Nighttime Migration Flight Signals Serve As a Warning to Other the Spring and Fall, Hundreds of Oon Birds About Such Perils
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Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
The Silly Symphonies Disney's First Fantasyland
X XIII THE SILLY SYMPHONIES DISNEY’S FIRST FANTASYLAND 3 PART I THE TIFFANY LINE 5 The Skeleton of an Idea 7 The Earliest Symphony Formula 9 Starting to Tell Tales Il Remaking Fairy Tales 18 Silly Toddlers and Their Families 19 Caste and Class in the Symphonies 21 An Exception to the Silly Rules: Three Little Pigs 22 Another Exception: Who Killed Cock Robin? 25 New Direction for the Symphonies at RKO 27 Ending in a Symphony Dream World 29 On a Final Note 31 PART Il PRODUCING THE SILLY SYMPHONIES 31 The ColurnbiaYears (1929-1932) 35 The United Artists Years (I932- 1937) 45 Disney’s RKO Radio Pictures (I937- 1939) 53 THE SKELETON DANCE (I929) I14 KING NEPTUNE (I932) a5 EL TERRIBLE TOREADOR (I 929) 115 BABES IN THE WOODS (I932) 58 SPRINGTIME (1929) I18 SANTA’S WORKSHOP (I 932) 50 HELL’S BELLS (I 929) 120 BIRDS IN THE SPRING (I933) 62 THE MERRY DWARFS (I929) I22 FATHER NOAH’S ARK (1933) 64 SUMMER (1930) i 24 THREE LITTLE PIGS (1933) 66 AUTUMN (I 930) I28 OLD KING COLE (1933) 58 CANNIBAL CAPERS (I 930) I30 LULLABY LAND (I 933) 7 NIGHT (I 930) I32 THE PIED PIPER (I933) 72 FROLICKING FISH (I 930) I34 THE CHINA SHOP (I933) É4 ARCTIC ANTICS (1930) I36 THE NIGHT BEFORE CHRISTMAS (I933) 76 MIDNIGHT IN ATOY SHOP (1930) I38 GRASSHOPPER AND THE ANTS (I 934) 78 MONKEY MELODIES (I 930) I49 THE BIG BAD WOLF (1934) no WINTER (I 930) i 42 FUNNY LITTLE BUNNIES (1934) 82 PLAYFUL PAN (I 930) I44 THE FLYING MOUSE (I 934) 84 BIRDS OF A FEATHER (I93 I) I46 THE WISE LITTLE HEN (I934) 86 MOTHER GOOSE MELODIES (I 93 I) 148 PECULIAR PENGUINS (1934) 88 THE CHINA PLATE -
Secrets of Successful Fall Bird Feeding Bill Thompson, III a Special Publication From
Secrets of Successful Fall Bird Feeding Bill Thompson, III a special publication from Top 10 Things to Frequently Foods for Watch for Asked Winter Bird in the Backyard Backyard Feeding in Autumn Questions Top 10 Foods for Winter Bird Feeding Blue jay. Winter: ’Tis the season for success in attracting winter feeding birds all across North birds to your feeders, the first America, especially in those thing you need to determine is regions where it gets mighty whether you are feeding the cold and snowy. If you are a right foods. If you are not veteran bird feeder, you’ve giving the birds what they probably gained lots of insight want, you might not have many into the foods your backyard birds. birds prefer. Perhaps you’ve The following ten foods are learned through trial and error, extremely popular with or perhaps you did your backyard birds all across North homework and read up on the America. If your favorite bird subject. food is not on this list, please let If you are just getting me know. After all, I am not started in bird feeding, or if omniscient. I’m just a guy living you are frustrated by a lack of in Ohio who likes to feed birds. ADOBE STOCK 10. Black-oil sunflower seed. This seed is the hamburger of White-breasted the bird world. Almost any nuthatch. bird that will visit a bird feeder will eat black-oil sunflower. Birds that can’t crack the seeds themselves will scour the ground under the feeders, picking up bits and pieces. -
Proposal Content
Mailing Address: Box # 441- 800, 15355 – 24th Avenue, Surrey, BC V4A 2H9 (604) 878-7212 www.greyhavenbirds.com ESSENTIAL BIRD BASICS Compiled by Nancy Brady *** IMPORTANT NOTE*** Greyhaven is providing this information as an "informational guide” only. If you have any concerns about a bird's health always contact an Avian Veterinarian; do not rely solely on the information provided in this booklet. Table of Contents 10 Things You Need to Know Before Adopting a Bird ........... 3 Welcome Home .................................................................... 5 World Parrot Birds as Your New Family Member? ............... 6 A Parrot's Bill of Rights .......................................................... 7 The First Few Days .............................................................. 9 Cage and Environment ....................................................... 10 Size ................................................................................. 10 Lighting ............................................................................ 11 Cage Set-up .................................................................... 11 Diet ..................................................................................... 14 10 Tips to tempt Your Bird to Eat Pellets ......................... 14 Pellet Diets ...................................................................... 14 Fruits and Vegetables ..................................................... 15 Seeds and Nuts ............................................................... 15 Carbohydrates -
Cuadernos De Etnomusicología Nº3
Cuadernos de Etnomusicología nº3 Cuadernos de Etnomusicología nº3 Marzo 2013 ISSN: 2014-4660 1 Cuadernos de Etnomusicología nº3 © “Músicas de la ciudad imaginada: modernidad, identidad y europeísmo en el videoclip y spot de rock andaluz para la campaña Córdoba 2016: Ciudad Europea de la Cultura”. Diego García Peinazo © “Música y política. El flamenco como seña de identidad nacional en TVE. La serie Rito y geografía del cante”. Juan Pedro Escudero Díaz © “Judas de Lady Gaga. María Magdalena como reintento de provocación”. Elena Monzón Pertejo © “El sonido como disciplina del orden: fenomenología e identidades sonoras en La Residencia”. Marcos Sapró Babiloni © “Etnomusicología y Cine. Investigaciones recientes en Asturias”. Héctor Braga Corral © “Funciones propagandísticas de la música cinematográfica en períodos bélicos. Una propuesta metodológica”. Lidia López Gómez © “La Voz del Fantasma de la ópera”. Alba Montoya Rubio © “Musicología, didáctica y audiovisuales: querer y poder”. Juan Carlos Montoya Rubio © “Las Silly Symphonies de Walt Disney: una introducción desde una perspectiva didáctica y motivacional”. Beatriz Hernández Polo © “Análisis cuantitativo de un pograma musical infantil de TV2: El club del pizzicato”. Santiago Pérez Aldeguer © “Programas musicales en televisión: Imagen e impacto en la Opinión Pública”. Alicia Álvarez Vaquero © “La inserción del número musical en las series de televisión: el papel de la música en Scrubs”. Judith Helvia García Martín © “Música e imagen en la obra y el pensamiento de Ramón Barce”. Miriam Mancheño Delgado © Facundo de la Viña y sus Seis impresiones para piano en los inicios del cine sonoro. Sheila Martínez Díaz © “La música de Chopin, un personaje más en la obra de Bergman”. -
Citizen Bird
Citizen Bird Mabel Osgood Wright and Elliott Coues The Project Gutenberg eBook, Citizen Bird, by Mabel Osgood Wright and Elliott Coues, Illustrated by Louis Agassiz Fuertes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Citizen Bird Author: Mabel Osgood Wright and Elliott Coues Release Date: April 3, 2004 [eBook #11896] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK CITIZEN BIRD*** E-text prepared by Margaret Macaskill and Project Gutenberg Distributed Proofreaders Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11896-h.htm or 11896-h.zip: (http://www.ibiblio.org/gutenberg/1/1/8/9/11896/11896-h/11896-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/8/9/11896/11896-h.zip) CITIZEN BIRD Scenes from Bird-Life in Plain English for Beginners BY MABEL OSGOOD WRIGHT AND ELLIOTT COUES With One Hundred and Eleven Illustrations by Louis Agassiz Fuertes 1897 [Illustration: Long-eared owl.] TO ALL BOYS AND GIRLS WHO LOVE BIRDS AND WISH TO PROTECT THEM THIS BOOK IS DEDICATED BY THE AUTHORS _SCENE_: THE ORCHARD FARM. _TIME_: FROM SPRING TO AUTUMN. _CHARACTERS_: DR. ROY HUNTER, a naturalist. OLIVE, the Doctor's daughter. NAT and DODO, the Doctor's nephew and niece. RAP, a country boy. MAMMY BUN, an old colored nurse. -
El Departamento Musical Disney: Las Silly Symphonies Y Carl Stalling
FACULTAD DE COMUNICACIÓN Trabajo Fin de Grado El Departamento La historia de la animación tiene un nombre propio: Walt Disney. Gracias a su Musical Disney: experimentación en diversos campos de esta materia, con la ayuda de genios como Carl Stalling, consigue desarrollar la Las Silly animación y su universo de una forma perseverante y continua, adaptándose a los Symphonies diversos cambios producidos desde el nacimiento de ésta, reinventando una y otra vez el sector y añadiendo su toque y Carl Stalling mágico a la personalidad cada obra. Tutor: Colón Perales, Carlos Alumnos: Duarte del Moral, Marina Ruiz Espinosa, Pablo 4º GRADO CAV 1 Marina Duarte del Moral y Pablo Ruiz Espinosa ÍNDICE 1. RESUMEN .............................................................................................................................. 3 2. PALABRAS-CLAVE .............................................................................................................. 3 3. INTRODUCCIÓN................................................................................................................... 3 4. OBJETIVOS ............................................................................................................................ 7 5. METODOLOGÍA ................................................................................................................... 8 5.1 CONTEXTO MUSICAL ......................................................................................................................... 8 5.3 EL SONIDO ÓPTICO Y LA APARICIÓN DEL CINE -
State Library of Massachusetts
MASSACHUSETTS RIVERS AND WETLANDS MONTHS CALENDAR FOR 2014 MAY IS WETLANDS MONTH, and JUNE IS RIVERS MONTH! This calendar, covering river-and wetland-related events in Massachusetts from Saturday, April 26 to Sunday, July 6, has been compiled by the Mass. Department of Fish and Game’s Division of Ecological Restoration (DER) to provide you with the opportunity to participate in events in, on, along or about the rivers and wetlands of the Commonwealth. Take this opportunity to invite your friends, family, local leaders, legislators, and/or a favorite reporter to clean up, paddle, protect, enjoy and celebrate your favorite rivers, streams, salt marshes and freshwater wetlands, or experience new ones. Get some healthful exercise and spend time in nature in and/or along the Commonwealth’s many scenic waterways and marshes. The events below are listed in chronological order and are labeled with the Massachusetts river or watershed the activity takes place in or on. Many activities require reservations in advance. Please call/e-mail ahead to inquire about any restrictions, fees, rain dates or cancellations that may apply. Any questions should be directed to the event organizers at the contact phone numbers and/or e-mails provided for each listing. If you know of an event that is not yet listed on this Calendar but ought to be, send the info along to Russ Cohen at [email protected], and he may be able to add it. You may also want to re-visit this Calendar from time to time to look for any newly-added events, updated info, etc. -
Kodascope Talking-Film Library Pictures
KODASCOPE Talking-Film LIBRARY Sound That Satisfies I6rn/m Sound-ori'Filrn Motion Pictures ii/t/i Ldition M IMPORTANT i our sound projector will also run any of the 500 silent subjects, available at lower cost from all Kodascope Libraries and Distributors. 200 page illustrated catalogue on request. Caution! Never attempt to run a "sound" film on any other than a sound projector. Irrep- arable damage to Sound Film will result from running it on a "silent" projector. THE FILM PRAYER By A. P. Hollis I am film, not steel ; O user, have mercy. I front dangers whenever I travel the whirring wheels of mechanism. Over the sprocket wheels, held tight by the idlers. I am forced by the motor's might. If a careless hand misthreads me, I have no alternative but to go to my death. If the pull on the take-up reel is too violent. I am torn to shreds. If dirt collects in the aperture, my film of beauty is streaked and marred, and I must face my beholders—a thing ashamed and liespoiled. Please, if I break, never fasten me with pins which lacerate the fingers of my inspectors. Don't rewind me unless necessary—my owner wants the privilege, so that he may examine me, heal my wounds, and send me re- juvenated upon a fresh mission. I travel many miles in tin cans. I am tossed on heavy trucks, sidew'ays and upside down. Please see that my first few coils do not slip loose in my shipping case, and become bruised and wounded beyond the power to heal. -
Silly Gabb Base2 Copia
CONTENTS X Acknowledgements XIII A Note on the Illustrations THE SILLY SYMPHONIES DISNEY’S FIRST FANTASYLAND 3 PART 1 THE TIFFANY LINE 5 The Skeleton of an Idea 7 The Earliest Symphony Formula 9 Starting to Tell Tales 11 Remaking Fairy Tales 18 Silly Toddlers and Their Families 19 Caste and Class in the Symphonies 21 An Exception to the Silly Rules: Three Little Pigs 22 Another Exception: Who Killed Cock Robin? 25 New Direction for the Symphonies at RKO 27 Ending in a Symphony Dream World 29 On a Final Note 31 PART II PRODUCING THE SILLY SYMPHONIES 31 The Columbia Years (1929-1932) 35 The United Artists Years (1932-1937) 45 Disney’s RKO Radio Pictures (1937-1939) THE SILLY SYMPHONIES A FILMOGRAPHY 51 INTRODUCTION 53 THE SKELETON DANCE (1929) 114 KING NEPTUNE (1932) 176 TOBY TORTOISE RETURNS (1936) 193 WYNKEN, BLYNKEN & NOD (1938) 56 EL TERRIBLE TOREADOR (1929) 116 BABES IN THE WOODS (1932) 178 THREE BLIND MOUSEKETEERS (1936) 196 MOTH AND THE FLAME (1938) 58 SPRINGTIME (1929) 118 SANTA’S WORKSHOP (1932) 180 THE COUNTRY COUSIN (1936) 198 MERBABIES (1938) 60 HELL’S BELLS (1929) 120 BIRDS IN THE SPRING (1933) 182 MOTHER PLUTO (1936) 202 FARMYARD SYMPHONY (1938) 62 THE MERRY DWARFS (1929) 122 FATHER NOAH’S ARK (1933) 184 MORE KITTENS (1936) 204 MOTHER GOOSE GOES HOLLYWOOD (1938) 64 SUMMER (1930) 124 THREE LITTLE PIGS (1933) 186 WOODLAND CAFÉ (1937) 206 THE PRACTICAL PIG (1939) 66 AUTUMN (1930) 128 OLD KING COLE (1933) 188 LITTLE HIAWATHA (1937) 208 THE UGLY DUCKLING (1939) 68 CANNIBAL CAPERS (1930) 130 LULLABY LAND (1933) 190 THE OLD MILL -
The Skeleton Dance
Cypriot Journal of Educational Sciences Volume 16, Issue 2, (2021) 641-658 www.cjes.eu Examining the relation between form information and movement in music education: The skeleton dance Çiğdem Eda Angı *, Niğde Ömer Halisdemir University, Faculty of Education, Department of Music Education, Niğde, Turkey. https://orcid.org/0000-0002-2611-0844 Suggested Citation: Angı, Ç. E. (2021). Examining the relation between form information and movement in music education: The skeleton dance. Cypriot Journal of Educational Science. 16 (2), 641-658. https://doi.org/10.18844/cjes.v16i2.5641 Received from January 05, 2021; revised from February 28, 2021; accepted from April 12, 2021. Selection and peer review under responsibility of Prof. Dr. Huseyin Uzunboylu, Higher Education Planning, Supervision, Accreditation and Coordination Board, Cyprus. ©2021 Birlesik Dunya Yenilik Arastirma ve Yayincilik Merkezi. All rights reserved. Abstract Providing examples suitable for the children's world in the music education given to younger age groups may reinforce the knowledge to be taught. For this reason, cartoons can be utilized for an engaging and fun lesson environment. One of the best examples of this situation is believed to be the short cartoon series Silly Symphony produced by Walt Disney. The most important feature of the cartoon that makes it significant to be used in music education is that the music was composed before the images, i.e., the images were drawn in accordance with the technical and structural characteristics of the music. The aim of the research is to examine the musical characteristics of The Skeleton Dance, the first cartoon of the series, and the relationship between form structure and movement. -
«El Mundo Animal Y Las Silly Symphonies (1929-1939)»
«El mundo animal y las Silly Symphonies (1929-1939)» Ruth Villalón Flores NIUB: 16510675 · DNI: 41609126-X Trabajo de Fin de Máster- Máster Estudios Avanzados en Historia del Arte Tutora: Dra. Marta Piñol Lloret Curso: 2017-2018 “No hay locura de los animales de este mundo que no quede infinitamente superada por la locura de los hombres” -Herman Melville, Moby Dick, 1851- 1 ÍNDICE: 1. Introducción: …………………………………………………………………… 3 1.1.Resumen 1.2. Planteamiento del tema 1.3. Objetivos 1.4. Diseño metodológico 1.5. Estado de la cuestión 1.6. Contextualización y marco teórico 2. Las Silly Symphonies: ………………………………………………………….. 10 2.1. Origen y desarrollo 2.2. Relevancia 3. Los protagonistas animales en la animación Disney: ………………………….. 28 3.1. Los Estados Unidos y sus animales 3.2. Antropomorfismo y domesticación 3.3. Animales pequeños, mundos diminutos 3.4. El Pato Donald 4. Casos de estudio: ………………………………………………………………. 56 - Springtime (Walt Disney, 1929) - Playful Pan (Burt Gillett, 1930) - El patito feo (The Ugly Duckling; Wilfred Jackson, 1931) - Bugs in Love (Burt Gillett, 1932) - El arca del padre Noé (Father Noah’s Ark; Wilfred Jackson, 1933) - Los tres cerditos (The Big Bad Wolf; Burt Gillett, 1934) - El saltamontes y las hormigas (The Grasshopper and the Ants; Wilfred Jackson, 1934) - La gallinita sabia (The Wise Little Hen; Wilfred Jackson, 1934) - La tortuga y la liebre (The Tortoise and the Hare; Wilfred Jackson, 1935) - ¿Quién mató al petirrojo? (Who Killed Cock Robin?; David Hand, 1935) - Mamá Pluto (Mother Pluto; David Hand, 1936) - El pequeño Hiawatha (Little Hiawatha; David Hand, 1937) - El viejo molino (The Old Mill; Graham Heid - Wilfred Jackson, 1937) - El patito feo (The Ugly Duckling; Jack Cutting, 1939) 5.