Hungarian Television GREETINGS

Dear INPUT Veterans and Future Enthusiasts, Dear Colleagues, Friends of INPUT,

It is my pleasure to announce that by the time you Welcome to INPUT 2010 in Budapest. receive this sacred book of INPUT 2010 the conference This 33 INPUT conference is held in a time when public will have been officially opened to the public and the five service television is in deep crisis, its very legitimacy days of craze over televised images can commence. questioned. This week we !Hold up the Image" of We are here, in the creative cauldron of Hungarian courageous and innovative public service programmes Television to celebrate the arts and crafts of the public from around the world, sending the message that public television industry in twenty-four hours a day by television is alive and kicking. watching, thinking, discussing and of course having fun INPUT is a conference for television professionals who together to show that yes, we can hold up the image not come together to view and discuss freely and openly only for the generations to come but also for the public a wide range of television programmes. It is the only we serve day by day. annual event where programmes from all over the world Why have I used the term arts and crafts? The creation are exposed in a relaxed gathering, without prizes and of a television programme needs a tight cooperation or competition, without the pressures of a market place. I could rather say symbiosis of artists and well-trained INPUT is a celebration of the values of public service craftspeople. At first, the thought, the idea is born, television. It inspires programme and decision makers which is accompanied by the effort of a great number to renew, improve and make public television attractive of well-trained professionals who make these dreams yet clearly distinct from the commercial competitors. come true. It is a rare occasion that every participant Loss of clear identity is one of the greatest dangers of this complex and at the same time magical process public television is facing today. Balázs Medveczky can spend some precious time together to celebrate the Noemi Schory Acting President Hungarian Television Co.Ltd. birth of countless extraordinary pieces. INPUT President Programme makers and besieged Public Television organisations, struggle alone, forgetting that they are Together with you, MTV will hold up the image this year part of a global family, that they can gain strength by to everyone"s satisfaction and my sincere appreciation listening to each other and where possible, join forces. goes to both INPUT and MTV organisers for their This happens at INPUT. excellent voluntary contributions. We thank our host for INPUT 2010 Budapest and we In this spirit please roll the tape! hope that this Input will be a source of professional enrichment, an injection of confidence in the future of public service television. Have a great INPUT 2010 in Budapest.

2 3 ABOUT INPUT

The INPUT Alphabet – Not Just for Newcomers History: Since 1978 the annual conference has travelled International Selection: This year about 270 Secretariat: Based in Berlin. the world and was hosted at the following cities: programmes from around the world were submitted, 80 Seoul: Will be hosting INPUT 2011. Assembly: The International Assembly will convene in of them selected and grouped into 19 sessions. This 1977 | Bellagio 1994 | Montreal Budapest on 10 May 2010 for the first time in the long job was done by 12 Shopstewards, chaired by the Head Sergio Borelli: One of the founding fathers of INPUT, 1978 | Milan 1995 | San Sebastian history of INPUT to elect Members of the International of International Selection (in 2010 Bill Gilcher). Their and backbone of the conference. Born in Italy he 1979 | Milan 1996 | Guadelajara Board. only guidance was to choose programmes which reflect has travelled the world for INPUT as International 1980 | Washington DC 1997 | Nantes outstanding, new and courageous television. NPO, the Programme Coordinator for 30 years. Board: The International Board is composed of 15 1981 | Venice 1998 | Stuttgart Dutch broadcaster in Hilversum hosted the event for 8 TV professionals, programme- and decision-makers, 1982 | Toronto 1999 | Ft. Worth Sessions: 80 TV programmes edited into 4-hour-long days in February. members of broadcasting institutions and independents 1983 | Liège 2000 | Halifax sessions of relevance to broadcasters and programme who define the strategy and work all year round to make 1984 | Charlston 2001 | Cape Town Mini-INPUT: Screenings initiated by National makers, will be screened each day simultaneously in the conference happen. They are elected for a 4-year 1985 | Marseille 2002 | Rotterdam Coordinators after an INPUT conference, for the sake 3 screening rooms. These sessions will be presented term. The Board appoints among its members the 1986 | Montreal 2003 | Aarhus of their colleagues who couldn"t attend. The events vary by Shopstewards. In addition 3 produced sessions, Presidium: President, Secretary General and Treasurer. 1987 | Granada 2004 | Barcelona in form and length but all are spreading INPUT"s impact presented by members of the INPUT organisation and 1988 | Philadelphia 2005 | San Francisco and visibility. In the last year there were about 40 Mini- focusing on broadcasting relevant issues will show Conference: INPUT is a conference and a rare 1989 | Stockholm 2006 | Taipei INPUTs held in more than 15 countries. excerpts of programmes, only. The evening sessions opportunity to see and question what colleagues from 1990 | Edmonton 2007 | Lugano are organised by Hungarian Television MTV and their other cultures are doing, to explore TV making methods Money: INPUT is based on the work of volunteers in 5 1991 | Dublin 2008 | Johannesburg partners. and techniques with peers from other countries. There continents. It is registered as a non-profit organisation. 1992 | Baltimore 2009 | Warsaw is no award or prize – the value of INPUT lies in the Shopstewards: Are appointed by the Board to edit the 1993 | Bristol 2010 | Budapest National Coordinators: TV professionals around the professional debate about the screened programmes. conference programme.They bring with them different world scout on a national level for programmes which perspectives, backgrounds and varied professional Delegates: Several hundred TV professionals from Host: Each year a public TV organisation hosts the fit the aims of the conference. Each country has its own TV experiences. 12 of them are responsible for the around the globe attend the conference. It is their conference, providing the conference location, technical selection system. An international network of 60 INPUT selection of programmes and the presenting of sessions participation, energy, and input which really is at the facilities and staff. Sponsorship must apply with the !NC"s (number increasing) submit their national choice at INPUT 2010. The result of their hard work is, we heart of the conference. spirit and objectives of INPUT. to the annual International Selection. hope, an edition of the most thought-provoking Public Founded: In 1977 by a group of dedicated TV-makers Hubs: They can provide copies of all programmes Newsletter: Stay informed about INPUT and register at TV crop of the last year. who met in Bellagio, Switzerland. Many people screened during the last three conferences for use at www.input-tv.org Website: There is more about us at wwww.input-tv.org. have helped this first initiative to develop into an INPUT related training events. The 5 Hubs are based Pompeu Fabra: The University in Barcelona keeps internationally acknowledged professional TV event. in Copenhagen, Johannesburg, Montreal, Seoul and copies of all programmes screened at INPUT Among them Howard Klein, James Day, Sergio Borelli, Sydney. conferences in its archive. Hans-Geert Falkenberg, Barbara van Dyke, Robert Goethe-Institut: Is an Associate Member of INPUT, Stephane, Nam June Paik and Kjeld Veirup. organising many Mini-INPUT events. Each year media Presidents of INPUT (almost complete): experts working for the Goethe-Institut attend INPUT for Howard Klein, USA training purposes. The Goethe-Institut also has its own Anne-Margrete Wachtmeister, SVT, Sweden INPUT hub in Munich. Michel Anthonioz, La Sept, France Gwyn Pritchard, BBC Wales, United Kingdom INPUT: International Public Television. Annual Gaétan Lapointe, Société Radio Canada screening conference for TV professionals and Norm Bolen, CBC, Canada international platform to discuss and challenge the Enrique Nicanor, Unite Media, Spain boundaries of public TV. Con Bushe, RTÉ, Ireland Hansjürgen Rosenbauer, ORB, Germany Noemi Schory, Belfilms, Israel

4 5 INPUT Secretariat Berlin François Smit INPUT / Culture & Arts Network Germany INTERNATIONAL BOARD OF INPUT [email protected]

Presidium Associates Noemi Schory INPUT President Founding Member of INPUT Belﬁlms Andrzej Fidyk Maurice !Moss" Bresnahan Sergio Borelli Israel TVP Telewizja Polska S.A. KCTS-Seattle CIRCOM Phone: +972 3 624 0780 Poland USA Italy Mobile: +972 544 353221 Phone: +48 22 647 80 34 Phone: +1 206 728 6463 Phone: +39 06 589 9262 [email protected] andrzej.ﬁ[email protected] [email protected] [email protected]

Susanne Hoffmann Honorary Member of the Board INPUT Secretary General Kevin Cummins Kim Kyung-Hee Michel Gélinas Prix Europa / RBB RTÉ KBS-Korean Broadcasting System Société Radio-Canada Germany Ireland South Korea Canada Phone: +49 30 97993 10910 Phone: +353 1 208 2921 Phone: +82 2 781 1466 Tel:+1 514 597 5450 [email protected] [email protected] [email protected] [email protected]

Hans Hernborn INPUT Treasurer Stockholm Public TV & Media Abhijit Dasgupta Mvuso Mbebe representing Goethe-Institut Sweden Sukriti Foundation SABC Maren Niemeyer Phone: +46 707 84 85 86 India South Africa Goethe-Institut Zentrale [email protected] Phone: +91 33 2466 4453 Phone: +27 11 714 7426 Germany [email protected] [email protected] Phone: +49 89 15921 599

Board Members representing International Selection William Gilcher Dr. Claudia Schreiner Roek Lips Ineke Woudenberg International Selection Coordinator MDR NPO NPO Goethe-Institut Washington Germany The Netherlands The Netherlands USA Phone: +49 341 300 7200 Phone: +31 35 677 74 05 Phone: +31 35 677 3696 Phone: +1 202 289 3777 [email protected] [email protected] [email protected] [email protected]

Timo-Erkki Heino Coordinator of National Coordinators André De Margerie Claudine Cyr representing the INPUT Archive Yleisradio ARTE France Société Radio-Canada Jordi Ballo Finland France Canada Pompeu Fabra University Phone: +358 9 14 80 26 55 Phone: +33 1 55 00 71 01 Phone: +1 514 597 4889 Spain timo-erkki.heino@yle.ﬁ [email protected] [email protected] [email protected]

6 7 MTV – HOST OF INPUT 2010 Hungarian Television

Welcome! Welcome and Registration Desks Situated in Buildings A and B open on Saturday from Finally, you made it and you are bound to feel lost in a 8.30 to 20.00. From Sunday until Wednesday the opening maze of information. hours are from 9.00-20.00. In fact, we are very thankful that owing to INPUT, we had Session Rooms a first opportunity to explore every corner and niche of According to INPUT"s traditions, parallel screenings will our own headquarters that we had been occupying for a be held in three rooms. The Red and Green Rooms are year. Besides our regular broadcasts, MTV is now coping in Building A, while the Blue Room is located in Building with three simultaneous live programmes, each in their C just across a passageway. own colour. And the choice is yours. To enable you, we will act as a taskforce of stationary Translation and mobile units primarily identifiable by anxious, All films are subtitled in English, INPUTs working cautious, pessimistic and panic-stricken faces. In MTV Host Team (from left to right) language. Simultaneous Hungarian translation will only MTV Headquarter an emergency, however, there is a help point with Alla Szabó, Barna Simon, Irina Zimonyi, Ádám Cselleng, be provided in the Green Room. Headsets can be picked defibrillator… Katalin Szigetvári, Lidia Márton (Project Leader), Ildikó up at a designated desk in exchange for a deposit. Komáromi, Szilvia Püspök, Lásló Kugler, Szilvia Susán, Another way of recognising us is less obvious: look for Noémi Molnár Video Library a glary, eye-hitting accessory that has surfaced as a All programmes screened during the daily sessions will compromise after months of passionate and endless be available for individual viewing on Sunday to Tuesday discussions. from 9.00 - 20.00 and Wednesday from 9.00 - 18.00 Moreover, if you dare to address us, you will be struck MTV Volunteers Shuttle bus by an impressive range of English accents: Hunglish, Bettina Abiwu Y.E. – trainee, Lívia Terézia Bertha – editor, Internet All participants staying at any of the official INPUT hotels Ruglish, Germish, Chicano and last but not least, pure Attila Bordán – editor, Roland Borsos - press officer, Wi-Fi is available to all participants throughout the can use the following service free of charge: Oxford English. Don"t venture to ask our unmarked MTV Marcell Mihály Csókás – editor, Eszter Déri – editor, Ground Floor of Building A and Building B in the Hall On Saturday, the shuttle service from the hotels to MTV staff, however, unless you are equipped with a Hungarian Márton Zoltán Gábor – project manager, Attila Horváth – area. If you did not bring a laptop, you are welcome to will run from 12.00-14.30. In the evening, coaches will dictionary. trainee, Márta Józsa – editor, Judit Koltai – editor, Tibor use the Internet Lounge. leave MTV from 22.00 onwards. Nagyistók – editor, Katalin Nyitrai – editor, Eva Sánta – Despite our above listed qualities, we trust that we can be administrator, Edit Szendi – editor, Tamás Szitás – editor Catering From Sunday to Tuesday, the first coach will leave the at your service. Catering tickets can be purchased at the Registration hotels at 8.30 and will run between the hotel and the In public service we trust Address Desk for 10 Euro, which includes a lunch, mineral water MTV headquarters for two hours. In the evenings, The INPUT Team Magyar Televízió - MTV and 3 coffees a day.Buffets in Building A and B and the service will start at 19.00 and will continue until 22.00. Kunigunda útja 64, Restaurant in Building A will be open during conference On Monday, coaches will transport the participants to the H-1037 Budapest hours.To appeal to your senses we are setting up stalls in Museum starting at 19.00 until 20.00. Please remember Hungary one of the inner courtyards. to arrange your own transport back to the hotel. Phone: +36 1 759 5085 Email: [email protected] Welcome Party On Wednesday, the return service to your hotel will be Saturday, 19:30 – 2.00 at Studio 7 available from 13:30 to 15:30. For the first days excitements, we offer a night of food, great music, dancing, costumes, photography and excellent company.

8 9 MTV – HOST OF INPUT 2010 NOTES

______Visit the Museum of Fine Arts MTV wishes to thank the following partners: Join our organised trip to one of Budapest"s most ______prominent museums to visit: ______The Collection of Egyptian Art is one of the richest of its kind in Central Europe. ______The Classical Antiquity Collection is the single comprehensive exhibition in Hungary. ______Old Masters! Paintings: 3000 European paintings from ______the 13th to the late 18th century. The Collection of Old Sculptures and Prints and ______Drawings and the Collection of Modern Art consists of painting and sculpture produced after 1800. ______Practical Information Cash point: Building A first floor, Building B ground floor ______Ambulance: 104 Fire Brigade: 105 ______Police: 107 ______Emergency phone number: 112 Phone information service Plus: 197 ______

Transport ______Public Transport single ticket: HUF 320 ______Public Transport discount book (10 tickets): HUF 2800 TAXI: +361 266-6666 ______Airport: +361 296-7155 Train: +361 461-5500 ______Long-distance bus: +361 382-0888 ______Chemol Travel travel agency: +361 266-6422 ______Press MTV kindly requests all INPUT Delegates who want to ______ﬁlm professional broadcast quality material, to contact ______the INPUT Team at: [email protected] or to phone: +36 1 759 5085. ______We suggest that the press room be used for shooting. All equipment is available locally except for usables ______(DV cassettes, XD discs, etc.) which you are kindly asked to bring yourself. ______

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10 11 THE 12 SHOPSTEWARDS 2010

Amy Shumaker |USA Jo Raknes | Norway Kenny Kihyung Bae | South Korea Pal Sipos | Hungary She began her public television He was born in Bergen but !escaped" He has extensive experiences of Born in Budapest in 1958, Pal career at South Carolina ETV. to Oslo aged 18 after being bullied television production since he joined graduated from the Eötvös Lorand In 1994, she was promoted to for his punk hairstyle. Raging against Korean Broadcasting System as a University majoring in Hungarian a producer position. One of her Thatcher and local politicians television producer in 1991. He has and English. He started his colleagues provided administration throughout the eighties led Jo to join produced cultural programmes as well television career as a host on youth support for the U.S. INPUT a womens feminist radiostation as as entertainment and documentaries. programmes in 1985. In 1989 he Secretariat. What was it? When that producer. He switched from radio to He covered big international decided to work solely in TV instead coordinator left Amy took on these duties. In 1997, a TV and was soon making documentaries about youths events such as the Beijing Olympics for KBS. He was of continuing his academic career. Since that time he fundraising miracle allowed Amy to attend her first INPUT and squatting. Then it was time for NRK"s new youth the Executive Producer of !Live Positive (HIV/AIDS)" has produced hundreds of documentaries, current affairs in Nantes, France. A devoted INPUTer was born! Amy department. He hosted, acted, produced, in short, had documentary co-production with UNDP among 14 Asian programmes, and live broadcasts. He had been the Head is Executive Producer of Content with over 20 years the privilege of doing most tasks within TV production. national broadcasters. of Cultural Programmes at MTV from 2003 till 2010. experience in public television production. Today, after 20 years at NRK and a brief fling with local commercial TV, Jo is in charge of bringing back the young audiences to all NRK platforms. Liselott Forsman | Finland Sebastian Cardemil B. | Ecuador Graeme Isaac | Australia !Solidarity and sharing might be He was born in Santiago, Chile, He is an independent producer of keywords in the fast-changing and where he studied Sound Engineering. documentaries and dramas. His Jouko Salokorpi | Finland demanding media world of today". In 1989, he moved to Quito, Ecuador, films have screened at film and 1958-Kindergarten, school and Within YLE she worked with both and started a recording studio. television festivals worldwide. He has some other preparations for life, factual and fictional programmes, In 1990, he won the Best Sound an extensive background in cross- 1980-Writing, photographing and both for TV and Radio and in two and Best Soundtrack awards for cultural projects and has produced layouts for printed press. Some radio languages (Finnish and Swedish). She La Tigra, the first commercial many films dealing with indigenous work. 1990-Reporter and presenter in has vast experience of making, presenting and producing Ecuadorian feature film of the 20th century. He then stories and working with indigenous filmmakers and YLE Current Affairs, 2000-Reporter youth, culture, drama and crossover programming. Today devoted himself to editing and post producing for TV and communities in Australia. In previous lives he was and presenter in YLE Culture, last she is the Head of Fiction within Swedish programming in film. Sebastian is a member of the International Quorum a member of the Australian performing group Pram seven years as a producer YLE. As a freelancer she has written plays, audio plays, of Motion Picture Producers (IQ). Factory, a founding member of Circus Oz, and played scripts and librettos. She is the chairperson of the EBU with the band Captain Matchbox. Fiction group. Karen Michael | France Syl van Duyn | The Netherlands She works for La Sept / Arte since After studying Dutch and Theatre its beginning. Her career started as Osnat Trabelsi | Israel Jedrzej Dudkiewicz | Poland & Film Science, Syl taught Dutch assistant to the Head of the Youth A graduate in Film Studies at Tel Aviv He began his cooperation with language and literature at a High Department and she has worked University, Osnat, a board member of Telewizja Polska (TVP) in 1989, as a School and worked as dramaturge for for several magazines. In 1992, she the Israeli Documentary Forum from student of Polish studies at Warsaw several theatre companies. She has participated in the creation of ARTE"s 2001-2004, is known for consciously University. Since then, he has been been a script-editor of drama series Thema (numerous special theme mixing business with pleasure, and working as a journalist, programme and feature films for NOS / NPS, evenings dealing with society, history, politics, arts and professionalism with activism. In 1999 maker, editor, presenter, script writer, advisor for the Dutch Film Fund, buyer of feature films, entertainment). In 10 years she has co-produced with she established Trabelsi Productions director, author of various media short films and drama series. Syl also published several international partners, acquired and pre-bought hundreds with the intention of creating politically and socially projects and educator. novels for children. For the last four years she has been a of hours of documentary films. She has launched LArt & engaging documentaries. She also co-produced the web buyer of documentaries for the Broadcasters NPS, RVU, la Manière, a series of programmes that follow forefront project Gazasderot, Life in Spite of Everything. VARA and VPRO. European contemporary artists at work.

12 13 MAY 8 -12 AT A GLANCE

SATURDAY 8 MAY AFTERNOON SESSIONS 15:00-19:00 Registration open in Building A and B from 8:30 Information The Art of Turning Science Into Edu-tainment Red Room Look at It My Way – About Filmmaker"s Point of View Green Room Meeting National Coordinators 9:00-11:00 Meeting Room Does Anybody Care About Investigative Journalism? Blue Room Meeting International Board 11:00-13:00 Meeting Room Meeting International Assembly 19:00-20:00 Meeting Room Opening INPUT 2010 14:00-14:30 Green Room Visit to the Museum of Fine Arts AFTERNOON SESSIONS 15:00-19:00 Buses leave from MTV when Afternoon Sessions/Assembly Meeting have ﬁnished. Reality TV: Working with Volunteers, Actors and Ordinary People Red Room EVENING SESSION 20:00-22:00 Re-Inventing Archives: Old Pictures – New Stories Green Room Actors Writing Fresh Comedy – How Do They Do It? Blue Room Coproductions in European Television, organised by Institut Français and Goethe-Institut Green Room Welcome Party 19:30-2:00 Studio 7

TUESDAY 11 MAY

SUNDAY 9 MAY MORNING SESSIONS 9:30-13:30 How to Build up and Educate Future Audiences! Red Room MORNING SESSIONS 9:30-13:30 Taking a Chance With Shrinking Budgets – Ending up With New Kinds of Programmes Green Room Between Fiction and Non-Fiction, Between Private and Public Red Room Economy on TV: Did We Do Our Job? How to Rate High Rating Programmes: The Value of Market Shares in a Multimedia World Green Room eMerging Media: From a TV Maker"s Perspective Blue Room Meeting National Coordinators 13:30-15:00 Meeting Room

AFTERNOON SESSIONS 15:00-19:00 AFTERNOON SESSIONS 15:00-19:00 Dramas and Traumas: Shrinks, Patients and the Audience Red Room What Is the Role of a Documentary? Intimacy Exposed: How far Can We Go? Green Room Is Investigative Journalism Transforming, Thought Provoking and Creating Justice? Red Room Keep it Fresh! Creativity or Technology? Blue Room Personalising History – The Key to Success? Green Room Make Programmes – Not Politics! Blue Room Meeting National Coordinators & Shopstewards 19:00-20:00 Meeting Room EVENING SESSION 20:00-22:00 EVENING SESSION 20:00-22:00 Public Service TeleVISIONary; Finances of PSB in Economic Crisis, The Role of Culture in Public Television Programmes, organised by Goethe-Institut Green Room sponsored by Visegrad Fund, Friedrich-Ebert-Stiftung and EBU Green Room

MONDAY 10 MAY WEDNESDAY 12 MAY MORNING SESSIONS 9:30-13:30 MORNING SESSIONS 9:30-13:00 Taking the Bull by the Horns – Public Broadcasters and Controversial Public Issues Red Room Heading to the East Red Room The Audience – The Unpredictable Factor! followed at 11:30 by Green Room What!s the Pitch? A Journey to New Formats on International Television Green Room Programming TV-Events: Constraints of Schedule and Audience Expectation Green Room Entering an Obsessed Mind – New Ultra-Focused Thriller Stories Blue Room Closing & Evaluation INPUT 2010 13:00-13:30 Green Room Meeting International Board 15:00-17:00 Meeting Room Programme Library open until 18:00

14 15 SATURDAY 8 MAY – AFTERNOON SESSION SATURDAY 8 MAY – AFTERNOON SESSION

15:00-19:00 | Red Room Screened Programmes 15:00-19:00 | Green Room Screened Programmes The Feast on Our Street | Belarus | 22' Rabbits à la Berlin | Germany | 39' Reality TV: Wonderland: The British in Bed | United Kingdom | 60' Re-Inventing Archives: 50 Years of: The Woman, a Men"s Thing | Spain | 27' The Farmer | Denmark | 29' Regiment! Attention! | Russian Federation | 22' Working with Volunteers, Something Blue | United States of America | 60' Old Pictures – New Stories Tel Aviv - Jaffa | Israel | 64' Actors and Ordinary People Balthazar Ushka Ice Man | Ecuador | 22' Shopsteward: Karen Michael Shopsteward: Pal Sipos ______When we sit to watch an archival programme we feel we Those who work for public service broadcasters should ______know what to expect. That expectation attracts some ______always feel the heavy burden of responsibility to our viewers but may turn away many others. ______audience. But the media and movie world is full of glitter, Archives always seem to only relate to the past, and the glimmer and glamour, and we ordinary people (public ______story is seemingly always told in a way we know already. ______service television professionals and our audience) are always watching news and programmes about ______Here are some archive programmes that take a ______celebrities, sex, drugs, alcohol, marriage and divorce, refreshingly new and surprising direction. rather than programmes about our own lives. ______Keywords What about the everyday life of ordinary people? ______Luckily, ordinary people also have sex lives, lots of them Cultural identity are struggling with alcohol or drug problems and they – ______Formats ______hopefully - get married and regretfully get divorced. Heritage How do we programme makers approach our ordinary ______Remit order ______protagonists? Do we just show them in their true ______reality without any sort of interference with the events happening in front of our cameras? Are we responsible ______for them if they make themselves look like complete idiots? (And what if in their everyday reality they are?) ______Or do we manipulate the process and try to inﬂuence ______their lives and help them turn into our heroes, stars or even into celebrities? Can we change their lives for a ______while or forever - making them into the ideal example of our ordinary audience? Hmmm, there are so many things ______to watch and discuss… ______

Keywords ______Creativity Economic issues ______Entertainment ______Local ﬂavour Regional impact ______Representation ______

16 17 SATURDAY 8 MAY – AFTERNOON SESSION SUNDAY 9 MAY – MORNING SESSION

______Writing funny stuff that matters is difficult business. The way we perceive documentaries is that they !The skilled and educated are all old bores!" With this ______are !real" and therefore they tell the truth. Drama in ______claim in mind the Danes tricked stand up comedians comparison is something that is !make believe". into storytelling. These five comedy series, from four ______But now, the boundary between genres is disappearing, ______continents, are created by the stars that appear in them. some programme makers use creative techniques from ______both the documentary genre and the drama tool-kit to ______They all challenge the old sit com format in confusing, tell the stories they want to tell. provocative, touching and above all: funny ways. ______The films in this session include an animation, a drama, How did these performers get into the writing business? ______and a cross genre documentary. ______What happens to a personality that uses itself as raw They all have in common the fact that they use a small material for fiction? ______personal story to tell a much bigger one about the world ______How do you cope with your fellow actor writer or with a and about big historic, political and social events. director wanting to have a say? ______How do these small stories work to tell that big picture? How are broadcasters talked into brave new formats? ______And when do the techniques of documentary, drama and ______How does a writing comedian deal with rating animation help doing this and create a more interesting expectations and censorship threats? ______story? ______How does one make others laugh at elderly care, death and sex problems? ______Keywords ______Craft Keywords ______Dramaturgy Audience ______Perception ______Craft of comedy Programming Format ______Responsibility Independence ______Trust ______

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18 19 SUNDAY 9 MAY – MORNING SESSION SUNDAY 9 MAY – MORNING SESSION

______9:30-13:30 | Green Room Screened Programmes 9:30-13:30 | Blue Room The Erectionman | Netherlands | 50' ______How to Rate High Rating Rise and Shine! | Japan |15' eMerging Media: Britain!s Really Disgusting Food: Meat | ______Programmes: United Kingdom | 57' From a TV Maker"s Perspective ______The Value of Market Shares The Voices of the Pamano | Spain | 70' A session produced by François Smit in a Multimedia World ______Shopsteward: Kenny Kihyung Bae Let"s take some stock of the Emerging Media landscape ______before we re-enter into the world of making programmes ______for !TV Plus". Let"s look at some online strategies, and ______Audience rating is a great concern even for the public see how it ﬁts in with what we are producing for our broadcasters. This session explores some of the most ______audience. ______watched programmes of the year. What are the major expectations our audiences have for What factors go into making a programme popular? ______us when we start narrowcasting to them? ______Do high rating programmes equal high quality Is there any possible way of anticipating how the wide- ______programmes? spread use of social media will be affecting our jobs as Do high ratings mean bigger television audiences even ______TV makers? ______as more and more people watch television content on So many things interfere with our roles as TV makers, the Internet and cell phones. ______Why do ratings matter to public broadcasters when it as journalists and as broadcasters in the online world - is their mission to provide programming in the public ______all reasons why we as TV makers have been reluctant ______interest? to seize this new medium and make it our own. In the ______session, we will be looking at a few online productions ______some with a strong linear programme connection and Keywords ______Audience access others without. Let"s look at the pitfalls, the possibilities Craft questions ______and the great challenges this medium offers so that we ______Economic independence can be ready for it when we sit down in front of our next Programming ______project. ______Remit order ______Surf"s up! Bring your laptop. ______

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20 21 SUNDAY 9 MAY – AFTERNOON SESSION SUNDAY 9 MAY – AFTERNOON SESSION

Shopsteward: Syl van Duyn Shopsteward: Sebastian Cardemil ______

______Fortunately life is not at all perfect, so that gives us When television exposes the most intimate things about plenty of inspiration to script drama. But how to handle ______people, it can have unexpected consequences. ______real traumatic issues that seem to paralyse society? Nevertheless, people are willing to be exposed on They need to be out in the open and discussed. ______camera. How far can this relationship go? What are the ______Faster than ever we adapt traumatic stories from real life reasons, interests and impact of this relationship? ______into fiction. We create plots out of them for our serials In this race for ratings, who is responsible if there is a ______and singles. ______crash? ______The war in Afghanistan is not over when soldiers return Witness 5 women sticking the cameras among their home. Can you blame the air traffic-controller for the ______intimate relationships; meet a young filmmaker who two planes that crashed? ______decides to expose his last few months before committing ______We try to analyse these painful experiences by means suicide; watch the most daring and irreverent cross- of drama. Does this collective therapy work? Are facts ______cultural love relations; and finally, take a deep look into ______more interesting than original fiction nowadays? Is drama the shocking intimacy of a Spanish Prison. ______going towards factual entertainment? Whose truths are we telling with these dramas? ______Keywords ______Consequences of exploitation Keywords ______Ethics compromise ______Audience therapy Permissions and talent-releases ______Craft issues Quest for rating Dramatic responsibilities ______Remit compliance Role of PSB ______

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22 23 SUNDAY 9 MAY – AFTERNOON SESSION SUNDAY 9 MAY – EVENING SESSION

15:00-19:00 | Blue Room Sreened Programmes 20:00-22:00 | Green Room Moderators: Re-enchantment | Australia | Web presentation Hesna Al Ghaoui, MTV Keep It Fresh! Bitworld -Two Rooms: The Past and the Present | The Role of Culture in Public Rainer Traube, DW-TV Head of Cultural Programmes Japan | 55' Creativity or Technology? SpangaS | Netherlands | 11' Television Programmes Bang Goes the Theory | United Kingdom | 27' Panel Discussion organised by Goethe-Institut Shopsteward: Amy Shumaker StoryLand | Ireland | Web presentation Prison Valley | France | 20' Web presentation Havana-Miami: Times Are Changing… | France | 20' Culture in televison has been in a defensive position New distribution platforms are giving public broadcasters Web presentation for several years. In public television today the market an opportunity to produce content that is more accessible seems to be more important than the viewer. and flexible than ever. Due to the competition with private television cultural Are we getting ahead of ourselves just to get it out there? programmes and magazines get unpopular timeslots Or are we finding ways to make richer content that can ______or are even cancelled. Such tendencies undermine make an impact? the official programming mandate of public television: ______Does technology drive what we produce? Or are we education, information, entertainment. now more able to design programming that meets the ______needs of the public? Experts from various countries in Central Europe discuss the perspective of the role of culture in public television ______In this session, we will explore how and why programme programmes. makers are able to utilise various platforms, to engage ______audiences and to discover new ways of storytelling. Hesna Al Ghaoui is Foreign Editor and Reporter at MTV ______Hungarian TV and has been with the Foreign Affairs ______Keywords Desk since 2004. She holds a doctorate Law degree from Audience reach ______Eötvös Loránd University. She has furthermore written ______Creative challenge another thesis about War & Media for a degree from the ______New platforms Institute for International and Diplomacy Studies. Public service ______She is Hungarian and speaks English, Arabic and ______Role of PSB"s French and has spend the past years reporting and ______corresponding from Pakistan, Gaza strip, West-Bank, ______Israel, Lebanon, Sudan, Syria, Egypt and Algeria. ______Rainer Traube is Head of Arts and Culture at Germany!s ______international broadcaster DW-TV / Deutsche Welle. ______After graduation in communication sciences at Munich ______University and international politics at Institut d!Etudes ______Politiques de Paris he worked in different positions ______for German Radio and TV and served as an INPUT ______board member from 2005 to 2009. In its programmes, ______Deutsche Welle provides a European perspective to ______audiences around the world and promotes cultural ______dialogue and exchange. ______

______

24 25 MONDAY 10 MAY – MORNING SESSION MONDAY 10 MAY – MORNING SESSION

9:30-13:30 | Red Room Screened Programmes 9:30-11:30 | Green Room Screened Programmes The Swedish Crusade | Sweden | 55' Freestyle - Change Your Room | Italy | 30' Taking the Bull by the Horns – Male Sex Workers in Pakistan | Pakistan | 21' The Audience – I Think - Therefore I Am | Finland | 15' The Reckoning: The Battle for the International Criminal The Little Boy and the Beast | Germany | 6' Public Broadcasters and Court | United States of America | 87' The Unpredictable Factor! The Police Station | Finland | 27' Controversial Public Issues Shopsteward: Jedrzej Dudkiewicz Shopsteward: Graeme Isaac ______Broadcasters identify audiences but can sometimes miss How willing are public broadcasters to take on big public ______their target. Are we able to recognise the needs and ______issues? Can the broadcaster afford to take a stand, and interests of a speciﬁc group? can there be risks or consequences to this? Are the ______Is there a science to this or are we trusting our intuition. ______What factors into targeting a programme? prime responsibilities to the system, to the subjects or to ______the audience? Here we will take a look at some of the expected hits and ______surprises. ______Keywords ______Independence (political & economic) Keywords Production decisions ______Brand consciousness ______Programming decisions Budget ______New formats ______Ratings ______Responsibility ______Young audience ______

______

26 27 MONDAY 10 MAY – MORNING SESSION MONDAY 10 MAY – MORNING SESSION

Shopsteward: Jouko Salokorpi Shopsteward: Liselott Forsmann ______Broadcasting seven and a half hours nonstop, or ______Three dramas in three genres, mix a personal touch with 24 hours! This requires some bravery in scheduling, very effective storytelling. As viewers we are forced to ______but then the result is A TV EVENT! ______dive into the head of more or less obsessed and violent ______What else is required? An idea, someone to accept it, people. How can we escape their point of view? Should ______a bullet-proof plan of how to do it, some editing, a good we? What happens to the other characters and the ______web dimension, and then you just push the broadcast ______storytelling? What kind of stories long for a narrator? button. What special problems does a narrator bring to a thriller, ______But do public service broadcasters have to do these ______a comedy and a crime story? ______TV-events to be remembered and to survive? And to ______whom are they more important: to broadcasters or to Fiction is always a personal quest but how personal can ______our audience? ______it really get? Should we get along with the macho gourmet murderer and pity the rapist? It is the ______Keywords ______responsibility of public service broadcasters to create ______Audience binding an understanding of ﬂaws in our society. To understand ______Big market players the complexities of men and women in modern society ______Cultural identity ______means making programmes in new and sometimes risky Production decisions ways. Without risks there is no art. In these productions ______Programming decisions ______the broadcasters have agreed to ﬁnance programmes ______Radical solutions that are something completely different than the ______Survival guide mainstream big volume rating minded drama. ______Keywords ______Broad audience ______Craft issues ______Focused story telling ______Intellectual responsibility Responsibility ______

______

28 29 MONDAY 10 MAY – AFTERNOON SESSION MONDAY 10 MAY – AFTERNOON SESSION

______All of us know that we can"t do without science. For a In film and television we often tend to shape and define public service broadcaster, educational programmes ______our view of ourselves by looking at others, and often at ______about science are a must. Every aspect of our life is the exotic other. But here are 3 films where the ______somehow connected to biology, physics, chemistry, filmmakers have turned their camera onto their own mathematics, and of course computer sciences. ______world. In each case we are being told the story from the ______But science has gone much further than any of us inside. Does it make a difference to the final film if the suspected and most of us have lost track somewhere. ______filmmaker is an insider or an outsider? Will the perspective ______Most of us have lost track somewhere, and by now the be different, and will the film resonate differently with its ______majority of our audience do not understand the physical audience? world around us. Would you want to return to school to ______pick up the lost thread? Keywords ______Heritage and Culture ______Broadcasters and scientists have teamed up to show Intercultural dialogue the audience that there is hope, television can help ______Programming decisions them in understanding at least the basics of science. Representation Blackboards and books are replaced by experiments ______(action), demonstration (visuals), comparison (competition), ______personal participation (excitement), and engaging hosts are turning education into entertainment. ______

But can you show the speed of sound for example? ______Can a scientist be turned into a television star without losing his/ her professional credibility? ______Or do programme makers just ruin the sacred sanctuary of science and knowledge? ______Can we really stop half way between education and ______entertainment? ______Keywords Credibility ______Difﬁcult topics ______Economics of remit Education ______Social awareness Wide audience ______

30 31 MONDAY 10 MAY – AFTERNOON SESSION MONDAY 10 MAY – EVENING SESSION

______15:00-19:00 | Blue Room Screened Programmes 20:00-22:00 | Green Room Eye on the Left - News Cameramen’s Reality | Taiwan | 58' ______Does Anybody Care About The Future of Journalism - Who’s Going to Pay for It? | Coproductions in Germany | 12' ______Investigative Journalism? The Child, the Death and the Truth | Germany | 53' European Television Presentation organised by Institut Français and ______Shopsteward: Jo Raknes Goethe-Institut Budapest ______

______We look at ourselves in the mirror and reﬂect on our role Experts from France and Germany present the as journalists. In the digital age we seem so preoccupied ______possibilities of planning and organising co-productions in ______with our own profession, that we sometimes loose touch European television. The special focus is on cultural ______with what we are employed to do – and have a passion programmes and documentaries mainly using the for. ______example of ARTE. With the help of case studies the ______experts discuss the chances and risks of co-productions, The importance of investigative journalism, the bread ______as well as their development and ﬁnancing. ______and butter of our profession is not something we can take for granted any longer. Is it our responsibility to ______draw attention to how important our trade is for society, or are we the only people interested in this? ______Keywords Future perspective ______New formats Objectivity ______Re-kindling old’ formats ______Social education ______

______

32 33 TUESDAY 11 MAY – MORNING SESSION TUESDAY 11 MAY — MORNING SESSION

9:30-13:30 | Red Room Screened Programmes 9:30-13:30 | Green Room Screened Programmes Little Hungary in Zala County | Hungary | 59' Like a Man on Earth | Italy 60' How to Build up and Educate The School | Ireland | 40' Taking a Chance With Shrinking Scenes From the Intimate Life of Natalya Rasstrigina | Plain Talk | South Africa | 25' Russian Federation | 25' Future Audiences! The Cut | United Kingdom | 30' Budgets – Ending up With New King Baudouin and Abortion | Belgium | 50' Kinds of Programmes Minimetragem | Brazil | 1' Shopsteward: Jo Raknes Divergent | Ecuador | 27' Shopsteward: Jedrzej Dudkiewicz Don’t Tell Mom | Brazil | 22' ______What do we feed the generation who will decide the Public Broadcasters destiny in the future? Are we ______The need to reduce the cost of programmes is a fact. Is it nurturing our future !employers" and which way can we possible as television and film people, to find a solution ______show them that the brand of Public Broadcasting is ______to maintain the attractiveness of the programmes with worth the investment? ______reduced budgets? Is it enough to have new ideas and ______Let us look at some of the examples from around the creativity or do we also need to take a new look for other world how we treat our future audience today, and how ______sources of content and its acquisition? ______we empower them – to be our future bosses. ______Archives - public and private, user generated content, ______use of completely different technologies, use of Keywords ______photography, changes in the production and post ______Access production – those are several measures we can take to ______Brand building make productions cheaper. New audience ______Can we, thanks to that, give a fresh flavour to what we ______Programming do? Can we also get closer to the viewers? And can we ______still maintain – with a continuous reduction of costs – ______the expected quality standards? ______

______Keywords ______Budget ______Craft issues ______Economic survival ______Production decisions ______

______

34 35 TUESDAY 11 MAY – MORNING SESSION TUESDAY 11 MAY – AFTERNOON SESSION

______and Creating Justice? ______The economic crisis has and continues to shake the ______world. Some expected it, but many TV viewers did not A session produced by Abhijit Dasgupta and Judy Tam have a clue about how economics work. ______Did public broadcasters fail in their educational mission? If so, why? ______Is the subject attractive enough, or do we fear There are investigative journalism series that push ______economics will not get high audience ratings? Is it too ______the envelope. They have a following of viewers who watch because they expose, question, and create challenging regarding creativity and how can we make ______difficult subjects more appealing to a wide audience? larger conversations and discussions. What happens It is high time we focus on this issue and this session ______in the case of documentaries? Documentaries follow ______shows that we can talk about difficult topics by showing personal stories, give insights into issues, and try to new magazines, funny shows, strong investigations and ______balance different perspectives. What happens when ______good documentaries. they open up and expose government corruption, police ______wrongdoing, or cover ups, or criticise bureaucracy? ______Does a public media system broadcast programmes Keywords ______Bread and butter that raises questions but has limited balance? What Difficult issues on TV ______about the threats of lawsuits? ______Remit order In the United States, funding for public media comes ______Responsibility through Congress. The public broadcaster, PBS, worries about FCC standards, balance and objectivity, Service of PSBs ______and any criticisms about exposing corporate greed ______or government wrongdoing. This hasn"t stopped ______documentary filmmakers from sharing facts and stories ______about racial prejudice or government corruption. ______Across the world, investigative exposures have often ______resulted even in elected members of Parliament being ______suspended. What happens to the reporters? Do they get ______protection? ______This and a lot more will be discussed with examples ______from across the world. ______

______

36 37 TUESDAY 11 MAY – AFTENOON SESSION TUESDAY 11 MAY – AFTENOON SESSION

15:00-19:00 | Green Room Screened Programmes 15:00-19:00 | Blue Room Screened Programmes The War Without Victory | Finland | 46' Make the Politician Work: Defence Minister Peter Personalising History – Contact | Australia / France | 53' Make Programmes – Not Politics! McKay | Canada | 25' The Key to Success? The Stasi Files of Hans Kramer | France | 52' Mr. Governor | Sweden | 82' Believers | Bosnia | 22' Shopsteward: Jouko Salokorpi Michel Daerden"s Twelve Works | Belgium | 120' Shopsteward: Graeme Isaac Politicians on screen are for sure good for ratings, but in whose terms does this happens when they are not ______How can we tell history of past events in a new just in news or current affairs, but for example on reality programmes or game shows. appealing form? ______Here are 4 programmes that bring to life big and Who is using who, who gains most, why just this traumatic national events by personalising them and ______politician and not the other one. And who is in control in ______telling them simultaneously from both sides of the programme making, and how should they be treated, ______conﬂict. as they are very often the people who make decisions ______on the public service money. ______Keywords Collective memory ______Keywords ______Cost effectiveness Border beween information and entertainment ______Education Independence Integration ______Swaying politics ______Perception Who is using who Regional impact ______Social consciousness ______

______

38 39 TUESDAY 11 MAY – EVENING SESSION WEDNESDAY 12 MAY – MORNING SESSION

______20:00-22:00 | Green Room 9:30-13:00 | Red Room Screened Programmes ______Goldfish | Japan | 53' Heading to the East Sunday Night – One Secret | South Korea | 120' Public Service TeleVISIONary; ______Silver Dreams – A Father’s Undying Wishes | Taiwan | 46' ______Shopsteward: Kenny Kihyung Bae Finances of PSB ______in Economic Crisis ______The world is more receptive to Asian content now more sponsored by Visegrad Fund, Friedrich-Ebert-Stiftung ______then ever. Rich pools of talent, fresh view and advanced ______and EBU ______technology become powerful cultural references. We will be taking a serious look at most successful programmes ______respectively from Japan, Taiwan and Korea. The panel discussion will focus on the financing of public ______service broadcasters. Both structural issues and the ______See the unseen. Exciting opportunity to exploit different ______short-term effects of the global crisis will be addressed, perspectives, unique styles and creative storylines. ______in particular with regard to the CEE countries. How to understand these specificities and differences? ______Why they are so successful in the East? Would it be ______The discussion will be hosted by Krisztina D. Tóth of work in the West as well? Staying positive with the rise ______MTV with the following confirmed participants: ______of Asia, how do we best take advantage of the huge potential in the Asian Television content? ______Claudio Cappon - EBU Vice President ______(former Director General of RAI) Join a most inspiring trip for discussion. We are very ______enthusiastic about Heading to the East. Piotr Dmochowski-Lipski - Director General Ministry of ______Culture and National Heritage, (former Director of TVP) ______Olaf Steenfadt - Independent Broadcast Consultant ______Natasa Slavikova - Director General at the Ministry of ______Culture of the Slovak Republic, Media Audiovisual and ______Copyrights Department ______Petr Vágner - Executive Director of the International ______Visegrad Fund (representing the Czech Republic) ______

______

40 41 WEDNESDAY 12 MAY – MORNING SESSION NOTES

______9:30-13:00 | Green Room ______What"s the Pitch? ______A Journey to New Formats on ______International Television ______

A session produced by ______Claudia Schreiner and Roek Lips ______

In an ever growing media world the hunger for fresh ______ideas, content and formats is hardly to be satisfied. How do new programmes develop? What are the incentives ______that set a creative process on fire? Is there still empty ______space to be filled with new ideas or has everything already been invented and shown, are new programmes ______just variations of known formats? In this session we will discuss recent format innovations in international ______television. From Finland to the Philippines, from Belgium ______to Israel – programmes from all over the world prove that ______today"s television is trying to be on the edge of creativity. ______New formats emerge from new media and include them successfully. Old formats come back to life with a ______refreshing concept. Some formats merge with other formats, creating something brand new. Producers use ______social media to access decision-makers in real-time ______and connect them directly to their audience to create a national debate about the news. A health format gives ______its audience the chance to interact and by that risks to loose a patient live on the operating table. In cooperation ______with EBU"s Eurovision we will look at excerpts of the ______most innovative programmes of the last months and some that are still to come. ______

______13.00-13:30 | Green Room ______

Closing & Evaluation INPUT 2010 ______

______

42 43 ALL ENTRIES BY COUNTRY ALL ENTRIES BY TITLE

44 45 PROGRAMME DETAILS

24h Berlin - A Day in the Life 50 Years of: The Woman, a Men"s Thing All About Me Also Tested on Humans

Original title: 24h Berlin - Ein Tag im Leben Original title: 50 Años de la Mujer Cosa de Hombres Original title: Tout sur moi Original title: Ook Getest Op Mensen Country: Germany Country: Spain Country: Canada Country: Belgium Duration: 1440" (40") Duration: 26"50 Duration: 21"35 Duration: 45" Genre: TV-Specific Genre: TV-Specific Genre: Fiction Genre: TV-Specific Language: German Language: Spanish Language: French Language: Dutch Title of series: n/a Title of series: 50 Años de Title of series: Tout sur moi Title of series: Ook Getest Op Mensen Episode: n/a Episode: n/a Episode: 35 of 39 Episode: 1 Year of production: 2009 Year of production: 2009 Year of production: 2008 Year of production: 2009 Broadcast by: RBB / ARD, ARTE Broadcast by: TVE La 1 Broadcast by: Radio-Canada Television Broadcast by: één - VRT on: 5 September 2009 on: 26 November 2009 on: 9 March 2009 on: 25 March 2009 Production Format: n/a Production Format: Video Production Format: 16:9 SD Production Format: n/a Total budget in Euro: 2.800.000 Total budget in Euro: n/a Total budget in Euro: 200.000 Total budget in Euro: n/a Author: Volker Heise Author: Manel Arranz Author: Stephane Bourguignon Author: VRT Weten / XP Director: Volker Heise Director: Isabel Coixet Director: Stephane Lapointe Director: Ludovic Beun, Toon Van de Vijevr Producer: Thomas Kufus Producer: Ángel Villoria Producer: Josee Vallee Producer: Céline Van Leuven

Entered by: Rundfunk Berlin-Brandenburg - RBB / ARD Entered by: TVE Entered by: Cirrus Communications Entered by: VRT Contact: Johannes Unger Contact: Federico Llano Contact: Josee Vallee Contact: Wim Seghers [email protected] [email protected] [email protected] [email protected]

Synopsis: 24h Berlin portrays one whole day in the life Synopsis: Archive documentary directed by the Synopsis: Series Synopsis: We all want to live as long as possible and of a city and its inhabitants experienced and shot by filmmaker Isabel Coixet about the traditional role of All About Me is a series based on the personalities we are all very occupied with our health and our bodies. professionals and amateurs, planned and spontaneous. women in Spanish society and the repercussion in and lives of three actors and friends in real life There is no lack of information about the best way to One year later it was broadcast on TV – again for 24 the media of the crimes of gender violence. In spite Macha Limonchick, Éric Bernier and Valérie Blais. take care of our bodies. News papers, magazines, hours, without interruption. A programme where the of having always existed, these kind of crimes did not They share each other"s love-life adventures and radio, television, and websites are full of news about audience can tune in at any time, in conjunction with a appear in the media until recently. professional struggles. All About Me draws inspiration what is healthy and what is not. Are these stories all website offering direct participation, with events all over from their fifteen years of comedic tribulations, absurd true, though? And have these presumptions been Berlin and a digital archive for the future. Contact person in Budapest: Jose Manuel Pinillo misadventures and juicy anecdotes. In short, these are thoroughly tested? During ten weeks Marcel Vanthilt real actors in real-life situations, revisited and twisted by goes on a quest for answers to some major questions Contact person in Budapest: screenwriter Stéphane Bourguignon for the audience"s about our health. He does this in the simplest possible Volker Heise & Rolf Bergmann utmost pleasure. way: By carrying out the tests himself. On humans. This episode pays a tribute to Woody Allens first mystery movie !Manhattan Murder Mystery". Convinced Contact person in Budapest: that her upstairs neighbour has murdered his wife, Yves Podevyn & Elly Vervloet Macha drags Éric and Valérie into an amateur criminal investigation.

Contact person in Budapest: Stéphane Bourguigon

46 47 PROGRAMME DETAILS

Balthazar Ushka Ice Man Bang Goes the Theory Believers Bitworld - Two Rooms: The Past and the Present

Original title: Balthazar Ushka: el tiempo congelado Original title: Bang Goes the Theory Original title: Vjernici Original title: Country: Ecuador Country: United Kingdom Country: Bosnia Country: Japan Duration: 22" Duration: 27" Duration: 22" Duration: 55" Genre: Documentary Genre: TV-Specific Genre: Documentary Genre: TV-Specific Language: Spanish Language: English Language: Bosnian Language: Japanese Title of series: n/a Title of series: Bang Goes the Theory Title of series: n/a Title of series: Bitworld Episode: n/a Episode: 1 Episode: n/a Episode: Special Edition 2 Year of production: 2008 Year of production: 2009 Year of production: 2008 Year of production: 2009 Broadcast by: n/a Broadcast by: BBC Broadcast by: n/a Broadcast by: NHK on: n/a on: 14 July 2009 on: 1 December 2008 on: 6 March 2009 Production Format: DVcam Production Format: BetaSp Production Format: BETA SP Production Format: HD Total budget in Euro: n/a Total budget in Euro: 127.000 / Episode Total budget in Euro: 10.000 Total budget in Euro: n/a Author: n/a Author: Various Author: n/a Author: Masaura Uno Director: Igor Guayasamin and Jose Guayasamin Director: Various Director: Namik Kabil Director: Masaura Uno Producer: n/a Producer: Dermot Culfild and Ed Booth Producer: Boro Kontic Producer: Kenji Matsumoto

Entered by: Jose Guayasamin Entered by: BBC Television Entered by: Bosnian NC Entered by: NHK (Japan Broadcasting Corporation) Contact: Jose Guayasamin, Contact: Ed Booth Contact: Milan Trivic Contact: Fumina Koike [email protected] [email protected] [email protected] [email protected]

Synopsis: !A documentary where time freezes" In one Synopsis: Produced in conjunction with the Open Synopsis: The story about a multi-ethnic Sarajevo Synopsis: A studio-based live game show that of the world"s highest volcanoes, the Chimborazo, University, one of the UK"s premier academic sounds like a sad and ironic stereotype, as this is just proceeds simultaneously on TV and on the web. Baltazar Ushka has been working for more than thirty institutions, Bang Goes the Theory is more than a TV a retro-active reminiscence of what was once the multi- years now. He works chopping ice out of the glacier, magazine series - its is aimed to be the multiplatform ethnic nature of the city, badly damaged by the war. Still, Contact person in Budapest: later to be used to cool fruit juices at the Indian market open door to all things science - with three key elements there are islands of different thinking even in Sarajevo Koji Kiuchi & Atsushi Yamada in Guaranda. This documentary travels through time informing each other. The weekly TV show, a truly as it is today. One such island is the Pontanima choir - in a circular way, to create a life"s portrait of the last interactive website and a immersive road-show visiting a bridge between souls, active as part of the Franciscan Chimborazo Ice Man. dozens of cities each year. church of St. Anthony"s in the Old Town.

Contact person in Budapest: Jose Guayasamin Contact person in Budapest: Ed Booth Contact person in Budapest: Namik Kabil

48 49 PROGRAMME DETAILS

Bloody Mondays & Strawberry Pies Britain"s Really Disgusting Food: Meat Click Club Native

Original title: Bloody Mondays & Strawberry Pies Original title: Britain"s Really Disgusting Food: Meat Original title: Klick gemacht Original title: Club Native Country: The Netherlands Country: United Kingdom Country: Germany Country: Canada Duration: 62" Duration: 56"45 Duration: 89" Duration: 79" Genre: Documentary Genre: TV-Specific Genre: Fiction Genre: Documentary Language: Dutch Language: English Language: German Language: English Title of series: n/a Title of series: Britian"s Really Disgusting Food Title of series: Polizeiruf 110 Title of series: n/a Episode: n/a Episode: 1 - Meat Episode: 306 Episode: n/a Year of production: 2008 Year of production: 2009 Year of production: 2008 Year of production: 2008 Broadcast by: n/a Broadcast by: BBC Broadcast by: ARD Broadcast by: APTN on: 6 January 2009 on: 2 November 2009 on: 29 November 2009 on: n/a Production Format: n/a Production Format: DV Production Format: Super16mm Production Format: n/a Total budget in Euro: 398.102 Total budget in Euro: 160.000 Total budget in Euro: approx. 1.450.000 Total budget in Euro: n/a Author: Coco Schrijber Author: Alex Riley (Presenter) Author: Christian Jeltsch Author: Tracey Deer Director: Coco Schrijber Director: Alicia Kerr Director: Stephan Wagner Director: Tracey Deer Producer: J.B. Macrander Producer: Lisa Dunn Producer: Ronald Mühlfellner & Hamid Baroua (Assoc.) Producer: Linda Ludwick, Christina Fon (Rezolution), Adam Symansky (NFB) Entered by: IKON Entered by: BBC Entered by: Bayerischer Rundfunk - BR/ARD Contact: Ilona Lagcher Contact: Lisa Dunn Contact: Daniela Aulinger Entered by: National Film Board of Canada - NFB [email protected] [email protected] [email protected] Contact: Madeleine Bélisle [email protected] Synopsis: Beauty, love, work... sometimes it just isn"t Synopsis: Alex Riley, BBC"s Connoisseur of rubbish Synopsis: It is Chief Inspector Papens first day on the worth getting out of bed for it all. Bloody Mondays & food, is on the search for disgusting fare, uncovering job when a member of a military base is kidnapped. Synopsis: Club Native is a candid and deeply moving Strawberry Pies examines the role of boredom in the the dark art of food production in the meat, fish and Papen is filled in on the details by MP Captain Steiger, look at the pain, confusion and frustration suffered by human condition by showing the lives of a 32-year old dairy business. He discovers food manufacturers" clever an attractive woman in her mid-thirties and now many First Nations people as they struggle for the most Wall Street stockbroker who makes millions a year, a ways of slipping in revolting ingredients you might never his contact person in the military. She explains that important right of all: The right to belong. desert nomad who does nothing all day, the last living guess were there, the ingenious methods they have six months ago in Afghanistan, a convoy under the spy from the Second World War, a painter who has to make food appear more meaty and the wasteful command of Lt. Darkow, the kidnapped officer, was Contact person in Budapest: Tracey Deer been painting Time for the last 42 years and the first practices they use to net a fortune. booby-trapped. Three soldiers lost their lives. school shooter in history: Brenda Spencer, who at the Papen and Steiger have to work together while being age of 16 shot eleven people because: !I don"t like Contact person in Budapest: confronted with the fate of the victims and the bereaved Mondays". of that bombing. The kidnapping gains a new dimension Lisa Dunn & Claire Sillery when the kidnappers post a video on the Internet, The actor John Malkovich gives voice to the inner which shows a very frightened Lt. Darkow standing on bordom of human beings. His fascinating timbre crawls a contact mine. It"s only a matter of time until the mine under your skin and makes you wonders: !How many explodes unless they find him first... people in the world are like me?" The answers are right there in the silent Sahara of your mind. Contact person in Budapest: Conrad Cornelius

Contact person in Budapest: Martin Fröberg

50 51 PROGRAMME DETAILS

Connected Contact Discoveries of a Marionette Divergent

Original title: Contact Original title: Marionettens Oppdagelser Original title: Divergente תורבוחמ :Original title Country: Israel Country: Australia / France Country: Norway Country: Ecuador Duration: 25" Duration: 52"15 Duration: 70" Duration: 27" Genre: TV-Speciﬁc Genre: Documentary Genre: Documentary Genre: TV-Speciﬁc Language: Hebrew Language: English Language: Norwegian, English & Italian Language: Spanish Title of series: Connected Title of series: n/a Title of series: n/a Title of series: Divergente Episode: 2 Episode: n/a Episode: n/a Episode: 3 Year of production: 2009 Year of production: 2009 Year of production: 2009 Year of production: 2009 Broadcast by: HOT Broadcast by: ABC Television Broadcast by: Norsk riksringkasting - NRK Broadcast by: n/a on: 12 June 2009 on: 4 March 2009 on: 24 December 2009 on: n/a Production Format: Pal Beta-Digital Production Format: Digi-Beta Production Format: 8mm and DV CAM Production Format: HDV and DVCAM Total budget in Euro: 1.900.000 Total budget in Euro: approx. 275.000 Total budget in Euro: 147.000 Total budget in Euro: 1.700 Author: Ram Landes & Doron Tsabari Author: Martin Butler and Bentley Dean Author: Bjarte Mørner Tveit Author: n/a Director: Doron Tsabari Director: Martin Butler and Bentley Dean Director: Bjarte Mørner Tveit Director: Camilo Luzuriaga Producer: Ram Landes Producer: Martin Butler and Bentley Dean Producer: Torstein Grude Producer: n/a

Entered by: Koda Communication Entered by: ABC Television / ARTE France Entered by: Piraya Film as Entered by: Incine Contact: Ram Landes Contact: Chris Harrop Contact: Bjarte Mørner Tveit Contact: Camilo Luzuriaga [email protected] [email protected] [email protected] [email protected]

Synopsis: Five women. Each of a different age Synopsis: Contact is constructed around one of the Synopsis: There has always been a distance between Synopsis: After the series" standard introduction and background. Each of them operated a camera most extraordinary pieces of footage in Australian Bjarte and his grandfather, the great patriarch Alf sequence, the segment starts off with the filming to capture the most intimate moments of their lives. history: The moment where a group of Martu women Mørner. This is about to change when Alf gives his on set of a fictional piece that is interrupted by a Whether married or single, students or working, mothers and children walk out from the nomadic existence of grandson the strange gift of countless metal cans technical difficulty. Young interviewer Andrés Galarza or childless, they all look for the same things in the heart millennia in the Western Desert into a new universe containing 8 mm films. In these films Bjarte finds the takes advantage of the situation to interview equally of a bustling metropolis. Based on over 1.000 hours of of European modernity. Remarkably, this footage hidden stories of Alf"s adventurous past. But the gift youthful filmmaker Maria Jose Zapata, the short films footage, five separate story lines come together in each has never been seen in a documentary. Just as is also a commitment, and Bjarte soon embarks on a scriptwriter and director as well as actress. episode around a single theme, reflecting the womens remarkable is that participants from both the Aboriginal voyage of his own. sense of alienation and their search for self-fulfilment. and European sides are alive to tell their story. This Contact person in Budapest: Camilo Luzuriaga As the cameras probed deeper into their lives, an entire production is a joint French/Australian submission to Contact person in Budapest: Bjarte Mørner Tveit country sat at the edge of their seats, watching, waiting, INPUT. and most of all, wondering whether Connected was more than some voyeuristic journey into the innermost Contact person in Budapest: worlds of its protagonists. Could it be a reflection of the Martin Butler & Bentley Dean fears we all face in a fast-paced, ever-changing modern world? Could it be a reflection of us?

Contact person in Budapest: Doron Tsabari

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Don"t Tell Mom Esterhazy Eye on the Left - News Cameramen"s Reality Freestyle - Change Your Room

Original title: Não Conta Lá em Casa Original title: Esterhazy Original title: Original title: Freestyle - tutta un"altra stanza Country: Brazil Country: Poland Country: Taiwan Country: Italy Duration: 22" Duration: 23" Duration: 57"25 Duration: 30" Genre: TV-Specific Genre: Fiction Genre: Documentary Genre: TV-Specific Language: Portuguese Language: Polish Language: Mandarin Language: Italian Title of series: Não Conta Lá em casa Title of series: n/a Title of series: n/a Title of series: Freestyle - Change Your Room Episode: 8 Episode: n/a Episode: n/a Episode: 11 Year of production: 2009 Year of production: 2009 Year of production: 2009 Year of production: 2009 Broadcast by: Multishow Channel Broadcast by: TVP Kultura Broadcast by: Public Television Service, Taiwan Broadcast by: DeAKids on: 25 November 2009 on: 6 November 2009 on: 27 October 2009 on: 31 December 2009 Production Format: Mini DV Production Format: BC Pal Stereo, 16:9 and 35 mm, Production Format: Digital Betacam Production Format: Total budget in Euro: 7.900 / Episode colour Total budget in Euro: 18.000 Total budget in Euro: 240.000 for 11 Episodes Author: Leonardo Campos, Felipe Melo, Bruno Amaral, Total budget in Euro: n/a Author: Hui-ren Li Author: Monia Palazzo Andre Pires Author: Izabela Plucinska Director: Hui-ren Li Director: Riccardo Valotti Director: Leonardo Campos Director: Izabela Plucinska Producer: Martin Ku Producer: n/a Producer: Bruno Amaral Producer: Donten@Lacroix Films Entered by: Public Television Service Foundation Entered by: De Agostini Editore Entered by: Globosat Programadora LTDA Entered by: TVP SA / TVP KULTURA Contact: Chung-ho Lin Contact: Massimo Bruno Contact: Daniela Mignani Contact: Hanna Matwijewicz [email protected] [email protected] [email protected] [email protected] Synopsis: On 11 November 2008, Taiwan"s ex- Synopsis: The everyday dream for kids when coming Synopsis: Four young adventurers. Four unfriendly Synopsis: The hero is a young, purblind and sawn-off President Chen Shui-Bian, previously a symbol of of age is to transform their room. Giovanni will go to destinations – Myanmar, Iraq, Iran, North Korea. One bunny Esterhazy from Esterhazy-Dynasty in Vienna. democracy, was summoned to the Special Investigation the kids" homes to talk about their lives and hopes and goal: reveal another side of countries in constant He is sent to Berlin by the Patriarch Count Esterhazy, to Panel on corruption inquiries. Outside of the court, together with his team will transform the dream room conflict, which are closed to the world. This is only find a huge, healthy and beefy bunny woman near some 200 national and international reporters and journalists in to a real one using recycled material in an ecological possible with a lot of courage and few explanations at mysterious Berlin Wall. As the Patriarch of dynasty waited anxiously for the results. On this important way. home. This is !Don"t Tell Mom". says, there is an existing paradise of green grass with occasion, one senior TV news cameraman, who a wide subterrestrial system of tunnels made by and for had witnessed the rise of Taiwanese democracy and Contact person in Budapest: Massimo Bruno Contact person in Budapest: bunnies, protected by soldiers. But it seems like there the great tide of change that swept over the country, are hundreds of walls in this building city... The small was surprisingly absent. It was Jiang, who on this bunny survives a lot of adventures... monumental day in Taiwanese history, was ironically walking away from the media industry, about to embark Contact person in Budapest: Izabela Plucinska on a new life.

Contact person in Budapest: Hui-ren Li

54 55 PROGRAMME DETAILS

Getting On Goldﬁsh Havana-Miami: Times are Changing… I Think - Therefore I Am

Original title: Getting On Original title: Original title: La Havane-Miami : les temps changent… Original title: Ajattelen, siis olen Country: United Kingdom Country: Japan Country: France Country: Finland Duration: 30" Duration: 53" Duration: 20" Presentation Duration: 14"43 Genre: Fiction Genre: Fiction Genre: TV-Specific / Web-documentary Genre: TV-Specific Language: English Language: Japanese Language: French, German, English, Spanish Language: Finnish Title of series: Getting On Title of series: n/a Title of series: n/a Title of series: Who Am I? Episode: 1 Episode: n/a Episode: n/a Episode: 2 Year of production: 2009 Year of production: 2009 Year of production: 2009 Year of production: 2009 Broadcast by: BBC 4 Broadcast by: NHK Broadcast by: ARTE Broadcast by: YLE Teema on: 8 July 2009 on: 24 July 2009 on: n/a on: 26 September 2009 Production Format: Digibeta Production Format: HD Production Format: n/a Production Format: n/a Total budget in Euro: Chung-ho Lin Total budget in Euro: n/a Total budget in Euro: 280.000 Total budget in Euro: 18.000 / Episode Author: Jo Brand / Vicki Pepperdine / Joanna Scanlan Author: Muro Saisei Author: Serge Gordey and others Author: Tuula Rajavaara Director: Peter Capaldi Director: Hiroshi Kurosaki Director: Ismail Perdomo, Moses Hunter et Mark Director: Tuula Rajavaara Producer: Geoff Atkinson Producer: Shuhei Matsui Mocahbee (videos for the Web) and Rodrigo Vasquez Producer: Mirja Holste (film) Entered by: Vera Productions Limited Entered by: NHK (Japan Broadcasting Corporation) Producer: ALEGRIA Entered by: Finnish Broadcasting Company - YLE Contact: Geoff Atkinson / Carrie Fletcher Contact: Fumina Koike Contact: Jouko Salokorpi [email protected], [email protected] [email protected] Entered by: ARTE FRANCE jouko.salokorpi@yle.fi Contact: Regine Regal Synopsis: Health Care For The Elderly is the least Synopsis: Murata, a gruff, eccentric, and very [email protected] Synopsis: Partly animated, with a funny and fresh glamorous area of the NHS. The patients rarely make successful novelist, has moved back to his small native approach, this is a programme that portrays school a fuss - often they" re unable to - and for that reason island after living his younger years as a dissolute Synopsis: Only 90 miles apart, Miami and Havana are children"s philosophical views on life. All children are bad practices slip through. But are they bad? It"s a playboy in Tokyo. Though he"s been back on the island emotionally connected, while politically divided. Starting interested in themselves and their relationships to tough world for staff too, and getting on means, well, for ten years, he has no social connection with anyone February 2010, 12 young people in both cities tell their others and the surrounding world. If I am me, then the getting on. Behind A & E, behind the keyhole surgery except his pet, a large goldfish. personal stories, for 3 months on the Internet, then in a others must be others. But how do I know that I exist? and lantern-jawed surgeons lies the everyday life of a TV documentary. The website includes videos, pictures, female medical ward where patients live, and a few die, Contact person in Budapest: Hiroshi Kurosaki texts - all sent in by viewers so that people can connect The five-part series encourages philosophical it"s normal. to our characters. discussions with children at home and at school. The interviewed are school children from all around Finland, Contact person in Budapest: Contact person in Budapest: Serge Gordey aged from 8 to 12. Vicki Pepperdine & Joanna Scanlan Contact person in Budapest: Tuula Rajavaara

56 57 PROGRAMME DETAILS

In Prison Inside Nature"s Giants: Whale John Safran"s Race Relations King Baudouin and Abortion

Original title: A la preso Original title: Inside Nature"s Giants: Whale Original title: John Safran"s Race Relations Original title: Le roi Baudouin et l"avortement Country: Spain Country: United Kingdom Country: Australia Country: Belgium Duration: 57" Duration: 48" Duration: 30" Duration: 50" Genre: Documentary Genre: TV-Specific Genre: TV-Specific Genre: TV-Specific Language: Catalan Language: English Language: English Language: French Title of series: A la preso Title of series: Inside Nature"s Giants Title of series: John Safran"s Race Relations Title of series: Ce jour là Episode: 1 Episode: Whale Episode: 4 Episode: 2 Year of production: 2009 Year of production: 2009 Year of production: 2009 Year of production: 2009 Broadcast by: TV3 -Televisio de Catalunya Broadcast by: Channel Four - C4 Broadcast by: ABC TV Broadcast on: 2 October 2009 on: 15 September 2009 on: 6 July 2009 on: 21 October 2009 Production Format: n/a Production Format: n/a Production Format: HD Production Format: Digibeta SD 16:9 Total budget in Euro: 23.000 Total budget in Euro: 111.535 / Episode Total budget in Euro: 375.000 Total budget in Euro: n/a Author: Elodie de Sélys / Marianne Sluszny Author: Francesc Escribano & Helena Rodriguez Author: David Dugan Author: John Safran and Sofija Stephanovic Director: Guillaume Marichal Director: Francesc Escribano & Helena Rodriguez Director: David Dugan & Julian Thomas Director: Craig Melville Producer: Anne Hislaire Producer: David Felani Producer: David Dugan Producer: Laura Waters and John Safran Entered by: RTBF Entered by: Televisio de Catalunya Entered by: Windfall Films Entered by: Australian Broadcasting Corporation Contact: André François Contact: Marti Roig Contact: Martha Baker Contact: Debbie Lee [email protected] [email protected] martha@windfallfilms.com [email protected] Synopsis: April 4th, 1990: Belgium wakes up !without Synopsis: Over the course of a year TV3 was given Synopsis: The team dissects a Fin Whale stranded off Synopsis: John Safran"s Race Relations is an king!" That day, King Baudouin, the 1st, who has access to all Catalan prisons and was able to gather the coast of Ireland. Whale anatomist Joy Reidenberg Australian comedy documentary television series by reigned for 40 years, declines to countersign a law first-time broadcast images of life in prison. The result flew in from New York to stop the animal exploding as John Safran broadcast on ABC1 in 2009. The eight-part democratically voted by the parliament for the first time. of that effort is a 7-part series that allows viewers a it visibly expanded on the beach. Veterinary scientist, series is about cross-cultural, interracial and interfaith The law authorises abortion. The idea of a pregnancy"s glimpse of the personal stories of those living a life Mark Evans, helps investigate why it died and explores love. His globetrotting takes him to Israel, Palestine, the voluntary interruption, causes Baudouin to announce behind bars. Catalonia has one of the highest prison its extraordinary anatomy. Philippines, Togo, Japan, Thailand, UK, the Netherlands !the ethical voluntary interruption of his reign". His populations in Europe. Currently there are 10,400 and the United States. interruption is only temporary, as the King refuses to people imprisoned, and robbery is its main crime Contact person in Budapest: David Dugan resign and to leave the throne... Belgium is on the edge (53%), bringing with it an average sentence of eight Contact person in Budapest: John Safran of a major constitutional crisis. Lasting 5 days, the years. On the other side of the bars are 4,000 prison Flemish catholic Prime Minister Maertens tries to come staff. The programme provides a look at how prisons to a legal and political solution – a nasty trick according function. While the documentary attempts to provide to many observers – to allow for the law to be ratified a view of the circumstances in which these prisoners and for the king to keep his throne. Here is, twenty find themselves, it is also clear that behind every crime years later, the hour-by-hour meticulous narrative of committed there is a victim who has suffered. The these taboo moments which rocked Belgium. programme avoids playing up to morbid curiosity about prison and prison life. Contact person in Budapest: Anne Hislaire, Elodie de Sélys & Julie Martin Contact person in Budapest: Helena Rodríguez Bosch

58 59 PROGRAMME DETAILS

Kristian Let"s See the Speed of Sound Life on Jeung Island Like a Man on Earth

Original title: Kristian Original title: Original title: Original title: Come un uomo sulla terra Country: Denmark Country: Japan Country: South Korea Country: Italy Duration: 19" Duration: 14" Duration: 60" Duration: 60" Genre: Fiction Genre: Documentary Genre: Documentary Genre: Documentary Language: Danish Language: Japanese / English Language: Korean Language: Italian Title of series: Kristian Title of series: Discover Science Title of series: n/a Title of series: n/a Episode: 5 Episode: 1 Episode: n/a Episode: n/a Year of production: 2009 Year of production: 2009 Year of production: 2008 Year of production: 2008 Broadcast by: TV 2/Zulu Broadcast by: NHK Broadcast by: KBS - Korean Broadcasting System Broadcast by: n/a on: 16 November 2009 on: April 2010 on: 30 November 2008 on: n/a Production Format: 16:9 Production Format: HD Production Format: Production Format: n/a Total budget in Euro: 933.333 for 10 Episodes Total budget in Euro: 43.901,40 Total budget in Euro: n/a Total budget in Euro: 30.000 Author: Christian Fuhlendorf, Jesper Juhl, Flemming Author: Akiyuki Terashima Author: Kim, Hyoung-suk Author: Andrea Segre, Dagmawi Yimer, Riccardo Klem Director: Akiyuki Terashima Director: Kim, Hyoung-suk Biadene Director: Martin Schmidt Producer: Miki Mori Producer: n/a Director: Andrea Segre, Dagmawi Yimer, Riccardo Producer: Michael Pedersen Biadene Entered by: NHK (Japan Broadcasting Corporation) Entered by: Korean Broadcasting System - KBS Producer: n/a Entered by: TV 2/Networks Contact: Fumina Koike Contact: Kihyung Bae Contact: Maiken Wexø [email protected] [email protected] Entered by: Asinitas Onlus and ZaLab [email protected] Contact: Giulia Moretti Synopsis: A new science edutainment series to show Synopsis: City folk living through the modern trappings [email protected] Synopsis: Kristian is a young man with a problem: the rules of nature through spectacular experiments of modern civilization. City life, which is rich in material 228 days without sex - and as if that"s not enough: He that will make children understand the theory of science possessions might make life easier, but it can"t offer Synopsis: Giving voice to the Ethiopian refugees living shares a flat with his sister who has a lot of boyfriends by seeing it in action. Hoping to stop children move a happy or satisfying life to anyone. Life in today"s in Rome, this documentary provides a direct insight into and loads of sex. She has no empathy at all and want away from science, the huge scale experiments are civilization is marked by greed and that obviously leads the brutal ways in which Libya, aided also by Italian and him out. His best friend is a cool dude who is making conducted in an easy-to-understand manner and to a thirst in the heart. But in this place, far away from European funds, is operating to control the immigration it big time with girls. Kristian tries hard to follow him presented in an entertaining way to attract the children"s the city, at South Jeolla Province"s Shinan Jeungdo, life movements of people from Africa. !Come un uomo sulla and he also try to make it as director of a new ground- interest. No CGI, just grand-scaled experiments. Using might be a bit more difficult, but there are people who terra" is a journey of pain and dignity, through which breaking super hero movie. The girls are there, but high-tech cameras and shooting expertise, the series live happy and satisfying lives. Dagmawi Yimer voices his memories of unthinkable somehow it just does not work out. comes up with interesting ideas on how to visualize human suffering to denounce what appears to be a various scientific phenomena. Contact person in Budapest: Kim Hyoung-suk tragic political and humanitarian situation. In this respect Contact person in Budapest: Chris Didrik Nørgaard both Italy and Europe share responsibilities for this Contact person in Budapest: Miki Mori situation and should be made accountable for it.

Contact person in Budapest: Andrea Segre

60 61 PROGRAMME DETAILS

Little Hungary in Zala County Make the Politician Work: Male Sex Workers in Pakistan Michel Daerden"s Twelve Works Defence Minister Peter McKay Original title: Szabadlábon Zalában Original title: Musafirkhana Original title: Les 12 travaux Country: Hungary Original title: Make the Politician Work: Defence Country: Pakistan Country: Belgium Duration: 58"20 Minister Peter McKay Duration: 20"56 Duration: 120" Genre: TV-Specific Country: Canada Genre: Documentary Genre: TV-Specific Language: Hungarian Duration: 25" Language: Urdu, English and Sindhi Language: French Title of series: Szabadlábon Magyarországon Genre: TV-Specific Title of series: Equinox Title of series: Les 12 travaux Episode: 7 Language: English Episode: 27 Episode: 2 Year of production: 2009 Title of series: Make the Politician Work Year of production: 2008 Year of production: 2009 Broadcast by: MTV - Hungarian Television Episode: Defence Minister Peter McKay Broadcast by: Dawn News TV, Pakistan Broadcast by: RTBF on: 10 October 2009 Year of production: 2009 on: 13 December 2008 on: 8 December 2009 Production Format: 16:9; anamorf letterbox; SD Broadcast by: CBC - Canadian Broadcasting Corp. Production Format: DV Production Format: Total budget in Euro: 4.790 on: 13 September 2009 Total budget in Euro: 3.000 Total budget in Euro: 500.000 Author: Marcell Csókás Production Format: HD Author: Mohammed Anwerzada Author: Angel Zimer Director: Balázs Déri Total budget in Euro: n/a Director: Mohammed Anwerzada Director: Benoit Vlietinck Producer: Marcell Csókás Author: Laine Drewery Producer: Mohammed Anwerzada Producer: Angel Zimer Director: Mike Downie Entered by: Hungarian Television Producer: Sean Connolly, Stuart Coxe, Burak Ozgan Entered by: ABSL and Dawn news tv Entered by: RTBF Contact: Marcell Csókás Contact: Mohammed Anwerzada Contact: André François NC [email protected] Entered by: Canadian Broadcasting Corporation [email protected] [email protected] Contact: Julie Bristow Synopsis: Two typical spoiled urban kids approach the [email protected] Synopsis: This documentary episode of Equinox Synopsis: This game show plays with Michel Daerden real Hungarian countryside. They explore a world where addresses the marginalised communities of male sex who is a Belgian politician, a member of the Parti they had never been. They get up at such hours - when Synopsis: A unique experiment in which an elected workers aged between 10 to 45 years in Pakistan. They Socialiste and a finance auditor. Popular somewhat they usually finish partying at home in Budapest. They Canadian politician is made to work on the front lines have never been acknowledged and understood due to paradoxically for his reputation as a ‘bon vivant’, his usually feel at ease and hip in their clothes but they will of the ministry/department that he/she leads. In this the taboo around their profession. As more and more undenied penchant for a drink (especially Pomerol) feel completely uncomfortable and ridiculous in them as episode, Defence Minister Peter McKay undergoes people are being subjected to economic and social has led him to be lovingly nicknamed ‘The Gainsbourg they start their adventures in a remote small Hungarian boot camp military training at Canadian Forces base deprivation there has been a rise in HIV and STDs of Belgian Politics’ both by himself in a famous TV village. They work together with people whom they in Petawawa, Ontario. This is where Canada"s troops in this particular group. This was an effort to provide interview and by Belgium’s much respected weekly would normally avoid, and they have to do things which receive training before they are sent to Afghanistan. voices to them and to social workers that work for male news magazine Le Vif / L’Express. they have never dreamed of... He"s treated like any other enlisted soldier, replete with sex workers health. a drill sergeant barking orders, while participating in Contact person in Budapest: Angel Zimer Contact person in Budapest: Marcell Csókás a gruelling obstacle course and a simulated ambush Contact person in Budapest: Mohammed Anwerzada exercise with live ammunition.

Contact person in Budapest: Sean Connolly

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Minimetragem Miracle of Economics Mobster Gun, Booth Letter, Cemetery Alarm Mr. Governor

Original title: Minimetragem Original title: Wirtschaftswunder Original title: Mobster Gun, Booth Letter, Cemetery Original title: Hr Landshövding Country: Brazil Country: Germany Alarm Country: Sweden Duration: 1" Duration: 14"40 Country: United States of America Duration: 82" Genre: TV-Specific Genre: TV-Specific Duration: 56"46 Genre: Documentary Language: Portuguese Language: German Genre: TV-Specific Language: Swedish Title of series: Minimetragem Title of series: Wirtschaftswunder Language: English Year of production: 2007 Episode: n/a Episode: 11 Title of series: History Detectives Broadcast by: SVT - Sveriges Television Year of production: 2009 Year of production: 2009 Episode: 703 on: 4 May 2009 Broadcast by: RBS TV Broadcast by: Zweites Deutsches Fernsehen - ZDF Year of production: 2009 Production Format: Super 16 mm on: 3 October 2009 on: 2 May 2009 Broadcast by: Public Broadcasting System - PBS Total budget in Euro: 350.000 Production Format: MiniDV & HD Production Format: 16:9 on: 6 July 2009 Author: Måns Månsson Total budget in Euro: 393 Total budget in Euro: 26.000 Production Format: HD 1080 60 i Director: Måns Månsson Author: Gilberto Perin Author: Christopher Zahlten/ Julia Wallnöfer/ Andreas Total budget in Euro: n/a Producer: Martin Persson Director: Gilberto Perin Simon Author: David Davis, Chris Bryson, Tony Tackaberry Producer: n/a Director: Stefanie Wolf, Thomas J.Kramer, Peter Director: Kevin McLoughlin Entered by: SVT - Sveriges Television Wagner Producer: Christine Shuler Contact: Susanne Reich Entered by: RBS TV Producer: Antje Bollmann/ Christian Lang [email protected] Contact: Gilberto Perin Entered by: Oregon Public Broadcasting & Lion [email protected] Entered by: Zweites Deutsches Fernsehen - ZDF Television NY Synopsis: Anders Björck is a true old-school Contact: Gudrun Borenberg Contact: Pat Kruis conservative right-wing politician. The glorious years Synopsis: Minimetragem is a cultural contest of [email protected] [email protected] as Speaker of the House, Government official and one minute videos. Fiction, documentary, animation, Secretary of Defence are long gone, he is now reduced video-art and experimental video. It is an innovative Synopsis: Miracle of Economics is about everything Synopsis: Our detectives solve historical mysteries: to the local periphery as Governor of a provincial programme inside the Brazilian open television. Without around money: making money, saving money and Was this gun used in the St. Valentine"s Day Massacre university town. Mr Governor is an observational film fear of betting on the different and the unusual, the spending money. Everything from start-ups, over in Chicago, IL? Did the father of the man who shot on 16mm black&white reversal film with a 12mm project is open to popular participation filmed in any burdensome contract clauses in insurance policies to assassinated President Abraham Lincoln write a letter wide-angle lens. Jean Rouch once described the 12mm format. It conquered a growing audience, and could trendy items !Wirtschaftswunder" offers well-researched threatening to kill another sitting US president? Why lens on a 16mm camera as the closest equivalent of draw artists and technicians, both experienced and information about youth-orientated themes around would people bury explosives in a cemetery? the human eye in cinema, and black & white film has youngsters to participate. money. The programme is presented by Jan Koppen, an unbeatable ability to communicate very subjective a well-known host from Music Television VIVA in Contact person in Budapest: Chris Bryson moods and atmospheres whereas colour often simply Contact person in Budapest: Gilberto Perin Germany. The term Wirtschaftswunder (German for represents the !documentary" reality. !economic miracle") describes the rapid reconstruction Even though !Mr Governor" has a character-driven and development of the economies of West Germany narrative it isn"t a personal portrait in the classical and Austria after World War II. The expression was sense but rather a broader, more universal film about used by The Times in 1950. loneliness, aging, democracy and national pride.

Contact person in Budapest: Contact person in Budapest: Måns Månsson Stefanie Wolf & Thomas J.Kramer

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On Collision Course Plain Talk Prison Valley Rabbits à la Berlin

Original title: Flug in die Nacht - Das Unglück von Original title: Plain Talk Original title: Prison Valley Original title: Mauerhase Überlingen Country: South Africa Country: France Country: Germany Country: Switzerland Duration: 25" Duration: 20" Presentation Duration: 39"00 Duration: 91" Genre: TV-Specific Genre: TV-Specific / Web-Documentary Genre: Documentary Genre: Fiction Language: English Language: n/a Language: German Language: Swiss German / German Title of series: Plain Talk Title of series: n/a Year of production: 2009 Title of series: n/a Episode: Pilot Episode: n/a Broadcast by: MDR / ARD Episode: n/a Year of production: 2009 Year of production: 2009 on: 7 March 2010 Year of production: 2009 Broadcast by: n/a Broadcast by: ARTE Production Format: HDV 16:9 / 16 mm Broadcast by: ARD - Das Erste on: n/a on: n/a Total budget in Euro: approx. 300.000,00 on: 29 July 2009 Production Format: n/a Production Format: n/a Author: Bartek Konopka / Piotr Rosolowski Production Format: 16mm Total budget in Euro: n/a Total budget in Euro: 220.000 Director: Bartek Konopka / Piotr Rosolowski Total budget in Euro: 2.237.865 Author: n/a Author: David Dufresne, Philippe Brault Producer: Anna Wydra, MS Films Author: Till Endemann, Don Bohlinger Director: n/a Director: David Dufresne, Philippe Brault Coproducer: ma.ja.de., TVP, MDR, RBB Director: Till Endemann Producer: Youth Media Movement; Godmother Producer: Alexandre Brachet in association with ARTE, YLE, Lichtpunt, VPRO Producer: Peter-Christian Fueter Foundation Entered by: ARTE FRANCE Entered by: Mitteldeutscher Rundfunk - MDR/ARD Entered by: SRG SSR Entered by: Goethe-Institut Contact: Joël Ronez Contact: Dr. Katja Wildermuth Contact: Alberto Chollet Contact: Henrike Grohs [email protected] Katja. [email protected] [email protected] [email protected] Synopsis: Fremont County, Colorado: 36000 souls, 14 Synopsis: The programme takes a look at the world Synopsis: Airport Zurich-Kloten. Johann Lenders" Synopsis: Plain Talk is the pilot episode of a talk show prisons, 7731 inmates. Welcome to the Prison industry. from the perspective of the rabbits, which in the course vocation becomes his fate: When the the airguide- series whose goal is to give voice to the disadvantaged of Germany"s division found a new home in the so- controller is alone on duty on the first of July 2002, a community of Mitchell"s Plain, a coloured township on Prison Valley is a cross-media documentary about a called !death strip" around West Berlin. Without any Russian passenger airplane of the Bashkirian Airlines the outskirts of Cape Town. It features documentary community that has chosen inmates as income. With suspicion, they tell of a heavenly life in the midst of crashes with a cargo plane of the courier DHL at items realised by the local youth. this web-documentary, the audience is taken to the core lush greenery and with virtually no enemies, well- Überlingen (Germany). All 71 passengers – most of of the incarceration business. protected by an impenetrable wall. From their point of them children and adolescents – die in this tragic Contact person in Budapest: view the armed border guards of the NVA took personal accident. Yuri Balkajew, an Ossete, loses his entire Nick Vester & Zoe Damaro Contact person in Budapest: Alexandre Brachet responsibility for their welfare and safety. Over time the family: His wife, his four-year old daughter and his eight- rabbits lost all shyness and became sluggish and lazy. year old son are among the victims. Balkajew pursues Contrary to their nature, they stopped fighting to define those in charge, but he never receives an official the hierarchy and met the events around them almost apology. More than one year after the accident, he with disinterest. But then one day the wall fell and the kills the air traffic-controller in front of his family. Hope rabbits had to learn how to deal with the new freedom. persists in the form of little Kolja, an orphan who lost his An unusual documentary about rabbits and humans. mother - a Russian flight attendant - in the accident. For learning and laughter.

Contact person in Budapest: Peter-Christian Fueter Contact person in Budapest: Katja Wildermuth

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Re-enchantment Recipe for a Killing Regiment! Attention! Rise and Shine!

Original title: Re-enchantment Original title: Tirez sur le caviste Original title: , ! Original title: Country: Australia Country: France Country: Russian Federation Country: Japan Duration: Web programme + 10 x 3" interstitials Duration: 62"01 Duration: 22" Duration: 15" Genre: TV-Specific / Web-Specific Genre: Fiction Genre: Documentary Genre: TV-Specific Language: English Language: French Language: Russian Language: Japanese Title of series: n/a Title of series: Suite Noire Title of series: n/a Title of series: Rise and Shine! Episode: n/a Episode: 2 Episode: n/a Episode: 570 Year of production: 2009 Year of production: 2009 Year of production: 2008 Year of production: 2009 Broadcast by: Australian Broadcasting Comission Broadcast by: France 2 Broadcast by: n/a Broadcast by: NHK on: n/a on: 12 July 2009 on: October 2008 on: 30 December 2009 Production Format: Digibeta SD 16:9 Production Format: HD Production Format: Betacam Production Format: HD Total budget in Euro: n/a Total budget in Euro: 1.500.000 Total budget in Euro: 9.000 Total budget in Euro: 18.291 Author: Sarah Gibson Author: Emmanuelle Bercot Author: Boris Liznev Author: Masakazu Sato Director: Sarah Gibson Director: Emmanuelle Bercot Director: Boris Liznev Director: Masakazu Sato Producer: Sue Maslin Producer: Agora Films - Alain Guesnier Producer: Sergey Gusev Producer: Naohiko Kuroda

Entered by: Australian Broadcasting Corporation - ABC Entered by: France Televisions Entered by: Cinema-, video studio !Youth" Entered by: NHK (Japan Broadcasting Corporation) Contact: Debbie Lee Contact: Ghislaine Jassey Contact: Boris Liznev Contact: Fumina Koike [email protected] [email protected] [email protected] [email protected]

Synopsis: Re-enchantment is an interactive multi- Synopsis: The unlikely encounter between a gourmet Synopsis: The material for this programme was Synopsis: The aim of this programme is to give platform documentary project exploring why fairy stories wine producer and a rebellious young girl living on the the unique picture Kexholmsky Guards Regiment in children a happy start in the early morning, to help continue to enchant, entertain, fascinate and horrify fringe of society, whom he takes on as a cook. Both 1903. Made from one single shot, this production is them rise and shine. From their secret hideout up in a contemporary adult audiences. It combines rich content of them being somewhat monstrous, neither of them a metaphor for the spirit of the Russian soldier at the tree, the hosts bring children interesting topics to talk with state of the art animation design and is immersive, knows what secrets the other is hiding… turn of the previous century. Letters and diaries of about with their friends. Additionally the show is full interactive, community building and delivered as a multi- soldiers from the turn of the previous century are read to of fun games, quizzes, cartoons and even songs with platform experience including on-line, television and Contact person in Budapest: become the narration to this surprising production. philosophical insights. It actively stimulates the viewers" radio. Emmanuelle Bercot, Alain Guesnier & Paule Zajdermann senses, tests their memories, and improves their Contact person in Budapest: Boris Liznev language and observation skills. Contact person in Budapest: Sue Maslin Contact person in Budapest: Masakazu Sato

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Scenes from the Intimate Life of Silver Dreams - A Father"s Undying Wishes Something Blue SpangaS Natalya Rasstrigina Original title: Original title: Something Blue Original title: SpangaS Original title: Fragmenty Intimnoy Jizni Natalyi Country: Taiwan Country: United States of America Country: The Netherlands Rasstriginoy Duration: 46" Duration: 87"25 & 60" Duration: 10"50 Country: Russian Federation Genre: TV-Speciﬁc Genre: Fiction Genre: Fiction Duration: 25" Language: Mandarin Language: English Language: Dutch Genre: Documentary Title of series: Silver Dreams Title of series: n/a Title of series: SpangaS Language: Russian Episode: 3 Episode: n/a Episode: 499 Title of series: n/a Year of production: 2009 Year of production: 2007 Year of production: 2009 Episode: n/a Broadcast by: Public Television Service, Taiwan Broadcast by: n/a Broadcast by: NCRV & Z@PP Year of production: 2009 on: 6 November 2009 on: n/a on: 3 September 2007 Broadcast by: n/a Production Format: HDV Production Format: MiniDV Production Format: n/a on: n/a Total budget in Euro: 5.300 Total budget in Euro: 9.000 Total budget in Euro: 20.000 / Episode Production Format: n/a Author: Hsieh Li-an Author: Sean Dillon & Curtis Krick Author: Anya Koek Total budget in Euro: 1.000 Director: Hsieh Li-an Director: Sean Dillon & Curtis Krick Director: Diede In !tVeld Author: Alexandr Belobokov Producer: Lin Hsiao-pei Producer: Lesley Paterson, Ian Stokell, Curtis Krick, Producer: Ingmar Menning Director: Alexandr Belobokov Sean Dillon Producer: n/a Entered by: Public Television Service Foundation Entered by: NCRV Contact: Chung-ho Lin Entered by: Biscuits & Gravy Productions Contact: Leontine Groen Entered by: Alexandr Belobokov [email protected] Contact: Sean Dillon [email protected] Contact: Alexandr Belobokov [email protected] [email protected] Synopsis: The main character of this episode of Silver Synopsis: The series is about the students of the Dream is a 74-year old man who lives on his own. A Synopsis: Something Blue is a mockumentary feature multicultural Spangalis College, the greatest school Synopsis: Ironic documentary fantasy-parable. Not a survivor of the 21 September 1999 earthquake, Taiwan"s about an interracial wedding between Susan, a white, in the Netherlands. Although the series is staged at a single staged scene. Absolutely arbitrary editing. most devastating in a century, he was stirred to action middle-class bride, and Terry, a groom from a family school, it is about emotions rather than knowledge. by another natural disaster last year. In the aftermath of blue-skinned !Polar Americans" whose people Contact person in Budapest: Alexandr Belobokov of Typhoon Morikot in August 2009, not only did he immigrated to America from Antarctica. Contact person in Budapest: put his dream into action and reach out as a volunteer Leontine Groen & Gemma Derksen to survivors, he also summoned the inner fortitude to Contact person in Budapest: patch things up to varying degrees with his daughters, Sean Dillon & Curtis Krick from whom he had been estranged for decades. The production provides an unvarnished candid look into family relationships and interaction. Its authenticity is both refreshing and stirring.

Contact person in Budapest: Hsiao-pei Lin

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StoryLand Sunday Night - One Secret Taboo Tel Aviv - Jaffa

ופי - ביבא לת :Original title: StoryLand Original title: Original title: Tabou Original title Country: Ireland Country: South Korea Country: Switzerland Country: Israel Duration: 3"-7" x 26 Duration: 120" Duration: 52" Duration: 64" Genre: Fiction Genre: TV-Speciﬁc Genre: Documentary Genre: TV-Speciﬁc Language: English Language: Korean Language: French Language: Hebrew Title of series: StoryLand Title of series: Sunday Night Title of series: n/a Title of series: Chapter 3 Episode: n/a Episode: 1 Episode: n/a Episode: 3 Year of production: 2009 Year of production: 2009 Year of production: 2008 Year of production: 2009 Broadcast by: RTÉ.ie (online) Broadcast by: Munhwa Broadcasting Corp. - MBC Broadcast by: TSR - Télévision Suisse Romande Broadcast by: Channel 8 on: 16 March 2009 on: 6 December 2009 on: 14 October 2009 on: 30 May 2009 Production Format: Digital video Production Format: n/a Production Format: DV Production Format: 4:3 PAL Total budget in Euro: 210.000 Total budget in Euro: approx. 41.000 Total budget in Euro: 98.000 Total budget in Euro: 348.896 Author: Various across different projects Author: Kim Seon-Hye Author: Orane Burri Author: Anat Zeltser, Modi Bar On, Gabriel Bibliowicz Director: Various Director: Seong Chi-Kyoung Director: Orane Burri Director: Anat Zeltser, Modi Bar On, Gabriel Bibliowicz Producer: Various (all independent companies) Producer: n/a Producer: Max Karli Producer: Modi and Anat LTD

Entered by: Raidió Teilifís Éireann - RTÉ Entered by: Munhwa Broadcasting Corporation - MBC Entered by: SRG SSR Entered by: Modi and Anat LTD Contact: Eilish Kent Contact: Mina Eom Contact: Alberto Chollet Contact: Anat Zeltser [email protected] [email protected] [email protected] [email protected]

Synopsis: StoryLand is a series of new online Synopsis: Around the world, children under the age Synopsis: Thomas, 20 years old, wants to end his life. Synopsis: In the beginning of the twentieth century, dramas. January 29, 2010 sees the 2nd Series hit the of 5 years are dying because of the polluted water He decides to ﬁlm his last few months. A heritage which in 1909, a neighbourhood called !Ahuzat Bayit" was web. StoryLand is an opportunity to have more and (every 3.5 seconds) or water-borne diseases (every he gives to his friend, Orane Burri. Ten years later, after established. In time, the neighbourhood would become diverse voices on air telling new stories, chosen by our 8 seconds.) MBC goes to Zambia to sink a well and Thomas" suicide - Orane Burri confronts herself with this a new city, Tel Aviv, developing alongside one of the audience. Aspiring programme makers were invited to share love. material as a ﬁlmmaker. most ancient cities in the world – Jaffa. Later, the two pitch to make a 6-part webcast drama series. cities were united and became Israel"s economic and The successful groups will get their dramas re- Contact person in Budapest: Mina Eom Contact person in Budapest: Orane Burri & Max Karli cultural capital. The vision of the founding fathers was commissioned episode by episode, by the audience to improve the dismal quality of life in Jaffa, and to who have one week to vote online, until only one series endorse the Western European model of a !garden gets to make all six episodes. This project is designed city" – one story houses, surrounded by gardens with to develop talent, to get them to think episodically for fruit trees, with slanted roofs and with simple and TV, grow new audience and explore new platforms in a symmetrical windows and doors. cost-effective way. Contact person in Budapest: Anat Zeltser Contact person in Budapest: Eilish Kent

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The Bergen Railway - Minute by Minute The Breath In The Case The Child, the Death and the Truth

Original title: Bergensbanen - minutt for minutt Original title: Levegot venni Original title: Fallet Original title: Das Kind, der Tod und die Wahrheit Country: Norway Country: Hungary Country: Sweden Country: Germany Duration: 436" Duration: 25" Duration: 45" Duration: 52"48 Genre: Documentary Genre: Fiction Genre: Fiction Genre: Documentary Language: Norwegian Language: Hungarian Language: Swedish Language: German Title of series: n/a Title of series: Hajónapló / Log Sheet Title of series: Fallet Title of series: n/a Episode: n/a Episode: 1 Episode: 1 Episode: n/a Year of production: 2009 Year of production: 2009 Year of production: 2009 Year of production: 2009 Broadcast by: NRK2 Broadcast by: Magyar Televízió - MTV Broadcast by: SVT - Sveriges Television Broadcast by: ARD, Das Erste on: 27 November 2009 on: n/a on: 11 October 2009 on: 4 March 2009 Production Format: IMX50 Production Format: n/a Production Format: 16:9 HD Production Format: DigiBeta, 16:9 Total budget in Euro: 15.000 Total budget in Euro: 50.000 Total budget in Euro: 900.000 / 4 Programmes Total budget in Euro: 128.368 Author: Elin Helgheim Author: Mark Bodzsar Author: Håkan Lindhé Author: Esther Schapira, Georg M. Hafner Director: Thomas Hellum Director: Mark Bodzsar Director: Reza Parsa Director: Esther Schapira, Georg M. Hafner Producer: Rune Moeklebust Producer: Istvan Bodzsar Producer: Annika Holmberg, Nils Hansson Producer: Hessischer Rundfunk - HR/ARD

Entered by: NRK Hordaland Entered by: Hungarian Television - MTV Entered by: SVT - Sveriges Television Entered by: Hessischer Rundfunk - HR/ARD Contact: Thomas Hellum Contact: Anita Danyi Contact: Susanne Reich Contact: Julia Flügel [email protected] [email protected] [email protected] jﬂ[email protected]

Synopsis: This !Locomentary" is for sure a crazy but Synopsis: Based on the short story of Gabor Zoltan"s Synopsis: This is a series about dramatised high- Synopsis: It was an image that moved the world: simple idea. A real live trip through the Norwegian The Breath In, the TV programme is about a 40-year profiled and much talked-about, crimes committed in A father huddles behind a barrel of concrete, his arm landscape by portraying a train on its journey crossing old top manager, who feels the pressure to live up to Sweden in recent years. The first programme tells the draped protectively around his injured boy, trying in vain the mountains between Bergen and Oslo. And all in the idol of fit forty masculinity – so he starts to train. story about !Haga-mannen", a rapist that held the town to save his life. The tragic scene was filmed by a France real time! The programme was supposed to be 7 hours Defending his precious seclusion he decides to have Umeå in shock and horror for many years. Although the 2 cameraman. People around the world were shaken and 4 minutes long, but due to train delay, the actual lonely - early morning swimming sessions. He buys top police tried everything. They couldn"t catch him. In 2006 by the death of 12-year old Palestinian boy Muhammed time ended up being 7 hours and 16 minutes! That quality swimwear, chooses an expensive swimming his identity was finally revealed. To everybodys surprise Al-Durah in his fathers arms, killed in a deadly crossfire gives us the longest travel documentary broadcasted in pool, and evolves a training plan for the upcoming this brutal rapist turned out to be a beloved husband between Palestinians and Israeli soldiers. Norway. The programme reached a total of 1,2 million years. He strives by himself, but soon enough he spots and father of two small children. He had an ordinary job, viewers. Four cameras give us the minute by minute one guy in a black bathing-cap, who is just as tall and where nobody suspected that the kind man they worked Contact person in Budapest: real experience of the train trip as you"ve never seen it old as himself, but swims faster and weighs less than he with every day, was a monster. The programme follows Esther Schapira & Georg-Michael Hafner before. does. The vague fraternisation soon turns into rivalry, the rapist"s last days before his arrest. then enmity and feud. Contact person in Budapest: Thomas Hellum Contact person in Budapest: Annika Holmberg Contact person in Budapest: Mark Bodzsár

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The Cut The Erection Man The Farmer The Feast on Our Street

Original title: The Cut Original title: De Viagraman Original title: Bonderøven Original title: Country: United Kingdom Country: The Netherlands Country: Denmark Country: Belarus Duration: 30" Duration: 50" Duration: 28"30 Duration: 22" Genre: Fiction Genre: Documentary Genre: TV-Speciﬁc Genre: Documentary Language: English Language: English & Dutch Language: Danish Language: n/a Title of series: n/a Title of series: n/a Title of series: Bonderøven Title of series: n/a Episode: n/a Episode: n/a Episode: 9 Episode: n/a Year of production: 2009 Year of production: 2009 Year of production: 2008 Year of production: 2008 Broadcast by: BBC2 Broadcast by: VPRO Broadcast by: DR2 Broadcast by: Belsat TV on: 19 September 2009 on: 2 December 2009 on: 11 January 2009 on: 6 September 2009 Production Format: n/a Production Format: n/a Production Format: 16:9 Production Format: n/a Total budget in Euro: 493.000 Total budget in Euro: 269.000 Total budget in Euro: 11.000 Total budget in Euro: n/a Author: Geoffrey Goodwin and Al Smith Author: Michael Schaap Author: Rikke Lauridsen Author: Galina Adamovich Director: Sarah Walker Director: Michael Schaap Director: Rikke Lauridsen Director: Marcin Smialowski Producer: Pete Gibbons Producer: Janneke v.d. Kerkhof & Fabie Hulsebos Producer: Mikkel Tyrrestrup Producer: Siarghuk Siniakevich

Entered by: BBC Switch Entered by: VPRO Entered by: DR Entered by: Belsat TV Contact: Geoffrey Goodwin Contact: Barbara Truyen Contact: Rikke Lauridsen Contact: Galina Adamovich [email protected] [email protected] [email protected] +375 29 359 03 17

Synopsis: The Cut is a fast paced drama about Synopsis: How one little pill changed the course of Synopsis: Frank is a young hayseed and proud of it. He Synopsis: East Slavic peoples have a saying !Some British teenage life. Our teen gang dance between sexual evolution. This movie tracks the history of a dreams of the simple life. But instead of wallowing in his day a feast will come to our street too", which is experience and vulnerability, loyalty and deceit, fun and little pill that popped on to the market ten years ago, dream, he does something about it. Frank is 24 years remembered when things go from bad to worse. responsibility, mochaccino and milkshakes, diving in and turned the world upside down. These tiny blue old. He has just bought an old, run-down farm, where This observational documentary dares to take a look and out of dark places and facing up to their uncertain diamonds are also known as Viagra. Nosy and armed he wants to realise his dream. Our young hayseed at what our streets look like, when the feast actually futures. with a healthy dose of humour, the director discovers a doesn"t care much for modern technology. He wants to comes. The Cut is about being young and alive and going tale about virility, anxiety and the state of our modern- do things the old-fashioned way. Full of self-irony, humor through it all with your friends. Experience it on-line day man. and experience he plunges headlong into his projects Contact person in Budapest: Galina Adamovich daily and on weekends on BBC Two. with catching enthusiasm and sincerity. Contact person in Budapest: Barbara Truyen Contact person in Budapest: Geoffrey Goodwin Contact person in Budapest: Rikke Lauridsen

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The Future of Journalism - Who"s Going to The Little Boy and the Beast The Police Station The Reckoning: The Battle for the International Pay for It? Criminal Court Original title: Der Kleine und das Biest Original title: Pasila Original title: Zukunft des Journalismus - Wer soll das Country: Germany Country: Finland Original title: The Reckoning: The Battle for the bezahlen? Duration: 6" Duration: 26"38 International Criminal Court Country: Germany Genre: TV-Specific Genre: Fiction Country: United States of America Duration: 12"03 Language: German Language: Finnish Duration: 86"46 Genre: TV-Specific Title of series: n/a Title of series: Deputy Mayor Genre: Documentary Language: German Episode: n/a Episode: 3 Language: English, French and Spanish Title of series: Elektrischer Reporter Year of production: 2009 Year of production: 2009 Title of series: POV Episode: 15 Broadcast by: KI.KA Broadcast by: YLE TV 2 Episode: 4 is a season of independently produced films Year of production: 2009 on: 8 November 2008 on: 2 February 2009 Year of production: 2009 Broadcast by: ZDFinfokanal and ZDFmediathek Production Format: n/a Production Format: Broadcast by: PBS on: 2 October 2009 Total budget in Euro: 65.000 Total budget in Euro: 65.000 / Episode on: 14 July 2009 Production Format: n/a Author: Marcus Sauermann Author: Atte Järvinen Production Format: HD Total budget in Euro: 15.000 Director: Johannes Weiland / Uwe Heidschötter Director: Atte Järvinen Total budget in Euro: 537.910 Author: Fiete Stegers, Mario Sixtus Producer: Carsten Bunte Producer: Olli Haikka / Filmiteollisuus Fine Ltd Author: Paco de Onis, Pamela Yates and Peter Kinoy Director: Mario Sixtus Director: Paco de Onis, Pamela Yates and Peter Kinoy Producer: Mario Sixtus Entered by: Zweites Deutsches Fernsehen - ZDF Entered by: Finnish Broadcasting Company - YLE Producer: Paco de Onis Contact: Gudrun Borenberg Contact: Jouko Salokorpi Entered by: Zweites Deutsches Fernsehen - ZDF [email protected] jouko.salokorpi@yle.fi Entered by: American Documentary / POV Contact: Bernhard Fritsch Contact: Chris White [email protected] Synopsis: Ever since Haro"s dad has left the family, Synopsis: Pasila is a humoristic animated comedy [email protected] Haro"s mum has become very strange. She hardly plays series for TV, portraying the everyday life of the Synopsis: The !Elektrischer Reporter" is a TV series with him anymore and broods over old photographs, Pasila police precinct with a satiric twist. Detective Synopsis: Over 120 countries have united to form the about internet culture and digital change. Each episode she no longer laughs and is in a bad mood all the time. Kyösti Pöysti, 30, fights crime in his own, unique International Criminal Court (ICC) — the first permanent is dedicated to a special topic, ranging from the short She has turned into a real beast. Suddenly, Haro has style, his efforts hampered by his rocky personal life. court created to prosecute perpetrators, no matter message service Twitter, the US presidential and to take care of many things all by himself, which can The colleagues at the police station pose additional how powerful, of crimes against humanity, war crimes the German election web activities up to e-sports be pretty tiring. Told from the boy"s point of view the challenges for Pöysti when trying to keep it all together: and genocide. We follow dynamic ICC Prosecutor Luis and collaborative artwork. In this episode the electric short animation depicts the difficulties he faces after his Captain of the Pasila precinct, Rauno Repomies, a Moreno Ocampo and his team for three years across reporter Mario Sixtus who is also the author and host parents have separated. However, the production also man with a moustache and heavy medication, Pekka four continents as he issues arrest warrants for Lord"s describes the economic and journalistic effects of the shows that beastly parents who are going through a Routalempi, the desk sergeant who thinks everything Resistance Army leaders in Uganda, puts Congolese digital change for his own profession. divorce may eventually turn into their old selves again. in the world is always so !exciting", the strict, loud and warlords on trial, shakes up the Colombian justice The programme is fast-paced, and archive pictures are macho woman police officer Helga, and finally, the only system, and charges Sudan"s President Omar al-Bashir combined with the voice-over, opening new points of Contact person in Budapest: Annick Hillger sane person in the Pasila precinct, officer Neponen, with genocide in Darfur. The Reckoning keeps you on view to the audience. who always criticises Pöysti when he goes too far. the edge of your seat. Will the Prosecutor succeed? Will the world ensure that justice prevails? Contact person in Budapest: Bernhard Fritsch Contact person in Budapest: Atte Järvinen & Olli Haikka Contact person in Budapest: Paco de Onis & Pamela Yates

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The Savage Eye The School The Stasi Files of Hans Kramer The Swedish Crusade

Original title: The Savage Eye Original title: The School Original title: Dossier Stasi - Hans Kramer Original title: Det svenska korståget Country: Ireland Country: Ireland Country: France Country: Sweden Duration: 25"43 Duration: 40" Duration: 52" Duration: 54"45 Genre: TV-Specific Genre: Documentary Genre: Documentary Genre: TV-Specific Language: English Language: English Language: German Language: Swedish Title of series: The Savage Eye Title of series: The School Title of series: n/a Year of production: 2009 Episode: 3 Episode: n/a Episode: n/a Broadcast on: 21 January 2009 Year of production: 2009 Year of production: 2008 Year of production: 2009 Production Format: DigiBeta Broadcast by: Raidió Teilifís Éireann - RTÉ Broadcast by: n/a Broadcast by: France 3 Total budget in Euro: 50.000 on: 7 December 2009 on: 4 January 2010 on: 1 November 2009 Author: Lars-Göran Svensson Production Format: DV Production Format: Digi Beta Production Format: HD Director: Lars-Göran Svensson Total budget in Euro: 437.522 Total budget in Euro: 218.500 Total budget in Euro: 376.631 Producer: Ali Fegan Author: David McSavage Author: Liam McGrath Author: Heike Bachelier Director: Kieron J. Walsh and Damien O"Donnell Director: Liam McGrath & Paula Rouse Director: Heike Bachelier Entered by: Sveriges Television - SVT Producer: Katie Holly Producer: Tony Deegan & Liam McGrath Producer: Fabienne Servan Schreiber / Lucie Pastor Contact: Susanne Reich [email protected] Entered by: Blinder Films Ltd. Entered by: Scratch Films Ltd. Entered by: Cinétévé Contact: Ailish Bracken Contact: Tony Deegan Contact: Pauline Frachon Synopsis: This documentary contains the infamous [email protected] [email protected] [email protected] interview with Holocaust denier Bishop Richard Williamson of SSPX. It caused !the most serious Synopsis: The Savage Eye is a satirical and often Synopsis: The School, is a new landmark documentary Synopsis: 30 years ago, the East German GDR crisis" between the Jewish and Catholic communities surreal examination of subjects close to the hearts of series for RTÉ Television, following the students and dictatorship: Harmut Rosinger, codename !Hans in modern time and stirred a worldwide uproar among the Irish people. !Property" will explore that now very teachers of St Peters College Dunboyne, Co. Meath Kramer, is an IM, an unofficial collaborator of the political and religious leaders. Religious extremism is a touchy subject, !Why are the Irish so obsessed with over one academic year. Filming the series began in Stasi secret police force. His task is to secretly report hot topic and this time it was about an ultra-conservative Property?" The reasons given for why we became so September 2008 after months of careful negotiations on his friend Peter Wulkau, suspected of writing a ex-communicated Catholic priestly society. The obsessed with property range from the legacy of British with the local education authority. Never before has an novel criticising the GDR. As a result Peter Wulkau is reporters Fegan and Svensson received information rule and our greed, to property porn. Irish school given such unlimited access to filmmakers, imprisoned for crimes against the state. that SSPX secretly, over ten years, established a allowing camera crews to document every aspect of congregation in Sweden and its leaders all with strong Contact person in Budapest: school life. Contact person in Budapest: Heike Bachelier connections to the extreme right. The group was Katie Holly & Kieron J. Walsh banned from the Catholic churches in Sweden, but Contact person in Budapest: Liam McGrath then the Pope decided to lift the ex-communication... Here we focus on the up-coming Swedish leader, Sten Sandmark. For 30 years he was a vicar in the Protestant Church, until he left in 2006 to become the very first SSPX-priest in Sweden and to lead the way to catholicise all of Sweden in what they themselves call – the Swedish Crusade.

Contact person in Budapest: Lars-Göran Svensson

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The Voices of the Pamano The War Without Victory The Warning The Woman of Brukman

Original title: Les veus del Pamano Original title: Sota ilman voittoa Original title: Frontline: The Warning Original title: Les femmes de la Brukman Country: Spain Country: Finland Country: United States of America Country: Canada Duration: 70" Duration: 45"11 Duration: 56"46 Duration: 52" Genre: Fiction Genre: Documentary Genre: TV-Speciﬁc Genre: Documentary Language: Catalan Language: Finnish and Russian Language: English Language: French Title of series: The Voices of the Pamano Title of series: n/a Title of series: Frontline Title of series: n/a Episode: 1 Episode: n/a Episode: The Warning Episode: n/a Year of production: 2009 Year of production: 2009 Year of production: n/a Year of production: 2008 Broadcast by: TV3 -Televisio de Catalunya Broadcast by: YLE TV 1 Broadcast by: PBS Broadcast by: Radio-Canada Television on: 16 November 2009 on: 29 November 2009 on: 20 October 2009 on: 17 April 2009 Production Format: HD Production Format: n/a Production Format: HD Production Format: 4:3 SD Total budget in Euro: 2.700.000 Total budget in Euro: n/a Total budget in Euro: 500.000 Total budget in Euro: n/a Author: Xesc Barcelo & Eduard Cortes Author: Arvo Tuominen and Leonid Maljarov Author: n/a Author: Isaac Isitan, Carole Poliquin Director: Lluis M. Guell Director: Arvo Tuominen and Leonid Maljarov Director: Michael Kirk Director: Isaac Isitan Producer: Albert Sagales & Paco Poch Producer: Pentti Väliahdet / YLE Producer: Michael Kirk, Jim Gilmore, Mike Wiser Producer: Isaac Isitan, Carole Poliquin

Entered by: Televisio de Catalunya Entered by: Finnish Broadcasting Company - YLE Entered by: Kirk Documentary Group / Frontline Entered by: Les Productions ISCA Contact: Marti Roig Contact: Jouko Salokorpi Contact: Colette Neirouz Contact: Isaac Isitan [email protected] jouko.salokorpi@yle.ﬁ [email protected] [email protected]

Synopsis: 1943. In the bitter years following the Synopsis: This documentary is a Finnish-Russian Synopsis: In the devastating aftermath of the economic Synopsis: During the 2001 economic collapse in Spanish civil war, a young schoolmaster is posted to co-production, bringing to life the Winter War of meltdown, Frontline sifts the ashes for clues about why Argentina, seamstresses at Brukman"s clothing factory a village in the Pyrenees, where he settles with his 1939-40 with eye witness accounts from both sides. it happened and examines critical moments when it took over the operation after the owners had abandoned pregnant wife. But his vision of an idyllic life in the The documentary is hosted by the Finnish actor Ville might have gone much differently. Looking back into the them. They re-organised it based on a self-management mountains soon vanishes as he ﬁnds himself obliged Haapasalo and the Russian rock star Sergei Shnurov, 1990s, Frontline discovers early warnings of a crash, model, without a doubt the most inspiring of many to lead a double life, trapped between the township"s both of whose grandfathers fought in the Second World reveals an intense battle among high-ranking members new economic experiments to have come out at the pro-Franco sector and the clandestine struggle of the War. of the Clinton Administration, and uncovers a concerted time. Thanks to large public support, they managed to Maquis. Fifty years later, another teacher comes across effort not to regulate the emerging, highly complex, and overcome brutal evictions as well as lengthy legal and the hidden notebooks where the schoolmaster set down Contact person in Budapest: Arvo Tuominen lucrative derivatives markets, which would become the political struggles in order to maintain their livelihood his own story, diametrically opposed to the ofﬁcial story ticking time-bomb within the American economy. and regain their dignity through work. that has passed down over the years. Contact person in Budapest: Mike Wiser Contact person in Budapest: Isaac Isitan Contact person in Budapest: Lluis M. Guell

82 83 PROGRAMME DETAILS

Trapped! Unsung Heroes Wilfred Wonderland: The British in Bed

Original title: Cilada Original title: Unsung Heroes Original title: Wilfred Original title: Wonderland Country: Brazil Country: South Africa Country: Australia Country: United Kingdom Duration: 22" Duration: 46" Duration: 25" Duration: 60" Genre: Fiction Genre: TV-Specific Genre: Fiction Genre: Documentary Language: Portuguese Language: Sesotho Language: English Language: English Title of series: Cilada Title of series: Unsung Heroes Title of series: Wilfred Title of series: The British in Bed Episode: October 2008 Episode: 3 Episode: 1 - Kiss Me Kat Episode: 1 Year of production: 2008 Year of production: 2008 Year of production: 2009 Year of production: 2009 Broadcast by: Multishow Channel Broadcast by: SABC2 Broadcast by: SBS Broadcast by: BBC2 on: 6 December 2008 on: April 2010 on: 8 March 2010 on: 29 October 2009 Production Format: n/a Author: n/a Production Format: n/a Production Format: Digibeta Total budget in Euro: 30.000 / Episode Director: Norman Maake Total budget in Euro: n/a Total budget in Euro: 171.450 Author: Bruno Mazzeo Producer: Bridget Pickering and Neil Brandt Author: Jason Gann and Adam Zwar Author: Philippa Robinson Director: Felipe Joffily Director: Tony Rogers Director: Philippa Robinson Producer: Augusto Casé Entered by: South African Broadcasting Corp. Ltd. Producer: Jen Livingstone and Joe Connor Producer: Philippa Robinson Contact: Kethiwe Ngcobo Entered by: Globosat Programadora LTDA [email protected] Entered by: SBS Entered by: British Broadcasting Corporation - BBC Contact: Daniela Mignani Contact: Carlie Hill Contact: Nick Mirsky [email protected] Synopsis: Unable to talk to his wife who is in solitary [email protected] [email protected] confinement, Mike buries himself in his music. His Synopsis: Brazilian screenwriter and actor Bruno work becomes his only lifeline. In an Amadeus moment Synopsis: Should a grown man give up on the woman Synopsis: The British in Bed offers a glimpse of Mazzeo is the star of this comic series, which shows he starts to translate Handel"s Messiah into four he loves because she has a mean dog? today"s Britain that is usually hidden from view. In how common situations can suddenly become a African languages. And then Sheila loses their child in this observational programme seven couples talk trap. A barbecue with friends, a day at the beach, the prison, Mike"s school is burnt down, and his treasured Contact person in Budapest: Denise Eriksen with disarming frankness about sex, infidelity, love elections or even a funeral - every little moment can be translation, the one thing that kept him together, is and marriage. Safely tucked up in their double beds, transformed into living hell. With a critical and humorous taken by the police. Mike has lost everything. His these couples reveal what they feel about each other, look, Mazzeo shows our daily lives with fine irony. In music, his child, his soul children (his students) – and and offer an insight into what makes and breaks a the !Death" episode, Bruno has to arrange the funeral possibly even the relationship with his wife since relationship. There are revelations for the contributors of a distant aunt, and finds himself choosing between Sheila is released and their relationship is taking strain. too – one couple"s love is re-ignited and one couple"s coffins, giving the news to other unknown relatives and In despair, Mike accepts an offer to teach music in relationship starts to founder as the truth comes out... writing the obituary. It can be really awkward if you have Bophotswana, even though he knows this will make no connection to the departed. him a pariah in his own community. This is after all Contact person in Budapest: Philippa Robinson the community that has burnt down his school and Contact person in Budapest: instruments – and the state that killed his unborn child, and imprisoned his wife.

Contact person in Budapest: Bridget Pickering

84 85 LIST OF DELEGATES

Albania Australia Susan Maslin Belgium Film Art Media Pty Ltd Delegates: National Coordinators: National Coordinators: [email protected] Tomi Nakuci John Safran RTSH ABC TV/ Princess Pictures [email protected] [email protected] Sophia Zachariou Armenia Australian Broadcasting Comission [email protected] National Coordinators:

Graeme Isaac Austria Jan Stevens (Flanders) Mayfan Films Pty. Ltd VRT [email protected] National Coordinator: [email protected] Delegate

Gnel Nalbandyan Public Television Company of Armenia [email protected]

Dr. Helene Maimann André François (French) ORF Bildung und Zeitgeschehen – Current Affairs Julia Overton RTBF [email protected] Screen Australia [email protected] [email protected] Delegate Bangladesh Delegates:

Delegates: National Coordinator: Dirk Abrams VRT Zaruhi Arzumanyan Martin Butler [email protected] [email protected] Contact Films [email protected] Ludovic Beun VRT Bentley Dean [email protected] Contact Films [email protected] Walter Couvreur VRT Denise Eriksen [email protected] SBS Australia Shameem Ahmad Raihanuddin [email protected] Bart De Poot Eshna Consulting Team Ltd / MDCC VRT Elizabeth Jackson [email protected], [email protected] [email protected] ABC - Australian Broadcasting Corporation Delegate [email protected]

86 87 LIST OF DELEGATES

Belgium continued: Delegates: Bulgaria Delegates: Rialda Musaefendic Ocuz National Coordinator: Stephane Bourguignon Yves Podevyn BHRT Cirrus Communications inc. VRT [email protected] [email protected] [email protected] Petra Raymond Marie Caloz Elly Vervloet Goethe-Institut Bosnien-Herzegowina CBC - Canadian Broadcasting Corporation VRT [email protected] [email protected] [email protected] Azra Salihbasic-Selimovic Stuart Coxe Goethe-Institut Bosnien-Herzegowina Antica Productions Bolivia [email protected] [email protected] National Coordinator: Adela Peeva Paul Emile d!Entremont [email protected] Radio-Canada Brazil [email protected] National Coordinator: Canada Pierre Gang TV5 Québec Canada National Coordinators: [email protected] Peter John Ingles Radio-Canada Télévision [email protected] Renan Estenssoro Isaac Isitan [email protected] Productions ISCA inc. [email protected] Alice Urbim Bosnia & Hercegovina RBS TV Eric Le Reste [email protected] Radio-Canada Télévision National Coordinator: Jim Williamson (English) [email protected] Delegate CBC [email protected] Catherine Lejeune Delegates: Delegate Télé-Québec [email protected] Gilberto Luis Perin RBS TV Martin Roy [email protected] Télé-Québec [email protected] Alex Shprintsen CBC - Canadian Broadcasting Corporation Milan Trivic [email protected] BHRT [email protected] Tamar Weinstein Claudine Cyr (French) CBC - Canadian Broadcasting Corporation Sociéte Radio-Canada [email protected] [email protected] Eva Wunderman Delegate Wunderman Film wunﬁ[email protected]

88 89 LIST OF DELEGATES

China Croatia Denmark Karin Brøgger DR - Danish Broadcasting Coporation National Coordinator: National Coordinator: National Coordinator: [email protected] Claus Christensen TV SYD [email protected] Rasmus Mandsberg Christiansen [email protected] Sally Danielsen [email protected] Tong Li Hrvoje Juvancic Henriette Ladegaard-Petersen Lise Daugård Lyngbo Beijing Television Station HRT Danmarks Radio DR DRByen TV2/ FYN [email protected] [email protected] [email protected] [email protected] Delegate Delegate Mette Davidsen-Nielsen Delegates: METTEDN Colombia Czech Republic Henrik D. Aggerholm [email protected] Danish School of Media & Journalism National Coordinators: Delegates: Ole Jermiin Dieserud [email protected] TV2OJ.DK Angelika Eder Niels Gorm Andersen [email protected] Goethe-Institut Prague TV2NORD DENMARK [email protected] Nynne Duvaa Hall [email protected] Danish School of Media & Journalism Jan Jirak Inge Bang Termansen [email protected] [email protected] DR - Danish Broadcasting Coporation Line Egede Vladimir Stvrtna [email protected] Danish School of Media & Journalism Czech Television Robert Bedsted [email protected] [email protected] TV2 Nord Denmark Adelaida Trujillo Pernille Fals Bahrt Leitorp [email protected] Citurna Ltda [email protected] [email protected] Annabell Pejah Bennekow Lars Feldthaus Danish School of Media & Journalism Patricia Castano TV SYD [email protected] Citurna Ltda [email protected] [email protected] Lotte Blomgreem Erik Frandsen TV SYD [email protected] [email protected] Cecilie Frydenlund Rasmussen Laura Brix Nielsen [email protected] Danish School of Media & Journalism [email protected] Jeppe Gaardboe Publicisterne Marie Suul Brobakke [email protected] [email protected]

90 91 LIST OF DELEGATES

Denmark continued: Henny Husum Mette Mandal Signe Ryge Petersen TV SYD Danish School of Media & Journalism TV2/ FYN Pernille Gjede [email protected] [email protected] [email protected] DR - Danish Broadcasting Coporation [email protected] Martin Hald Jacobsen Ernst Møller Jes Schrøder martin@rambukfilm.dk TV SYD TV2 / Danmark Peter Gren Larsen [email protected] [email protected] DR - Danish Broadcasting Coporation Sandie Jensen Erling Schulz [email protected] TV2/ FYN Kåre Bjerglund Nielsen [email protected] TVM TV SYD Karl Gudmundsson [email protected] [email protected] Danish School of Media & Journalism Jeppe Kirk Jørgensen Morten Steenstrup [email protected] Danish School of Media & Journalism Rolf Glumsoee Nielsen [email protected] [email protected] Danmarks Radio Amalie Gulløv Bay [email protected] Mediehjskolen Anne Klysner Arne Notkin Sidse Stephensen [email protected] TV SYD DR - Danish Broadcasting Coporation [email protected] [email protected] TV2/ FYN Kathrine Rauff Gyngstrup [email protected] [email protected] Claus Ladegaard Julie Oerum-Petersen Danish Film Institute [email protected] Bettina T. Ottesen Nielsen Malene Hammershøy Kjerstad clausl@dfi.dk TV2/ FYN Søren Olsen TV2/ FYN [email protected] [email protected] Sofie Lange DR - Danish Broadcasting Coporation Danish School of Media & Journalism [email protected] Lars Roennow Torp Iben Hansen Sofi[email protected] DR - Danish Broadcasting Coporation TV2/ FYN Sebastian Ottensten [email protected] Flemming Larsen Hedegaard [email protected] Danish School of Media & Journalism DR - Danish Broadcasting Coporation Sif Vesterløkke [email protected] Charlotte Harder Nielsen [email protected] [email protected] DR - Danish Broadcasting Coporation Frode Hoejer Pedersen Hans Lausten Jonas Vilhelmsen [email protected] Danish Dialogue Consult TV SYD [email protected] [email protected] Tore Hauerbach [email protected] Peter Wath DR - Danish Broadcasting Coporation Martin Pedersen Nina Lind DR - Danish Broadcasting Coporation [email protected] [email protected] Danish School of Media & Journalism [email protected] Nanna Hillig [email protected] Jytte Reimer Jakobsen Simon Weil [email protected] Coproduction Hans Egon Lorenzen [email protected] [email protected] Niels Borchert Holm TV SYD DR - Danish Broadcasting Coporation [email protected] Christoffer Rode Laubel [email protected] TV2/ FYN Bo Storm Madsen [email protected] Peter Holm TV2NORD DENMARK DR - Danish Broadcasting Coporation [email protected] Mads Rosendahl Jakobsen [email protected] Danish School of Media & Journalism Helle Bech Madsen [email protected] Kaj Højgaard DR - Danish Broadcasting Coporation TV SYD [email protected] André Rothschild [email protected] [email protected]

92 93 LIST OF DELEGATES

Ecuador Finland Julia Jokinen France Oy Filmiteollisuus Fine Ab National Coordinators: National Coordinator: National Coordinator: julia.jokinen@filmiteollisuus.fi Elina Kaakinen YLE - Finnish Broadcasting Company elina.kaakinen@yle.fi Teemu Kokkonen YLE - Finnish Broadcasting Company teemu.kokkonen@yle.fi Anssi Komulainen Gaétan Lapointe Jouko Salokorpi YLE - Finnish Broadcasting Company Sylvie Cazin [email protected] YLE Culture anssi.komulainen@yle.fi INA Direction des Programmes et de l"Edition Delegate jouko.salokorpi@yle.fi Karoliina Korhonen [email protected] Delegate YLE - Finnish Broadcasting Company Delegate Isabel Rodrigues karoliina.korhonen@yle.fi [email protected] Delegates: Kirsi Kukkurainen Delegates: Monica Bergman YLE - Finnish Broadcasting Company Antoine Beau Delegates: YLE - Finnish Broadcasting Company kirsi.kukkurainen@yle.fi Agora Films Sebastian Cardemil monica.bergman@yle.fi Tuula Rajavaara agora@agorafilms.com ADN Digital Hilla Blomberg YLE - Finnish Broadcasting Company Emmanuelle Bercot [email protected] YLE - Finnish Broadcasting Company tuula.rajavaara@yle.fi Agora Films Andrés Galarza hilla.blomberg@yle.fi Tuukka Ristimäki agora@agorafilms.com [email protected] Liselott Forsman YLE - Finnish Broadcasting Company Sylvie Blum Jose Antonio Guayasamin YLE - Finnish Broadcasting Company tuukka.ristimaki@yle.fi INA - Institut national de l"audiovisuel Fundacion Arig liselott.forsman@yle.fi Kati Sinisalo [email protected] [email protected] Olli Haikka YLE Teema Alexandre Brachet Oy Filmiteollisuus Fine Ab kati.sinisalo@yle.fi Upian.com julia.jokinen@filmiteollisuus.fi Leena Tomminen [email protected] Katri Hämäläinen YLE - Finnish Broadcasting Company Caroline Chevallier YLE - Finnish Broadcasting Company leena.tomminen@yle.fi TV5 Monde / France Télévisions katri.hamalainen@yle.fi Arvo Tuominen [email protected] Timo-Erkki Heino YLE - Finnish Broadcasting Company André De Margerie YLE - Finnish Broadcasting Company arvo.tuominen@yle.fi ARTE France timo-erkki.heino@yle.fi [email protected] Sari Huovinen Alain Guesnier YLE - Finnish Broadcasting Company Agora Films sari.huovinen@yle.fi agora@agorafilms.com Atte Järvinen Marianne Levy-Leblond Oy Filmiteollisuus Fine Ab ARTE France julia.jokinen@filmiteollisuus.fi [email protected]

94 95 LIST OF DELEGATES

France continued: Bernhard Fritsch François Smit Hungary ZDF - Zweites Deutsches Fernsehen INPUT Secretariat - Berlin National Coordinators: Karen Michael [email protected] [email protected] ARTE France [email protected] Georg M. Hafner Katja Wildermuth HR - Hessischer Rundunk / ARD MDR - Mitteldeutscher Rundfunk / ARD Paule Zajdermann [email protected] [email protected] France Télévisions [email protected] Volker Heise Stefanie Wolf zero one film GmbH ZDF - Zweites Deutsches Fernsehen offi[email protected] [email protected] Germany Annick Hillger ZDF - Zweites Deutsches Fernsehen National Coordinator: Ghana Martin Ledinsky [email protected] Imago 2000 Ltd. National Coordinator: Thomas J. Kramer [email protected] ZDF - Zweites Deutsches Fernsehen [email protected] Christian Lüffe Goethe-Institut [email protected] Maren Niemeyer Susanne Hoffmann Goethe-Institut Prix Europa / RBB [email protected] Fara Awindor [email protected] Padhraic O"Dochartaigh Pal Sipos Delegate National Film and TV Institute MTV - Hungarian Television Deutsche Welle, DW-Akademie [email protected] [email protected] [email protected] Delegates: Delegate Slaven Pipic Delegates: Heike Bachelier ZDFneo Delegates: Bachelier Filmproduktion [email protected] Eleonore E. Sylla heike@bachelierfilm.de Goethe-Institut Ghana Hesna Al Ghaoui Ann Carolin Renninger [email protected] MTV - Hungarian Television Rolf Bergmann zero one film GmbH [email protected] [email protected] offi[email protected] Judit André Inge Classen Esther Schapira MTV - Hungarian Television ZDF/ 3sat HR - Hessischer Rundunk / ARD [email protected] [email protected] [email protected] Béla Barany Cornelius Conrad Claudia Schreiner MTV - Hungarian Television BR - Bayerischer Rundfunk / ARD MDR - Mitteldeutscher Rundfunk / ARD [email protected] [email protected] [email protected] Krisztina Bartha Steffi Fehnle Adele Seelmann-Eggebert MTV - Hungarian Television HR - Hessischer Rundunk / ARD PRIX EUROPA / rbb [email protected] [email protected] [email protected]

96 97 LIST OF DELEGATES

Hungary continued: Igor Hidvégi András Nagy Gerg Sschwjda MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television László Benda [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] János Jurkovics Márta Nagy Gábor Stodulka MTV - Hungarian Television Goethe-Institut Budapest MTV - Hungarian Television Sárossi Bogáta [email protected] [email protected] [email protected] Goethe-Institut Budapest [email protected] Sándor Kerekes Krisztina Németh Krisztina Szekeres MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Krisztina Bombera [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] Mónika Kiss György Nika Zsóﬁa Sziklainé Lengyel MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Ágnes Brlázs [email protected] [email protected] zsoﬁ[email protected] MTV - Hungarian Television [email protected] Judit Klein Tibor Orosz Alinda Veiszer MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Kriszta D.Tóth [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] Szilvia Koczák Krisztián Pásztor Béla Velancsics MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Ágnes Dér [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] Gábor Kovács Ildikó Pável Mihály Vidos MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Bernadett Drávai [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] Réka Kozári Csaba Radnai Zsolt Zsuga MTV - Hungarian Television MTV - Hungarian Television MTV - Hungarian Television Orsolya Gáll [email protected] [email protected] [email protected] MTV - Hungarian Television [email protected] Boglárka Lévay Sára Sándor MTV - Hungarian Television MTV - Hungarian Television India Gabriele Gauler [email protected] [email protected] Goethe-Institut Budapest National Coordinator: [email protected] Annamária Maronics Csaba Schulek MTV - Hungarian Television MTV - Hungarian Television Zsolt Gyergyól [email protected] [email protected] MTV - Hungarian Television [email protected] Ferenc Maurer Tamás Silacher MTV - Hungarian Television MTV - Hungarian Television Andrea Hajagos [email protected] [email protected] MTV - Hungarian Television [email protected] Antónia Mészáros András Somos MTV - Hungarian Television MTV - Hungarian Television István Hegedüs [email protected] [email protected] MTV - Hungarian Television Abhijit Dasgupta [email protected] Benedek Mohay Mária Sós Sukriti Production Ltd. MTV - Hungarian Television MTV - Hungarian Television [email protected] [email protected] [email protected] Delegate

98 99 LIST OF DELEGATES

Iran Liam McGrath Ami Teer Japan Scratch FIlms HOT National Coordinator: National Coordinator: scratchfi[email protected] [email protected] Mairead Ni Nuadhain Osnat Trabelsi RTÉ Trabelsi Productions [email protected] [email protected] Doron Tsabari HOT Israel [email protected] National Coordinator: Anat Zelser Vivi Mellegard [email protected] Fumina Koike [email protected] NHK Japan Broadcasting Corporation [email protected] Italy Delegate Ireland National Coordinator: National Coordinator: Delegates: Hiroshi Kurosaki NHK Japan Broadcasting Corporation Koby Gal-Raday [email protected] Reshet – Israeli Channel 2 [email protected] Miki Mori Delegate NHK Japan Broadcasting Corporation [email protected] Delegates: Masakazu Sato Stefano Tealdi NHK Japan Broadcasting Corporation Modi Bar-On Stefilm [email protected] Yvonne O"Donnell Modi and Anat Ltd RTÉ Stefano@stefilm.it [email protected] Atsushi Yamada [email protected] NHK Japan Broadcasting Corporation Yoel Kaminski Delegates: [email protected] Shenkar College of Engineering and Design Delegates: Massimo Bruno [email protected] Kevin Cummins De Agostini Editore - Dea Kids RTÉ Ram Landes [email protected] HOT [email protected] Massimo Zampolli [email protected] Katie Holly De Agostini Editore - Dea Kids Blinder Films Alona Schory [email protected] [email protected] Belfilms [email protected] Eilish Kent RTÉ Noemi Schory [email protected] Belfilms [email protected]

100 101 LIST OF DELEGATES

Kazakhstan The Netherlands Syl van Duyn Norway (also representing Uzbekistan & Kyrgistan) VPRO National Coordinator: National Coordinator: [email protected] National Coordinator: Barbara Wiessing IKON [email protected] Ineke Woudenberg NPO [email protected]

Joost de Wolf New Zealand Jo Raknes Furkat Tursunov VPRO NRK - Norsk rikskringkasting [email protected] [email protected] National Coordinator: [email protected] Delegate Delegate

Lithuania Delegates: Delegates: Delegates: Gemma Derksen Frank Barth-Nilsen Tautvyde Valentaite NCRV NRK - Norsk rikskringkasting Lithuanian National TV [email protected] [email protected] [email protected], [email protected] Leontine Groen Jostein Eilertsen NCRV NRK - Norsk rikskringkasting [email protected] Jude Callen [email protected] Mexico TVNZ William Hoes [email protected] Ryuth Folstad National Coordinator: NCRV NRK - Norsk rikskringkasting [email protected] [email protected] Nigeria Floor Jaski Terje Giil Fugleberg NOS National Coordinator: NRK - Norsk rikskringkasting ﬂ[email protected] [email protected] Roek Lips Petter Goga NPS NRK - Norsk rikskringkasting [email protected] [email protected] Ingrid Smit Elin Helgheim Flor Maria Hurtado Smit & Ca NRK - Norsk rikskringkasting [email protected] [email protected] [email protected] Marjo Stikkelman Thomas Hellum [email protected] Victor Okhai NRK - Norsk rikskringkasting International Film and Broadcast Academy [email protected] Gijs van Beuzekom [email protected] NCRV Eirik Jacobsen [email protected] NRK - Norsk rikskringkasting [email protected]

102 103 LIST OF DELEGATES

Norway continued: Poland Portugal Russian Federation National Coordinator: National Coordinator: National Coordinator: Lars Lucas NRK - Norsk rikskringkasting [email protected] Rune Moklebust NRK - Norsk rikskringkasting [email protected] Bjarte Mørner Tveit Piraya Film [email protected] Renata Puchacz Antonio Costa Valente Leonid Zolotarevsky TVP - Telewizja Polska S.A. [email protected] [email protected] Pakistan [email protected] Delegate National Coordinator: Delegates: Romania Nikolay Morozov Delegates: Delegates: International Academy of Television and Radio Jedrzej Dudkiewicz Péter Lepedus [email protected] TVP - Telewizja Polska S.A. Freelance Editor [email protected] [email protected] Serbia Andrzej Fidyk Attila Szabó TVP - Telewizja Polska S.A. Freelance Editor Delegates: [email protected] [email protected] Attila Muci Ghazi Salahuddin Jolanta Matych Attila Zsigmond Freelance Editor Independent Media Corporation Ltd. CamerArt Freelance Editor [email protected] [email protected] [email protected] [email protected] Dorota Roszkowska Singapur Delegates: Dragon Forum / Arkana Studio [email protected] National Coordinator: Mohammed Anwerzada Dawn News TV Piotr Socha [email protected] TVP - Telewizja Polska S.A. [email protected] Anna Wydra Otter Films annawydra@otterﬁlms.pl

Hee Yah Ong MediaCorp Pte Ltd [email protected]

104 105 LIST OF DELEGATES

Slovakia South Korea Young-Tak Koh Spain KBS - Korean Broadcasting System Delegates: National Coordinator: National Coordinator: [email protected] Kornélia Belicková Beyong-Tai Lee Economic University of Bratislava KBS - Korean Broadcasting System [email protected] [email protected] Hyoung-Min Lee Slovenija MBC [email protected] Delegates: Jung-Su Park Virk Jani KBS - Korean Broadcasting System RTV Slovenija Kenny Kihyung Bae Francesc Escribano [email protected] [email protected] KBS – Korean Broadcasting System Televisio de Catalunya [email protected] Tae-Ho Park [email protected] Mirjana Lovri Delegate KBS - Korean Broadcasting System Delegate RTV Slovenija [email protected] [email protected] Delegates: Joo-Hee Roh Delegates: Ilona Zver KBS - Korean Broadcasting System RTV Slovenija Seung-Ho Choi Marta Berenguer Cabado [email protected] [email protected] MBC [email protected] [email protected] Jae-Won Seo Victor Carrera Cheol-Kyung Han KBS - Korean Broadcasting System Televisio de Catalunya South Africa KBS - Korean Broadcasting System [email protected] [email protected] [email protected] National Coordinator: Jessica Shim Jordi Comellas Kyeong-A Jeong MBC Mallerich Films KBS - Korean Broadcasting System [email protected] [email protected] [email protected] Seok-Kyun Shin Miquel Garcia Hyoung-Suk Kim MBC Televisio de Catalunya KBS - Korean Broadcasting System [email protected] [email protected] [email protected] Hyoung-Sik Son Lluis M. Guell Hyung-Tak Kim KBS - Korean Broadcasting System Televisio de Catalunya KBS - Korean Broadcasting System [email protected] [email protected] [email protected] Kethiwe Ngcobo Helena Rodriguez SABC – South African Broadcasting Corporation Kyung-Hee Kim Televisio de Catalunya [email protected] KBS - Korean Broadcasting System [email protected] [email protected] Joan Rufas Delegates: Sock Hyun Kim Minoria Absoluta Bridget Pickering KBS - Korean Broadcasting System [email protected] SABC, Fireworxmedia [email protected] Jordi Serra bridget@ﬁreworxmedia.co.za Young-Hee Kim Televisio de Catalunya MBC [email protected] [email protected]

106 107 LIST OF DELEGATES

Spain continued: Annika Holmberg-McLachlan Peter Entell Chao Ying !Anita" Ho SVT - Sveriges Television Télévision Suisse Romande [email protected] Toni Soler [email protected] [email protected] Minoria Absoluta Gwo-Hwa Ho [email protected] Karin Hubinette Gaspard Lamunière PTS - Public Television Service SVT - Sveriges Television Télévision Suisse Romande [email protected] [email protected] [email protected] Hui Jen Lee Sweden Jonas Magnusson Daniel Monnat PTS - Public Television Service National Coordinator: SVT - Sveriges Television Télévision Suisse Romande [email protected] [email protected] [email protected] Hsiao Pei Lin Miira Paasilinna Patrizia Pesko PTS - Public Television Service Yellow Affair SRG SSR [email protected] anne.kuusisto@ﬁlmiteollisuus.ﬁ [email protected] Chihhsiung Liu Bo Sjqvist Johann Schoch PTS - Public Television Service SVT - Sveriges Television SF - Schweizer Fernsehen [email protected] [email protected] [email protected] Wie Liu Lars-Göran Svensson Dominik Stroppel PTS - Public Television Service National Coordinator: Susanne Reich SVT - Sveriges Television SF - Schweizer Fernsehen [email protected] [email protected] [email protected] SVT - Sveriges Television Hsiao-Ching Ting [email protected] Michel Zendali PTS - Public Television Service Delegate Radio Télévision Suisse [email protected] Switzerland [email protected] Delegates: National Coordinator: Uganda Daniel Andreasson Taiwan SVT - Sveriges Television National Coordinator: [email protected] National Coordinator: Anders G. Carlsson SVT - Sveriges Television [email protected] Ali Fegan SVT - Sveriges Television [email protected] Alberto Chollet SRG SSR idée suisse Mette Friberg [email protected] Pitchou Kamara SVT - Sveriges Television Delegate Jessie Shih [email protected] [email protected] PTS - Public Television Service Madeleine Gedin Delegates: [email protected] SVT - Sveriges Television Delegate Ukraine Regula Bochsler [email protected] Delegates: SF - Schweizer Fernsehen Delegates: Hans Hernborn [email protected] Attila Sterr Stockholm Public TV & Media Yu Chien Chuan Freelance Editor [email protected] PTS - Public Television Service [email protected] [email protected]

108 109 NOTES

United Kingdom Maurice !Moss" Bresnahan Uruguay Western and Central Africa KCTS Television National Coordinator: National Coordinator: Regional Coordinator: [email protected] Chris Bryson Lion Television [email protected] Stephane Cambourakis [email protected] Paco de Onis Skylight Pictures Nick Radlo [email protected] Beatriz Flores Silva Monique Mbeka Phoba [email protected] William !Bill" Gilcher bﬂ[email protected] [email protected] Delegate Goethe-Institut USA [email protected] Vietnam Delegates: Ron Hull Justyna Hodun Nebraska Educational Telecommunications National Coordinator: Media Production [email protected] [email protected] Jan Krawitz Stanford University [email protected] USA Michelle Lee National Coordinator: Peralta TV [email protected] Betsy Newman SCETV Bich Loan Ta [email protected] [email protected] Annette Rupp Goethe-Institut Los Angeles Zimbabwe [email protected] National Coordinator: Judy Tam Amy Shumaker ITVS - Independent Television Service South Carolina ETV [email protected] [email protected] Delegate Mike Wiser Kirk Documentary / PBS Frontline Delegates: [email protected] Ronald H. Blumer Middlemarch Films [email protected] Stephen Chigorimbo [email protected] complete as of 12 April 2010

110 111 INPUT 2011 IN SEOUL

8-11 May 2011 INPUT 2011 - Creative Asia, Challenging Digitalisation. Asia Hosts INPUT for the Second Time! Enjoy INPUT 2011 in Seoul – Soul of Asia. Serving as a window of Asia, we, the public service Kim Kyung Hee Korean Broadcasting System broadcasters of Korea produce contents that are Mr. Seok-kyun, Shin Head & Executive Director Korea!s representative broadcasting company, MBC, is creative, caring and respect the heritage and tradition of INPUT 2011 General Director International Relations hosting INPUT 2011. this increasingly important part of the world. Tel: +82 2-789-2822 Tel: +82 2 781 1466 Korean audiences have always rated MBC as the best [email protected] Believing that new technology serves the old purposes [email protected] broadcaster in Korea, especially in terms of credibility, of making vital information accessible, providing creative popularity, audience ratings, and influence. programmes and enriching the media communication, we strive to move forward to the age of digitalisation. As a global multimedia company, MBC has secured substantial overseas viewership by exporting quality Public broadcasting has a long tradition in Korea broadcasting contents to about 50 foreign countries. Mr. Weon-geun, Song enjoying a solid trust from the audience, strong media In addition, MBC is pursuing exchange and cooperation INPUT 2011 Advisor influence and high viewership. in various broadcasting fields through active Tel: +82 61-650-3314 And next year, in sense of enhancing friendship and partnerships with many foreign broadcasters around the [email protected] cooperation and to share the proud tradition of the public world. TV in Korea, we invite you to Seoul. Aiming at useful and heart-warming broadcasting, MBC is doing its best to become one of the most competitive Enjoy Seoul, Enjoy Asia, Enjoy INPUT 2011! multimedia groups in the 21 century embracing fairness, creativity, professionalism, and customer satisfaction as Ms. Jessica Shim its core values. INPUT 2011 Conference Coordinator Tel: +82 2-789-2823 And next year, in sense of enhancing friendship and [email protected] cooperation, MBC invites all of you to Seoul, to the city that never sleeps. Seoul, soul of Asia, is a city of infinite discoveries. The ancient capital of an ancient land, Seoul is a city where the tradition and the cutting-edge exist side-by- side in perfect harmony. It"s a dynamic city that never sleeps, and the list of things to do is endless.

Enjoy Seoul, Enjoy Asia, Enjoy INPUT 2011!

112 113 ICH BIN EINE ÜBERSCHRIFT. ICH BIN EINE ÜBERSCHRIFT.

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