Easter Island Getaway

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Chile EASTER ISLAND GETAWAY 4 Days FROM $839 Halfway between Chile and Tahiti, surrounded by the clearest and deepest waters of the Pacific Ocean, Easter Island is more than 1,200 miles from…anything. This volcanic Polynesian island has been known for centuries as the navel of the world. Remoteness breeds mystery, and visitors will find plenty to unravel in the standing stone statues (huge monolithic figures carved from volcanic stone) that are the world’s most inscrutable archaeological enigma. Secret caves, primitive rock art and elaborate cult ceremonies are also part of Rapa Nui’s mystique. Travel in Style INCLUDED FEATURES •First class hotel accommodation for 3 nights •Daily buffet breakfast & 2 lunches •Round trip airport transfers via private car •Transfers and tours are via seat-in bus •Half day Ahi Akivi, the Seven Moai and see the Quarray of Puna Pau •Half day Orongo, Tangata Manu Ceremonial •Full day Hanga Roa – Moias Route – Tongarki and Anakena Beach •Document holder and luggage tags •Hotel taxes and service charges Travel in Luxury INCLUDED FEATURES •Deluxe hotel accommodation for 3 nights •Daily buffet breakfast & 1 lunch •Round trip airport transfers by private car •Transfers and tours are by private car with English-speaking guide •Half day Ahi Akivi, the Seven Moai and see the Ana Te Pahu caverns •Half day Orongo, Tangata Manu Ceremonial Dawn over moai at Ahu Tongariki •Full day Hanga Roa – Moias Route – Anakena Beach •Document holder and luggage tags •Hotel taxes and service charges HOSTED PROGRAM (3) Easter Island FROM PRICES - VALID THRU APRIL 2021 Daily Arrivals Travel in Style featuring first class hotels From $839 Easter Island: Hotel Taha Tai Travel in Luxury featuring deluxe class hotels From $1,329 Easter Island: Hotel La Perouse CHILE All rates are per person, based on double occupancy. Extra nights, single and triple occupancy available upon request. Rates are not valid during certain holidays and blackout periods. Argentina Easter 3 Island Santiago Coastline of Easter Island # - No. of Overnight Stays Arrangements by.

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Chile and Argentina Easter Island Ext Feb2022 Updatedjun2020
E CHE SEM A N CHEESEMANS’ ECOLOGY SAFARIS E S C 2059 Camden Ave. #419 ’ O San Jose, CA 95124 USA L (800) 527-5330 (408) 741-5330 O G [email protected] Y S cheesemans.com A FA RIS Easter Island Extension Mysterious Moai February 23 to 28, 2022 Moai © Far South Expeditions EXTENSION OVERVIEW Join us on an exciting extension where you’ll stroll amongst the monolithic moai statues of Easter Island, carved from basalt lava by Polynesian settlers centuries ago. Visit abandoned settlements, explore ceremonial centers, and take a boat ride for a different perspective of the island, where you might see petroglyphs painted high on the cliffs above. Come along for an unforgettable journey of exploration into the history of Easter Island (Rapa Nui). HIGHLIGHTS • Learn about Easter Island’s moai statues and the tangata manu competition where rulership of Easter Island was defined through a ritual race for a bird egg. TRIP OPTION: This is a post-trip extension to our Chile and Argentina trip from February 11 to 24, 2022 (http://cheesemans.com/trips/chile-argentina-feb2022). Cheesemans’ Ecology Safaris Page 1 of 6 Updated: June 2020 LEADER: Josefina ‘Josie’ Nahoe Mulloy. DAYS: Adds 3 days to the main trip to total 17 days, including estimated travel time. GROUP SIZE: 8 (minimum of 4 required). COST: $2,230 per person, double occupancy, not including airfare, singles extra. See the Costs section on page 4. Date Description Accommodation Meals Feb 23 Fly from Punta Arenas to Santiago from our Chile Santiago Airport D and Argentina trip.
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Rock Art of the Sacred Precinct at Mata Ngarau, 'Orongo
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 22 Issue 2 October Article 6 2008 ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter Island Foundation Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific Islands Commons, and the Pacific Islands Languages and Societies Commons Recommended Citation Horley, Paul and Lee, Georgia (2008) "ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 22 : Iss. 2 , Article 6. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol22/iss2/6 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Horley and Lee: ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter island Foundation INTRODUCTION rock surfaces are covered with numerous petroglyphs, creating the highest concentration ofrock art on Easter Island (Lee he ceremonial village of 'Orongo is one of the most 1992: 137). Due to intensive activity over a significant fascinating and important sites on Easter Island. historical period, the rocks of Mata Ngarau present evidence TLocated at the top ofRano Kau's precipitous cliffs, ofre-use and re-carving, allowing us to trace the evolution of 'Orongo offers awe-inspiring views toward the three off-shore petroglyph motifs from simple, incised fom1s to elaborate, islets of Motu Kao Kao, Motu Iti, and Motu Nui.
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Explora Rapa Nui І Trekkings
RAPA NUI Explorations explora Rapa Nui І Trekkings T2 Ara O Te Moai The Moai quarry T3 Mahatua Ovahe The fifteen Type: Half day Moai Duration: 3 h Type: Half day Distance: 4,5 km / 2,7 miles Duration: 3 h 30 min Ascent: 65 meters / 208 feet Distance: 6 km / 3,6 miles Description: We leave the hotel by Ascent: 10 meters / 32 feet van towards Hanga Te Tenga, where Description: We leave the hotel TREKKINGS we visit a group of moais that were by van towards Ahu Tongariki, a abandoned during their transport. platform with 15 fully preserved We then walk along the Ara O Te moais. This platform, or Ahu, Our hikes have been designed for travelers Moai, a trail that was used by the is the island’s largest and on its with different interests and abilities. They Rapa Nui people to transport moais. ground floor we will be able to spot vary in length and difficulty, which is Here we will spot some statues that some stone petroglyphs. We then why we recommend you always seek our were abandoned as they were being border the coastline and admire guides’ advice when deciding if a particular transported and others that were panoramic views of the ocean’s exploration suits you. simply never finished. Then we will shifting blue and turquoise colors, reach Ranu Raraku National Park, fishing coves with local inhabitants, the quarry where all these statues and numerous archaeological sites. were carved, and we will enter the Finally we will walk to Ovahe, a Easy crater.
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Contributions of Paleoecology to Easter Island's
This paper is a non-peer reviewed EarthArXiv preprint Contributions of paleoecology to Easter Island’s prehistory: a thorough review Valentí Rull Laboratory of Paleoecology, Institute of Earth Sciences Jaume Almera (ICTJA-CSIC), C. Lluís Solé i Sabarís s/n, 0828 Barcelona, Spain, email: [email protected] Abstract Easter Island (Rapa Nui) is well known for the enigmas surrounding its unique megalithic statues, the moai, and the prehistoric (i.e., pre-European contact) Rapanui society that built them. These enigmas include, among others, the time of the island’s settlement, the geographical origin of the first settlers, the technology associated with moai transportation and emplacement, the occurrence (or not) of an ecological and cultural collapse linked to the island’s deforestation, and the potential influence of climatic shifts on ecological and cultural changes. Until recently, most explanations for prehistoric developments invoked anthropogenic causes, but the recent development of paleoecological studies has incorporated a new perspective in which climate change and climate-human synergies have gained momentum. This paper reviews all paleoecological studies published to date and their contribution to a better understanding of Easter Island’s prehistory, with a focus on four main aspects: (i) the discovery and settlement of the island, (ii) the occurrence of climatic changes, (iii) spatiotemporal deforestation patterns, and (iv) the relationship between environmental, ecological and cultural shifts. Paleoecological research on Easter Island has proceeded through three main phases: a pioneer phase (1977-1992), a transitional phase (1993-2004) and a revival phase (2005-2020). During the pioneer and transitional phases, the paradigm of a self-induced prehistoric socioecological collapse dominated the scene.
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The Ethnohistory of Freshwater Use on Rapa Nui (Easter Island, Chile)
Binghamton University The Open Repository @ Binghamton (The ORB) Anthropology Faculty Scholarship Anthropology 6-25-2019 The Ethnohistory of Freshwater Use on Rapa Nui (Easter Island, Chile) Sean W. Hixon Penn State University Robert J. Dinapoli University of Oregon, [email protected] Carl P. Lipo Binghamton University--SUNY, [email protected] Terry L. Hunt University of Arizona, [email protected] Follow this and additional works at: https://orb.binghamton.edu/anthropology_fac Part of the Archaeological Anthropology Commons Recommended Citation Hixon, Sean W.; Dinapoli, Robert J.; Lipo, Carl P.; and Hunt, Terry L., "The Ethnohistory of Freshwater Use on Rapa Nui (Easter Island, Chile)" (2019). Anthropology Faculty Scholarship. 42. https://orb.binghamton.edu/anthropology_fac/42 This Article is brought to you for free and open access by the Anthropology at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Anthropology Faculty Scholarship by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. VOLUM E 128 No.2 JUNE 2019 JUNE No.2 128 VOLUM E THE JOURNAL OF THE POLYNESIAN SOCIETY VOLUM E 128 No.2 JUNE 2019 THE ETHNOHISTORY OF FRESHWATER USE ON RAPA NUI (EASTER ISLAND, CHILE) SEAN W. HIXON University of California at Santa Barbara ROBERT J. DiNAPOLI University of Oregon CARL P. LIPO Binghamton University TERRY L. HUNT University of Arizona ABSTRACT: Sources of drinking water on islands often present critical constraints to human habitation. On Rapa Nui (Easter Island, Chile), there is remarkably little surface fresh water due to the nature of the island’s volcanic geology.
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Tangata Manu: Fågelmannens Uppror
Institutionen för arkeologi och antik historia Tangata Manu: Fågelmannens uppror Ricardo Bretón Figur 1. Basrelief. Tangata Manu – Orongo. Ricardo Bretón Kandidatuppsats 15 hp i arkeologi HT 2019 Handledare: Heléne Martinsson-Wallin Campus Gotland Abstract Breton, R. 2019. Tangata Manu: Fågelmannens uppror. Breton, R. 2019. Tangata Manu: The rebellion of the birdman This study investigates the ceremonial village of Orongo and the sacred site of Mata Ngarau. They are located on the southern edge of the Ranu Kau volcano crater, as well as the Motu Nui islet in front of the named volcano. Orongo was the scenario of important political and religious events that submerged Rapa Nui and its inhabitants in a magical story from the mid-1500s to the mid-1800s. This study aims, to some extent, elucidate the context in which the legend and the ritual of the Tangata Manu originates and its importance for the development of the Rapa Nui society. The study examines archaeological, ethnohistorical and contemporary evidences of the birdman cult and contradictory theories about the catastrophe that loomed over the Rapa Nui society The archaeological evidence of those events is the silent testimony of the god Make Make and Tangata Manu, the birdman, the god representative on earth. These are carved on the edge and the slopes of the Ranu Kau crater, in the carved and rupestrian paintings of the stone houses of Mata Ngarau at Orongo, in the caves of the Motu Nui islet and in the one of the cannibals, Ana Kai Tangata. Ethnohistorical evidences provide data on the ritual activities in connection to the birdman cult.
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Easter Island, Chile) Sean W
Binghamton University The Open Repository @ Binghamton (The ORB) Anthropology Faculty Scholarship Anthropology 6-25-2019 The thnohiE story of Freshwater Use on Rapa Nui (Easter Island, Chile) Sean W. Hixon Robert J. Dinapoli Carl P. Lipo Terry L. Hunt Follow this and additional works at: https://orb.binghamton.edu/anthropology_fac Part of the Archaeological Anthropology Commons VOLUM E 128 No.2 JUNE 2019 JUNE No.2 128 VOLUM E THE JOURNAL OF THE POLYNESIAN SOCIETY VOLUM E 128 No.2 JUNE 2019 THE ETHNOHISTORY OF FRESHWATER USE ON RAPA NUI (EASTER ISLAND, CHILE) SEAN W. HIXON University of California at Santa Barbara ROBERT J. DiNAPOLI University of Oregon CARL P. LIPO Binghamton University TERRY L. HUNT University of Arizona ABSTRACT: Sources of drinking water on islands often present critical constraints to human habitation. On Rapa Nui (Easter Island, Chile), there is remarkably little surface fresh water due to the nature of the island’s volcanic geology. While several lakes exist in volcanic craters, Most rainwater quickly passes into the subsurface and eMerges at coastal springs. Nevertheless, the island sustained a relatively large huMan population for hundreds of years, one that built an impressive array of monumental platforms (ahu) and statues (moai). To understand how Rapanui acquired their scarce fresh water, we review ethnohistoric data from frst European arrival (1722) through the Mid-twentieth century. Ethnohistoric accounts identify a diversity of freshwater sources and describe various Rapanui freshwater management strategies. Our fndings highlight the importance of coastal freshwater seeps and provide much-needed insight into how Rapanui procured this vital and necessary resource.
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International News
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 12 Article 5 Issue 1 March 1998 International News Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation (1998) "International News," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 12 : Iss. 1 , Article 5. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol12/iss1/5 This Commentary or Dialogue is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. et al.: International News WHAT'S NEW IN POLYNESIA special program was filmed for Chile's Travel Channel. Nueva Imagen is bilingual (English and Spanish), and it is part of a project that includes all of Chile. The Rapa Nui Rarotonga Rapanuiphile Malcolm Clark informs us that a Japanese episode lasted 30 minutes and should be seen in Chile next July. team led by Professor Masashi Chikamouri claims that Raro tonga was settled earlier than previously believed. They un • In November, Sir Edmund Hillary (the first man to reach covered a marae on a motu in Ngatangiia lagoon which puts the top of Mt. Everest) was on the island. Also in November Polynesian settlement on Rarotonga at some 1500 years ago national television began filming a soap opera about a typicai (-500 AD).
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Presentación De Powerpoint
Easter Island v. 13/01/2015 Roberto Sáez nutcrackerman.com Moais were giant statues created to represent the first ancestors of each Easter Island tribes. They are made of basalt or tuff, and were built over almost 1,000 years, during which their shape was gradually refined and their size increased. They are c. 3 m tall but a few of them reached more than 10 m. There are 900 moais throughout the island. Rano Raraku volcano is the quarry of all the moais. They were built there and then transported to the coastline. 397 moais remain by the mountainside and 92 remain on their way to the coast. Some moais are found still under carving. This is the largest moai in the island, called “The Giant”, with 21,60 m. The moai was transported to the ahu (platform by the coastline), where the pukao (“hat”) and the white coral eyes were installed on it. All pukaos were made of red scoria, here at Puna Pau site. Then, pukaos of more than 10 tons were moved to the ahus, some of them are 12 km away. The meaning of the pukaos continues under discussion: Feather headdresses? Top Knots dyed with red earth? Bark cloth turbans? The statue is placed by the coastline and faces the interior of the island, to give protection to the tribe that built it. The only exception is Ahu Akivi, which is in the interior and the 7 moais there are facing the ocean. They are thought to represent the first Polynesian discoverers of the island.
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Bark-Cloth Piece: a Newly Recognized Rongorongo Fragment
The Rangitoki Bark-Cloth Piece: A Newly Recognized Rongorongo Fragment ... THE RAŊITOKI (RANGITOKI) BARK-CLOTH PIECE: A NEWLY RECOGNIZED RONGORONGO FRAGMENT FROM EASTER ISLAND Robert M. SCHOCH (Boston, Massachusetts, USA) [email protected] Tomi S. MELKA (Las Palmas de G.C., Spain) [email protected] The Raŋitoki fragment, here described in the literature for the first time, consists of a piece of bark-cloth collected on Easter Island in March 1869 that has painted on its surface a short rongorongo (RR) sequence of glyphs. Analysis of the historiography and inscription of the Raŋitoki fragment suggests that it is, most likely, a genuine relic of the rongorongo tradition on Easter Island and thus represents an authentic addition to the known corpus of RR inscriptions. Keywords: bark-cloth, corpus, genuine artifact, Rapa Nui, Rangitoki, Raŋitoki fragment, relic, rongorongo script Introduction In a publication of 1971, the German ethnologist and epigrapher Thomas S. Barthel commented, among many other things, on the technical features related to the production of rongorongo (RR) artifacts.1 Besides their possible thematic content; the dimensional size of objects; directionality (left-to-right) and writing method (essentially, reverse boustrophedon), and assumed stages during the writing / carving process, Barthel expresses his concern about the material media used to record inscriptions. While wood is by and large the basic medium, “It appears from the account of a calabash, which has unfortunately 1 BARTHEL, T. S. Pre-contact Writing in Oceania, pp. 1167–1169. 113 Asian and African Studies, Volume 28, Number 2, 2019 disappeared, that other materials were also inscribed. On the other hand we have no proof that rongo-rongo texts were possibly painted in color on bark- cloth”.2 The said “calabash” is first reported in William J.
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The Birds of Paradise
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 14 Article 4 Issue 4 December 2000 The irB ds of Paradise Georgia Lee Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Lee, Georgia (2000) "The irB ds of Paradise," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 14 : Iss. 4 , Article 4. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol14/iss4/4 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Lee: The Birds of Paradise The Birds ofParadise Georgia Lee, Ph.D. Whilst thefleet ofcanoes o'er the ocean are paddled The flocks ofgods are above in the heavensflying. -Maori song; Beckwith J970:90 INTRODUCTION in it. Lono, the god of IN THE OCEAN WORLD OF POLYNESlA, birds-especially sea agriculture, was repre birds-played an important symbolic role, and had enormous sented by a long wood influence on the ancient seafarers of the Pacific. In both myth post with a bird figure and cult, the bird theme is the most widespread, but least un at the top (Beckwith derstood, ofthe symbolic elements found throughout Polynesia 1970:92, 34). It was (Handy 1940:323). Many studies in the past have connected forbidden to kill frigate birds with visual images found throughout Oceania.
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Death of a Moai.Pdf
Fo.cwo,d: POl'es fol' Tho"sht t is a pleasure and a privilege to write a preface for this short but extremely important study I of the problems and potential solutions involved in trying to preserve the statues and rock art of Easter Island for future generations. The author, by far the leading expert on this topic, has opened my eyes, like those of an "activated" moai, to many factors which had not crossed my mind before. For example, it has not occurred to me that, ironically, it is predominantly the weather-resistant basalt statues which are now indoors in museums, while the far more vulnera ble figures in red scoria remain in the open air. And I had never realized that the causes and sources of deterioration were so numerous and so varied. The moai have suffered cruelly-even their birth, the original quarrying, caused them stress, and they have been subject to endless harmful processes and episodes throughout their long lives-both natural and inflicted by hu mans. Most obvious is the damage caused by moving them around, erecting them, and then toppling them; but far more insidious is the gradual penetration of their pores by water and salt. The analogies to the life of a human being are abundant and manifest. You undergo a hor rendous birth, life's a struggle and then you die, after long and undignified deterioration. As Elena Charola shows, ways are being sought to at least postpone the death of the moai and the rock art. They cannot and certainly will not survive for ever but, thanks to her efforts and those of others, present-day science is coming up with solutions-quite literally, sometimes-that may achieve a stay of execution.
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