Nowruz an International Festivity
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Download : Iran Mirror March-2019
IRAN AT A GLANCE MIRRORPUBLICATION OF THE CULTURAL COUNCIL OF THE EMBASSY OF THE ISLAMIC REPUBLIC OF IRAN, NAIROBI-KENYA MARCH 2019 | ISSUE NO. 7 ‘Samanoo’, symbolises rebirth Profile The Cultural Council of the Embassy of the Islamic Republic of Iran, Nairobi promotes mutual understanding and cultural co-operation among people of Kenya and Iran in Contents line with the principles of the cultural agreement between Editorial...................................................................................4 Iran and Kenya. Boosting production is the pivotal issue of the new .... 5 The Cultural Council aims to create enduring partnership between Iran and other cultures and we do this by creating President in the New year message to the Iranian opportunities to connect with the latest skills, ideas and experience from Iran. Nation ................................................................................... 7 Activities Imam Khomeini sought material and spiritual progress Library: The Cultural Council has a very rich library consisting on Nowruz .......................................................................... 9 of myriad of books in the field of Persian language Everything you need to know about Persian New Year and literature. Besides, books on human sciences, history of Iran, Islamic studies, world history, religion, Islamic ‘Nowruz” ............................................................................ 10 philosophy, a large number of books on social sciences, political science, culture and art are also available for A Fire Festivity: Cheharshanbeh-Suri ........................... 14 readers and scholars. Nowruz celebration in East Africa ............................. 17 Film and Art Division: The film and art division consists of video and audio tapes Why Iran creates soome of the world’s best films .... 19 of classical Persian music, art books, calligraphy models, Iranian female Proffessor wins UK award in Science attractive sceneries, handicrafts and various prominent Iranian films. -
Persian Heritage: a Significant Role in Achieving Sustainable Development
International Journal of Cultural Heritage E. Abedi, D. Kralj http://iaras.org/iaras/journals/ijch Persian heritage: A Significant Role in Achieving Sustainable Development ELAHEH ABEDI1, DAVORIN KRALJ2, A.M.Co., Tehran, IRAN1 ALMA MATER EUROPAEA, Slovenska 17, 2000 Maribor, SLOVENIA2, [email protected], [email protected] Abstract: In every country, heritage plays a significant role in achieving sustainable development. Iran, a high plateau located at latitudes in the range of 25-40 in an arid zone in the northern hemisphere of the East, is a vast country with different climatic zones. In the past, traditional builders have presented several logical climatic solutions in order to enhance human comfort. In fact, this emphasis has been one of the most important and fundamental features of Iranian architecture. To a significant extent, Iranian architecture has been based on climate, geography, available materials, and cultural beliefs. Therefore, traditional Iranian builders had to devise various techniques to enhance architectural sustainability through the use of natural materials, and they had to do so in the absence of modern technologies. Paper describes the principals and methods of vernacular architectural designs in Iran with given examples which is predominately focused on some eclectic ancient cities in Iran as Kashan, Isfahan, and Yazd. Design and technological considerations of past, such as sustainable performance of natural materials, optimum usage of available materials, and the use of wind and solar power, were studied in order to provide effective eco architectural designs to provide the architectural criteria and insights. This study will be beneficial to today architects in the design of architectural structures to provide human comfort and a sustainable life in adverse climatic conditions. -
Iran's Holiday Calendar
IRAN’S HOLIDAY CALENDAR 2016 January 2016 Your Travel Companion 1 goingIRAN wants you to see, read, and know everything about Iran. Ask us about all your needs. goingIRAN strives to acquaint Iranian art and culture with audiences abroad. COPYRIGHT All of the published content on this e-Booklet have all rights reserved. All goingIRAN content, logos and graphic designs of this e-Booklet are property of the Web Gasht Nameh Company. Solely Web Gasht Nameh holds the right to publish and use the formerly stated material. Any use of the goingIRAN graphics (logo, content, design) may only happen through the written request of the user and the ac- ceptance of goingIRAN. Upon our realization of any violation of goingIRAN’s rights, legal action will be taken. IRAN’S HOLIDAY CALENDAR Author: Rojan Hemmati & Alireza Sattari (Sourced From an authentic 2016 Iranian Calendar) Central Office: Tehran-IRAN Post code: 1447893713 Designed by Studio TOOL www.goingiran.com [email protected] 2 Aside from the national holidays that follow the Persian Solar Calendar, many of Iran’s holidays are in accordance with events in the Islamic religion and follow the Mus- lim Lunar Calendar, which moves about 10 days forward each year. A few examples of Iranian holidays are: Iranian New Year (Nowruz): Celebrated on the first day of spring, this date has been the mark of the New Year for over 5,000 years throughout several ancient cultures. It embraces the spring equinox and has been celebrated in the same unique Iranian way for the past 3,000 years. It is also deeply rooted in the Zoroastrian belief system. -
Why Was the Story of Arash-I Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63
Saghi Gazerani, “Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?” Iran Nameh, 29:2 (Summer 2014), 42-63. Why Was the Story of Arash-i Kamangir Excluded from the Shahnameh?* Saghi Gazerani Independent Scholar In contemporary Iranian culture, the legendary figure of Arash-i Kamangir, or Arash the Archer, is known and celebrated as the national hero par excellence. After all, he is willing to lay down his life by infusing his arrow with his life force in order to restore territories usurped by Iran’s enemy. As the legend goes, he does so in order to have the arrow move to the farthest point possible for the stretch of land over which the arrow flies shall be included in Iranshahr proper. The story without a doubt was popular for many centuries, but during the various upheavals of the twentieth century, the story of Arash the Archer was invoked, and in the hands of artists with various political leanings his figure was imbued with layers reflecting the respective artist’s ideological presuppositions.1 The most famous of modern renditions of Arash’s legend is Siavash Kasra’i’s narrative poem named after its protagonist. An excerpt of Kasra’i’s rendition of Arash’s story *For further discussion of this issue please see my ture,” www.iranicaonline.org (accessed March 3, forthcoming work, On the Margins of Historiog- 2014). Arash continues to make his appearance; raphy: The Sistani Cycle of Epics and Iran’s Na- for a recent operatic performance of the legend, tional History (Leiden: Brill, 2014). -
Inside Iran- Intermediate Persian E-Book
Inside Iran A Practical Guide to Persian Language and Culture By Parastoo Danaee Intermediate Level Table of Contents To The Students 4 1. Iran, A Four Season Country 6 Speaking Prompt 7 Writing Prompt 7 2. Tehran Grand Bazaar 8 Speaking Prompt 10 Writing Prompt 10 3. Romantic Persian Gardens and Poets 11 Speaking Prompt 13 Writing Prompt 13 4. Chaharshanbe Suri - Persian Festival of Fire 14 Speaking Prompt 18 Writing Prompt 18 5. Nowruz- Persian New Year 19 Speaking Prompt 21 Writing Prompt 21 6. Nowruz Rituals 22 Speaking Prompt 25 Writing Prompt 25 7. Haft-Seen Table 26 Speaking Prompt 28 Writing Prompt 28 8. Sizdah Bedar - Nature’s Day 29 Speaking Prompt 31 Writing Prompt 31 9. Tea Traditions in Persian Culture 32 Speaking Prompt 35 Writing Prompt 35 10. Simin Daneshvar- The Literary Voice of 20th Century 36 Speaking Prompt 39 Writing Prompt 39 To The Students Welcome to Persian! Inside Iran represents the third e-book in Talk Like a Persian e-book series aimed at teaching Persian to foreign students. Leila, the leading character is a generation 1.5 young lady who grow up in Los Angeles in a home in which Persian language is spoken. Although she speaks Persian with her family, is unaware of the discrepancies between oral and written skills and academic discourse expectations and conventions and facts about Persian language and culture. Leila is going to Iran to visit her family and friends, discover her roots in Iran and find more about her heritage. Come along on her journey to discover a rich language and culture dating back some 2,500 years. -
Mehregan in Sydney: an Epilogue
MEHREGAN - EPILOGUE 20 Mehregan in Sydney: An Epilogue Morteza Honari Human EcoLogist, Academic and Writer In the Name of God of Soul and Wisdom For my mother, my father, for my daughter and son For some one who has spent his life in the love of a place or a person or a thing or a concept, it is difficult to define this love in such a way as to feel that justice has been done to it. For me, that is what writing about the Persian culture is like. I will use here the Persian Culture to find some answer. Whoever asks you of the Huries of Paradise, Show your face and say, like this. Whoever asks you, how the clouds split apart to show the moon, open your robe, knot by knot, and say, like this. If you are asked of Christ that, how did he resurrect the dead, In front of him, place a kiss upon my lips, and say, like this. l Many times and on many occasions, I have, like many others, thought "What am I? Who am I? What am I doing here? Whence have I come? And what is the purpose of my life?" Although, later, I learned that even great thinkers of human history have not settled these questions for themselves, I have not delayed these continuous questions in my thoughts. In the day, my thoughts; At night, my words: How come I am ignorant of my own heart-being. From where have I come? For what have I come? To where am I going? Won't you show me my abode? I very much wonder; For what have I been made? Or what was the aim of making me like this? Who is that One who hears my song? Or who is that One who put words into my mouth? I did not come here on my own, So, I can't leave by my own choice. -
A Study of the Reasons for the Permanence of Tirgan Or "Tirmā
A Study of the Reasons for the Permanence of Teergan or "Tirmā Sizzệ Šu" Celebration in the Province of Mazandaran in Iran Dr. Morteza Mohseni* Dr. Mahmoud Azizi** Maryam Valizadeh*** Abstract: There are many festivals, rituals and celebrations in the ancient Persian calendar; amongst them, to name only a few are Nowrooz, Mehregan, Sa' adeh, Abangan, etc. These festivals and rituals mostly originated from religious rites and practices, each emanating from a particular myth. As a matter of fact, these rites constitute the practical perspectives of people’s mythological beliefs and convictions. The reason why some of these ancient myths are still working is that they are still functioning in the daily lives of people. It seems that with the decline of their sacredness and popularity they start to disappear from the lives of the people. The "Tirmā Sizzệ Šu", the night of the 13th of Teer in the Persian solar calendar, festival is taken to be a remnant of the ancient Persian ritual festival of Teergan. This festival is still celebrated in certain regions of Iran, especially in the north of the country. Amongst different reasons that gave a relatively permanent life to this festival in the north of the country are the special geographical as well as environmental influences. To this we should also add the religious and mythological beliefs of the people of the region. The authors will attempt to redefine some of the major reasons that gave a lasting life to these beliefs and myths. Keywords: myth, Tirmā Sizzệ Šu, festival, calendar, Mazandaran, -
Geological Studies Conducted in Iran
Annex: Geological Studies Conducted in Iran A.1 Introduction Most of the geological activities in Iran are carried out by governmental organi- zations particularly Geological Survey of Iran, and National Iranian Oil Company (Exploration Directorate), and the papers, M.S., and Ph.D. thesis published by individual researchers. Atomic Energy Organization deals with the uranium exploration, and most of water resources including surface and groundwater studies conducted by Ministry of Energy. Also, the topographical and geographical survey conducted by the Geographical Survey of Army and National Cartographic Center of Iran. The topographical produced maps in different scales are the basis for geological studies. The aerial photographs and satellite images are produced by Satellite Center of Iran. The activities of these organizations related to the geology of Iran briefly are as follows. Geological Studies by Geological Survey of Iran. Geological studies to determine the events of Earth’s crust are the main aims and objectives of the Geological Survey of Iran. So, the production of geological maps and related reports on different scales are the main task of this organization as follows: Geological maps with a scale 1:250,000. After the foundation of Geological Survey of Iran, in order to obtain compre- hensive information about the general geological structure of Iran, rock and mineral potential, the main priority and efforts focused on geological mapping of scale 1:250,000 to comply with the strict international standards. The results are complete coverage of the country. Each geological quadrangle map (1:250,000) is published with a descriptive report. Each quadrangle area of approximately 15,000 square kilometers encompasses the range of 1.5° latitude and 1° longitude. -
AN ANALYSIS on FOLKLORE in IRAN Dr
3rd International Conference on Theory & Practice (ICTP, 2017), Adelaide, Australia ISBN: 978-0-9953980-5-4 www.apiar.org.au AN ANALYSIS ON FOLKLORE IN IRAN Dr. Latifeh Salamatbavil Islamic Azad University, Tehran, Iran Email: [email protected] Abstract Culture is basically one of the expanded and more complicated issues in human life raised from the interaction between human, nature and the evolution of social concept. Folklore is considered one of the building blocks of culture including: traditions, customs, ethics, celebrations, habits, literature, arts, etc. The folklore of every society indicates the thoughts, ideals, cultural values and moral principles all around the world. Moreover, it is directed into a better recognition of different nations. From the beginning of the 19th century, the scientific studies of folklore scientifically started which examined the beliefs, verbal literature and the behaviours of people considered so as to identify social realities. The current essay is based on a descriptive-analytical method presenting some of the folkloric elements. It is concluded that getting acquainted with the folklore of different societies is led into recognizing their social facts. Holistically, attempting to comprehend the folkloric concepts of certain societies can make nations get closer to one another. Keywords: Folklore, Culture, Sociology, Ethics, Celebration 1. Introduction Folklore is embedded in the life and cultures and nations. It is also reflected in various patterns. Significant aspects of human life are consciously and unconsciously joined by folklore. Folklore has been rooted in nations with rich historical background. Furthermore, folklore has been emerged by social customs and traditions, the interpretations of ancestors of natural and life events. -
Static GK Capsule 2017
AC Static GK Capsule 2017 Hello Dear AC Aspirants, Here we are providing best AC Static GK Capsule2017 keeping in mind of upcoming Competitive exams which cover General Awareness section . PLS find out the links of AffairsCloud Exam Capsule and also study the AC monthly capsules + pocket capsules which cover almost all questions of GA section. All the best for upcoming Exams with regards from AC Team. AC Static GK Capsule Static GK Capsule Contents SUPERLATIVES (WORLD & INDIA) ...................................................................................................................... 2 FIRST EVER(WORLD & INDIA) .............................................................................................................................. 5 WORLD GEOGRAPHY ................................................................................................................................................ 9 INDIA GEOGRAPHY.................................................................................................................................................. 14 INDIAN POLITY ......................................................................................................................................................... 32 INDIAN CULTURE ..................................................................................................................................................... 36 SPORTS ....................................................................................................................................................................... -
The Politics of National Celebrations in Post-Revolutionary Iran
Leiden University Research Master in Middle Eastern Studies The Politics of National Celebrations in post-revolutionary Iran Dario Intini s1385267 Supervisor: Dr. A.A. (Asghar) Seyed-Gohrab MASTER'S THESIS August 2015 Contents List of Figures ……………………………………………………………………………... 3 Notes on Transliteration, Translations, and Dates……………………………………… 4 Introduction…………………………………………………………………………………5 The Scope of the Thesis…………………………………………………………………. 9 Organization of the Thesis……………………………………………………………... 10 Previous Studies on the Subject………………………………………………………... 11 Chapter One: Theoretical Framework…………………………………………………..13 Theories of Collective Memory………………………………………………………….13 Commemorations………………………………………………………………………..15 National Celebrations……………………………………………………………………16 Religious and Secular Festivals, Rituals, and Symbols………………………………....18 Nations, Nationalism, and Iranian Identity……………………………………………...20 Commemorative Narrative, and Master Commemorative Narrative…………………...23 Chapter Two: Iranian Calendar………………………………………………………...25 Public Holidays………………………………………………………………………....28 The Islamization of the Calendar……………………………………………………….31 The appropriation of non-Islamic commemorations……………………………………32 The appropriation of western commemorations………………………………………...33 The appropriation of past historicl events………………………………………………34 Chapter Three: Ceremonies around the death of the Shiite Saint Hoseyn....................37 Official State Narrative………………………………………………………………… 37 The Politics of the Commemoration…………………………………………………… 39 Associated Events……………………………………………………………………… -
NOWRUZ FESTIVAL Common Cultural Heritage of the ECO Region
THE QUARTERLY CULTURAL MAGAZINE OF ECO CULTURAL INSTITUTE (ECI) ECO HERITAGE ISSUE 28, VOLUME 9, NOWRUZ SPECIAL ISSUE ISSN 2008-546X NOWRUZ FESTIVAL Common Cultural Heritage of the ECO Region ISSN 2008-546X 9 772008 546002 Called whether Tartars, Turks or Afghans, we ف نی ن ت ی هن ا غا م و ی رتک و تار م ,Belong to one great garden, one great tree چم ی خ ی ن زاد م و از یک شا سار م .Born of a springtide that was glorious تمی ب س ز رنگ و و رب ما رحام ا ت .Distinction of colour is a sin for us ٔ هک ما رپورده یک نو بهاریم A Persian Poem by Sir Muhammad Iqbal( ), عﻻهم محمداقبال the most prominent poet of Pakistan from his book " "PAYAM-I-MASHRIQ" (Message from the East), English translation: M. HADI HUSSAIN Publisher ECO Cultural Institute (ECI) Supervision Sarvar Bakhti, President, THE QUARTERLY CULTURAL MAGAZINE OF ECO CULTURAL INSTITUTE (ECI) ECO Cultural Institute (ECI) ECO HERITAGE ISSUE 28, VOLUME 9, NOWRUZ SPECIAL ISSUE ISSN 2008-546X Director-in-Charge Mehdi Omraninejad Chief Editor Said Reza Huseini Senior Copy Editor Nastaran Nosratzadegan NOWRUZ FESTIVAL Common Cultural Heritage of the ECO Region Editorial Board Nazif Mohib Shahrani (Afghanistan) Mohammad Sakhi Rezaie (Afghanistan) Jahangir Selimkhanov (Rep. Azerbaijan) Mandana Tishehyar (Iran) ISSN 2008-546X 9 772008 546002 Elaheh Koulaee (Iran) Dosbol Baikonakov (Kazakhstan) Aizhan Bekkulova (Kazakhstan) Cover photo by: Afshin Shahroudi Inam ul-Haq Javeed (Pakistan) (The photo was higly commended in the Photo section of the Shaheena Ayub Bhatti (Pakistan) ECO International Visual Arts Festival 2012) Asliddin Nizami (Tajikistan) Dilshod Rahimi (Tajikistan) Hicabi Kırlangı (Turkey) Advisory Board Prof.