The F Ederalism in Belgium ( 1) As a Constitutional Problem
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Hungarian Television GREETINGS
Hungarian Television GREETINGS Dear INPUT Veterans and Future Enthusiasts, Dear Colleagues, Friends of INPUT, It is my pleasure to announce that by the time you Welcome to INPUT 2010 in Budapest. receive this sacred book of INPUT 2010 the conference This 33 INPUT conference is held in a time when public will have been officially opened to the public and the five service television is in deep crisis, its very legitimacy days of craze over televised images can commence. questioned. This week we !Hold up the Image" of We are here, in the creative cauldron of Hungarian courageous and innovative public service programmes Television to celebrate the arts and crafts of the public from around the world, sending the message that public television industry in twenty-four hours a day by television is alive and kicking. watching, thinking, discussing and of course having fun INPUT is a conference for television professionals who together to show that yes, we can hold up the image not come together to view and discuss freely and openly only for the generations to come but also for the public a wide range of television programmes. It is the only we serve day by day. annual event where programmes from all over the world Why have I used the term arts and crafts? The creation are exposed in a relaxed gathering, without prizes and of a television programme needs a tight cooperation or competition, without the pressures of a market place. I could rather say symbiosis of artists and well-trained INPUT is a celebration of the values of public service craftspeople. -
Guide to Contemporary Music in Flanders
GUIDE TO CONTEMPORARY MUSIC IN FLANDERS SECOND EDITION 2008 CONTENTS PART 1 THE ARTISTS 9 Composers Ensembles 25 Ensembles specialised in new music 34 Ensembles with great interest in contemporary music 39 Soloists 44 Conductors 47 Orchestras 49 Choirs 51 Opera / Music theatre PART 2 ORGANISATIONS AND STRUCTURES Music organisations 56 Associations 58 Information / documentation / promotion 60 Laboratories for experimental / electronic music and research Concert organisations 62 Festivals 64 Arts centres & concert halls 67 Independent organisers / working spaces 69 Higher music education 71 International competitions for composition 72 Media 73 Publishers 74 Record / distribution companies PART 3 ADDITIONAL INFORMATION 76 About the cultural policy in Flanders 77 Interesting readings on contemporary music in Flanders 4 FLANDERS? GATEWAY TO EUROPE Belgium is a federal state in the heart of Europe. Flanders is the northern, Dutch-speaking part of Belgium. The Flemish Community counts more than 6 million inhabitants and is run by a government of its own with a number of specific competences, such as culture, education, media… Brussels, capital of Belgium and of Flanders as well, is home to the European Commission and many international cultural institutions. 5 PREFACE On a map of the world Flanders looks smaller than a postage stamp. But a felici- tous turn of history has made this region into a crossroads of different cultures. This is why Flanders is rich in creative talent and overflowing with cultural activities. Music thrives everywhere, what with every city boasting a diversity of concert halls or other interesting locations for concerts, festivals and many small-scale initiatives. As for contemporary “art music” (also called “new music”), Flanders is active- ly involved in composing and performing contemporary music on an international level. -
Guide to Early Music in Flanders
GUIDE TO EARLY MUSIC IN FLANDERS SECOND EDITION 2009 CONTENTS 6 PREFACE 7 INTRODUCTION: A Devil and a Pederast: On historical performance practice in Flanders and its international ramifications PART 1 ARTISTS 14 Ensembles 30 Orchestras 34 Conductors 41 Soloists Singers 42 Sopranos 45 Tenors / Countertenors 47 Baritones / Bass Instrumentalist 50 Players of Keyboard Instruments 56 Players of String Instruments 60 Players of Wind Instruments PART 2 ORGANISATIONS AND STRUCTURES 68 Concert Organisations 69 Arts Centres and Concert Halls 71 Festivals 73 Research Institutions, Documentation Centres and Libraries 79 Music Education 80 Conservatories 81 Postgraduate Education 81 Universities 82 Media 85 Booking Agencies 86 Publishers 87 Record Companies 88 Instrument Makers PART 3 ADDITIONAL INFORMATION 93 ‘Flemish’ Music from the Middle Ages until circa 1750 97 On Cultural Policy in Flanders 4 FLANDERS? GATEWAY TO EUROPE Belgium is a federal state in the heart of Europe. Flanders is the northern, Dutch-speaking part of Belgium. The Flemish Community counts more than 6 million inhabitants and is run by a government of its own with a number of specific competences, such as culture, education, media… Brussels, capital of Belgium and of Flanders as well, is home to the European Commission and many international cultural institutions. 5 PREFACE Smaller than a postage stamp! That’s how minute Flanders looks on a map of the world, if you can discover it at all. However, a felicitous turn of his- tory has made this region into an exciting crossroads of different cultures. This is why Flanders is so rich in creative talent and abundant with cultural activities. -
Guide to in Belgium
GUIDE TO C N EMP R RY USI IN BELGIUM CONTENTS PART 1 THE ARTISTS 1.1 COMPOSERS ___________________________________________ 6 1.2 ENSEMBLES ____________________________________________ 8 1.2.a Ensembles specialised in contemporary music ________________ 8 1.2.b Ensembles with great interest in contemporary music __________ 20 1.3 SOLOISTS ______________________________________________ 26 1.3.a Soloists specialised in contemporary music __________________ 26 1.3.b Soloists with great interest in contemporary music ____________ 32 1.4 CONDUCTORS _________________________________________ 33 1.5 ORCHESTRAS ___________________________________________ 36 1.6 CHOIRS ________________________________________________ 37 1.7 MUSIC THEATRE/OPERA _________________________________ 39 PART 2 ORGANISATIONS AND STRUCTURES 2.1 MUSIC ORGANISATIONS ________________________________ 44 2.1.a Associations ____________________________________________ 44 2.1.b Information/documentation/promotion ______________________ 46 2.1.c Laboratories for experimental/electronic music & research _____ 50 2.2 CONCERT ORGANISATIONS _____________________________ 53 2.2.a Festivals ________________________________________________ 53 2.2.b Arts centres & concert halls ________________________________ 57 2.2.c Working spaces _________________________________________ 62 2.3 HIGHER MUSIC EDUCATION _____________________________ 64 2.4 INTERNATIONAL COMPETITIONS FOR COMPOSITION ______ 66 2.5 MEDIA _________________________________________________ 67 2.6 PUBLISHERS _____________________________________________