DOCSLIB.ORG

Have We Got a Season for You!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2010-2011 PREVIEW (cont.) Select from our fixed series packages below: ORDER FORM E 2 A . ORG G M O A T N D E 2 S A FIXED SERIES PACKAGES UMASS FINE ARTS CENTER . IT ORG G O M Please indicate seating preference on the chart below O PAI A M Select the same number of seats to package of choice and save 25%. P T HERST . PROFIT N D S S M (Discount already figured into price.) . IT O PLEASE INDICATE LOCATION PREFERENCE BELOW A PER U 2010-2011 PREVIEW PAI M P NON HERST . CONCERT HALL SERIES PRICE QUANTITY TOTAL PROFIT S M PRICE A PRICE B PRICE C Date . A PER Dance Package U SEC SEC SEC SEC SEC SEC MEZZ MEZZ MEZZ BAL BAL 10/6 Tyler Tyler by Yasuko Yakoshi, Bowker A: $93.75 NON 1 2 3 4 5 6 1 2 3 1 2 11/2 Lar Lubovitch Dance Company, CH B: $75.00 2/1 Pilobolus, CH BOWKER AUDITORIUM 3/10 Philadanco, CH PRICE A PRICE C Orchestra/Balcony Orchestra/Loges Jazz Package Center Balcony Sides 10/7 Lionel Loueke Trio, Bowker A Only: 10/19 Chucho Valdes, CH $82.50 1/25 Charles Lloyd & his New Quartet, Bowker 3/26 We Four: Tribute to John Coltrane, Bowker OW! Venue Seating Map Classical Package 11/8 Venice Baroque Orchestra: American Seasons Project, CH A: $78.75 Have We got a 12/2 Cantus & Theater Latté-Da, CH W B: $67.50 3/6 St. Louis Symphony Orchestra, CH Season For You! Family Package 11/5 Shangri-La Chinese Acrobats, CH A: $97.50 1/27 Balé Folclórico da Bahia, CH B: $78.75 3/22 Cirque Mechanics Boomtown, CH 4/6 Mariachi los Camperos, CH World Music Package 10/13 Hugh Masekela, Bowker A: $82.50 11/12 Mary Black, CH B: $76.50 Example 3/2 Acoustic Africa, CH 3/24 Divahn with Galeet Dardashti, Bowker 8 point minimum type The indicia MUST appear in the extreme top indicia MUST appear in the extreme top The of the mailing panal right corner Theater Package UMass Campus Map 10/27 Three Cups of Tea, Bowker A Only: 12/2 Cantus & Theater Latté Da: "All Is Calm," CH $52.50 2/15 Samuel Becket's "Waiting for Godot," Bowker SUBTOTAL Fine Arts Center Box Office 151 Presidents Drive University of Massachusetts Amherst, MA 01003-9331 A105798 15%–25% 15%–25% AND SAVE AND SAVE SUBSCRIBE 2010-2011 PREVIEW 2010-2011 PLEASE MAKE ADDITIONAL SELECTIONS UMASS FINE ARTS CENTER ON OPPOSITE SIDE (over) 15% SUBCRIPTION DISCOUNT SUBSCRIPTION DISCOUNT NOT APPLICABLE PLEASE FILL OUT BOTH SIDES OF THIS ORDER FORM 2010-2011 PREVIEW availble with purchase of 3 or more events GENERAL We hope that you will consider making a gift along with your 17 & UNDER FIVE COLLEGE/GCC STUDENTS GENERAL PUBLIC PUBLIC subscription. Ticket sales cover only a portion of our expenses. Your gift will play an important role in insuring that we can continue 2010-2011 PREVIEW INDICATE INDICATE INDICATE COLLEGE & QUANTITY Column 1 Column 2 providing our community with high-quality performances, exhibits, ORDER FORM INDICATE QUANTITY Total QUANTITY QUANTITY Total and educational opportunities. PriceCOLUMN 1 PriceCOLUMN 2 GCC Amh STCC MtHol Smith Hamp Total price UMass Total price Don’t forget to indicate your seat preference. # Price A # Price B # Price C # Price Price Date Event Venue Fill out both sides of this order form. WOW! 9/29 Wayang Bali BA $15 $10 $10 Have we got a season for you! We are also Enclose a check or money order made payable to the presenting an exciting new subscription plan that 10/2 Cedar Lake Contemporary Ballet CH $35 $30 $15 $10 $10 10/6 Tyler Tyler with Yasuko Yakoshi Contemporary Dance BA $15 $10 $10 University of Massachusetts Amherst, or fill in the you won’t be able to resist. Because you are a loyal 10/7 Lionel Loueke Trio BA $25 $15 $10 $10 appropriate credit card information. friend and patron of the UMass Amherst Fine Arts 10/13 Hugh Masekela BA $30 $20 $10 $10 Mail completed order form to: 10/19 Chucho Valdes CH $35 $30 $15 $10 $10 Center, you are receiving this advance preview of Fine Arts Center Box Office the Center Series 2010–2011 season. This is your 10/27 Three Cups of Tea BA $15 $10 $10 11/2 Lar Lubovitch Dance Company CH $35 $30 $15 $10 $10 151 Presidents Drive opportunity to order your tickets early before 11/5 Shangri-La Chinese Acrobats CH $30 $25 $20 $10 $10 University of Massachusetts Amherst they go on sale to the general public in July. As 11/8 Venice Baroque Orchestra CH $35 $30 $15 $10 $10 Amherst, MA 01003-9331 11/12 Mary Black CH $35 $30 $15 $10 $10 always our fully illustrated brochure will be mailed There will be a $25 charge for returned checks. in August providing you with updates and value- 11/17 Mazowsze CH $30 $25 $15 $10 $10 12/2 Cantus & Theater Latté Da CH $30 $25 $15 $10 $10 To place credit card order by phone, call 413.545.2511 added events such as lobby festivals, pre-show 1/25 Charles Lloyd New Quartet BA $25 $15 $10 $10 or 1.800.999.UMAS outside the local calling area. dinners, pre- and post-show talks, etc. But don’t 1/27 Bále Folclórico da Bahia CH $30 $25 $15 $10 $10 Or fax a completed form to 413.545.0132 wait! Subscribe now and get the best seats 2/1 Pilobolus CH $40 $30 $15 $10 $10 in the house. 2/15 Waiting for Godot B BA A $25 $15 $10 $10 3/2 Acoustic Africa C CH H $30 $25 $15 $10 $10 Mailing and Payment Information ! 3/6 St. Louis Symphony Orchestra C CH H $40 $30 $15 $10 $10 3/10 Philadanco Dance Company C CH H $35 $25 $15 $10 $10 AR 3/22 Cirque Mechanics in Boomtown C CH H $35 $30 $15 $10 $10 E 3/24 Divahn with Galeet Dardashti B BA A $15 $10 $10 Name N Y 3/26 We Four: Celebrating John Coltrane B BA A $25 $15 $10 $10 EW THIS 4/6 Mariachi los Camperos C CH H $30 $25 $15 $10 $10 4/10 Red Barat CBA H $15 $25 $10 $10 Address COLUMN 1 SUBTOTAL COLUMN 2 SUBTOTAL Address 2 NON-DISCOUNTED GENERAL SEATING Totaling Your Order GENERAL PUBLIC STUDENTS Total QUANTITY Price QUANTITY Price Price City State Date Event Venue DISCOUNTED EVENTS 9/22 Anthony Braxton & Taylor Ho Bynum Bezanson $10 $5 COLUMN 1 SUBTOTAL 10/28 Fred Frith Bezanson $10 $5 ZIP Code 11/18 Randy Weston Bowker $10 $5 If ordering 3 or more events deduct 15% 2/24 The Celestial Septet w/ Rova Sax Quartet + Nels Cline Singers Bowker $12 $7 UMass Amherst employees, Home Phone Work Phone 3/29 Amir ElSaffar's Two Rivers Ensemble Bezanson $12 $7 Alumni members & seniors ordering single tickets deduct 10% 4/20 Mostly Other People Do The Killing Bezanson $12 $7 (ordering fewer than 3 events) Email Address SUBTOTAL MINUS DISCOUNTS Please indicate seating preference on the chart on the reverse side. SUBTOTAL FIXED SERIES EVENT SUBTOTAL Fax Number Five College Student ID # Do you have special seating requests? NON-DISCOUNTED EVENTS Wheelchair seating is available upon request. Indicate # of seats: COLUMN 2 SUBTOTAL Subscriber Priority Deadline: July 23, 2010. • Single Tickets orders filled as of July 26, 2010. GENERAL SEATING SUBTOTAL Mastercard Visa Expiration Date Online single and Make-Your-Own subscription ticket sales available: August 2, 2010. • Fixed Package Cantus & Theater Latté Da Special Discount for Veterans: series available through the box office only.• Subscription tickets will be mailed in August. $15 x = Credit Card Number Tax-deductible gift to the BOX OFFICE USE ONLY: Friends of the Fine Arts Center Signature DATE RECEIVED DATE MAILED M W P N R GRAND TOTAL Trim along this line and mail back your order form order along this line and mail back your Trim SUBSCRIBE AND SAVE 15%–25% s way o be tw bscri re su a an c re u e o h y T Fixed Package Subscribers - Subscribe to packages that are programmed by genre (e.g., music or dance), or theme (e.g., the Global Music Series or Family Series) and save 25%. If you enjoy a particular type of event, this is probably the best option for you. You’ll need to order the same number of tickets for each event. You can add any single event to your package and save 15%. You can also add non-discounted college and youth tickets to your order. “Create Your Own” Subscribers – Just as before you can select at least three events of your choice and save 15%. You curate your own season, customized to your personal interests. If you enjoy a wide variety of arts events this is probably the option you will enjoy the most. You’ll be able to purchase any number of tickets to each event. Plus! – Subscribers who order 6 or more events will be considered “VIP Patrons” and will receive complimentary tickets to select events throughout the season. Great to share with friends, family or fellow employees. GREAT SAVINGS—Subscribers save 15%–25% off general public ticket prices. THE BEST AVAILABLE SEATS IN THE HOUSE TICKET EXCHANGES—Subscribers can exchange tickets up to 24 hours prior to a scheduled performance—by mail, fax, or in person at the Box Office from 10:00 A.M.
Recommended publications
  • National Folk Song and Dance Ensemble Mazowsze 2021-10-04, 08:48

    National Folk Song and Dance Ensemble Mazowsze 2021-10-04, 08:48

    National Folk Song and Dance Ensemble Mazowsze https://www.mazowsze.waw.pl/en/news/666,Report-from-the-Family-Picnic-with-Mazowsze.html 2021-10-04, 08:48 Report from the Family Picnic with Mazowsze - thank you that you were with us! The open-air picnic with Mazowsze at Karolin, introducing the summer, is already over. The ensemble presented several shows for to the audience – concerts of various kinds of music: folk, classical, pop, and film music, for example from James Bond movies and Pirates of the Caribbean. The audience saw Mazowsze's soloists, choir, and orchestra, but also several guests. Among them, there were the renowned opera and operetta singers Dorota Laskowiecka and Adam Sobierajski, who sang for example “O mio babbino caro” from the opera Gianni Schicchi, “Nessun dorma” from Turandot, and the operetta fan favorite duet of Silva and Edwin from the operetta Die Csárdásfürstin [The Csardas Princess or The Riviera Girl]. The young, internationally renowned and awarded bass-baritone Łukasz Karauda, also presented opera repertoire on the stage. The singer, who has recently also become Mazowsze's soloist, sang “The Toreador Song” from Georges Bizet's opera Carmen. The concerts were conducted by Jacek Boniecki, Wojciech Gwiszcz, and Klemens Starybrat. It was a very special opportunity to listen to them, as each of them creates his own particular sound with the ensemble's orchestra. Mazowsze however, is not only music and singing – there is also dancing, performed by the ensemble's ballet. The program included pieces that allowed the dancers to show their versatility. There were the Polish national and regional dances Mazowsze is famous for, but also the classic tango (solo by Kamila Borowska and Adam Czechlewski) and waltz (solo by Dorota Rak and Marcos De Lima).Mazowsze 's performance wasn't the only occasion to see dance: there were also presentations prepared by the participants of the “Dancing with Mazowsze” workshops, and the performance prepared by the Folk Dance Ensemble “Pruszkowiacy”.
  • Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608

    Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608

    Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ......................................................................................................................................
  • The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In

    The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In

    THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting.
  • FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No

    FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No

    FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p.
  • Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century

    Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century

    Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital.
  • Alvin Fiedler Anthony Braxton Barbara Dane Bobby Zankel Cecil Taylor Leon Russell

    Alvin Fiedler Anthony Braxton Barbara Dane Bobby Zankel Cecil Taylor Leon Russell

    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA ALVIN FIEDLER ANTHONY BRAXTON BARBARA DANE BOBBY ZANKEL CECIL TAYLOR LEON RUSSELL Jazz in South Africa Top Ten Critics Picks of 2016 International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 43 Number 1 Jan Feb March 2017 HANS LÜDEMANN DAS REALE KLAVIER „There are musicians that are more real Hans Lüdemann – piano & virtual piano than others, real in the sense that they carry more truth in them as others... because the musician devotes himself without doubt completely to the music, lets himself be reached by the origin of what he wants to say without anything coming from elsewhere, neither an outer world or another source. This is what pianist Hans Lüdemann does on a CD entitled „das reale Klavier“ – in an incredible way, never heard new solo album and rarely with such on BMC records/MVD intensity“. nominated for „Deutscher notes des jazz/France, Schallplattenpreis 2016“ Michel Arcens, 2015 CD of the month – piano news 3/4 -2016 www.HansLuedemann.de vision of sound "Vincent has written some lovely tunes and plays them with a Debussy- like tension. More please, this is a fine mainstream pianist." Robert D. Rusch Cadence Magazine Future/memory jazz full of dynamism, melody and groove. Masterful composi- tions intimately performed. Beautiful music. Nick Luscombe, BBC Radio 3 Late Junction/FlomotionRadio Dynamic, sublime, refreshing. Occasionally too much of a good thing can be wonderful. Peter Wockner, Jazz and Beyond Captivating, vast shimmering piano impressionism with a unique sensitivity for sound. Robert Ratajczak, Longplay Available now on Vision Of Sound Records.
  • ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED

    ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED

    ©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression
  • American Literature I American Literature I American Literature I

    American Literature I American Literature I American Literature I

    American Literature I American Literature I American Literature I SBCTC & Lumen Learning American Literature I Copyright © 2018 by Lumen Learning. I Instructor Resources (material available upon log-in) 1 PDF PDF versions of the primary textbook are available for offline use. While these versions are a convenient alternative for times when students lack Internet access, they do not include interactive content such as simulations, videos, and quizzes. For that reason, the offline versions should be used as a backup rather than as the primary textbook. You can download the PDF using the following links: PDF (2.9 MB) To share these files with your students, copy and paste the text and download link above into a page or announcement in your learning management system (Blackboard, Canvas, etc.). CC licensed content, Original PDF. Provided by: Lumen Learning. License: CC BY: Attribution CC licensed content, Shared previously Kindle. Authored by: Alice Bartlett. Located at: https://www.flickr.com/photos/alicebartlett/7962401790/. License: CC BY-NC: Attribution- NonCommercial 6 American Literature I II Student Resources 2 Reader-Response Criticism Summary We have examined many schools of literary criticism. Here you will find an in-depth look at one of them: Reader- Response. The Purpose of Reader-Response Reader-response suggests that the role of the reader is essential to the meaning of a text, for only in the reading experience does the literary work come alive. For example, in Mary Wollstonecraft Shelley’s Frankenstein (1818), the monster doesn’t exist, so to speak, until the reader reads Frankenstein and reanimates it to life, becoming a co-creator of the text.
  • Dorathi Bock Pierre Dance Collection, 1929-1996

    Dorathi Bock Pierre Dance Collection, 1929-1996

    http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.
  • The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents

    The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents

    The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents MURIEL SMITH Abstract: Two Polish folk ensembles of Winnipeg share ancestral roots and a similar purpose as purveyors of Polish Canadian culture, yet they are disparate in their approach; one centres on maintaining an authentic heritage, the other on relevance. By examining their entwined histories, I propose that processes of globalization involving the transfer of information, ideas and cultural perspectives across multiple generations and numerous transatlantic Polish migrations have reformulated and re-signified the expressive practices of these two groups. This study contributes to musicological research considering transatlantic cultural flows between ancestral homelands and the Americas. 145-77. 40 (1): Résumé : Deux groupes folkloriques polonais de Winnipeg partagent les mêmes racines ancestrales et ont le même objectif, être les pourvoyeurs d’une culture canado-polonaise. Et cependant, ils ont une approche MUSICultures radicalement différente : l’un privilégie la conservation d’un patrimoine authentique, l’autre celui de la pertinence. En examinant leurs histoires entremêlées, j’émets l’hypothèse que le processus de mondialisation qui implique les transferts d’informations, d’idées et de perspectives culturelles à travers des générations multiples et de nombreuses migrations transatlantiques, ont reformulé et conféré un nouveau sens aux pratiques expressives de ces deux groupes. Cette étude contribue à la recherche en musicologie qui examine les flux culturels transatlantiques entre les patries ancestrales et les Amériques. This article has accompanying videos on our YouTube channel. You can find them on the playlist for MUSICultures volume 40, issue 1, available here: bit.ly/MUSICultures-40-1.
  • Lajkonik of Tucson – a Piece of True Poland: Constructing Polish – American Identities in an Ethnically Heterogeneous Society

    Lajkonik of Tucson – a Piece of True Poland: Constructing Polish – American Identities in an Ethnically Heterogeneous Society

    LAJKONIK OF TUCSON – A PIECE OF TRUE POLAND: CONSTRUCTING POLISH – AMERICAN IDENTITIES IN AN ETHNICALLY HETEROGENEOUS SOCIETY __________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ___________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ___________________________________________________ by Monika Glowacka-Musial January 2010 ii © by Monika Glowacka-Musial May 2010 All Rights Reserved iii ABSTRACT Lajkonik of Tucson – a piece of true Poland: Constructing Polish-American identities in an ethnically heterogeneous society Monika Glowacka-Musial Doctor of Philosophy Temple University, 2010 Dr. Paul Garrett Tucson, Arizona is a site of a lively Polish-American community. Initially associated with a political organization (“Solidarity Tucson”), which actively supported the Solidarity Movement throughout the 1980s, the Polish diaspora has gradually transformed into an ethnic community very much focused on maintaining its distinctive heritage. Recent formation of the Polish folkloric dance group Lajkonik was directly stimulated by the local multicultural establishment, which promotes ethnic diversity in the Old Pueblo. Having become an integral part of the Southwestern society, Lajkonik has developed a collection of identity practices, which despite diverse influences continues to reproduce Polish cultural traits. In my ethnographic account, I examine ways, by which members of the Lajkonik group construct their diasporic identities. First, I focus on the core activities of the group, which include the practice of Polish traditions, learning folk dances and songs in a wide cultural context, and negotiating the speaking of Polish. Additional analyses, based on video recordings, of Polish classes and dance rehearsals, which show the actual mechanics of the production processes, as well as the narratives of the teacher and parent of performers, further support the account of the ethnographer.
  • Courier Gazette Snffl Lent Lo P*Y the Debt* of the De- Representatives in Convention, but Not to Be Riverc, Capt

    Courier Gazette Snffl Lent Lo P*Y the Debt* of the De- Representatives in Convention, but Not to Be Riverc, Capt

    Rockland Gazette The Largest Rockland Tribune Circulation Union Times Consolidated March 17, l»»7 T he Courier-Gazette. In Eastern Maine TWICE-A-WEEK . TUESDAY AND SATURDAY. Two Dollars a Year Rockland Maine Tuesday December 7 1897 Vol. 52. N o. 87 MISS ELLIOTT'S DIAMOND FROM THE NATIONAL CAPITAL August and September under its operation, as ON TO KLONDIKE IN A CORNER OF THE LIBRARY Colds Chaps Colic compared with August and September of 1896; Great Brltian, also one of Ihe protesting coun­ The One Purchase*1 After Reciting Time WxaniaoTOR, D. C-, Dee. 4 ,18S7. Fnrtnnea Awaiting the Men Who tin Rarly tries, increased her purchases nearly 86,000, “The West ss Interpreted in Fiction” will Was Not the One Rtolen. I f the average farmer did not enjoy hia anil Avoid the Rn.h, Coughs . Chafing Croup 000 in August and September, 1897, as com­ be the subject o f a paper In tn early number Tbankigiving turkey thia year it was prubably ’ After all Ibeir la b ile sleuthing, ray* the pared with Ibe corresponding months of T acoma, W ash., Nev. M, way. of Ihe Atlenlic Monthly. because he was too busy w;th prosperity which New York Journal, on the trail of a stolen 1896. Taking the thirteen countries which From statistics just compiled by theTscoms Much new work, II it reported, will appear Catarrh Chilblains Cramps this first year of tbe M cK inley administration diamond Maxine Elliott and Nat Goodwin offered protesls against the Dingley law, tnd Citizens Klondike committee the steamers end in William W alto n ’s forthcoming volume, Arc ills to which all flesh la heir.