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Red Smith Wrote That Baseball Was a Dull Game Only to Dull Minds. in His
Published November 3, 2007 at http://muchnick.net/HitmanReview.pdf Review of Bret Hart’s Hitman: My Real Life in the Cartoon World of Wrestling By Irvin Muchnick Red Smith wrote that baseball was a dull game only to dull minds. In his sprawling autobiography, Bret Hart sets out to prove that the genre “pro wrestling literature” is oxymoronic only to oxymorons. And Hart succeeds. Despite its intimidating length, Hitman: My Real Life in the Cartoon World of Wrestling (a runaway bestseller in Canada, not yet available in the U.S.) has a surprisingly high muscle-to-fat ratio. With the superb Have a Nice Day! , published in 1999, Mick Foley pioneered the picaresque wrestler’s memoir. But Hart, who doesn’t do goofy, is hunting bigger game. Inevitably, one turns to earthy details of mundane score-settling – both conscious and unconscious, both within the peculiar industry that defined him and within the even more peculiar Calgary-based clan that, for a certain population of fans, helped define the industry. Before getting to all that, though, it’s important to remark upon the sheer beauty of the prose in Hitman ’s best parts. Like his favorite writer, Mark Helprin, Hart occupies the border between phantasmagoria and realism. My favorite passages cover his foreign travels, during which he either reflects on the social conditions he observes there (Manila) or delights in lush landscape (Capetown). Domestically, you can all but smell the Alberta and Saskatchewan prairies; faithful depictions of hardscrabble life on the tundra, inside and outside the ring, make for something close to the Great Western Canadian Novel. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
WWE® Reports 2010 Third Quarter Results
FOR IMMEDIATE RELEASE Contacts: Investors: Michael Weitz 203-352-8642 Media: Robert Zimmerman 203-359-5131 WWE® Reports 2010 Third Quarter Results STAMFORD, Conn., November 4, 2010 - World Wrestling Entertainment, Inc. (NYSE:WWE) today announced financial results for its third quarter ended September 30, 2010. Revenues totaled $109.6 million as compared to $111.3 million in the prior year quarter. Operating income was $20.3 million as compared to $14.5 million in the prior year quarter. Net income was $14.3 million, or $0.19 per share, as compared to $8.9 million, or $0.12 per share, in the prior year quarter. Impacting comparability to the prior year quarter are production tax credits recorded in both current and prior year quarters. Excluding the impact of these credits, Adjusted Operating income was $14.2 million as compared to $12.0 million in the prior year quarter. Adjusted Net income was $10.3 million, or $0.14 per share, as compared to $7.4 million, or $0.10 per share. “In the third quarter, our results reflected the Company’s continued focus on optimizing business results in a difficult environment,” stated Vince McMahon, Chairman and Chief Executive Officer. “We generated earnings growth despite a decline in revenue across many of our businesses. We believe our ongoing talent transition and the sluggish economy were important factors in these declines. Based on our history of developing talent and creating content with broad appeal, we are confident we can address these creative challenges. Further, by taking advantage of our strategic opportunities, we can achieve meaningful growth.” Comparability of Results Excluding the impact of production tax credits, Q3 2010 Adjusted Operating income increased 18% to $14.2 million and Adjusted EBITDA increased 12% to $17.4 million. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Royal Rumble Drinking Game
2018 R0.1 Royal Rumble Drinking Game OFFICIAL RULEBOOK [WIP] ANDREW ABRAMSON & JACOB HAJDU RRDG RULES COMMITTEE | 2018_05_29 Contents 1. Objectives of the Game......................................................................................................................... 3 1.1. General .......................................................................................................................................... 3 2. The Playing Field ................................................................................................................................... 3 2.1. Layout of the Field ........................................................................................................................ 3 2.2. The Table ....................................................................................................................................... 3 3. Equipment and Uniforms ...................................................................................................................... 3 3.1. Drinking Equipment ...................................................................................................................... 3 3.2. Random Drawing Equipment ........................................................................................................ 4 3.3. Clothing ......................................................................................................................................... 4 4. Game Preliminaries .............................................................................................................................. -
Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication 1-6-2017 Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans Christian Norman Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Norman, Christian, "Narrative Change in Professional Wrestling: Audience Address and Creative Authority in the Era of Smart Fans." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/communication_diss/77 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. NARRATIVE CHANGE IN PROFESSIONAL WRESTLING: AUDIENCE ADDRESS AND CREATIVE AUTHORITY IN THE ERA OF SMART FANS by CHRISTIAN NORMAN Under the Direction of Nathan Atkinson, PhD ABSTRACT This dissertation project provides a methodological contribution to the field of critical rhetoric by positioning narrative theory as a powerful yet underutilized tool for examining the power dynamic between producer and consumer in a participatory media context. Drawing on theories of author and audience from rhetorical narratology, this study shows how producers of media texts provide rhetorical cues to audiences that allow them to reassert their power in the form of creative authority vis-à-vis consumers. The genre of professional wrestling serves as an ideal text for examining such power dynamics, as WWE has adapted to changing fan participatory behaviors throughout its sixty-year history. Focusing on pivotal moments in which WWE altered its narrative address to its audience in order to reassert its control over the production process, this study demonstrates the utility of narrative theory for understanding how creative authority shows power at work in media texts. -
Wwe Royal Rumble Scorecard
WWE ROYAL RUMBLE SCORECARD Presented By: Ring-Rap.com // Facebook.com/RingRap // Twitter: @RingRap MATCH WINNER (5 pts) EXTRAS (2 pts each) TOTAL Preshow Match for the WWE Raw Tag Team Title Any in-fighting? Y N Cesaro & Sheamus (c) vs. Luke Gallows & Karl Anderson Referee shenanigans? (Fight/Disagreement) Y N (Two Referees Assigned to the Match) Preshow Match How many "Women's Revolution" references? Sasha Banks vs. Nia Jax DQ/Pinfall/Submission? Preshow Match Who makes the pin? Becky Lynch & Nikki Bella & Naomi vs. Alexa Bliss & Mickie James & Natalya Who takes the pin? Singles Match for the WWE Cruiserweight Title Will Austin Aries bring a banana to commentary? Y N Rich Swann (c) vs. Neville How many "King of Cruiserweights" references? Singles Match for the WWE Raw Women's Championship DQ/Pinfall/Submission? Charlotte (c) vs. Bayley Will a little girl be on camera crying during this match? Y N Singles Match for the WWE Championship Clean finish? Y N Double turn? Y N AJ Styles (c) vs. John Cena How many finishers are kicked out of? No Disqualification Match for the WWE Universal Championship Is there a brawl through the crowd? Y N Kevin Owens (c) vs. Roman Reigns Does Jericho escape the cage? Y N (Chris Jericho will be suspended in a shark cage above the ring) How many "Sexy Pinata" references? Who are the #1 and #2 entrants? The Royal Rumble Match (Any order, 2 pts each) Who is entrant #10? 30 wrestlers enter the match at predetermined intervals. To be eliminated, Who is entrant #29? one must be thrown over the top rope and both feet must touch the floor. -
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric
BASE BASE CARDS 1 Asuka 2 Bobby Roode 3 Ember Moon 4 Eric Young 5 Hideo Itami 6 Johnny Gargano 7 Liv Morgan 8 Tommaso Ciampa 9 The Rock 10 Alicia Fox 11 Austin Aries 12 Bayley 13 Big Cass 14 Big E 15 Bob Backlund 16 The Brian Kendrick 17 Brock Lesnar 18 Cesaro 19 Charlotte Flair 20 Chris Jericho 21 Enzo Amore 22 Finn Bálor 23 Goldberg 24 Karl Anderson 25 Kevin Owens 26 Kofi Kingston 27 Lana 28 Luke Gallows 29 Mick Foley 30 Roman Reigns 31 Rusev 32 Sami Zayn 33 Samoa Joe 34 Sasha Banks 35 Seth Rollins 36 Sheamus 37 Triple H 38 Xavier Woods 39 AJ Styles 40 Alexa Bliss 41 Baron Corbin 42 Becky Lynch 43 Bray Wyatt 44 Carmella 45 Chad Gable 46 Daniel Bryan 47 Dean Ambrose 48 Dolph Ziggler 49 Heath Slater 50 Jason Jordan 51 Jey Uso 52 Jimmy Uso 53 John Cena 54 Kalisto 55 Kane 56 Luke Harper 57 Maryse 58 The Miz 59 Mojo Rawley 60 Naomi 61 Natalya 62 Nikki Bella 63 Randy Orton 64 Rhyno 65 Shinsuke Nakamura 66 Undertaker 67 Zack Ryder 68 Alundra Blayze 69 Andre the Giant 70 Batista 71 Bret "Hit Man" Hart 72 British Bulldog 73 Brutus "The Barber" Beefcake 74 Diamond Dallas Page 75 Dusty Rhodes 76 Edge 77 Fit Finlay 78 Jake "The Snake" Roberts 79 Jim "The Anvil" Neidhart 80 Ken Shamrock 81 Kevin Nash 82 Lex Luger 83 Terri Runnels 84 "Macho Man" Randy Savage 85 "Million Dollar Man" Ted DiBiase 86 Mr. Perfect 87 "Ravishing" Rick Rude 88 Ric Flair 89 Rob Van Dam 90 Ron Simmons 91 Rowdy Roddy Piper 92 Scott Hall 93 Sgt. -
City of Warren Police and Fire Retirement System, Et Al. V. World
Case 1:20-cv-02031-JSR Document 57 Filed 06/08/20 Page 1 of 141 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK CITY OF WARREN POLICE AND FIRE Civil Action No. 1:20-cv-02031-JSR RETIREMENT SYSTEM, Individually and on Behalf of All Others Similarly Situated, Individually and On Behalf of All Others Similarly Situated, JURY TRIAL DEMANDED Plaintiff, vs. WORLD WRESTLING ENTERTAINMENT, INC., VINCENT K. McMAHON, GEORGE A. BARRIOS and MICHELLE D. WILSON, Defendants. CONSOLIDATED AMENDED CLASS ACTION COMPLAINT Case 1:20-cv-02031-JSR Document 57 Filed 06/08/20 Page 2 of 141 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 2 II. JURISDICTION AND VENUE ....................................................................................... 10 III. PARTIES .......................................................................................................................... 11 IV. SUBSTANTIVE ALLEGATIONS .................................................................................. 13 A. Company Background .......................................................................................... 13 B. The Relevant History of the WWE ....................................................................... 15 C. The WWE’s International Expansion ................................................................... 18 D. The WWE Expands Into Its Most Untapped Non-U.S. Region – the Middle East, Entering Into A 10-Year Partnership With the Saudi Government.......................................................................................................... -
Rafael Lopez Epub
Table of content HISTORY LESSON 3 Cheap Imitation 4 Lackluster Matches 5 The Better Era 6 The Positives 7 Final Thoughts 8 ttitude Era Saw A Rise In Popularity But A Decrease In Everything Else Yeah, I’m saying it…I’d rather watch WWF/WCW/ECW In- vasion era matches more than anything from the Attitude Era. Being alive in the late 90’s meant you had to deal with a few in- escapable pop culture moments. One of them would be South Park and the other one would be Monday Night Raw. WWE, then WWF, was finally becoming a household name again. Their shows were drawing in big crowds and even bigger ratings. All this was because of the raunchy and controversial Attitude Era! So with high numbers across the board, why do I say the Attitude Era is the worst in wrestling history? Below, I will dive into the reasons on why I think this beloved time in WWE isn’t that great. HISTORY "Vince McMahon changed his brand from the once cartoony wrestling program to a Jerry Springer-esque TV show." little history about the Attitude didn’t draw much but had a rabid niche and ran with it. Slowly, Vince A Era will better step up this article fanbase.WWE needed both of those McMahon changed his brand from for anyone new or needing a things. When was the moment that the once cartoony wrestling refresher. Following the major 80’s rise WWE kicked off “The Attitude Era”? program to a Jerry Springer-esque in popularity for wrestling and then a Many believe it’s when Mike Tyson TV show. -
Reflections on the Montréal Screwjob Wrestling
Paul Ferstl Wrestling with Narratives: Reflections on the Montréal Screwjob The so-called Montréal Screwjob (November 9, 1997) is attributed with an unparalleled effect on the development of professional wrestling. The aim of this paper is to describe and analyze this effect in the context of structuralist narratology, interpreting the Screwjob as a metalepsis in order to explain its impact on the subsequent construction and recep- tion of wrestling events. The arguably most notorious moment in professional wrestling, at least of the 1990s, is the so-called Montréal Screwjob. It took place on November 9, 1997 at the Molson Centre in Montréal, in the context of a major event of the then World Wrestling Federation: the Survivor Series. 20,000 people attended the live show, along with an international TV audience. The Screwjob is attributed with an unparalleled effect on the development of wrestling. The aim of this paper is to describe and analyze the process in order to answer the following questions: Why did this incident become so famous? In which ways did it differ from traditional forms of storytelling in wrestling, and what was its impact on the subsequent construction and re- ception of wrestling events? To this end, it will first be required to give a brief introduction to the history and workings of professional wrestling and the relevant cultural and economic factors that defined wrestling in the 90s. Wrestling Wrestling has a bad reputation which according to Dalbir S. Sehmby is mainly based on five factors: “its status as low art, its historical develop- ment, its liminal existence, its spectacle of excess, and its form of hybrid media.”1 The origins of wrestling are found in popular entertainment, >...@ stemming from traveling carnivals and vaudeville-type shows. -
The Fight of His Life
The Fight of His Life BY Omar Mouallem PHOTOGRAPHY BY Jared Sych n the summer of 1992, Bret “the Hitman” Hart wasn’t just Canada’s most famous strong- much,” he says. “Might as well put my hand Hart, in his trademark pink leotard and man; he was, for some years, the world’s — an in a bear trap, dip it in oil and light it on fire.” shades, stood before 80,000 wrestling icon, a god. As the World Wrestling Federation’s Hart releases his grip — eight kg — and fans in London’s Wembley Stadium five-time World Heavyweight Champ, he could repeats the exercise. for what he considers the fight of his enter a school in India with title belt slung over At the moment, the “Excellence of Execution” Icareer: a main event against his brother-in-law, his shoulder and get swarmed by adoring kids. struggles to button his pants and push elevator but- the “British Bulldog,” Davey Boy Smith. They They were but a few hundred of the tens of mil- tons with his index fingers. At autograph signings, were two athletes at the peak of their physiques, lions of people watching him weekly. he says, some fans look at him like he’s “mentally outmaneuvering one another for 30 minutes, The last two decades of his storied life, how- handicapped” or “illiterate” while he scrawls his each suplexing his opponent’s 100-plus kilogram ever, are less lustrous: floundering fame, family hardly legible name. But he’s determined to beat frame with the lightness of a load of laundry.