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An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective. -
The Missing Orientation
religions Article The Missing Orientation Paul Levinson Communication and Media Studies, Fordham University, Bronx, NY 10458, USA; [email protected] Abstract: Humans last walked on the Moon in 1972. We not only have gone no further with in-person expeditions to places off Planet Earth, we have not even been back to the Moon. The main motive for getting to the Moon back then, Cold War competition, may have subsided, but competition for economic and scientific advantage among nations has continued, and has failed to ignite further human exploration of worlds beyond our planet. Nor has the pursuit of science, and the pursuit of commerce and tourism, in their own rights. This essay explores those failures, and argues for the integration of a missing ingredient in our springboard to space: the desire of every human being to understand more of what we are doing in this universe, why we are here, our place and part in the cosmos. Although science may answer a part of this, the deepest parts are the basis of every religion. Although the answers provided by different religions may differ profoundly, the orientation of every religion is to shed some light on what part we play in this universe. This orientation, which also can be called a sense of wonder, may be precisely what has been missing, and just what is needed, to at last extend our humanity beyond this planet on a permanent basis. Keywords: philosophy; religion; sense of wonder; space exploration For, after all, what is man in nature? A nothing compared to the infinite, a whole compared to the nothing, a middle point between all and nothing, infinitely remote from an understanding of the extremes; and the end of things and their principles are unattainably hidden from him in Citation: Levinson, Paul. -
Sal Capone – Intro for Schools
Introduction to Sal Capone: The Lamentable Tragedy Of for teachers and students From the playwright, Omari Newton: I hope this story makes you all think, laugh and feel inspired to create your own art. Sal Capone is a story about people your age chasing their dreams and fighting to survive some of the pressure associated with growing up. It's also a love letter to Hip Hop culture. I hope you enjoy our show. From the director, Diane Roberts: Theatre is a tactile medium. You feel things as much as you hear and see them. Sal Capone’s characters are ordinary people caught up in extraordinary circumstances. I hope you will be moved by how all of the elements of drama, music, video and movement come together to make you feel the triumphs and tragedies of these potent characters. What is the play about? Sal Capone: The Lamentable Tragedy Of (let’s call it Sal from here-on for short) is about many things and we hope, in watching the play, you will find meanings and themes that we haven’t yet realized are there. In particular, we hope that you will find something about you in the play. The story follows the journeys of a group of friends and Hip Hop crew who are dealing with the fatal police shooting of their friend; a talented but troubled young DJ (inspired by true events that have occurred in Montreal, Toronto, New York, San Francisco and London, UK in recent years and many others that don’t reach mass media – see links in “Resources” section). -
Table of Contents Angel of Light by Joe Haldeman
Expanded Horizons Issue 1 – October 2008 http://www.expandedhorizons.net Table of Contents Angel of Light by Joe Haldeman...............................................................................................................1 The Seder in Space by Paul Levinson........................................................................................................7 Njàbò by by Claude Lalumière................................................................................................................12 A Different Breed of Cat by Toiya Kristen Finley...................................................................................24 Blue Hawk, Red Heart by Usiku..............................................................................................................33 Night Vaulting by Camille Alexa.............................................................................................................34 Fall of Snow by F. J. Bergmann...............................................................................................................36 Contributor Biographies...........................................................................................................................43 Joe Haldeman..................................................................................................................................43 Education...................................................................................................................................44 Teaching.....................................................................................................................................44 -
David Bianculli / 14 Signal Hill Road / Cherry Hill, NJ 08003 / 856-424-6407
Curriculum Vitae 2020 David Bianculli [email protected] TV CRITIC National Public Radio’s Fresh Air with Terry Gross, 1987- present. Founder, editor and columnist, TVWorthWatching.com, 2007-present. TV Worth Watching, YouTube videos, 2019-present. TV Guide, 2017-2018. Multichannel News, 2011. Broadcasting & Cable, 2008-2009. New York Daily News, 1993-2007. New York Post, 1987-93. Philadelphia Inquirer, 1983-87. Akron Beacon Journal, 1980-83. Ft. Lauderdale News/Sun-Sentinel, 1977-80. Gainesville Sun, 1975-77. -- Articles, columns and commentary published in: The New York Times, CNN.com, TV Guide, Rolling Stone, Film Comment, The New York Times Book Review, London Independent, Variety, Boston Phoenix, Taxi, The Week, Family Life, Washington Journalism Review, Electronic Media, Channels of Communication, Television Business International, Parents’ Choice, Television Quarterly, Fame, Cinefantastique, Multichannel News, and hundreds of daily newspapers via syndication. AUTHOR The Platinum Age of Television: From ‘I Love Lucy’ to ‘The Walking Dead,’ How TV became Terrific. NY: Doubleday, 2016. Dangerously Funny: The Uncensored Story of ‘The Smothers Brothers Comedy Hour.’ NY: Touchstone/Simon & Schuster, 2009. Dictionary of Teleliteracy: Television’s 500 Biggest Hits, Misses, and Events. NY: Continuum Publishing Co., 1996. Syracuse University Press, paperback, 1997. Teleliteracy: Taking Television Seriously. NY: Continuum Publishing Co., 1992. Touchstone/Simon & Schuster, paperback, 1994. Graduate thesis: A Comparative Study of College Level CRT/VDT Computer Editing Teaching Methods. University of Florida, 1977. -- Contributed articles or chapters to: “Nichols” and “That Was the Week That Was,” Television Finales: From ‘Howdy Doody’ to ‘Girls.’ Co-edited, with Douglas L. Howard. Syracuse University Press, 2018. “Dossier: Dennis Potter in America,” in peer-reviewed Critical Studies in Television: The International Journal of Television Studies (8, 1), Spring 2013. -
KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
T Rap': the Local and Global in Scottish Hip-Hop
Popular Music (2021) Volume 40/1. © The Author(s), 2021. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/ licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited, pp. 75–90 10.1017/S0261143021000040 ‘Scottish people can’trap’: the local and global in Scottish hip-hop DAVE HOOK Edinburgh Napier University, Edinburgh, UK E-mail: [email protected] Abstract Hip-hop is a global culture, where local representation is a core tenet of its ideology. It therefore pro- vides opportunities to observe how a global cultural structure is interpreted, realigned and expressed in local cultural forms. This article combines autoethnography and rap lyric analysis to consider the complex relationship between the local and global in relation to cultural articulation and authenticity. Through a study of the poetics of Scottish hip-hop, a series of patterns and connections appear relat- ing to interpretation, negotiation and hybridisation of local and global culture, presenting a demon- stration of how the local, global and individual intersect to ‘devise unique ways of communicating thoughts, emotions and everyday realities’ (Alim 2003, Journal of English Linguistics, March, 31/1, pp. 60–84, p. 62). Furthermore, this article presents a framework for autoethnographic study of hip-hop, signposting bridging points between scholarship and practice. Introduction Scottish hip-hop is, for some, a contradiction in terms, an oxymoron (with emphasis on the ‘moron’), a laughing stock, an impossibility, at best a novelty. -
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Innovations in PD
PD Magazine Issue 8, Summer 2012 publicdiplomacymagaine.org Make an impact. EDITORIAL POLICY Public Diplomacy (PD) Magazine seeks contributions for each themed issue based on a structured solicitation system. Submission must be invited by the editorial board. Unsolicited articles will not be considered, or returned. Authors interested in contributing to PD should contact the editorial board about their proposals. Articles submitted to PD are reviewed by the editorial board, which is composed entirely of graduate students enrolled in the Masters of Public Diplomacy Public Diplomacy education at USC: program at the University of Southern California. Articles are evaluated based on relevance, originality, prose, and Two-year Master of Public Diplomacy (M.P.D.) argumentation. The editor-in-chief, in consultation with the editorial board, holds final authority for accepting or refusing submissions for publication. One-year Professional Master of Public Diplomacy Authors are responsible for ensuring the accuracy of their statements. The editorial staff will not conduct fact checks, but edit submissions for basic Mid-career Summer Institute in Public Diplomacy formatting and stylistic consistency only. Editors reserve the right to make changes for professional diplomats in accordance with PD style specifications. Copyright of published articles remains with Public Diplomacy (PD) Magazine. No article in its entirety or a part thereof may be published in any form without proper citation credit. ABOUT PD MAGAZINE Home of the USC Center on Public Diplomacy PD is a publication of the Asssociation of Public Diplomacy Scholars (APDS) at the Annenberg School, online at at the University of Southern California, with support from the USC Center on Public Diplomacy at the Annenberg School, USC College’s School of International Relations, www.uscpublicdiplomacy.com the Annenberg School for Communication and Journalism and USC Annenberg Press. -
Enterprise Rent-A-Car Donates $25 Million Largest Gift for Undergraduate Scholarships in University's History
Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 10-26-2001 Washington University Record, October 26, 2001 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, October 26, 2001" (2001). Washington University Record. Book 913. http://digitalcommons.wustl.edu/record/913 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. Medical News: Genetic makeup of Inside: David Dorfman Dance company Washington People: Sabine Eckmann, Ph.D., Salmonella deciphered by researchers to perform at Edison Theatre Nov. 2-4 is curator and more for the Gallery of Art 8 Oct. 26, 2001 Volume 26 No. 10 WashiiigtDn University in St Louis Enterprise Rent-A-Car donates $25 million Largest gift for undergraduate scholarships in University's history African-American and Officer Andrew C. Taylor and established by the University's financially disadvantaged Enterprise Rent-A-Car Founda- John B. Ervin Scholars Program, students nationwide will tion President Jo Ann Taylor which administers scholarships to have the opportunity to apply for Kindle. exceptional African-American scholarships at the University "The Enterprise Rent-A-Car students on the basis of academic thanks to a $25 million donation gift is the largest the University merit, leadership skills and from Enterprise-Rent-A-Car Co. has ever received for undergradu- commitment to community This gift, which will endow a ate scholarship support, and it service. -
Paul Levinson – Krótka Biografia
Paul Levinson – krótka biografia Paul Levinson jest medioznawcą, komentatorem mediów, osobowością telewizyjną, autorem powieści science fiction, twórcą blogów i podcastów. Był również (na przełomie lat ’60 i ’70) muzykiem i producentem muzycznym. Jednak przede wszystkim Paul Levinson jest teoretykiem mediów i komunikacji, uczniem Neila Postmana. Doktorat z teorii mediów obronił na New York University. W trakcie ponad trzydziestoletniej kariery akademickiej pracował w New School for Social Research, Hofstra University, Fairleigh Dickinson University, Polytechnic University of New York, Audrey Cohen College, St. John's University i w Western Behavioral Sciences Institute. Obecnie jest profesorem komunikacji i medioznawstwa na Fordham University w Nowym Jorku, gdzie prowadzi wykłady w ramach programu Masters of Arts in Public Communications. W roku 2004 Graduate Students Association przyznała mu tytuł 2004 Teacher of the Year . Paul Levinson opublikował dziewięć książek naukowych: Miękkie ostrze - The Soft Edge (1997, Polska 1999), Digital McLuhan (1999), Realspace (2003), Cellphone (2004) i Nowe nowe media - New New Media (2009/2012, Polska - 2010), które doczekały się omówień i recenzji m.in w The New York Times, Wired, The Christian Science Monitor. Książki Levinsona zostały przetłumaczone na 10 języków. Najbardziej chyba znana i najszerzej komentowana pozycja z dorobku Levinsona to Nowe nowe media, opublikowane przez wydawnictwo Penguin Academics w 2009 roku. Książka w nowatorski sposób omawia tematykę blogów, Twittera, YouTube’a i innych -
Ionisphere 2
IONISPHERE 2 Journal of the National Fantasy Fan Federation Fan-Pro Coordinating Bureau December 2016 Ionisphere 2. Edited by John Thiel, 30 N. 19th Street, Lafayette, Indiana 47904. Email [email protected] The aim of the Fan-Pro Coordinating Bureau is to increase the interrelationship of readers of science fiction and the writers of science fiction, as well as fantasy. To this end we publish interviews with fans and with writers, make available the website URLs of the authors and artists, keep files of authors’ email addresses, keep news of interrelating activities on view, including convention activities, and make the bureau’s facilities open to members of the NFFF. We also encourage letters to Ionisphere concerning the contents and any suggestions that may be offered on our activities and presentation, and will publish such letters in a letter column when we receive them. We are still understaffed, and need volunteers to keep files, look for related news items to present in this publication, and do convention and conference listings. Articles on science fiction doings by members of the NFFF are welcomed, as well as any other material that would seem to be of interest in a scan of the science fiction field at both the professional and the fandom level. We also ask the members who are writers to inform us of any new books or stories they are writing or have had printed, and will list titles of fanzines published by members when we are informed of them, and also print news by fans of their recent activities when they report it to us.