen in Scarsdale: or Love, Death, and the SATs The Missing Manuscript of Jane Fic Cohen, Paula Austen Fic James, Syrie Definitely Not Mr. Darcy Fic Doornebos, Karen Shades of Milk and Honey Fic Kowal, Mary Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org First Impressions Love & Friendship: In Which Jane Fic Lovett, Charlie Austen’s Lady Susan Vernon is Entirely Vindicated Emma: A Modern Retelling Fic Stillman, Whit Fic McCall Smith, Alexander Sense and Sensibility and Sea The Independence of Miss Mary Monsters Bennet Fic Winters, Ben Fic McCullough, Colleen The Jane Austen Project The -
(De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University
Seton Hall University From the SelectedWorks of Karen Bloom Gevirtz Winter 2010 (De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University Available at: https://works.bepress.com/karen_gevirtz/3/ Karen B. Gevirtz PERSUASIONS ON-LINE V.31, NO.1 (Winter 2010) (De)Constructing Jane: Converting “Austen” in Film Responses KAREN B. GEVIRTZ Karen B. Gevirtz (email: [email protected]) is an Assistant Professor of English at Seton Hall University. She is the author of Life After Death: Widows and the English Novel, Defoe to Austen (University of Delaware Press, 2005) and articles on eighteenth-century women novelists. YOU SORT OF FEEL LIKE YOU OWN HER,” Keira Knightley says of Jane Austen in an interview, adding, “And I’m sure everybody feels the same way” (“Jane Austen”). Certainly if the last two decades are any indication, just about “everybody” does feel a claim or connection not just to the works but to Austen herself. Suzanne R. Pucci and James Thompson describe an explosion of Austen-related materials in an impressive array of media, from traditional print to cyberspace, during the end of the twentieth and the beginning of the twenty-first century (1). Phases appear within this effusion, however, particularly in film responses to her work. In the 1990s, films were occupied with the novels themselves. Gradually, however, film responses have shifted their focus so that by the end of the first decade of the new millennium, a large number of Austen films present the novels not as the result of brilliant literary endeavor, but as the inevitably limited product of a historically-bound being, Austen the woman. -
By Kate Hamill Adapted from the Novel by Jane Austen
by Kate Hamill adapted from the novel by Jane Austen Prideand Prejudice 2018–19 SEASON • Your Home for Dramatic Discoveries • TrinityRep.com Get that same feeling at the dentist when you save big with ChewsiTM. Braces, dentures, implants, cleanings, crowns … you name it, you save. Whether you’ve got dental insurance or not. Learn more at ChewsiDental.com. 2 2018–19 Season at the Lederer Theater Center under the direction of Curt Columbus Tom Parrish The Arthur P. Solomon and Executive Director Sally E. Lapides Artistic Director Pride and Prejudice by Kate Hamill adapted from the novel by Jane Austen THE ARTISTIC TEAM THE CAST Directed and Choreographed by Birgitta Victorson Mary/Mr. Bingley Angela Brazil*‡ Set Design by Michael McGarty Lydia/Lady Catherine Katie Croyle Costume Design by Olivera Gajic Mr. Bennet/Charlotte Lucas Richard Donelly* Lighting Design by Dawn Chiang Mrs. Bennet/Servants Janice Duclos*‡ Sound Design by Broken Chord Jane/Miss De Bourgh Shelley Fort* Voice and Dialect Coaching by Candice Brown* Lizzy Rebecca Gibel*‡ Production Stage Managed by Meg Tracy Leddy* Mr. Darcy/Wickham Rachael Warren*‡ Mr. Collins/Miss Bingley Joe Wilson, Jr. * ‡ October 4 – November 4, 2018 Understudies Jihan Haddad, Hannah Van Sciver, Jessica Smith, in the Sarah and Joseph Dowling, Jr. Theater Rodney Witherspoon II Sponsored by Pride and Prejudice will be performed with one intermission. Production Director Laura E. Smith Media Sponsor * Member of Actors’ Equity Association, the union of professional actors & stage managers ‡ Trinity Rep Resident Acting Company member Trinity Rep’s 55th Season is sponsored by Understudies never substitute for a listed player unless a specific announcement is made at the time of performance. -
QUESTIONS on PRIDE & PREJUDICE. Chapters 1 – 12 Page
QUESTIONS ON PRIDE & PREJUDICE. Chapters 1 – 12 NAME: ______________________________________________________________________________ CHAPTER 1 1. What is the important information we learn from Mrs Bennet? That a Mr Bingley is their new neighbour. 2. Why is it important to Mrs Bennet? Because he is a bachelor and needs to get married. 3. And what is the name of the Hall? Netherfield CHAPTER 2 4. How many daughters does Mr Bennet have? Five. 5. Name them? Elizabeth, Jane, Lydia, Mary, Catherine. 6. What has he already done that pleases Mrs Bennet? He’s already visited Netherfield Hall. CHAPTER 3 7. What ‘great’ event takes place? The ball. 8. Who does Bingley dance with? Jane Bennet. CHAPTER 4 9. How much money has Bingley inherited? £ 100,000 (almost). 10. Describe Darcy’s attitude to the ball and the people? Scornful, criticical, arrogant … CHAPTER 5 11. What does Elizabeth Bennet vow never to do? Dance with Darcy. CHAPTER 6 12. What is Charlotte’s view of marriage? Negative & mercenary. 13. Whose eyes are “fine according to Darcy? Elizabeth Bennet’s. Page 1 of 10 Review questions chapter 1-12 QUESTIONS ON PRIDE & PREJUDICE. Chapters 1 – 12 CHAPTER 7 14. Where is Jane invited? Netherfield Hall. 15. And what happens to her? She gets a cold CHAPTER 8 16. What does Miss Bingley do that offends Elizabeth? She mocks her family (& behaviour). 17. What ‘intellectual’ difference is there between Darcy and Bingley? Darcy has far more books, suggesting a difference in the two men. CHAPTER 9 18. Why is Elizabeth embarrassed? Because her mother shows herself to be provincial and small-minded. -
Ladies of Longbourn Free
FREE LADIES OF LONGBOURN PDF Rebecca Ann Collins | 320 pages | 12 Feb 2009 | Sourcebooks, Inc | 9781402212192 | English | Naperville, United States The Ladies of Longbourn (Rebecca Ann Collins) » p.1 » Global Archive Voiced Books Online Free The ladies of longbourn, p. The Ladies of Longbourn, page 1. All rights reserved. No part of this book may be reproduced Ladies of Longbourn any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc. The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author. Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc. Reprinted in and England— Social life and customs—19th century—Fiction. Domestic fiction. Ladies of Longbourn, Jane, Pride and prejudice. In such a period during which England has undergone a dynamic transformation in industrial, political, and social terms, it would have been incredible that these men and women would have Ladies of Longbourn like petrified statues, Ladies of Longbourn by the turbulence that swirled around them. That would be unrealistic and unfair to the intelligent and compassionate characters that Jane Austen created and certainly not believable of the men and women devised by Ladies of Longbourn Collins. In The Ladies of Longbourn, the myth of the conventional Victorian marriage is explored, revealing that women, however well brought up, were not Ladies of Longbourn from making serious errors of judgment that jeopardized their chances of happiness.