Investor Presentation January 2018 Disclaimer

Total Page:16

File Type:pdf, Size:1020Kb

Investor Presentation January 2018 Disclaimer INVESTOR PRESENTATION JANUARY 2018 DISCLAIMER This presentation and the following discussion may contain “forward looking statements” by Mukta Arts Limited (“Mukta” or the Company) that are not historical in nature. These forward looking statements, which may include statements relating to future results of operations, financial condition, business prospects, plans and objectives, are based on the current beliefs, assumptions, expectations, estimates, and projections of the management of Mukta about the business, industry and markets in which Mukta operates. These statements are not guarantees of future performance, and are subject to known and unknown risks, uncertainties, and other factors, some of which are beyond Mukta’s control and difficult to predict, that could cause actual results, performance or achievements to differ materially from those in the forward looking statements. Such statements are not, and should not be construed, as a representation as to future performance or achievements of Mukta. In particular, such statements should not be regarded as a projection of future performance of Mukta. It should be noted that the actual performance or achievements of Mukta may vary significantly from such statements. 2 DISCUSSION SUMMARY 4 COMPANY OVERVIEW 9 EXHIBITION BUSINESS 22 EDUCATION BUSINESS 26 OTHER BUSINESSES 29 CONSOLIDATED FINANCIALS 3 COMPANY OVERVIEW DIFFERENTIATED BUSINESS MODEL ACROSS ENTIRE FILM INDUSTRY VALUE CHAIN • Leading production house in India with a rewarding • Well penetrated Distribution network presents legacy of more than 30 years opportunities for other business opportunities • Pioneered by multidimensional founder and • 4 offices across India with strong presence in creative head – Mr. Subhash Ghai North India (Punjab, Delhi) • Globally recognised high quality film • Works with leading production companies library of more than 35 hit films FILM FILM – 20th Century Fox, Disney-UTV, Warner • Going forward, focus on low risk high PRODUCTION DISTRIBUTION Brothers etc. value projects leveraging our • Offers Programming service to more prestigious film content IPR than 600 screens across India • One of Asia’s largest Film, Television, • Growing chain of multiplexes operated Animation and Media School under “Mukta A2 Cinemas” brand • Spread over 5.5 acre campus, operating 8 FILM FILM • “Value for Money” – high quality movie schools in India EDUCATION EXHIBITION viewing experience at an affordable value • Significant growth from 80 students studying • Currently operate 51 screens across 20 in 8 courses in 2006 to 948 students as on Q2 FY18, properties in 16 cities & 9 states across India, studying in 14 courses at present. including a 6-screen property in Bahrain • Rated as one of the 10 best film schools in the world - by ‘The Hollywood Reporter’ magazine. • First Indian company to successfully venture into high potential GCC region with a 6 screen multiplex in 2016 5 COMPANY OVERVIEW ORGANISATIONAL STRUCTURE MUKTA ARTS LIMITED – 7 SUBSIDIARIES FILM PRODUCTION 100.00% 84.99% 55.00% 99.92% 100.00% 100.00% Mukta A2 Cinemas Whistling Woods Mukta V N Films Mukta Telemedia Coruscant Tec Mukta Creative Limited (Mumbai) International Limited Limited Limited Private Ventures Limited Mukta A2 Multiplex (Mumbai) (Mumbai) (Mumbai) Limited (Mumbai) S.P.C. (Bahrain) (Mumbai) THEATRE FILM PROGRAMMING TELEFILM MOBILE CONTENT EXHIBITION EDUCATION SERVICE PRODUCTION SOLUTIONS DIGITISATION 2.6% 5.7% 8.6% 6.7% FY14 Revenues were majorly 9.0% 1.1% H1 FY18 Revenues were majorly 11.6% 5.3% contributed by 35.2% contributed by 32.4% - Film Production business 55.6% 30.6% - Theatre Exhibition business which has volatile revenues 86.1% which presents strong growth and profitability potential and steady margins - Programming & Distribution 16.2% - Education business which gives 48.8% 53.7% 57.0% business which gives high 22.5% long term stable revenues with turnover but low margins 5.7% 5.6% healthy operating margins FY14 FY15 FY16 FY17 H1 FY18 Others Software (Production/Distribution/Programming) Education Exhibition 6 COMPANY OVERVIEW BOARD OF DIRECTORS Mr. Subhash Ghai Mr. Rahul Puri Mr. Parvez Farooqui Executive Chairman Managing Director Executive Director ▪ One of India's most prolific ▪ Joined Mukta Arts in 2003 ▪ Associated with Mukta Arts film writer, director and ▪ Head of Academics at since 1984 producer Whistling Woods ▪ Experienced in Marketing, ▪ More than 40 years of ▪ Worked with UBS, Ambit in Sales, Purchase, Accounts, experience having created Corporate Finance Taxation and Legal over 35 hit films Mr. Kewal Handa Mr. Manmohan Shetty Mrs. Paulomi Dhawan Director Director Director ▪ More than 30 years across ▪ More than 3 decades of ▪ Over 35 years experience in Finance, commercial strategy experience in media and Media, Marketing and Brand and business development entertainment business Communications functions. ▪ Responsible for ▪ Treasurer of Indian Society ▪ Visiting faculty at NMIMS conceptualizing Imagica of Advertisers (ISA) 7 COMPANY OVERVIEW MANAGEMENT Mr. Prabuddha Dasgupta Mrs. Meghna Ghai Puri Mr. Ashish Gharde CFO President, Whistling Woods COO, Mukta Arts Ltd. ▪ Chartered Accountant with ▪ Honorary Fellow of Bradford ▪ 18 years of experience in over 20 years of experience College, UK Operations and Human in finance and accounts ▪ Spearheaded the launch of 8 Resources. ▪ Worked for 16 years in schools within Whistling ▪ Previously associated with Entertainment industry Woods International TATA, Balaji Telefilms, L&T. Mr. Satwik Lele Mr. Raju Farooqui Mr. Tolu Bajaj COO, Mukta A2 Cinemas Head of Production COO, Distribution & Exhibition ▪ Worked in exhibition ▪ Joined Mr. Subhash Ghai’s ▪ In the film Production and industry for more than 15 production house as an Distribution field for more years Assistant Director in 1976 than 30 years ▪ Previously associated with ▪ Instrumental in setting-up ▪ Previously associated with E-square, Reliance Media Audeus studio Yashraj Films, Tips Films Works and INOX 8 EXHIBITION BUSINESS EXHIBITION BUSINESS INDIAN FILM EXHIBITION – LONG TERM SUSTAINABLE GROWTH OPPORTUNITY THEATRICAL MOVIE WATCHING IS THE MOST FAVOURITE ENTERTAINMENT OPTION IN INDIA INDIA RELEASES HIGHEST NUMBER OF MOVIES IN A YEAR INDIA WITNESSES 2ND HIGHEST NUMBER OF THEATRE FOOTFALLS IN A YEAR 1,602 2,178 1,930 Million Footfalls Per Year 1,364 745 554 476 279 324 241 204 182 166 208 197 176 171 169 156 146 India China Japan US France UK Germany S. Korea Spain Italy China India US France Mexico UK Japan S. Korea Germany Russia THEATRICAL MOVIE WATCHING IS THE PREFERRED OPTION INCREASING NUMBER OF MOVIES GROSSING MORE THAN RS 1 BN In Rs Bn 76% 75% 74% 73% 73% 2 159 2 2 138 2 112 125 126 9 7 5 6 5 6 85 93 94 101 116 1 1 2 2012 2013 2014 2015 2016 2008 2009 2010 2011 2012 2013 2014 2015 2016 Domestic Theatrical Overseas Theatrical Home Video > Rs 1 Bn > Rs 2 Bn Cable & Satellite Rights Ancilliary Revenues 10 Source: CRISIL Report, FICCI Whitepaper on Screen Density in India, Industry EXHIBITION BUSINESS INDIAN FILM EXHIBITION – LONG TERM SUSTAINABLE GROWTH OPPORTUNITY INDIA IS LARGELY UNDERSCREENED WITH SIGNIFICANT POTENTIAL FOR NEW SCREEN ADDITIONS ACROSS TIER 2 AND TIER 3 CITIES MOVIE SCREENS IN INDIA ARE STILL THE LOWEST 125 95 80 Screens / Million population 60 57 AFFORDABLE MOVIE WATCHING EXPERIENCE TO 40 26 25 DRIVE NEW SCREENS GROWTH BEYOND METROS 16 12 10 7 • Affordable multiplexes set to gain share from declining number of US France Spain UK Germany S.Korea Japan Taiwan China Thailand Brazil India single screens in Tier 2 & Tier 3 cities across India • Positive drivers behind organic expansion of multiplexes beyond SIGNIFICANT SCOPE FOR MULTIPLEX PENETRATION IN TIER 2 & 3 CITIES metros & Tier 1 cities – • Majority of upcoming malls in Tier 2 & Tier 3 cities • Lower operating overheads including lower rentals Cities with % No. of Multiplex/ Tier No. of Cities • Improving state of regional film industry etc. Multiplex Penetration Multiplex City T1 8 8 100% 261 32.6 T2 88 78 89% 303 3.9 T3 372 94 26% 136 1.4 11 Source: CRISIL Report, FICCI Whitepaper on Screen Density in India, Ambit Capital Report, Industry EXHIBITION BUSINESS MUKTA A2 CINEMAS – UNIQUE VALUE PROPOSITION WE OFFER “VALUE FOR MONEY & HIGH QUALITY” MOVIE WATCHING EXPERIENCE IN INDIA WE LEVERAGE OUR EXPERIENCE AND CAPABILITIES WE BRING MOVIE WATCHING EXPERIENCE FOR EVERY INDIAN More than 30 years of experience in the film industry 19 MULTIPLEXES Presence across film industry value chain - spanning across production, distribution and programming functions 51 SCREENS Deep understanding of films of various genres, varying audience 16 CITIES & 9 STATES ACROSS INDIA tastes, film content preferences and spending propensities Strong relationships with various regional distributors through 1 SIX SCREEN MULTIPLEX IN BAHRAIN its programming service 12 EXHIBITION BUSINESS MUKTA A2 CINEMAS – OUR GROWING PRESENCE 25 20 20 20 13 15 11 10 4 5 0 FY14 FY15 FY16 FY17 Q2 FY18 Number of Properties 60 51 51 50 36 40 31 30 19 20 10 0 FY14 FY15 FY16 FY17 Q2 FY18 Number of Screens 234 234 195 184 187 11,912 11,912 6,748 3,700 5,718 FY14 FY15 FY16 FY17 Q2 FY18 Number of Seats Seats Per Screen NOTE: 1 Property with 6 screens in Bahrain 13 EXHIBITION BUSINESS MUKTA A2 CINEMAS – OUR PROPERTIES 14 EXHIBITION BUSINESS MUKTA A2 CINEMAS – Q2 & H1 FY18 RESULT HIGHLIGHTS In Rs. Mn Q2 FY18 YoY ANALYSIS REVENUES EBITDA and EBITDA MARGIN PBT * and PBT MARGIN 9.1% 118.4 127.4 -2.5% 10.8 -1.3% -11.2% 8 % -115 % -382 % (1.7) -3.0 -14.2 Q2 FY17 Q2 FY18 Q2 FY17
Recommended publications
  • Mukta Arts 18 January 2017
    Institutional Equities Mukta Arts 18 January 2017 Reuters: MUKR.BO; Bloomberg: MKTA IN Looking To Attain Critical Mass In Its ‘Affordable’ Positioning NOT RATED We had a meeting with Mr Rahul Puri, CEO of Mukta Arts (MAL) to understand its plans in Sector: Film Exhibition the film exhibition business. Despite starting out as a film production house of Mr. Subash Ghai in 1982, in FY16 its consolidated revenues were dominated by film exhibition CMP: Rs97 (50%) and education (31%). The film exhibition business was started in 2011. While players like PVR, Inox Leisure and Cinepolis cater to the mid to premium end customers Girish Pai in Tier-1 and Tier-2 cities, MAL is focused on providing affordable movie viewing in Tier-2 Head of Research and Tier-3 cities (as well as in Tier-1 cities selectively). While PVR’s current average ticket [email protected] +91-22-3926 8017 price (ATP) is ~Rs200 and average F&B spend per head (SPH) is Rs85, the corresponding numbers for MAL are ~Rs120 and Rs33, respectively. While annual revenue per screen was ~Rs35mn for PVR it was ~Rs13mn for MAL in FY16. With EBITDA margin indicated to Key Data be broadly similar, EBITDA/screen difference between the two will mirror revenues. The Current Shares O/S (mn) 22.6 scale-up, which has been slow so far, has picked up considerable pace with likely doubling of screens by the end of FY17 from 36 screens (as of FY16-end). MAL is planning Mkt Cap (Rsbn/US$mn) 2.2/32.4 Update to hive off its film exhibition business into a 100% subsidiary and intends to scale up the 52 Wk H / L (Rs) 133/40 screen number to 200-250 in three years.
    [Show full text]
  • MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs
    CARE IndependentEQUITY Equity Research RESEARCH MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs. 31.9 March 1, 2012 Strong brand value in movie production Mukta Arts Ltd (MAL) primarily produces movies; it has a 17- film library of which 12 are blockbusters. The company has produced such popular Hindi films as Karz, Hero, Karma, Ram- Lakhan, Saaudagar, Khalnayak, Pardes, Taal and Yaadein. MAL has also produced movies with outside directors including Jogger‟s Park, Aitraaz, Iqbal, 36 Chinatown, Paying Guest, Right Yaaa Wrong, Hello Darling, Paschim Express, the Bengali movie Nauka Dubi and the Marathi movie Sanai Choughade, etc. MAL to enter film exhibition business MAL has entered into the film exhibition business to tap revenue across multiple streams. The company is looking at starting a chain of multiplexes under the brand name „Mukta Cinemas‟ in various cities across the country. By entering in exhibition, MAL will extend and complete its presence in all major streams of the film business. The locations tied up so far include smaller centres such as Vadodara, Ahmedabad and Bhopal. Expansion into Mumbai and other metros will depend on the response to the initial launch. Key concerns Slowdown in economic growth Piracy has an adverse impact on revenues Intensely competitive environment and success at box office. Technological obsolescence Valuations MAL is currently trading at trailing EV/EBITDA multiple of 75.9x. 1 www.careratings.com CARE EQUITY MUKTA ARTS LTD. RESEARCH HISTORY AND BACKGROUND Background MAL is an India-based holding company, incorporated in 1982 and converted into a public company in September 2000.
    [Show full text]
  • Mukta Arts Limited (“Mukta” Or the Company) That Are Not Historical in Nature
    INVESTOR PRESENTATION AUG 2019 DISCLAIMER This presentation and the following discussion may contain “forward looking statements” by Mukta Arts Limited (“Mukta” or the Company) that are not historical in nature. These forward looking statements, which may include statements relating to future results of operations, financial condition, business prospects, plans and objectives, are based on the current beliefs, assumptions, expectations, estimates, and projections of the management of Mukta about the business, industry and markets in which Mukta operates. These statements are not guarantees of future performance, and are subject to known and unknown risks, uncertainties, and other factors, some of which are beyond Mukta’s control and difficult to predict, that could cause actual results, performance or achievements to differ materially from those in the forward looking statements. Such statements are not, and should not be construed, as a representation as to future performance or achievements of Mukta. In particular, such statements should not be regarded as a projection of future performance of Mukta. It should be noted that the actual performance or achievements of Mukta may vary significantly from such statements. 2 DISCUSSION SUMMARY 4 COMPANY OVERVIEW 9 EXHIBITION BUSINESS 15 EDUCATION BUSINESS 19 OTHER BUSINESSES 22 CONSOLIDATED FINANCIALS 3 COMPANY OVERVIEW DIFFERENTIATED BUSINESS MODEL ACROSS ENTIRE FILM INDUSTRY VALUE CHAIN • Leading production house in India with a rewarding • Well penetrated Distribution network presents legacy of more than 30 years opportunities for other business opportunities • Pioneered by multidimensional founder and • 4 offices across India with strong presence in creative head – Mr. Subhash Ghai North India (Punjab, Delhi) • Globally recognised high quality film • Works with leading production companies library of more than 35 hit films FILM FILM – 20th Century Fox, Disney-UTV, Warner • Going forward, focus on low risk high PRODUCTION DISTRIBUTION Brothers etc.
    [Show full text]
  • Annual Report and Accounts 2008
    Eros International Plc Annual Report and Accounts 2008 Corporate Office UK UAE Australia Eros International Plc Eros International Plc Eros International Ltd Eros Worldwide FZ LLC Eros Australia Pty. Limited 15-19 Athol Street Unit 23 529 Building No 8 4 Rosewood Way Isle of Man IM1 1LB Sovereign Park Dubai Media City Werrington Tel +44 (0) 8700 418 211 Coronation Road P.O. Box 502121 NSW 2747 Annual Report and Accounts 2008 Fax +44 (0) 8700 418 212 London NW10 7QP Tel +971 (0) 4390 2825 Tel +61 2 9623 3480 Tel +44 (0) 20 8963 8700 Fax +971 (0) 4390 8867 Fax +61 2 9623 3481 Fax +44 (0) 20 8963 0154 Fiji India USA Eros Pacific Limited Eros Multimedia Pvt. Ltd. Eros Entertainment Inc 27 Lodhia Street Satya Dev Building, 2nd Floor 550 County Avenue P.O. Box 1802 Off New Link Road Secaucus Nadi-Fiji Andheri (W) NJ - 07094 Tel +679 670 7722 Mumbai - 400 053 Tel +1 201 558 9001 Fax +679 670 7723 Tel: + 91 22 4053 8500 Fax +1 201 558 9002 Fax: + 91 22 4053 8540 Om Shanti Om (2007) – International box office No. 1, Eros International Plc is a global player in the rapidly honoured at the Berlin Film Festival expanding Indian media and entertainment arena which is growing at over 18% CAGR and slated to cross US$29 billion by 2012 (source: PwC). Being vertically integrated means that Eros not only produces and commissions film projects similar to how Hollywood studios operate but also distributes and exploits films across all formats globally including cinemas, home entertainment, television syndication and digital new media.
    [Show full text]
  • Subhash Ghai
    SUBHASH GHAI Filmmaker and Educationist Mumbai – India 1. Chairman - Mukta Arts Ltd. 2. Founder & Chairman - Whistling Woods International – Institute for Film, Communication & Media Arts, Filmcity, Mumbai. Websites: www.muktaarts.com / www.whistlingwoods.net PROFILE Born in Nagpur, a commerce graduate from Punjab University and graduate in Cinema from the Film & Television Institute of India, Pune, Subhash Ghai is known as celebrated Filmmaker of India with 14 blockbusters in Hindi cinema as writer and director and 40 feature films as producer of 40 feature films under his corporate film company MUKTA ARTS LTD. - India’s first Film industry corporate, which is in the active business of Film Production, Distribution, EXhibition and Education in Films, TV and Media Arts. He is the Founder and Chairman of World Class Institute in Cinema, Communication and Media Arts known as Whistling Woods International, Mumbai. Asia’s largest Institute for Film, Television, Animation & Media Arts, the first-ever privately setup world-class media institute in India, ensuring imparting of quality education to the neXt generation of film-makers. Today Whistling Woods International has been rated as One of The Ten Best Film Schools in the World by ‘The Hollywood Reporter’. Having achieved hundreds of laurels, Awards and Honors, Subhash Ghai played the role of the Chairman of CII (in Media and Entertainment Sector) in 2004 to 2006. He is a member of executive committee of Producers Guild of India and a member of United Producers forum. Subhash Ghai has been appointed as a member of the Steering Committee of the 50th International Film Festival of India 2019 (IFFI) by Ministry of Information & Broadcast.
    [Show full text]
  • 23°C—29°C Today D
    Community Community 15 artistes The Art of from India Shaving at P7will perform P16 Marsa Malaz classical and other Kempinski promises dances from to give an entirely Bollywood in Al new experience to Wakrah and Al Khor. its customers. Thursday, November 23, 2017 Rabia I 5, 1439 AH DOHA 23°C—29°C TODAY LIFESTYLE/HOROSCOPE 11 PUZZLES 12 & 13 COVER STORY Charmer Veteran Judi Dench reveals the best way to compliment her is to call her ‘subversive’. P4-5 2 GULF TIMES Thursday, November 23, 2017 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.36am Shorooq (sunrise) 5.56am Zuhr (noon) 11.20am Asr (afternoon) 2.23pm Maghreb (sunset) 4.46pm Isha (night) 6.16pm EVENTS Solar Art Festival WHERE: Fire Station Doha Inter Community Table Tennis Tournament WHEN: Until Nov 25 USEFUL NUMBERS WHEN: Today and Tomorrow TIME: 9am WHERE: QTTA Training Centre, Ras bu Aboud The Solar Art Festival off ers guided tours every day at Fire Qatar Table Tennis Association (QTTA) and Indian Sports Station-Artist in Residence, where organisers have brought Centre are jointly organising the Inter Community Table Tennis together a collection of exceptional solar art commissions, Tournament. More than 20 expatriate communities in Qatar will created by globally-renowned solar artists and Qatar-based participate in the tournament. The details of the tournament students alike. This year, the art exhibits in the public gallery along with the entry forms can be obtained from 5585-4126, include the works of a wide range of international artisans Emergency 999 5580-2490, or 5555-0491. who have dedicated themselves to recreational uses of solar Worldwide Emergency Number 112 energy.
    [Show full text]
  • Annual Report of 2015
    BOARD OF DIRECTORS Mr. Subhash Ghai Executive Chairman DIN: 00019803 Mr. Rahul Puri Managing Director DIN: 01925045 Mr. Parvez A. Farooqui Executive Director DIN: 00019853 Mr. Kewal Handa Independent Director DIN: 00056826 Mrs. Paulomi Dhawan Independent Director DIN: 01574580 Mr. Manmohan Shetty Independent Director DIN: 00013961 Chief Financial Offi cer Mr. Prabuddha Dasgupta Company Secretary & Compliance Offi cer Mr. Ravi B. Poplai Statutory Auditors M/s B S R & Co. LLP Internal Auditors M/s Garg Devendra & Associates Secretarial Auditors M/s. K. C. Nevatia & Associates Bankers Kotak Mahindra Bank Limited HDFC Bank Limited CONTENTS Registrar & Transfer Agents Link Intime India Private Limited Performance at a glance 2 C-13, Pannalal Silk Mills Compound Chairman’s Statement 3 L.B.S. Marg, Bhandup (W) Management Discussion & Analysis 5 Mumbai – 400 078 Telephone No. - (022) 2596 3838 Notice 8 Route Map 17 Registered Offi ce Mukta House, Board’s Report 18 Behind Whistling Woods Institute, Corporate Governance Report 43 Filmcity Complex, Goregaon (East), Mumbai- 400065 FINANCIALS Telephone No. - (022) 33649400 Mukta Arts Limited 57 Fax No. - (022) 33649401 Consolidated Financials of Mukta Arts Limited 93 Website: www.muktaarts.com & it’s Subsidiaries CIN : L92110MH1982PLC028180 1 Note: Shareholders are requested to avail services of the Company’s bus outside Goregaon (East) Station near Bus Depot up to 3.30 p.m. to reach the AGM Venue. PERFORMANCE Performance at a glance Rupees in millions Year ended Year ended Year ended Year ended Year
    [Show full text]
  • WWI BROCHURE Final Direction.Cdr
    VIRTUAL ACADEMY CERTIFICATE PROGRAM IN DIRECTION 3 Months | Self-Paced ABOUT WWI Whistling Woods International is a Film, Television, Animation, Communication, Fashion and Media Arts institute located in Mumbai, India. Founded by one of India’s leading filmmakers, Subhash Ghai, and promoted by Mukta Arts Limited, Whistling Woods International (WWI) is one of Asia’s largest Media Arts institutes. The ‘Hollywood Reporter’ has rated Whistling Woods International as one of the Ten Best Film Schools in the world in 2010, 2013 and 2014. The courses at WWI are designed to ensure that the students’ learning is collaborative and industry-oriented. The curriculum at WWI is a unique hybrid of theory and practical, ensures that the creative dovetails well with the business aspects. These unique elements in the curriculum and the teaching methodology have seen WWI’s student body grow over four times in the past ten years. VISION To create a state-of-the-art institution that sets new standards of world-class education in film, communication and creative arts. MISSION Benchmarking quality, inspiring innovation, encouraging creativity and moulding minds, by leading from the front in the field of film, media and entertainment education. SUBHASH GHAI CHAIRMAN Film school was a key phase of my life and possibly the best decision I have ever made. In 1999, after having spent 20 years in the industry, having directed 19 films, produced several more, having trained several artistes and technicians in the art of filmmaking while launching their careers - I realised that a specific mix of education is needed for the filmmakers to serve the industry as well as build a career for themselves.
    [Show full text]
  • Demure Heroines Expressing Sexual Desire. Hints of Traditional Motifs in Popular Hindi Cinema
    Demure Heroines Expressing Sexual Desire. Hints of traditional motifs in popular Hindi cinema Sabrina Ciolfi Università degli Studi di Milano Abstract. In some of the most successful and representative popular Hindi films released between the 1990s and the early 2000s, the depiction of amorous feelings often takes traditional forms. The reference here is essentially to those films that come more or less within the broad category of classical family dramas: love stories that come up against all sorts of opposition, characterised by the celebration of the traditional Hindu values and the sacrality of the Indian joint-family institution. A particularly interesting aspect emerging here lies in the way in which the sexual desire of the heroine—typically a chaste and virtuous maiden—finds representation. On the strength of studied re-elaboration of traditional themes and motifs, these films achieve high levels of stylistic inventiveness and poetic refinement, albeit often limited to certain individual sequences. The apparent purpose of this aesthetic sophistication is to endow amorous feelings—always leading inexorably in the direction of marriage—with an aura of purity and authenticity. Indeed, it is a matter of sentiments so noble and intense as to win over the consent and blessing of the families by the end of the film. The paper proposes to identify and analyse the conscious use of these traditional motifs in some of the most representative films in this area. This paper aims to analyse a selection of scenes of popular Hindi films1 in which the depiction of amorous feelings seems to draw on some traditional themes and motifs of Indian classical literature.2 The reference here is essentially to those particularly successful family-centred films, the most prevalent genre which emerged in the mid- 1990s, coming more or less within the broad category of classical ‘family dramas’.3 1 An important point to make here is that we are not referring to Indian cinema in general.
    [Show full text]
  • New Released Hindi Punjabi Movies 2014
    New released hindi punjabi movies 2014 This is a list of Punjabi films of List of films[edit]. Sr. No. Title, Director, Cast, Genre, Release date, Producer, Ref. Assamese · Bengali · Bollywood · Kannada · Malayalam · Marathi · Ollywood; Punjabi; Tamil · Telugu · Tulu · Iranian · Iraqi Help · About Wikipedia · Community portal · Recent changes · Contact page. Mere Yaar Kaminey | New Full Punjabi Movie | Latest Punjabi Movies | Popular Punjabi Films. Kumar. New Latest Punjabi Movies - Punjabi Movies - Best Bollywood Movies ?v. NEW PUNJABI COMEDY FILM || LATEST FULL MOVIES || Binnu Dhillon | NEW PUNJABI COMEDY FILM. Garriage | New Full Punjabi Movie | Latest Punjabi Movies | Popular Punjabi Films . Plz hindi. Starring: Gary Waraich,Nancy Johal,B.N. Sharma,Upasna Singh,Gurchet Chitrakaar,Baagi Bhangu. Idiot Boys | New Full Punjabi Movie | Latest Punjabi Movies | Punjabi Comedy Films. Catrack. ing Nishawn Bhullar, Geetanjali Gill, Rana Ranbir, Hardeep Gill, Raj Singh Jhinger & Ashish Duggal. NABAR. Bollywood Action Tv 2,, views · RSVP | NEW FULL PUNJABI MOVIE | LATEST PUNJABI. Synopsis"An enduring Punjabi culture boasts of a sword and stick art that Fateh - Full Movie HD | New. This year will see many big-budget films in Bollywood releasing, as well .. of a loud Punjabi wedding, a boy sneaks his dad's fancy new car to. Yaaran Da Katchup () Punjabi Comedy -Movies Festival – Watch Here you can also download latest Hindi, Punjabi, Tamil and English movies for free. SONAM BAJWA New Punjabi Movie | Latest Punjabi Full Film HD | LATEST Kuch Kuch Locha Hai. Starring: Minhas Family A Feature Spotlight Film Presentation Director: Producer: Synopsis: A Film showing. Here is the List of Top 40 Best Punjabi comedy movies of all time in Punjabi It was released on 9 May starring Gaurav Kakkar, Maninder Velly, Dolly .
    [Show full text]
  • Annual Reports Library Services
    SANSCO SERVICES - Annual Reports Library Services - www.sansco.net MUKTA ARTS LIMITED Annual Report For the Period ended March 31st 2004 www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - www.sansco.net Mukta Movies the post edge Distribution Tele Media Mukta Adlabs Digital Exhibition Pvt. Ltd www.reportjunction.com CONTENTS 03 Financial Highlights 04 Chairman's Statement 06 Management Discussion & Analysis 13 Notice 17 Directors' Report 23 Corporate Governance FINANCIALS 33 Mukta Arts Limited 57 Consolidated Financial of Mukta Arts Limited & it's Subsidiaries 75 Whistling Woods International Private Limited 87 Mukta Arts International Private Limited 95 Mukta Tete Media Private Limited TPP^"" www.reportjunction.com BOARD OF DIRECTORS Mr. Subhash Ghai, Chairman & Managing Director Mr. Parvez Farooqui, Executive Director Mrs. Meghna Ghai Puri, Director- Business Development Mr. Manmohan Shetty Mr. Vijay Choraria Mr. Vashdev Bajaj Mrs. Mukta Ghai Mr. Anil Harish Company Secretary & Compliance Officer Mr. Ravi B. Poplai Auditors M/s Shamit Majmudar Associates Chartered Accountants Bankers Punjab National Bank Limited HDFC Bank Limited Standard Chartered Bank Registrar & Transfer Agents Intime Spectrum Registry Limited C-13, Pannalal Silk Mills Compound L.B.S. Marg, Bhandup (W) Mumbai - 400 078 Registered Office 6, Bashiron, 28* Road IPS - III, Bandra (W) Mumbai - 400 050 T^PPr^ www.reportjunction.com SANSCO SERVICES - Annual Reports Library Services - www.sansco.net FINANCIAL HIGHLIGHTS Rupees in lakhs Performance
    [Show full text]
  • Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
    DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr.
    [Show full text]