Korrigans Rulebook
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. - 1 1II RELIGIONS ANCIENT AND MODERN RELIGIONS: ANCIENT AND MODERN. ANIMISM. By EDWARD CLODD, Author of The Story of Creation. PANTHEISM. By JAMES AU.ANSON PICTON, Author of The Kehgion of the Universe. THE RELIGIONS OF ANCIENT CHINA. By Professor GILES, LL.D., Professor of Chinese in the University of Cambridge. THE RELIGION OF ANCIENT GREECE. By JANE HARRISON, Lecturer at Newnham College, Cambridge, Author of Prolegomena to Study of Greek Religion. ISLAM. By AMEER ALI SYED, M.A., C.I.E., late of H.M.'s High Court of Judicature in Bengal, Author of The Spirit of Islam and The Ethics of Islam. MAGIC AND FETISHISM. By Dr. A. C. HADDON, F.R.S., Lecturer on Ethnology at Cam- bridge University. THE RELIGION OF ANCIENT EGYPT. By Professor W. M. FLINDERS PETRIE, F.R.S. THE RELIGION OF BABYLONIA AND ASSYRIA. By THEOPHILUS G. PINCHES, late of the British Museum. EARLY BUDDHISM, By Professor RHYS DAVIDS, LL.D., late Secretary of The Royal Asiatic Society. HINDUISM. By Dr. L. D. BARNETT, of the Department of Oriental Printed Books and MSS., British Museum. SCANDINAVIAN RELIGION. By WILLIAM A. CRAIGIE, Joint Editor of the Oxford English Dictionary. CELTIC RELIGION. By Professor ANWYL, Professor of Welsh at University College, Aberystwyth. THE MYTHOLOGY OF ANCIENT BRITAIN AND IRELAND. By CHARLES SQUIRE, Author of The Mythology of the British Islands. JUDAISM By ISRAEL ABRAHAMS, Lecturer in Talmudic Literature in Cambridge University, Author of Jewish Life in the Middle Agts. THE RELIGION OF ANCIENT ROME. By CYRIL BAILEY, M.A. SHINTO. THE ANCIENT RELIGION OF JAPAN. -
Press Release Dawson ENG (114.57
press information April 2007 Verne Dawson Paintings April 21 to May 26, 2007 Opening: Friday, April 20, 2007 Galerie Eva Presenhuber is delighted to present recent paintings by American artist Verne Dawson. This exhibition, titled Paintings, comprises a group of eleven new works: three medium-sized pieces done in oil on tin metal and eight pieces painted in oil on canvas ranging from medium to large format. In his paintings, Verne Dawson seeks to forge links between 30,000 years of human and cultural history and utopian scenarios of the future. On the surface, his works are remotely reminiscent of folklorist images, as his choice of figurative motifs ostensibly follows the traditional schemes of composition used in paintings of landscapes, still lives, plants, animals, and people. On closer examination, however, his art reveals something quite different. The complexity of Dawson’s imagery invites the viewer to take a step further and explore these outlandish universes. Verne Dawson’s paintings reflect a world that appears to be far removed from the reality in which we live today. They provide insight into both a prehistorical and seemingly futuristic, fantastic scenery and culture, as well as into the cosmos. They recount culturally marked (hi)stories with metaphors taken from fairytales, myths, and tribal rituals that have been passed on from one generation to another, eventually forming the cultural identity of a specific society. Other key themes present in the artist’s visual worlds are the interpretation of mathematical and astronomical signs in popular folk tales, the inclusion of cyclical calendars with lunar phases and solar systems, and astrology. -
Stories of Fairies Ebook, Epub
STORIES OF FAIRIES PDF, EPUB, EBOOK Anna Lester,Teri Gower | 48 pages | 26 May 2006 | Usborne Publishing Ltd | 9780746069547 | English | London, United Kingdom Stories of Fairies PDF Book Print Cite. The word has been overused to describe a supernatural being. Baobhan Sith A Scottish version of a female vampire or a succubus. It was this tradition as household spirits, that the elves were later given in Germanic and Celtic folklore traditions. They were often identify with pwca of Welsh tradition. Here, she foretold the defeat of the Fomorians. Both the Lady of the Fountain and the Lady of the Lake were thought to be originally goddesses of the water. They often sit outside any rational explanation and this is why they end up discarded. He was the According to legend, the abducted human children are given to the devil or used to strengthen fairy stock. Details if other :. We can only imagine the distress and anguish of parents looking for a child or family member. Email address. Mary Miller rated it liked it Feb 19, They were RED. I have encountered a gnome in my garden. The Fool is to be especially avoided on the month of June. But be patient—you could be waiting hours just for one glimpse. I was so Surprised and excited i tried to grab it but it disappeared into my mirror, it was very quick. These antecedent of the bean nighe are the Irish goddess Morrigan and the Welsh goddess Modron. Escape the Present with These 24 Historical Romances. Maybe, I have seen this thing twice in our Bath room — it is very pretty and it kind a take one back- am I going nuts? This website does not share personal information with third- parties nor do we store any information about your visit to this blog other than to analyze and optimize your content and reading experience through the use of cookies. -
Kelliwig Ke Akua
Ke Akua Kelliwig It takes eight men above and eight this black warrior, with one leg Kekri2 Baltic below to pull his eyelids apart so that and one eye in the middle of his a Finnish festival in honour of the he can see. forehead, guarded the property of the god Kekri Ke Akua (see Akua) Black Knight and put those seeking kekri3 Baltic Keagyihl Depguesk North American adventure on the road to meeting the a Finnish ghost or spirit a whirlpool Black Knight in combat. kekritar Baltic This whirlpool had claimed the lives Keevan (see Ciabhan) masks, or the people wearing them, in of many young men so the tree-spirit, Keh Egyptian the Kekri festival Hanging Hair, called a meeting in a primordial god portrayed as having Kekrops (see Cecrops) Festival House of all the river-spirits the head of a frog Keku (see Kekui) who agreed to curb its power. The Kehama Hindu Kekui Egyptian storm-spirit blew part of a cliff into a prince [Emen.Kek(u).Kuk] the river, so diverting the flow of He drank some amrita but failed to a primaeval god water and reducing the whirlpool to a achieve immortality. Instead, he found consort of Kekuit gentle eddy. himself acting as one of the four With Kekuit he represented the Keats, John English supporting the throne of Yama, the darkness of the primordial chaos. (1795–1821) god of the dead. He is depicted sometimes with a a poet Kehtahn North American frog’s head, sometimes as a baboon. He was author of several works an offering to the gods of the Navajo, Kekuit Egyptian on mythological themes including a reed filled with tobacco etc. -
LÉGENDAIRE BRETON ET MYTHOLOGIE CELTIQUE Nous Autres
LÉGENDAIRE BRETON ET MYTHOLOGIE CELTIQUE Nous autres, "universitaires celtisants", avons cette chance rare de couvrir un domaine si vaste, aux contours d'ailleurs si indécis, que nous sommes régulièrement sollicités sur des terrains où nous n'aurions osé nous aventurer de nous-mêmes. Ainsi en va-t-il du folklore, notamment dans ses rapports à la tradition celtique, qui nous intéressera ici. Certes, j'avais étudié brièvement le légendaire breton dans ma thèse de doctorat d'État (1984 - TFF ici), en y relevant les quelques figures et motifs qui subsistent dans la tradition populaire et orale du Poher (anaon, ankoù, boudig, gwrac'h, kornandon, korrigan, Geor, teuz, etc...), de même que j'avais répertorié les trois douzaines de contes populaires que l'on pouvait entendre dans ces années 80 de la bouche des conteurs traditionnels de Haute-Cornouaille. Mais, ce faisant, je n'avais fait qu'effleurer une matière autrement plus riche et plus complexe. Le colloque de Freiburg, organisé en 1994 par le professeur Hildegard Tristram (sur le thème de Reoralisierung pour la revue SCRIPTORALIA), m'a amené alors à reprendre le thème du géant des hauteurs, en esquissant un parallèle entre le personnage de Geor (& Begeor de l'Arrée), déjà relevé par Anatole Le Braz à la fin du XIX° siècle, et le Penkawr gallois du premier texte arthurien, Culhwch ac Olwen - à partir d'une version de la légende que j'avais recueillie à Poullaouen en 1980, complétée depuis par une autre version, également en breton, que j'ai enregistrée au Huelgoat en 1994; ceci en collaboration avec notre collègue Y.B. -
LA MITOLOGÍA Y EL FOLKLORE DE GALICIA Y LAS REGIONES CÉLTICAS DEL NOROESTE EUROPEO ATLÁNTICO Manuel ALBERRO Inst. of Cornish
LA MITOLOGÍA Y EL FOLKLORE DE GALICIA Y LAS REGIONES CÉLTICAS DEL NOROESTE EUROPEO ATLÁNTICO Manuel ALBERRO Inst. of Cornish Studies University of Exeter 1. LUGARES MÁGICOS Y SAGRADOS, CULTOS, RITUALES Los árboles, las piedras y las aguas son los indicadores más co- munes de los lugares del culto pagano (Przyluski, 1950: 60). Para po- der ser expresado en acciones, el paganismo requiere alguna forma de ritual, el cual necesita a su vez de un lugar donde poder ser realizado. Las antiguas civilizaciones de Oriente, y lo mismo griegos y romanos, utilizaron templos, pero en las supuestas regiones indo-europeas ori- ginales no había templos, y los rituales eran celebrados en lugares al aire libre considerados como sagrados (Dowden, 2000: 27). Los celtas realizaban sus prácticas religiosas en bosquecillos sagrados o en las orillas de lagos, ríos, u otros lugares acuáticos. Este hecho, registrado por los clásicos, está también implícito en el antiguo término céltico Nemeton, o “bosquecillo sagrado” (Green, 1986: 111-12), presente en muchos nombres de lugar que incluyen una Nemetobriga en Galicia (Chadwick, 1971: 146-48; Powell, 1991: 166-70). Justino describió una montaña y bosque sagrado en Galicia cuya riqueza mineral no podía ser explotada. Aún cuando estas actividades religiosas de los antiguos celtas no cuentan con demasiados testimonios arqueológicos (difíciles de conseguir en este caso), están documentadas por testimo- 9 MANUEL ALBERRO nios históricos del uso de manantiales como objeto de culto durante el período inicial de la conquista romana (Webster, 1991), y con la recu- peración de valiosos objetos y joyas metálicas depositadas en lugares acuáticos como ofertas votivas (Webster, 1996: 449-52; B. -
Religions of Mystara
BY MARCO DALMONTE BBOOOOKK TTWWOO RREELLIIGGIIOONNSS OOFF MMYYSSTTAARRAA This work is a freeware manual in the form of an e–book: a paper version of the “Codex Immortalis” does not exist and it never will nor will it be published for financial gain. This manual is freely downloadable from the net and it is possible to freely print it out in part or in its totality. Any activity of sale, gain or profit is prohibited, such as the alteration of the present document; any form of non-profit making distribution must however be authorized previously by the author (for any request, refer to the e–mail address of the author of the current book). The imagery present in this document has been taken from the net without the consent of its owners: the owners of such can write to the e–mail address shown on the following page and I will see to the immediate removal of his work. Dungeons & Dragons®, D&D® and the Mystara™ setting are registered marks of TSR Inc., a division of Wizards of the Coast Inc.: their use isn’t in any way a form of competition for their intellectual property nor, however, does it imply TSR Inc. approval or permission. Any part of this work that refers to Third Edition and to “d20 System”: this latter (and the relevant logo) are registered marks of Wizards of the Coast, Inc. and are used according to the terms in the d20 System License version 6.0. It is possible to obtain a copy of this license on the www.wizards.com/d20 site. -
Transforming Traditions: Studies in Archaeology, Comparative Linguistics and Narrative
STUDIA CELTO-SLAVICA 6 Transforming Traditions: Studies in Archaeology, Comparative Linguistics and Narrative Maxim Fomin, Václav Blažek and Piotr Stalmaszczyk (editors) Proceedings of the Fifth International Colloquium of Societas Celto-Slavica held at Příbram, 26-29 July 2010 ABSTRACT Fomin, M., Blažek, V. & Stalmaszczyk, P., eds., 2006. Transforming Traditions: Studies in Archaeology, Comparative Linguistics and Narrative. Proceedings of the Fifth International Colloquium of Societas Celto-Slavica held at Přibram, 26-29 July 2010. Studia Celto-Slavica 6. 212 pp. Łódź. ISBN 978- 83-7525-726-7. This volume contains thirteen articles, ten of which were presented at the Fifth International Colloquium of Societas Celto-Slavica held at Příbram, 26-29 July 2010. The contributions include papers on a range of subjects relating to Celtic and Slavic early and modern linguistic data, their cultural and narrative traditions. In addition to papers on lexical and grammatical parallels between Celtic and Slavic languages, other subjects covered are mythological aspects of Irish narrative tradition, modern Welsh literature and language, and aspects of Breton grammar. The second part of the volume includes invited papers on Russian and Scottish Gaelic paremiology, early Irish pseudo-history and archaeological evidence relating to Celtic presence on the territory of the present day Ukraine. Maxim Fomin, Research Institute for Irish and Celtic Studies, University of Ulster, Northern Ireland Václav Blažek, Department of Linguistics and Baltic Languages, -
Barzaz-Breiz = Chants Populaires De La Bretagne
;^ ( ) ^'^. Çi^j'c^i^^C^y ^^ >r^. CHANTS POPULAIRES LA BRETAGNE, lioun a jjûnj (bars) oe'lj bojj (tru) molianuï ar c'Ijour, l)û'r c'Ijeneôfl , Ijj })ob bigoufï amîcriou. Trioed enez Pridaen. (Myvyriaii, t. III. \>. 291.) Il {le Barde) gardera le souvenir de toole (chose) digue d'éloges concernant l'individu, la race et toul événemeni contemporain. Tri.ades Iie l'île de Bretagne. Paris. — Typ, Schneider ET L^ngp.and, rued'Erfurth, 1. BARZAZ-BREIZ. CHANTS POPULAIRES DE LA BRETAGNE RECUEILLIS ET PUBLIES Avec une Traduction française, des Arguments, des Not et les Mélodies originales, PAR TH. HERSART DE LA VILLEMARQUÉ. QUATRIEME EDITION, AUGMEMÉE DE TRENTE-TROIS NOUVELLES BALLADES HISTORIQUES. %o\m jprfmtfr. PARIS, A. FRANCK, RUE RICHELIEU, 69 I.EIPZIG, MÊME MAISON, KŒNIGS-STRASSE. 1846 Oïl rccoiniiiandc couiiiic iniporlanles les correclions suivanles : Pafic 5, ligne 4, tou; lisez: tout. — 145, — 5, cheval; lisez: chevalier. — 512. — IG, qu'ont vient; lisez : qu'on rient. PREAMBULE DE LA PREMIERE ET DE LA SECONDE EDITION. Les rois, les nobles et le clergé de France ont leur histoire : le tiers élat, grâce aux travaux qui se poursuivent sous la di- rection de M. Augustin Thierry, ne tardera pas à avoir aussi la sienne; justice aura été faite à tout le monde, excepté au peuple. D'où vient cet oubli? Pourquoi ne s'est-on pas mis en peine de recueillir les matériaux de son histoire? C'est qu'on ne se doutait probablement pas qu'il en eût une. Il est vrai qu'elle n'est guère enregistrée ni dans les Cartulaires, ni dans Chroniques; elle existe pourtant elle est les ; consignée dans les poésies populaires et iradiiionnclles; on n'avait qu'à les réunir. -
Cultural Tourism, Academic Painting and the Formulation of Breton Identity in Late 19Th Century Brittany
Cultural Tourism, Academic Painting and the Formulation of Breton Identity in late 19th century Brittany : Olivia Robertson, 20191 In 1881, the British art critic Henry Blackburn wrote that Brittany was “essentially the land of the painter.”2 He proceeded in saying: “Nowhere in France are there finer peasantry; nowhere do we see more dignity of aspect in field labour, more nobility of features amongst men and women; nowhere more picturesque ruins; nowhere such primitive habitations and it must be added, such dirt.” This short description encapsulates the 19th century perception the outside world held of Brittany. This region is located in the upper left corner of the French hexagon. The Armorican Peninsula protrudes out of the continent and presses up into the English Channel. A blanket of fog often hangs over the region, especially up against the coasts, comprised of jagged rock dotted with soft-sand beaches. Especially in the south, the landscape is strewn with thousands of megalithic monuments of enormous pale stones, funeral monuments from the neolithic past that later habitents believed to be the homes of Korrigans, Breton fairies3. The Breton people traditionally eked out their living through a combination of farm-labour and fishing. The local version of Catholicism they worship is tied strongly to the worship of Saints whose character traits were inherited from their ancient Celtic predecessors. The central icon is Saint Anne, mother to the Virgin Mary, endowed with responsibility over agriculture, fishing, and sailors, the same domains once managed by the Celtic goddess Anu in the same region4. The Breton people worship her along with a slew of other saints during 1 Work-in-Progress draft of Senior Honors Thesis to be revised and submitted Spring 2020. -
Names Meanings
Name Language/Cultural Origin Inherent Meaning Spiritual Connotation A Aaron, Aaran, Aaren, Aarin, Aaronn, Aarron, Aron, Arran, Arron Hebrew Light Bringer Radiating God's Light Abbot, Abbott Aramaic Spiritual Leader Walks In Truth Abdiel, Abdeel, Abdeil Hebrew Servant of God Worshiper Abdul, Abdoul Middle Eastern Servant Humble Abel, Abell Hebrew Breath Life of God Abi, Abbey, Abbi, Abby Anglo-Saxon God's Will Secure in God Abia, Abiah Hebrew God Is My Father Child of God Abiel, Abielle Hebrew Child of God Heir of the Kingdom Abigail, Abbigayle, Abbigail, Abbygayle, Abigael, Abigale Hebrew My Farther Rejoices Cherished of God Abijah, Abija, Abiya, Abiyah Hebrew Will of God Eternal Abner, Ab, Avner Hebrew Enlightener Believer of Truth Abraham, Abe, Abrahim, Abram Hebrew Father of Nations Founder Abriel, Abrielle French Innocent Tenderhearted Ace, Acey, Acie Latin Unity One With the Father Acton, Akton Old English Oak-Tree Settlement Agreeable Ada, Adah, Adalee, Aida Hebrew Ornament One Who Adorns Adael, Adayel Hebrew God Is Witness Vindicated Adalia, Adala, Adalin, Adelyn Hebrew Honor Courageous Adam, Addam, Adem Hebrew Formed of Earth In God's Image Adara, Adair, Adaira Hebrew Exalted Worthy of Praise Adaya, Adaiah Hebrew God's Jewel Valuable Addi, Addy Hebrew My Witness Chosen Addison, Adison, Adisson Old English Son of Adam In God's Image Adleaide, Addey, Addie Old German Joyful Spirit of Joy Adeline, Adalina, Adella, Adelle, Adelynn Old German Noble Under God's Guidance Adia, Adiah African Gift Gift of Glory Adiel, Addiel, Addielle -
Popular Tales of the West Highlands : Orally Collected
H i % . -& ms« 5c*r.i I fw.n POPULAR TALES THE WEST HIGHLANDS POPULAR TALES OF THE WEST HIGHLANDS ORALLY COLLECTED SEitlt a linmslatictt By the Late J. F. CAMPBELL NEW EDITION ( Under the auspices of the Islay Association) Volume IV. POSTSCRIPT. OSSIANIC CONTROVERSY—BRITISH TRADITION, PROSE, AND POETRY—MYTHOLOGY—HIGHLAND DRESS CELTIC ORNAMENT, ETC. ETC. ALEXANDER GARDNER ^ubltsijtr to %tx ifttajtsts tfje &ueen PAISLEY ; and 26 PATERNOSTER SQUARE, LONDON E893 RV ^B <V . — CONTENTS. Page Postscript ..... 1 I. OSSIAN, 5. Points for Argument, 6. State- ment of the case, 7. Current Opinions English, 8; Scotch, 9; Irish, 10; Irish Argument considered, 12; Lowland Scotch 24 Authorities—Heroes of Ossian, 25. Prefer- ences to Fenian and other Traditions, and to Ossianic Heroes and Poems in Old Writ- ings, chronologically arranged. 35 Published Evidence and Books . 96 Popular Ballads . .114 Current Gaelic Traditions, etc. 119 Internal Evidence, etc., 131. Published Gaelic Ossian, 132. Opinion of MacNair . 131 Essay on Gaelic Poetry by H. MacLean . 147 Letter from John Dewar . .197 Letter from D. K. Torrie . .198 Letter from Archibald Sinclair . 202 Letter from Alexander Carmichael . 209 Conclusion .... 227 Ossianic Proverbs and Family History . 231 Page II. TRADITIONS—British Traditions . 237 Welsh Stories, etc., compared with Gaelic 246 III. MYTHOLOGY—Aryan Theory, etc. 274 West Highland Stories . .286 Supernatukal History—Water-bulls and Water-Horses, Boobries, Dragons, Fairies, etc. .299 Icelandic Sagas . .314 IV. A PLEA FOR GAELIC . .315 List of Sanscrit Words, 317. Topography, 320. Some words common to Gaelic and English, 323. Other Languages, 325. Old Saxon .... 325 V.