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Musician and Composer Owen Pallett on Being Thoughtful About Each Decision You Make
To help you grow your creative practice, our website is available as an email. Subscribe The Creative Independent is a vast resource of emotional and practical guidance. We publish Guides, Focuses, Tips, Interviews, and more to help you thrive as a creative person. Explore our website to find wisdom that speaks to you and your practice… September 3, 2020 - As told to Max Mertens, 2681 words. Tags: Music, Film, Inspiration, Process, Identity, Production, Multi-tasking. On being thoughtful about each decision you make Musician and composer Owen Pallett on maintaining a punk ethos in the world of chamber music, their fool-proof lyric writing method, revisiting old work, and negative inspiration. This is your first solo album in six years, but you’ve been busy in that time with different scores and arranging for other musicians. Did these projects take any creative or financial pressure off you when it came to making this record? Sometimes they do and sometimes they don’t really. Film scores are always kind of a bit of a crapshoot. If you score a film and it becomes a bit of a hit, then you do get residuals off it, so it is a good investment if you pick the right films. I notoriously have a bit of a bad nose for a good script. Back in 2008 or 2007, Gus Van Sant was asking me to possibly score Milk prior to studio involvement, and I remember reading the script and thinking it was bullshit. It won an Oscar for Best Original Screenplay, and I was like “Oh wow, I don’t really have a good nose for that kind of stuff.” Most of the production work and arrangement work that I do is a little more labor of love. -
Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2010 Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Part of the Film and Media Studies Commons, and the Other Music Commons Recommended Citation Pepper, Shayne, "Joanna Newsom Covers in the Blogosphere" (2010). Communication, Media and Theatre Faculty Publications. 3. https://neiudc.neiu.edu/cmt-pub/3 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. Joanna Newsom Covers in the Blogosphere Shayne Pepper “This is an old song. These are old blues. And this is not my song, but it’s mine to use.” -- “Sadie” Joanna Newsom’s 2004 album, The Milk-Eyed Mender, was released at a time when music blogs were reaching new levels of popularity within certain sections of music and online communities. During this time, songs from nearly every high profile indie rock release seemed to find their way onto music blogs (often, to the chagrin of the music industry, far before slated release dates). Newsom’s songs were no exception – she was often something of a hot topic on blogs like Stereogum, My Old Kentucky Blog, Brooklyn Vegan, Gorilla vs. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
Volume I (Final) Proofread
UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York. -
1 Arcade Fire
All Songs Considered Listeners Pick The Best Music Of 2010: The Top 100 1 Arcade Fire: The Suburbs 2 The Black Keys: Brothers 3 The National: High Violet 4 Mumford & Sons: Sigh No More 5 Broken Bells: Broken Bells 6 LCD Soundsystem: This Is Happening 7 Vampire Weekend: Contra 8 Sufjan Stevens: The Age Of Adz 9 Beach House: Teen Dream 10 Kanye West: My Beautiful Dark Twisted Fantasy 11 Gorillaz: Plastic Beach 12 Sleigh Bells: Treats 13 Jonsi: Go 14 Local Natives: Gorilla Manor 15 Band Of Horses: Infinite Arms 16 The Tallest Man On Earth: The Wild Hunt 17 Deerhunter: Halcyon Digest 18 Spoon: Transference 19 Janelle Monae: The ArchAndroid 20 Yeasayer: Odd Blood 21 Ray LaMontagne and The Pariah Dogs: God Willin' and the Creek Don't Rise 22 New Pornographers: Together 23 Broken Social Scene: Forgiveness Rock Record 24 Joanna Newsom: Have One On Me 25 Cee Lo: The Ladykiller 26 MGMT: Congratulations 27 Sharon Jones And The Dap Kings: I Learned The Hard Way 28 Massive Attack: Heligoland 29 Josh Ritter: So Runs The World Away 30 Girl Talk: All Day 31 She And Him: Volume II 32 Bruce Springsteen: The Promise 33 Belle And Sebastian: Write About Love 34 Big Boi: Sir Lucious Left Foot: The Son Of Dusty Chico 35 Best Coast: Crazy For You 36 The White Stripes: Under Great White Northern Lights 37 Danger Mouse And Sparklehorse: Dark Night Of The Soul 38 Caribou: Swim 39 The Roots: How I Got Over 40 Kings Of Leon: Come Around Sundown 41 Frightened Rabbit: The Winter Of Mixed Drinks 42 Neil Young: Le Noise 43 Drive-By Truckers: The Big To-Do 44 Flying Lotus: Cosmogramma 45 Carolina Chocolate Drops: Genuine Negro Jig 46 Dead Weather: Sea of Cowards 47 Laura Veirs: July Flame 48 The Walkmen: Lisbon 49 Dr. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
'The Glowing Man': a Critical Analysis of A
“‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” by Christopher Worden A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Master of Arts in Sociology Guelph, Ontario, Canada © Christopher Worden, September, 2017 ABSTRACT “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” Chris Worden Advisor: University of Guelph, 2017 Dr. Mavis Morton This thesis examines the discourse surrounding an online disclosure of sexual violence in the music field. Research questions addressed three things: 1. The discursive role of symbolic capital and the field of cultural production; 2. The extent to which features of the online feminist counter-public were represented; and 3. How the logic of the music field and strategies of the online feminist counter-public contributed to accused and complainant outcomes. A critical thematic analysis of the online discourse demonstrated that symbolic capital and position were deployed to defend the accused and discredit the complainant. The response of the online feminist counter-public countered some discrediting discourse common in sexual assault cases, but did not fully engage with the logic of the field of cultural production that was used to discredit the complainant in this case. Recommendations are offered to music journalists, arts funding organizations, and online activists to mitigate against gendered power imbalances stemming from the devaluing of women as cultural producers. iii ACKNOWLEDGEMENTS I benefited immensely from the expertise and guidance of my advisor, Dr. -
Bell Orchestre Copenhagen Phil Dirigent / André De Ridder DJ / Rosa Lux No.15 SAMMEN MED Bell Orchestre
Copenhagen Phil og 60 minutes of Frost præsenterer BELL NO.15 ORCHESTRE med ArcadE FIRE - medlemmer 5. februar 2015 Konservatoriets Koncertsal (tidl. Radiohuset) Bell Orchestre Copenhagen Phil Dirigent / André de Ridder DJ / Rosa Lux NO.15 SAMMEN MED BELL ORCHESTRE gælder det Bell Orchestre’s “Air Lines/Land Li- i hjembyen Montreal for at komponere musik nes”, “Elephants”, “Stripes” og “Icicles/ sammen. ”I sådan en proces ophører tid og Bicycles”. Dertil præsenterer Richard Reed Support: rum, alle elementære kræfter udenfor sættes 60 MINUTES OF Parry sin egen komposition “Music for Heart ud af spil – den energi, der eksisterer inde i and Breath”, ligesom Sarah Neufeld spiller Quiet River of Dust rummet, bliver fokus i en musikalsk proces, sin “Breathing Black Ground” sammen med – med bl.a. Richard Reed Parry (Arcade Fire) der aldrig vil kunne skabes af andre på noget BELL ORCHESTRE Copenhagen Phils mange musikere. Supporten andet tidspunkt i historien. Det bliver univer- består af bandet Quiet River of Dust, hvor selt og tidsløst”, har gruppen udtalt. bl.a. Richard Reed Parry medvirker – bandet Quiet River of Dust består af Laurel Sprengel- Copenhagen Phil og Frost præsenterer superligaen Bell Orchestre udgiver nyt materiale i 2015. meyer (aka Little Scream), Stefan Schneider At være publikum til Bell Orchestre kan om 60 minutes koncerten: fra den amerikanske indie-scene, når ARCADE (Bell Orchestre) og Richard Reed Parry. ”Quiet føles som et bombardement af sanseind- FIRE-medlemmerne Richard Reed Parry og Sarah Parry i samarbejde med The National- River of Dust er en gruppe af sange, og det tryk. Resultatet er en kollagelignende kon- Neufeld sammen med Bell Orchestre møder Copen- musiker er også navnet på os, der spiller dem – vil ”Bell Orchestre’s struktion af både lyd og visuelle indtryk. -
Freak Scene Favorites of 2010 – Compiled by Randy B
Freak Scene Favorites of 2010 – compiled by Randy B. I talk about weed and my cat and being lazy a lot. I don't think lyrics need to be deep just write whatever comes out of you. You don't need to find intense meaning in everything. Bethany Cosentino of Best Coast to Pitchfork Top 10 Burn on a solid foundation of sinewy Black Rebel Motorcycle Club – 1) Surfer Blood – Swim – Astro hooks and mileaminute bon mots Mama Taught Me Better – Beat The Coast: …there are no chamber sections, tumbling from Vinnie Kircher’s jittery Devil’s Tatoo no pocket harmonies, no integration of vocals. – The Onion AV Club Titus Andronicus – No Future Part 3: West African rhythms (ok, there's some Escape From No Future – The Monitor of that), just a desire to create a The Get Up Kids – Keith Case – 7) The Hold Steady – Rock relentlessly catchy, "classic indie" Simple Science Problems – Heaven Is Whenever: album in your own dorm room, and if Los Campesinos! – Romance Is One might suspect that The Hold that's what Surfer Blood set out to do, Boring – Romance Is Boring Steady’s rock repurposing would Astro Coast succeeds wildly. – Pitchfork Bettie Serveert – Deny All – eventually chafe, but they’re achieving Pharmacy of Love the opposite effect, again pulling off The Joy Formidable – The Last Drop 2) Arcade Fire – Month of May The with heroic sincerity the idea that – A Balloon Called Moaning Suburbs: The faster tunes, like "Ready heaven is lying on the floor listening to Jenny & Johnny – Straight Edge Of to Start" and "Month of May," are records—even if you’re well past 16. The Blade – I’m Having Fun Now leaner and meaner than you'd expect. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
NPR Music's 50 Favorite Albums of 2010 Recommended by NPR
Best Music Of 2010: The Complete List Use the list below to browse NPR's best music of 2010 recommendations. Each critic's list is presented separately. Click on the article names to read our critics' comments about the albums. NPR Music's 50 Favorite Albums Of 2010 Recommended by NPR Music Staff Thomas Ades, Tevot Agalloch, Marrow Of The Spirit Aloe Blacc, Good Things Khaira Arby, Timbuktu Tarab Arcade Fire, The Suburbs Erykah Badu, New Amerykah, Pt. 2: Return Of The Ankh Big Boi, Sir Lucious Leftfoot...The Son Of Chico Dusty The Black Keys, Brothers Brooklyn Rider, Dominant Curve Buke & Gass, Riposte Carolina Chocolate Drops, Genuine Negro Jig Regina Carter, Reverse Thread Chancha Via Circuito, Rio Arriba Deerhunter, Halcyon Digest Issac Delgado, Love Joyce DiDonato, Rossini: Colbran, The Muse Flying Lotus, Cosmogramma Four Tet, There Is Love In You Vittorio Grigolo, The Italian Tenor Gyptian, Hold You Hilary Hahn, Higdon & Tchaikovsky: Violin Concertos Mary Halvorson Quintet, Saturn Sings Rita Indiana, El Juidero Jamey Johnson, The Guitar Song Jonsi, Go Seu Jorge And Almaz, Seu Jorge And Almaz King Sunny Ade, Baba Mo Tunde Ray LaMontagne And The Pariah Dogs, God Willin' And The Creek Don't Rise LCD Soundsystem, This Is Happening Lower Dens, Twin Hand Movement Alexander Melnikov, Shostakovich Janelle Monae, The ArchAndroid Jason Moran, Ten Carla Morrison, Mientras Tu Dormias The National, High Violet Owen Pallett, Heartland Sondra Radvanovsky, Verdi Arias Josh Ritter, So Runs The World Away Robyn, Body Talk Kermit Ruffins, Happy Talk Christian Scott, Yesterday You Said Tomorrow Gil Scott-Heron, I'm New Here Sleigh Bells, Treats Esperanza Spalding, Chamber Music Society Mavis Staples, You Are Not Alone Sufjan Stevens, The Age Of Adz The Tallest Man On Earth, The Wild Hunt Titus Andronicus, The Monitor Sharon Van Etten, Epic Kanye West, My Beautiful Dark Twisted Fantasy Top 10 Jazz Albums Of 2010 Recommended By Patrick Jarenwattananon, A Blog Supreme 1. -
Free Download Stereogum Free Download Stereogum
free download stereogum Free download stereogum. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c5395d0dc784e0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Neil Young Sues Donald Trump. Donald Trump has been using Neil Young songs at his campaign rallies for years now — he literally first announced his candidacy to “Rockin’ In The Free World” — and Neil Young has been annoyed at Donald Trump for using Neil Young songs at his campaign rallies for about as long. Just last week, following Neil Young-soundtracked rallies in Tulsa and Mount Rushmore, Young announced that he was considering suing Trump over the issue: I am changing my mind about suing Donald Trump. Reconsidering. I am looking at it again. There is a long history to consider and I originally considered it, deciding not to pursue. But then President Trump ordered thugs in uniform into our streets. His idea. He ordered this himself.