The Golden Age of N Idi Ti I I Ti Non-Idiomatic Improvisation
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Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
The Great Gig in the Sky
ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics. -
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt. -
Stock Sernac
Linea Sku Descripción Stock J08 12587841 RALPH RENO EDT 100ML EDL 4.000 J08 15083885 PBLUE EDT 125ML + PBLUE EDT 40ML 2.500 J08 15083880 LVEB EDP 100ML + LVEB EDP 15ML 1.400 J08 12567180 ADGH PROF 180 + 40 CYBER 2019 1.500 J08 14565831 ADGA 100 ML + 30 ML 1.500 J08 15083881 SET RML 50 ML LOCAL 2.000 J08 1347987 DKNY BE DELICIOUS WOMEN EDP 100 ML. 2.000 J08 3122378 POLO BLACK EDT 200 ML OS 1.500 J08 15083882 DUO GENIFIQUE 20 ML 1.500 J08 6359115 Dolce&Gabbana Light Blue EDT 200ml 700 J08 242114 212 WOMAN 100 ML 1.000 J08 5157444 CHT MEN PRIVÉ EDT NS 150ML 800 J08 14565853 BLACK OPIUM EDP 90 ML+BO EDP 30 ML 400 J08 14454103 IDOLE 100ML + IDOLE 25 ML 400 J08 14940144 Tommy Girl 200ml EDT 1.000 J08 14940143 Tommy 200ml EDT 1.000 J08 9013581 CK ONE EDT 200 ML 1.000 J08 14976191 Glow on the Go 2.000 J08 5910262 PURE XS EDT 100ML REPACK 3 800 J08 14568068 BOSS BOTTLED NIGHT EDT 200ML 400 J08 15083874 EA SW YOU FREEZE EDT HE 100ML 500 J08 6596456 LACOSTE TOUCH OF PINK EDT 90ML 700 J08 15157389 AMOR AMOR 100ML CY 600 J08 6341239 AQUASOURCE GEL PNM R18 P125ML 500 J08 15111450 SMART SERUM 30ML + GWP 800 J08 15083391 FA20 ANGLO 2B 100 J08 15083392 SOS ANR STARTER SET 500 J08 9013585 L.12.12 BLANC EDT 175ML 300 J08 15083888 NUIT EDT 100 ML EDL 300 J08 15083879 LNT A LA FOLIE EDP 75ML INTERNET 200 J08 7433512 RS+ GLB ANTI-AGING CREME 30ML/1OZ 400 J08 5557001 Wonderlust EDP 100ml 400 J08 15108981 IM L´EAU D´ISSEY POUR HOMME 200ML 150 J08 15160459 KIT 5 800 J08 15160460 KIT 6 800 J08 15160458 KIT 4 500 J08 7144470 O DE LANCOME 125ML EDL INTERNET 300 -
Track List: All Songs Written by Syd Barrett, Except Where Noted. ”UK Release” Side One 1
Track List: All songs written by Syd Barrett, except where noted. ”UK release” Side one 1. "Astronomy Domine" – 4:12 2. "Lucifer Sam" – 3:07 3. "Matilda Mother" – 3:08 4. "Flaming" – 2:46 5. "Pow R. Toc H." (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 4:26 6. "Take Up Thy Stethoscope and Walk" (Roger Waters) – 3:05 Side two 1. "Interstellar Overdrive" (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 9:41 2. "The Gnome" – 2:13 The Piper at the Gates of Dawn – August 5, 1967 3. "Chapter 24" – 3:42 Syd Barrett – guitar, lead vocals, back cover design 4. "The Scarecrow" – 2:11 5. "Bike" – 3:21 Roger Waters – bass guitar, vocals Rick Wright – Farfisa Compact Duo, Hammond organ, Certifications: piano, vocals TBR Nick Mason – drums, percussion "Astronomy Domine" Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Blinding signs flap, Flicker, flicker, flicker blam. Pow, pow. Stairway scare, Dan Dare, who's there? Lime and limpid green, the sounds around The icy waters under Lime and limpid green, the sounds around The icy waters underground. "Lucifer Sam" Lucifer Sam, siam cat. Always sitting by your side Always by your side. -
Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Onesj
Graduate Theses, Dissertations, and Problem Reports 2017 Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett onesJ Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Jones, Christopher Everett, "Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd" (2017). Graduate Theses, Dissertations, and Problem Reports. 7098. https://researchrepository.wvu.edu/etd/7098 This Dissertation is brought to you for free and open access by The Research Repository @ WVU. It has been accepted for inclusion in Graduate Theses, Dissertations, and Problem Reports by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Jones Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts David Taddie, Ph.D., Chair Evan MacCarthy, Ph.D. Matthew Heap, Ph.D. Andrea Houde, M.M. Beth Royall, M.L.I.S., M.M. School of Music Morgantown, West Virginia 2017 Keywords: Music, Pink Floyd, Analysis, Rock music, Progressive Rock, Progressive Rock Analysis Copyright 2017 Abstract Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd Christopher Everett Jones This document examines the harmonic and melodic content of four albums by English Progressive Rock band Pink Floyd: Meddle (1971), The Dark Side of the Moon (1973), Wish You Were Here (1975), and The Wall (1979). Each of these albums presents a coherent discourse that is typical of the art music tradition. -
A Comparative Analysis of Humanity's Core Themes in the Music of Bob
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program Spring 4-16-2018 From Rain’s A-gonna Fall to Bricks in the Wall: A Comparative Analysis of Humanity’s Core Themes in the Music of Bob Dylan and Pink Floyd Alec Williams University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/honorstheses Part of the Musicology Commons, and the Other Music Commons Williams, Alec, "From Rain’s A-gonna Fall to Bricks in the Wall: A Comparative Analysis of Humanity’s Core Themes in the Music of Bob Dylan and Pink Floyd" (2018). Honors Theses, University of Nebraska-Lincoln. 25. https://digitalcommons.unl.edu/honorstheses/25 This Article is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. From rain’s a-gonna fall to bricks in the wall: A comparative analysis of humanity’s core themes in the music of Bob Dylan and Pink Floyd An Undergraduate Honors Thesis Submitted in Partial Fulfillment of University Honors Program Requirements University of Nebraska-Lincoln By Alec Williams, BS Biological Sciences and Economics College of Arts and Sciences 15 April 2018 Faculty Mentor: Dr. Scott Anderson, D. M. A. Glenn Korff School of Music 1 Abstract The 1960s were turbulent times of musical creation and revolution. From Motown to Dinkytown, the world suddenly became filled with blooms of creativity that stemmed from the freshly planted roots rock ‘n’ roll. -
Background Vocalists
Atlantic Records, the Sweet Inspirations—led by Cissy Houston (singer Whitney Houston’s mother)—provided BACKGROUND gospel-infused background vocals on many of the label’s hits such as “Some Kind of Wonderful” (1961) by the Drift- ers, “Don’t Make Me Over” (1962) by Dionne Warwick, VOCALISTS “Mustang Sally” (1966) by Wilson Pickett, and “Do Right Woman—Do Right Man” (1967) by Aretha Franklin. By the end of the decade, the secularized gospel sound that the by Maureen Mahon Blossoms and the Sweet Inspirations brought to recordings by African American artists singing in the newly labeled “soul” style crossed over to the mainstream. White rock Late one night in 1969, singer Merry Clayton dashed into a artists from southern rockers to blues revivalists to psyche- Los Angeles recording studio, the last- minute replacement delic experimenters to folk- tinged singer- songwriters were on a session with the Rolling Stones. Digging deep into turning to the gospel- trained voices of African American her gospel training, she sang with Mick Jagger on “Gimme women to enhance the vocal sound of their records. Shelter,” a track the band was recording for its upcoming Dusty Springfield, the English vocalist who, follow- release Let It Bleed. The presence of Clayton’s powerful ing the Beatles, was the second British Invasion artist to vocals on the haunting song was representative of a sea chart in the United States (with “I Only Want to Be with change in rock that had been underway for a few years: the You” in 1964), was one of the first to latch on to the new use of African American women as background vocalists. -
Music Collection
collection! 2001 Demos 1 The Arcade Fire 1.Winter For A Year(4:51) 8.You Tried To Turn Away My Fears (4:29) 2.My Mind Is A Freeway(3:57) 9.Instrumental (4:11) 3.Accidents (4:20) 10.The Great Arcade Fire(12:27) 4.Goodnight Boy(2:39) 5.Asleep At The Wheel(3:49) 6.In The Attic(6:13) 7.Can't Let Go Of You(4:05) Arcade Fire EP 2 The Arcade Fire 1.Old Flame(3:53) 2.I'm Sleeping in a Submarine(2:48) 3.No Cars Go (6:02) 4.The Woodland National Anthem(3:56) 5.My Heart is an Apple(4:29) 6.Headlights Look Like Diamonds (4:25) 7.Vampire/Forest Fire(7:16) Funeral 3 The Arcade Fire 1.Neighborhood #1 (Tunnels)(4:48) 8.Haïti (4:07) 2.Neighborhood #2 (Laika)(3:32) 9.Rebellion (Lies)(5:10) 3.Une année sans lumière(3:40) 10.In the Back Seat(6:20) 4.Neighborhood #3 (Power Out)(5:12) 1.My Buddy (Alvino Rey Orchestra)(2:35) 5.Neighborhood #4 (7 Kettles)(4:49) 2.Neighborhood #3 (Power Out) (August...(5:35) 6.Crown of Love(4:42) 3.Brazil(3:56) 7.Wake Up(5:35) 4.Neighborhood #3 (Power Out) (Live) (5:57) Live EP 4 The Arcade Fire/David Bowie 1.Life on Mars?(4:56) 2.Wake Up(5:45) 3.Five Years (3:46) Audioslave 5 Audioslave 1.Cochise(3:48) 8.Exploder (3:29) 2.Show Me How to Live (4:37) 9.Getaway Car(4:58) 3.Gasoline(3:28) 4.Like a Stone(4:54) 5.I Am the Highway(5:35) 6.Hypnotize (3:26) 7.Bring Em Back Alive (5:35) Out of Exile 6 Audioslave 1.Your Time Has Come(4:15) 8.Man Or Animal(3:53) 15.Be Yourself(4:38) 2.Lay Your Burden Down(5:45) 9.Yesterday To Tomorr.. -
Collection! 2573 Songs, 6:19:50:59 Total Time, 9.72 GB
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Name Time Album Artist Winter For A Year 4:51 2001 Demos The Arcade Fire My Mind Is A Freeway 3:57 2001 Demos The Arcade Fire Accidents 4:20 2001 Demos The Arcade Fire Goodnight Boy 2:39 2001 Demos The Arcade Fire Asleep At The Wheel 3:49 2001 Demos The Arcade Fire In The Attic 6:13 2001 Demos The Arcade Fire Can't Let Go Of You 4:05 2001 Demos The Arcade Fire You Tried To Turn Away My Fears 4:29 2001 Demos The Arcade Fire Instrumental 4:11 2001 Demos The Arcade Fire The Great Arcade Fire 12:27 2001 Demos The Arcade Fire Old Flame 3:53 Arcade Fire EP The Arcade Fire I'm Sleeping in a Submarine 2:48 Arcade Fire EP The Arcade Fire No Cars Go 6:02 Arcade Fire EP The Arcade Fire The Woodland National Anthem 3:56 Arcade Fire EP The Arcade Fire My Heart is an Apple 4:29 Arcade Fire EP The Arcade Fire Headlights Look Like Diamonds 4:25 Arcade Fire EP The Arcade Fire Vampire/Forest Fire 7:16 Arcade Fire EP The Arcade Fire Neighborhood #1 (Tunnels) 4:48 Funeral The Arcade Fire Neighborhood #2 (Laika) 3:32 Funeral The Arcade Fire Une année sans lumière 3:40 Funeral The Arcade Fire Neighborhood #3 (Power Out) 5:12 Funeral The Arcade Fire Neighborhood #4 (7 Kettles) 4:49 Funeral The Arcade Fire Crown of Love 4:42 Funeral The Arcade Fire Wake Up 5:35 Funeral The Arcade Fire Haïti 4:07 Funeral The Arcade Fire Rebellion (Lies) 5:10 Funeral The Arcade Fire In the Back Seat 6:20 Funeral The Arcade Fire My Buddy (Alvino Rey Orchestra) 2:35 Funeral The Arcade Fire Neighborhood #3 (Power Out) (August