Steel Castings Handbook, Sixth Edition
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Cast Stainless Steel Technology Developments
Cast Stainless Steel Technology Developments Raymond Monroe SFSA CN3MN CF8 CD4Cu CB 7 Cu CA 15 Calculation of Chromium Equivalent and Nickel Equivalent CrE = %Cr + 2 × %Si + 1.5 × %Mo + 5 × %V NiE = %Ni + 0.5 × %Mn + 30 × %C + 0.3 × %Cu Ferrite from Chemistry Schoefer Diagram 2.2 2.1 • Chemistry: C=0.07, 2 Mn=0.56, Si=1.30, 1.9 P=0.028, S=0.009, 1.8 o i t 1.7 Cr=19.5, Ni=10.7, a 1.6 on R i t i Mo=2.18 (Cb ~ 0.05 1.5 pos m o and N ~ 0.04) 1.4 C i N / r 1.3 C • ASTM A800 predicts 1.2 10.5 volume percent 1.1 1 ferrite with a range of Cr Cr (%) + 1.5Si (%) + 1.4 Mo (%) + Nb (%) − 4.99 0.9 e = 6.5 to 14.5 (chromium Ni e Ni (%) + 30 C (%) + 0.5Mn (%) + 26 ( N − 0.02 %) + 2.77 0.8 0 10203040506070 equivalent to nickel Volume Percent Ferrite equivalent = 1.19) Means of Calculating Ferrite • Severn Gage: 11 • Feritscope: 7 • Magne-Gage: 2 • Two different instruments: 5 • Manual point count • ASTM A800 • 1949 Schaeffler Diagram • WRC Diagram Unit of measure: • FN: 8 (all 4 of the non- foundry) • Volume percent: 7 • Use both methods: 2 Identification of Phases by Composition FERRITE AUSTENITE Stainless Steels - Strength Grade Yield (ksi) UTS (ksi) CF8 70 30 CF3MN 75 37 4A(2205) 90 60 6A(Zeron 100) 100 65 Stainless Steel - Corrosion Grade Critical pitting temperature oC CF8 5 (calculated) CF3MN 29 (calculated) 4A(2205) 35 - 40 6A(Zeron100) 45 – 55 Pseudo Phase Diagram for 68 % Fe – Cr Ni CCT Diagram - CD3MN 5oC/min 2oC/min 1oC/min 0.5oC/min 0.1oC/min 0.01oC/min 1100 1050 TTT curves 1000 (initial & final) 950 900 850 800 750 700 Temp. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Cupola Practice in Modern Gray Iron Foundry
Scholars' Mine Professional Degree Theses Student Theses and Dissertations 1924 Cupola practice in modern gray iron foundry George E. Mellow Follow this and additional works at: https://scholarsmine.mst.edu/professional_theses Part of the Mechanical Engineering Commons Department: Recommended Citation Mellow, George E., "Cupola practice in modern gray iron foundry" (1924). Professional Degree Theses. 56. https://scholarsmine.mst.edu/professional_theses/56 This Thesis - Open Access is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Professional Degree Theses by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. CUPOLA PHAC11ICE IN MODERN GRAY IRON FlOUNDRY BY GEORGE E. MELLOW A "THESIS submitted to the faculty of the SCHOOL OF MINES AND ~~TALLURGY OF THE UNIVERSITY OF MISSOURI in partial fulfillment of the work required for the Degree Of' Mechanica.l Engineer St. Louis, Mo. 1924 Approved by.?f'..Q... .. Cupola Practice in Modern Gray-Iron Ii'oundry Cupola practice, as described in this paper, 'will include only the practical operation or a cupola and the details of the work necessary in daily routine, and very little of the theory of combustion,or history of cupola development, is presented. A brief ~escription of the cupola will give an idea of its construction, and the names of the parts may be found on the sketch herewith. The cupola consists of a steel shell, cylindrical in shape, which stands veDtically on four cast-iron legs, about four feet off the floor; it is open at the top, and has SWinging cast-iron doors at the bottom. -
S Foundry Solutions By: Ricardo Volkmann Index
Issue #2 Adolf′s Foundry Solutions by: Ricardo Volkmann www.foundrysupply.com Index: Mission Statement & History 3 Style ~A~ Alignment Inserts 4 Alignment Core Prints 4 Wood Cutting Tools 4 Style ~B~ Alignment Inserts 5 Alignment Core Boxes 5 Single Cavity Filtering Basins 6-7 Double Cavity Filtering Basins 6 Pouring Basins 6 Riser Rings 7 Filtering Runner Basins 7 14 Inch Sprues 8 Filtering Sprue Plugs 8 Pop-up Sprue Basins 9 Single Faced Basins 10-11 Pyramid Style Basins 10-11 Three Faced Basins 10 Sprue Pins 10-11 Filtering Basin 10 Four Faced Basins 11 Test Bar Basins 12-13 Inter-Changeable Test Bars 12-13 Test Wedges Basins 12-13 Inter-Changeable Test Wedges 12-13 Test Coupon Basins 12 PIG Boxes 13 Photo Gallery 14-15 Silent Adjustable Vibrator 16 DuraTech Tooling Material 16 Buy direct and save... No sales tax in Oregon 2 www.foundrysupply.com Mission Statement “Doing it Right the First Time” Our mission is to provide new lean manufacturing practices to the foundry industry. Adolf’s Foundry Solutions are products made with the highest integrity, they are dependable, exteremly durable and very cost effective. History 1949 Adolf started his pattern maker apprenticeship in Berlin, Germany during 1949. Trained by German master craftsmen, Adolf excelled as an apprentice and completed a four year apprenticeship program in three years, allowing him to graduate at the top of his class with honors. In Germany, at that time, it was mandatory practice for all apprentices to spend six weeks working in a foundry doing piece work on the molding line. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Molding & Machining: Metalwork in Geneva
MOLDING & MACHINING: METALWORK IN GENEVA This is a story of change. In the mid-1800s, Geneva claimed the most foundries in western New York State. The metal industry accounted for almost 70% of the city’s jobs in the 1950s and remained strong until the 1970s. Today, Geneva has only one major metal fabrication company. Geneva was not near iron ore or coal but 19th-century canals and railroads allowed access to raw materials. Demand for new products, from farm equipment to heating systems, allowed foundries to flourish. New factories changed Geneva’s landscape and affected its environment. Ultimately, 20th-century changes in technology and economics – and failure to adapt to change – caused most of the city’s metal industry to disappear. A foundry melts refined iron and pours it into molds to create cast iron. It is brittle but, unlike wrought iron pounded out by a blacksmith, objects can be mass produced in intricate shapes. Molding room at Phillips & Clark Stove Company Machining is the shaping of metal, and other materials, through turning, drilling, and milling. Machining tools were powered by steam engines in the 19th century and later by electricity. Machinists bent sheet metal to make cans, stamped metal for tableware, and milled stock to create machine components. Tool Room at Herendeen Manufacturing Company, 1907 This is a companion exhibit to Geneva’s Changing Landscapes in the next gallery, which has more information and artifacts about local industry. Support for this exhibit is provided by Rosalind Nester Heid in memory of her grandfather Samuel K. Nester, Sr. The First Geneva Foundries Refineries require iron, sand, water, fuel, and people. -
Fabrication of Ceramic Moulds Using Recycled Shell Powder and Sand with Geopolymer Technology in Investment Casting
applied sciences Article Fabrication of Ceramic Moulds Using Recycled Shell Powder and Sand with Geopolymer Technology in Investment Casting Wei-Hao Lee, Yi-Fong Wu, Yung-Chin Ding and Ta-Wui Cheng * Institute of Mineral Resources Engineering, National Taipei University of Technology, Taipei 10608, Taiwan; [email protected] (W.-H.L.); [email protected] (Y.-F.W.); [email protected] (Y.-C.D.) * Correspondence: [email protected] Received: 1 June 2020; Accepted: 29 June 2020; Published: 1 July 2020 Abstract: Lost-wax casting, also called precision casting, is the process of casting a duplicate metal sculpture cast an original sculpture. The ceramic shell mould used in lost-wax casting usually consists of several layers formed with fine zircon and granular mullite particles using silica gel as a binder. However, it is a complicated and time-consuming process. Large amounts of waste moulds that need to be disposed and recycled become an environmental concern. In this study, waste shell sand from the recycled mould and calcium carbonate/metakaolin were used as raw materials to prepare geopolymer slurry and coating. The influence of mixing ratio and the SiO2/K2O modulus of the alkali solution on the setting time and green/fired strength were evaluated. Ceramic shells with one to four layers of geopolymer slurry and waste sand sprinkling were fabricated and tested for their permeability and green/fired strength. It was found that geopolymer shells had higher green/fired strength and better permeability than the original zircon/mullite shell. For foundry practice, metal casts were fabricated using recycled ceramic shell moulds with one to four layers of geopolymer coating. -
Effect of Coke Properties on Cupola Furnace Operation and Performance of FOUNDRY COKE There Are at Present No Reliable Quantitat
Effect of coke properties on cupola furnace operation and performance of FOUNDRY COKE There are at present no reliable quantitative relationships regarding the effect of coke properties on furnace operation. In spite of this, there is qualitative and in some instances, semi quantitative which indicates that coke properties can significantly affect cupola furnace operation. This is, of course, consistent with the cupola furnace as well as in the maintenance of acceptable fluid dynamic conditions. Specifically, coke must provide the following chemical and physical functions: 1.Chemical – Combine with oxygen to provide the following white simultaneously minimizing the introduction of sulfur and slag components which adversely affect furnace efficiency: a) The heat required for reducing iron oxide and melting slag and iron. b) The CO required to reduce iron oxide. 2.Physical – Provide adequate permeability within the burden so that a counter current movement of hot reducing gases and molten slag and iron is maintained. From the combustion point of view, coke is relatively inert and requires relatively high temperatures to initiate a reaction with oxygen that is sufficient to provide the heat necessary for reducing iron oxide and for melting slag and iron. To a good first approximation, this occurs in the immediate vicinity of the furnace tuyeres, where ambient or heated air (greater than 1000°C) reacts with hot coke to produce a temperature sufficient for furnace operation greater than 1400°C). Thus, to provide the maximum benefit as a fuel, the amount of contained carbon in the coke should be maximized and hence the ash content minimized. After taking this constraint into account, there are no limitations on coke as a fuel source other than the obvious criterion that the bulk of it survives the passage through the furnace at the tuyeres. -
The Lost-Wax Casting Process—Down to Basics by Eddie Bell, Founder, Santa Fe Symposium
The Lost-Wax Casting Process—Down To Basics By Eddie Bell, Founder, Santa Fe Symposium. Lost-wax casting is a ancient technique that is used today in essentially the same manner as it was first used more than 5,000 years ago. As they say, there's no messing with success. Today, of course, technology has vastly expanded the technique and produced powerful equipment that makes the process faster, easier and more productive than ever, but the basic steps remain the same. The steps below represent a simple overview and are intended to provide a beginning understanding of the casting process. Concept This is obviously where the design is initally conceived, discussed,evolved, and captured on paper—or on computer; CAD (computer aided design) software is increasingly popular among designers. You create the design you envision using the computer tool and the software creates a file that can be uploaded into a CNC mill or 3D printer. Model Build a model, either by hand-carving, guided by the paper rendering, or by uploading the CAD file into a computer controlled milling machine or a 3D printing machine. Models are made using carving wax, resin or similar material. This process can also be done in metal by a goldsmith or silversmith. Note: If a 3D printer or other rapid prototyping equipment is used, it is possible to skip the molding and wax-injection steps by using one of the resins that are specially made to go directly to the treeing process. Molding Create a mold from your master model, placing it in one of a variety of rubber or silicone materials, curing the material, then removing the model from the finished mold. -
ACME Steel/Brass Foundry Draft Upland Site Summary
ACME Steel/Brass Foundry Draft Upland Site Summary ACME STEEL/BRASS FOUNDRY (DAR SITE ID #25) Address: 72 Anthony Street, Brooklyn, Kings County, New York 11222 Tax Lot Parcel(s): Brooklyn Block 2820, Lot 5 Latitude: 40.723562 Longitude: -73.9352 Regulatory Programs/ Numbers/Codes: NYSDEC No. C224132 Analytical Data Status: Electronic Data Available Hardcopies only No Data Available 1 SUMMARY OF CONSTITUENTS OF POTENTIAL CONCERN (COPCs) TRANSPORT PATHWAYS TO THE CREEK The current understanding of the transport mechanisms of COPCs from the upland portions of the ACME Steel/Brass Foundry site (site) to Newtown Creek is summarized in this section and Table 1 and supported in the following sections. Overland Transport The site is located approximately 0.30 mile from Newtown Creek and associated waterways. This is not a complete historical or current pathway. Bank Erosion The site is not adjacent to Newtown Creek or associated waterways. This is not a complete historical or current pathway. Groundwater As part of the Meeker Avenue Plume Trackdown study conducted by URS Corporation (URS) on behalf of the New York State Department of Environmental Conservation (NYSDEC), the site has been identified as a source of groundwater contamination (URS 2008a). Monitoring wells, groundwater, and soil-gas samples indicate significant tetrachloroethene (PCE) and trichloroethene (TCE) contamination in the vicinity of the site (URS 2008a; EDR 2010). Draft Upland Site Summary Report May 2012 Newtown Creek RI/FS 1 120782-01.01 ACME Steel/Brass Foundry Groundwater flow is to the northeast, suggesting the site COPCs are also moving to the northeast in the direction of the creek. -
Jay's Casting Demonstration
Making a Master to Cast & Process for Casting It October 6 2018: Jay Levy What is “casting”? Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process. https://en.wikipedia.org/wiki/Casting Why cast? Process and concept – When creating jewelry, you consider casting if a piece is far too difficult to make with fabrication (metalsmithing) or when you want to produce many identical pieces using a reusable mold. Professional casters generally make castings faster and/or cheaper than you can. (fyi: Casters are lower paid than bench technicians or metalsmiths). How is a model for a casting created? Lost wax techniques are 5000-6000 years old with bee wax and clay used instead of wax. Apart from wax, your model can be anything that melts away clean. Rules for working with Wax: None or few. Don’t contaminate wax with things that don’t burn out – e.g., not bones; Flowers and pine cones are castable “doable” but the cast piece may be too heavy. Styrofoam gives off formaldehyde, only floral green foam (Sternofoam) doesn’t have formaldehyde. All metals shrink, typically 5-7%, except antimony which expands. Therefore, make models for metal rings ¼ size larger. On average, make other models about 10% larger. Edges are never clean on a casting. Consider rounding edges on outside and thin, carve out or fillet the inside. -
High Temperature Strength of Ceramic Moulds Applied in the Investment Casting Method
ISSN (1897-3310) ARCHIVES Volume 11 Special Issue 3/2011 of FOUNDRY ENGINEERING 121 – 124 Published quarterly as the organ of the Foundry Commission of the Polish Academy of Sciences 22/3 High temperature strength of ceramic moulds applied in the investment casting method J. Kolczyk*, J. Zych AGH University of Science and Technology, Faculty of Foundry Engineering, Department of Moulding Materials, Mould Technology and Cast Non-Ferrous Metals, ul. Reymonta 23, 30-059 Crakow, Poland * Corresponding author. E-mail address: [email protected] Received 30.06.2011; accepted in revised form 27.07.2011 Abstract Ceramic casting moulds strength is an important factor, which influences the quality and properties of castings being produced by the investment casting method. It is especially important during mould pouring with liquid metal. Studies allowing determining the casting mould strength at high temperatures, that means at the ones at which the moulds are poured, are not numerous. None generally accepted (normalized) method for the assessment of such strength exists in practice. The new method of the ceramic moulds tensile strength investigation at high temperatures is described in the paper. Tests were performed at temperatures from 100 to 1100oC. The ceramic moulding sand was prepared of modern materials: colloidal silica – being a binder – and highly refractory ceramic materials. Keywords: Melted models, Ceramic forms, Strength, Colloid silicate 1. Introduction • pouring with liquid metal, the most often in a vacuum furnace, • The technology of casting production by means of investment casting knocking out and cleaning. casting has been already known for some centuries. This method Production of ceramic moulds by an investment casting method consists of a cyclic process of immersing the wax model is currently applied for production of multilayer moulds forming some sort of a shell.