Conservation Cases Processed by the Gardens Trust 19.11.2020 Response By
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Landscape and Settlement Character Assessment
LANDSCAPE AND SETTLEMENT CHARACTER ASSESSMENT ODD RODE PARISH CHESHIRE EAST November 2017 CONTENTS Section 1 - Introduction and Scope............................................................................ 1 Section 2 - Assessment Methodology........................................................................ 2 Section 3 - Parish Description.................................................................................... 4 Section 4 - Landscape Designations........................................................................... 6 Section 5 - Odd Rode Character Areas....................................................................... 20 Section 6 - Summary................................................................................................. 64 Appendix A - Congleton Landscape Assessment............................................................ 66 SECTION 1 : INTRODUCTION AND SCOPE Introduction Scope of Assessment Environmental Associates were commissioned by Odd Rode Parish Council The Odd Rode Landscape and Settlement Character Assessment has been prepared in 2017 to carry out this independent landscape and settlement character in accordance with a project brief prepared by the Odd Rode Parish Council with assessment, The Odd Rode Landscape and Settlement Character Assessment. input from Environmental Associates and the Neighbourhood Parish Council Steering Group. The settlements of Rode Heath/Thurlwood, Scholar Green, This parish wide character assessment provides an overview of the key qualities Mount Pleasant -
AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way. -
Lady Ottoline Morrell Papers (1896-1938) (Add MS 88886) Table of Contents
British Library: Western Manuscripts Lady Ottoline Morrell Papers (1896-1938) (Add MS 88886) Table of Contents Lady Ottoline Morrell Papers (1896–1938) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 1 Add MS 88886/1/1–3 Add MS 88886/1 Letters.Add MS 88886/1/1–3. Lady Ottoline Morrell Papers. Vols. i–iii. Letters of Lady....................................................................................................... 2 Add MS 88886/2/1–32 Add MS 88886/2 Diaries. (1905–1938)............................................................ 4 Add MS 88886/3/1–15 Add MS 88886/3 Notebooks. (1896–1937)...................................................... 20 Add MS 88886/4/1–41 Add MS 88886/4. Journals. (1901–1937)......................................................... 29 Add MS 88886/5/1–3 Add MS 88886/5 Visitors' Books. Add MS 88886/5/1–3. Lady Ottoline Morrell Papers. Vols. xcii–xciv. .......................................................................................................... 50 Add MS 88886/6/1–20 Add MS 88886/6 Transcriptions. (1907–1997)................................................. 52 Key Details Collection Area British Library: -
South Cheshire Way A4
CONTENTS The Mid-Cheshire Footpath Society Page Waymarked Walks in Central Cheshire About the South Cheshire Way 3 Using this guide (including online map links) 6 Points of interest 9 Congleton Sandbach Mow Walking eastwards 15 Cop Grindley Brook to Marbury Big Mere 17 Scholar Green Biddulph Marbury Big Mere to Aston Village 21 Crewe Aston Village to River Weaver 24 River Weaver to A51 by Lea Forge 26 Nantwich Kidsgrove A51 by Lea Forge to Weston Church 29 Weston Church to Haslington Hall 33 Haslington Hall to Thurlwood 37 Thurlwood to Little Moreton Hall (A34) 41 Little Moreton Hall (A34) to Mow Cop 43 Stoke on Trent Grindley Brook Audlem Walking westwards 45 Mow Cop to Little Moreton Hall (A34) 47 Whitchurch Little Moreton Hall (A34) to Thurlwood 49 Thurlwood to Haslington Hall 51 Haslington Hall to Weston Church 55 Weston Church to A51 by Lea Forge 59 A51 by Lea Forge to River Weaver 63 River Weaver to Aston Village 66 THE SOUTH CHESHIRE WAY Aston Village to Marbury Big Mere 69 Marbury Big Mere to Grindley Brook 73 From Grindley Brook to Mow Cop Update information (Please read before walking) 77 About The Mid-Cheshire Footpath Society 78 A 55km (34 mile) walk in the Cheshire countryside. South Cheshire Way Page 2 of 78 Links with other footpaths ABOUT THE SOUTH CHESHIRE WAY There are excellent links with other long distance footpaths at either end. At Grindley Brook there are links with the 'Shropshire Way', the 'Bishop Bennet Bridleway', the 'Sandstone Trail', the 'Maelor Way' and the (now The South Cheshire Way was originally conceived as a route in the late unsupported) 'Marches Way'. -
2017 Season 2
1 2017 SEASON 2 Eugene Onegin, 2016 Absolutely everything was perfection. You have a winning formula Audience member, 2016 1 2 SEMELE George Frideric Handel LE NOZZE DI FIGARO Wolfgang Amadeus Mozart PELLÉAS ET MÉLISANDE Claude Debussy IL TURCO IN ITALIA Gioachino Rossini SILVER BIRCH Roxanna Panufnik Idomeneo, 2016 Garsington OPERA at WORMSLEY 3 2017 promises to be a groundbreaking season in the 28 year history of Cohen, making his Garsington debut, and directed by Annilese Miskimmon, Garsington Opera. Artistic Director of Norwegian National Opera, who we welcome back nine years after her Il re pastore at Garsington Manor. We will be expanding to four opera productions for the very first time and we will now have two resident orchestras as the Philharmonia Orchestra joins us for Our fourth production will be a revival from 2011 of Rossini’s popular comedy, Pelléas et Mélisande. Il turco in Italia. We are delighted to welcome back David Parry, who brings his conducting expertise to his 13th production for us, and director Martin Duncan Our own highly praised Garsington Opera Orchestra will not only perform Le who returns for his 6th season. nozze di Figaro, Il turco in Italia and Semele, but will also perform the world premiere of Roxanna Panufnik’s Silver Birch at the conclusion of the season. To cap the season off we are very proud to present a brand new work commissioned by Garsington from composer Roxanna Panufnik, to be directed Pelléas et Mélisande, Debussy’s only opera and one of the seminal works by our Creative Director of Learning & Participation, Karen Gillingham, and I of the 20th century, will be conducted by Jac van Steen, who brought such will conduct. -
GARSINGTON OPERA to MOVE to WORMSLEY ESTATE, HOME of the GETTY FAMILY, in 2011 Submitted By: Clare Adams Publicity Thursday, 29 April 2010
GARSINGTON OPERA TO MOVE TO WORMSLEY ESTATE, HOME OF THE GETTY FAMILY, IN 2011 Submitted by: Clare Adams Publicity Thursday, 29 April 2010 The Directors of Garsington Opera (http://www.garsingtonopera.org) are pleased to announce that Wormsley Estate, the home of the Getty family, is the preferred site for Garsington Opera with effect from the 2011 season. Garsington Opera, founded by the late Leonard Ingrams and his wife Rosalind in 1989, has established an enviable reputation over the last twenty-one years for promoting opera of the highest professional quality in an outdoor setting for a short summer season. Wormsley Estate is set within a magnificent historic landscape in the Chiltern Hills, in an Area of Outstanding Natural Beauty. An elegant pavilion auditorium will be created, to be assembled annually, sited close to an attractive collection of flinted buildings, not far from Wormsley House, and nestling in the beautiful deer park. After twenty-one years at Garsington Manor, Garsington Opera has been seeking a new location over the last two years and has reached agreement with Mark Getty to hold the festival at the Wormsley Estate from the summer of 2011. Garsington Opera has now started consultations with the local community, relevant authorities and other interested parties and shall be applying for planning consent. As well as being the setting of the famous cricket ground established by Sir Paul Getty, Wormsley enjoys an impressive two acre 18th century walled garden, a short drive away from the opera pavilion. The estate straddles the Oxfordshire / Buckinghamshire border. It is located close to the M40, is less than fifteen miles from Garsington Manor, and under an hour from central London. -
This Work Has Been Submitted to NECTAR, the Northampton Electronic Collection of Theses and Research
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Conference or Workshop Item Title: Katherine Mansfield and T.S. Eliot Creator: Wilson, J. M. Example citation: Wilson, J. M. (2015) Katherine Mansfield and T.S. Eliot. Paper presented to: Katherine Mansfield and the 'Blooms Berries', Newberry Library, Chicago, USA, 2830 May 2015. Version: Presented version Official URL: http://www.katherinemansfieldsociety.org/chicagoconference 2015/ NECTARhttp://nectar.northampton.ac.uk/7579/ Abstract: “Katherine Mansfield and T.S. Eliot” Katherine Mansfield and T. S. Eliot had a friendly yet fraught relationship in which an initial mutual admiration turned into wariness. Their literary acquaintance began with the Bloomsbury Circle, and Mansfield’s enthusiasm for The Love Song of Alfred J. Prufrock which she read out at Garsington Manor in June 1917, saying: ‘that’s what I want modern poetry to be’, and ‘it is after all, a short story’. Later she saw his poetry as ‘unspeakably dreary’, while he formed the view that she was ‘a thick skinned toady’, and ‘a dangerous WOMAN’. Eliot’s brief comments on Mansfield’s story ‘Bliss’ give some insight into his views of her work. This paper, however, aims to examine his modernism as a possible influence on on her artistic practice (evident in allusions to ’Preludes’, Prufrock and ‘Rhapsody on a Winter’s Night’), and the possible impact of his criticism and theories of art on her thinking (for example, her belief in the impersonality of the artist). Finally it will consider how the relationship has been taken up as a subject for fiction by New Zealand writer and critic, C.K. -
Regional Modernism in Kangaroo–A Foreground To
J∙D∙H∙L∙S Journal of D. H. Lawrence Studies Citation details Essay: SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM Author: David Game Source: Journal of the D. H. Lawrence Society, vol. 5.1 (2018) Pages: 83‒104 Copyright: individual author and the D. H. Lawrence Society. Quotations from Lawrence’s works © The Estate of Frieda Lawrence Ravagli. Extracts and poems from various publications by D. H. Lawrence reprinted by permission of Pollinger Limited (www.pollingerltd.com) on behalf of the Estate of Frieda Lawrence Ravagli. A Publication of the D. H. Lawrence Society of Great Britain 84 JDHLS 5.1 (2018) SHIFTING THE AXIS: REGIONAL MODERNISM IN KANGAROO – A FOREGROUND TO AUSTRALIAN LITERARY MODERNISM DAVID GAME As the welcome and monumental The Cambridge History of Modernism (2016) shows, the parameters of modernism have been further shaped and defined, and Lawrence’s modernist credentials continue to be illuminated by scholars on both sides of the Atlantic.1 Although not one of “‘The Men of 1914’ – Pound, Eliot, Joyce, and Wyndham Lewis”, he is usually included among key modernist figures, such as Mansfield, Yeats and Woolf.2 Pericles Lewis, in his Preface to The Cambridge Introduction to Modernism (2007), sees Lawrence as one of the “major figures in English-language modernism”.3 In this essay I examine Kangaroo (1923) as a modernist novel through the lens of “regional modernism”, broadening and extending our understanding of Lawrence’s engagement with the local, and providing a new basis for evaluating the novel as a major modernist work. -
Wrightmarshall.Co.Uk Fineandcountry.Com
CHAPEL LANE | RODE HEATH | STOKE-ON-TRENT | ST7 3SD | £525,000 COUNTRY HOMES │ COTTAGES │ UNIQUE PROPERTIES │ CONVERSIONS │ PERIOD PROPERTIES │ LUXURY APARTMENTS wrightmarshall.co.uk fineandcountry.com The Oaks, Chapel Lane Rode Heath, Stoke-on-Trent, ST7 3SD ** NO CHAIN. MUST BE VIEWED** An attractive four bedroom, four reception period property located in a convenient and sought after location, presented to the highest of standards with extensive off-road parking, double garage and car ports. uPVC double glazing and gas central heating. SITTING ROOM/ STUDY DIRECTIONS To the first floor there are four bedrooms, the master benefitting from On approaching Rode Heath from Sandbach proceed to the T junction a dressing rooms and en-suite shower room and further family with the A50 and turn left towards Knutsford. Take the first left and bathroom. The property is warmed throughout by gas fired central the property is located on the left hand side. heating complimented by uPVC double glazing. AGENT'S REMARKS Offered for sale with No Onward Chain, we strongly recommend an Rode Heath is a village offering a good range of shops and services early internal inspection. including two public houses and popular post office and store. The village is close to the nearby town of Alsager and is within easy access ACCOMMODATION of the M6 Motorway at junctions 16 & 17. With approximate dimensions comprises: The property is set back from the road behind a lawned garden area ENTRANCE PORCH with a gate to the side allowing access to a side courtyard garden with A uPVC entrance door with uPVC double glazed side panels allows well stocked borders. -
Rananim Vol 15, No
1 Rananim Vol 15, No. 2, 2008 Lawrence and Gertler By Jonathan Long Introduction Dorothy Brett, Ottoline Morrell, Gilbert and Mary Cannan, Aldous Huxley, Edward Marsh, Katherine Mansfield (and thereby John Middleton Murry), Gordon Campbell, S.S. Koteliansky, St. John Hutchinson, Monty Shearman and Dr. Andrew Morland of Mundesley Sanatorium in Norfolk. Those considering this list may think it relates to the life of Lawrence; in fact all were known to Mark Gertler as well and what follows demonstrates how they impacted on them in different ways. I am going to start with a short biography of Gertler (for which I am in part indebted to the excellent Camden Arts Centre catalogue), followed by some pictures illustrating the very different styles he adopted. I am then going to look at the similarities between Lawrence and Gertler as well as the differences. I will examine the occasions when their lives crossed. I will conclude with Lawrence’s use of Gertler and his pictures in Lawrence’s own work. Outline biography Mark Gertler was born in 1891 of poor Polish immigrant parents and grew up in a densely populated Jewish area of east London. At the age of 15 he started art classes at the Regent Street Polytechnic, paying his fees by working at a nearby stained glass works, a style later reflected in his art. Between 1908 and 1912 the Jewish Educational Aid Society helped finance his training at the Slade School of Fine Art. After initial 2 loneliness he became accepted through his skills both as artist and mimic. Christopher Nevinson became an intimate friend and introduced him to new student, Dora Carrington. -
The 2018 Members Guide to Attractions, Gardens, Houses and Museums
THE 2018 MEMBERS GUIDE TO ATTRACTIONS, GARDENS, HOUSES AND MUSEUMS www.cpre.org.uk PROPERTIES AND ATTRACTIONS 2018 Shakespeare’s New Place pg. 40 Hello and welcome to the 2018 edition of CPRE’s Members Guide to Attractions, Gardens, Houses and Museums. I am delighted to say that new for this year’s Guide we have Askham Hall Gardens in Penrith, Cumbria. These Grade II listed gardens are full of stunning features, including colourful terraces, a 230ft long double herbaceous border, unusual species of plants, formal lawns, kitchen gardens, woodland, meadows and ponds. Also new this year is Walsingham Abbey Grounds & Shirehall Museum, Norfolk. The garden and grounds surrounding Walsingham Abbey are famous for the spectacular ruins of the mediaeval Priory and place of pilgrimage. The Georgian Shirehall, for 200 years a courtroom but originally built as a pilgrim hostel, is now a Museum, and your way in to the Abbey Grounds. The New Forest Wildlife Park is featured for the first time in this year’s guide. Follow the woodland trails to see amazing animals in beautiful natural settings including bison, lynx wolves and wild boar. Returning this year are Groombridge Place Gardens & Brodgale Collection in Kent and West Dean Gardens in Sussex. The attractions featured in the guide kindly offer discounts to our members at their CPRE campaigns for a beautiful and living countryside. own expense, so it is important we support them. If you do have any comments regarding your experiences at any of the venues, please do not hesitate to contact the Supporter Services team on 020 7981 2870 or send us an email at supporterservices@ Campaign to Protect Rural England cpre.org.uk – It is always great to hear about your visit. -
1 Conservation Casework Log Notes March 2021
CONSERVATION CASEWORK LOG NOTES MARCH 2021 The GT conservation team received 244 new cases for England and two for Wales in February, in addition to ongoing work on previously logged cases. Written responses were submitted by the GT and/or CGTs for the following cases. In addition to the responses below, 68 ‘No Comment’ responses were lodged by the GT and/or CGTs. SITE COUNTY GT REF GRADE PROPOSAL WRITTEN RESPONSE ENGLAND Page Park Avon E20/1720 N PLANNING APPLICATION CGT WRITTEN RESPONSE 11.03.2021 Erection of 4 no dwellings Thank you for consulting The Gardens Trust [GT] in its role as Statutory approval of reserved matters to Consultee with regard to the proposed development affecting a building include appearance and site, which is opposite Page Park, a municipal park recorded in the Avon landscaping (to be read in Gardens Trust Gazetteer for South Gloucestershire. The Avon Gardens conjunction with PK18/5362/O). Trust is a member organisation of the GT and works in partnership with it 87 Hill House Road, Mangotsfield in respect of the protection and conservation of designated sites, and is RESIDENTIAL authorised by the GT to respond on GT’s behalf in respect of such consultations. The significance to this application, of Page Park, formerly part of the Hill House estate, given to the public in 1909 by A.W. Page, and laid out over the following few years, is that the surrounding roads are lined with houses of that period. The house next door, no. 85, is an example of the style, materials and scale of the buildings facing on four sides of the park.