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Islamic Gardens
Islamic Gardens Amy Rebecca Gansell This course explores gardens of the Islamic World, covering a breadth of historical, cultural, geographic, and environmental contexts. After being introduced to the Islamic world, the nature of specifically “Islamic” gardens is considered. While formal design and aesthetic experience is emphasized throughout, religious, social, and political implication of landscape design are studied through historic cases. Evidence for past gardens, archaeology, and garden conservation are addressed as well. Week 1 Introduction to Islamic culture, religion, and history Students are encouraged to browse entire books, outlining major themes. These books may be consulted for reference throughout the semester. -R. Hillenbrand, Islamic Art and Architecture (Thames and Hudson, 1999). -Ira Lapidus, A History of Islamic Societies (Cambridge, 2002). -Frederick Mathewson Denny, An Introduction to Islam, 3rd edition (Prentice Hall, 2005). Week 2 Introduction to Islamic gardens, Part 1: History and Symbolism -J. Lehrman, “An introduction to the problems and possibilities of restoring historic Islamic gardens,” in L. Tjon Sie Fat and E. de Jong (eds.), The Authentic Garden: A Symposium on Gardens (Leiden: Clusius Foundation, 1990). -Emma Clark, “Introduction” and Ch. 1 “History, symbolism, and the Quran,” in The Art of the Islamic Garden (Wiltshire, UK: Crowood Press, 2004), pp. 11-22, 23-36. Week 3 Introduction to Islamic gardens, Part 2: Design and Layout -David Stronach, “Parterres and stone watercourses at Pasargadae: Notes on the Achaemenid contribution to garden design,” Journal of Garden History 14 (1994): 3-12. -Emma Clark, Ch. 2 “Design and Layout” and Ch. 3 “Geometry, hard landscaping and architectural ornament,” in The Art of the Islamic Garden (Wiltshire, UK: Crowood Press, 2004), pp. -
The Mosque of the Turkish Grand National Assembly in Ankara: Breaking with Tradition
MOHAMMAD AL-ASAD THE MOSQUE OF THE TURKISH GRAND NATIONAL ASSEMBLY IN ANKARA: BREAKING WITH TRADITION The mosque of the Turkish Grand National Assem- hall is represented only by a set of steps that rises to bly in Ankara, designed by the Turkish father-and- about one meter.' These digressions from, or rejec- son team of Behruz and Can Cinici, represents a sig- tions of, past prototypes are most unusual even in a nificant departure from the usual conception of contemporary mosque design. Far from being the mosque architecture, both past and present, in its result of ignoring the past, however, a study of the clear rejection of elements that have traditionally been mosque reveals a serious analysis of the numerous associated with the mosque (fig. 1): the traditional traditions of mosque architecture. The design also dome and minaret are absent; the traditionally solid raises questions about the role of a mosque in the qibla wall is in their design replaced by a glazed sur- legislative complex of a country which, since the face that opens onto a garden; and the separation 1920's, has had a majority Muslim population, but a between the men's and women's areas in its prayer secular system of government.2 . · .... i-..-,... -. Fig. 1. Ankara. Mosque of the Turkish Grand National Assembly. General view. (Photo: from C. C. Davidson and . Serageldin, eds., Architecture Beyond Architecture, p. 126) 156 MOHAMMAD AL-ASAD Fig. 2. Ankara. Turkish Grand National Assembly complex. General view: The mosque is located to the south of the complex, and the Public Relations Buildings are located to the north of the mosque. -
The Meaning of Landscape in Classical Arabo-Muslim Culture
Cybergeo : European Journal of Geography, No.196, 16 October 2001 The Meaning of Landscape in Classical Arabo-Muslim Culture Lamia LATIRI Summary: This article explores the concept of landscape in Arabo-Muslim culture from a linguistic and literary standpoint1. Based on extracts from historical collections produced by Arab geographers of the classical period, it shows the existence of spatial landscape models and stereotypes that served to situate a place in a landscape. The landscapes are found to be defined on visual, aesthetic and sensory criteria. Key words: lexicology, landscape, Muslim culture A constant feature of human culture is a capacity to absorb extremely varied influences. At different times in history, the Christian West and Muslim East have established relations and influenced each other. The common core to both Muslim and Western science is the scientific legacy of Ancient Greece2. The series of studies and translations of Greek scientific works, begun in the Omayyad and Abbasid era at the end of the eighth century, and continued in Spain (Cordoba) in the twelfth century, proved valuable for Christian Europe between the thirteenth and fifteenth centuries3. It is therefore not surprising to see a formulation of landscape emerge at the start of the fifteenth century in the West. It was a logical process consequent on the transmission, assimilation and renewal of the philosophy and science of the Ancient world. At the end of a long and complex process, Western culture formulated its theories and interpretations of landscape, and directed them in a way that gave a central place to the visual and scene-setting aspects. -
Bioclimatic Devices of Nasrid Domestic Buildings
Bioclimatic Devices of Nasrid Domestic Buildings Luis José GARCÍA-PULIDO studies in ARCHITECTURE, HISTORY & CULTURE papers by the 2011-2012 AKPIA@MIT visiting fellows AKPIA@MIT 2 The Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology 3 2011-2012 CONTENTS 1. INTRODUCTION 6.1.A.1. Control of Spaces and Natural Light 6.1.A.2. Reflecting Surfaces 2. CLIMATIC CHANGES IN THE PAST AND THEIR INFLUENCES 6.1.A.3. North-South Orientation 6.1.A.4. Microclimate Provided by Courtyards IN SOCIETIES 6.1.A.5. Spatial Dispositions around the Courtyard. The 2.1. The Roman Climatic Optimum Sequence Patio-Portico-Qubba/Tower 2.2. The Early Medieval Pessimum 6.1.B. Indirect Methods of Passive Refrigeration (Heat 2.3. The Medieval Warm Period Dissipation) 2.4. The Little Ice Age 6.1.B.1. Ventilation 6.1.B.2. Radiation 6.1.B.3. Evaporation and Evapotranspiration 3. BUILDING AGAINST A HARSH CLIMATE IN THE ISLAMIC WORLD 7. BIOCLIMATIC DEVICES IN OTHER ISLAMIC REGIONS 3.1. Orientation and Flexibility WITH COMPARABLE CLIMATOLOGY TO THE SOUTHEAST 3.2. Shading IBERIAN PENINSULA 3.3. Ventilation 7.1 The North West of Maghreb 7.1.1. The Courtyard House in the Medinas of North Maghreb 4. COURTYARD HOUSES 7.2 The Anatolian Peninsula 4.1. The Sequence from the Outside to the Courtyard 7.2.1. Mediterranean Continental Climate 4.2. Taming the Climate 7.2.2. Mediterranean Marine Climate 7.2.3. Mediterranean Mountainous Climate 5. NASRID HOUSE TYPOLOGY 7.2.4. Dry and Hot Climate 7.2.5. -
Tracing the Islamic Influences on the Garden Design of Nineteenth- Century Cairene Gardens
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2018 Tracing the Islamic influences on the garden design of nineteenth- century Cairene gardens Radwa M. Elfardy Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Elfardy, R. (2018).Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 MLA Citation Elfardy, Radwa M.. Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens. 2018. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted to The Department of Arab and Islamic Civilizations In Partial Fulfillment of the Requirements For the Degree of Master of Arts By Radwa M. Elfardy Under the supervision of Prof. Dr. Bernard O’Kane 1 The American University in Cairo Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted by Radwa M. Elfardy To the Department of Arab and Islamic Civilizations In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Prof. -
Mosque Are Appointed by Diyanet
DIYANET CENTER OF AMERICA Our Principles Diyanet Center of America, Is committed to prividing religious services, away from the realm of politics. Relies on true knowledge based on the Qur’an and authentic traditions of the Prophet and takes into consideration various religious interpretations, tendencies and traditions and evalu- ates them in the light of mainstream understanding and rational approach. Is committed to protect the Muslims’ religious and cultural roots WHO WE ARE in the face of assimilationist policies. Aims to preserve all the differences in belief and culture in an The Diyanet Center of America (DCA) is an operating name of atmosphere of freedom and mutual respect. the Turkish American Community Center (TACC), a non-profit Conceives the preservation of the historical and cultural heritage organization (501(c)(3) status) located in Lanham, Maryland. of the other religions as well as the preservation of the religious The community center was established in 1993 by a group of and cultural diversity respecting values from the past, all prereq- Turkish-Americans to provide religious, social and educational uisites for the exalted tolerance of Islam. services to Turkish immigrants and Muslims living in the United Supports freedom of religion and freedom of expression. States of America. As an umbrella organization, DCA has 22 lo- Condemns all types of violence and terror, regardless of the per- cal chapters with affiliations across America and works in full patrator and its victims. DCA regards all terrorist acts as a crime coordination with the Religious Affairs Division of the Repub- against humanity. lic of Turkey (Diyanet). -
Patterns and Geometry
PATTERNS ROSE CHABUTRA: ICE CHABUTRA: Pentagon and 10-Pointed Star Hexagon and 6-Pointed Star 4 PATTERNS AND GEOMETRY NELSON BYRD WOLTZ LANDSCAPE ARCHITECTS Geometric design, based on the spiritual principles of nature, is at the center of Islamic QUESTIONS GROUNDING THE RESEARCH culture. Geometry is regarded as a sacred art form in which craftsmen connected with the The research process began with a series of fundamental questions that eternal; it is a form of prayer or meditation to awaken the soul in the practitioner via the informed the study: act of recollection. Participating “in” geometry is symbolic of creating order in the material 1. How can we respectfully and thoughtfully use this pattern language, which world and a way for the practitioner to bring to consciousness a greater understanding of represents hundreds of years of Islamic culture and design, within the the woven Universe and the Divine. context of a contemporary garden? 2. How can we appropriately apply these patterns in the Aga Khan Garden Islamic art has the power to connect us to nature and the cosmos by revealing patterns with purpose and meaning? inherent in the physical world. While the use of geometry and patterns are intrinsic 3. How can we make these gardens a pleasure for users to experience and elements in Islamic garden design, graphic arts, and architecture, the rules and rationale provide the sensorial delight depicted in extant precedents and historic to their form and application are not cohesively documented. To undertake the design descriptions, such as Mughal miniature paintings? and construction of the Aga Khan Garden, Nelson Byrd Woltz, the landscape architects, 4. -
Resources for the Study of Islamic Architecture Historical Section
RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION Prepared by: Sabri Jarrar András Riedlmayer Jeffrey B. Spurr © 1994 AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION BIBLIOGRAPHIC COMPONENT Historical Section, Bibliographic Component Reference Books BASIC REFERENCE TOOLS FOR THE HISTORY OF ISLAMIC ART AND ARCHITECTURE This list covers bibliographies, periodical indexes and other basic research tools; also included is a selection of monographs and surveys of architecture, with an emphasis on recent and well-illustrated works published after 1980. For an annotated guide to the most important such works published prior to that date, see Terry Allen, Islamic Architecture: An Introductory Bibliography. Cambridge, Mass., 1979 (available in photocopy from the Aga Khan Program at Harvard). For more comprehensive listings, see Creswell's Bibliography and its supplements, as well as the following subject bibliographies. GENERAL BIBLIOGRAPHIES AND PERIODICAL INDEXES Creswell, K. A. C. A Bibliography of the Architecture, Arts, and Crafts of Islam to 1st Jan. 1960 Cairo, 1961; reprt. 1978. /the largest and most comprehensive compilation of books and articles on all aspects of Islamic art and architecture (except numismatics- for titles on Islamic coins and medals see: L.A. Mayer, Bibliography of Moslem Numismatics and the periodical Numismatic Literature). Intelligently organized; incl. detailed annotations, e.g. listing buildings and objects illustrated in each of the works cited. Supplements: [1st]: 1961-1972 (Cairo, 1973); [2nd]: 1972-1980, with omissions from previous years (Cairo, 1984)./ Islamic Architecture: An Introductory Bibliography, ed. Terry Allen. Cambridge, Mass., 1979. /a selective and intelligently organized general overview of the literature to that date, with detailed and often critical annotations./ Index Islamicus 1665-1905, ed. -
Islamic Gardens
An Enclosed Paradise: Islamic Gardens Traditionally, an Islamic garden was a cool place of rest and reflection, a reminder of paradise. Generally, they emphasized the beauty and importance of water and shade. This is not too surprising since Islam came from and generally spread in a hot and arid climate, which we Central Californians well relate to as we head into the hottest time of our year. The enchantment with greenery and the description of the gardens of paradise in the Koran led to a penchant among Arab rulers to collect plants for their kitchen gardens. The kitchen garden was not only a garden supplying food but natural beauty as well and it gave rise to a genre of Arabic poetry known as the rawdiya, the garden poem, meant to conjure the image of the Garden of Paradise. Emblematic Islamic gardens, such as the Taj Mahal in India and the Alhambra in Spain, while stunning, don’t reflect the garden’s use at many levels of society. Clifford A. Wright describes the variety of Islamic gardens, "The Islamic garden was quite different than the gardens of Europe that became famous during the Renaissance. Muslims had different kinds of gardens serving different purposes." After the Arab invasions of the 7th century CE, the traditional design of the Persian garden was integrated into use with the Islamic garden. Persian gardens after that time were traditionally enclosed spaces, called by them 'pairi-daeza.' In the Charbagh, or paradise garden, four water canals typically carry water into a central pool or fountain, interpreted as the four rivers in paradise, filled with milk, honey, wine and water. -
Architecture, History & Culture
Bioclimatic Devices of Nasrid Domestic Buildings Luis José GARCÍA-PULIDO studies in ARCHITECTURE, HISTORY & CULTURE papers by the 2011-2012 AKPIA@MIT visiting fellows AKPIA@MIT 2 The Aga Khan Program for Islamic Architecture at the Massachusetts Institute of Technology 3 2011-2012 CONTENTS 1. INTRODUCTION 6.1.A.1. Control of Spaces and Natural Light 6.1.A.2. Reflecting Surfaces 6.1.A.3. North-South Orientation 2. CLIMATIC CHANGES IN THE PAST AND THEIR INFLUENCES 6.1.A.4. Microclimate Provided by Courtyards IN SOCIETIES 6.1.A.5. Spatial Dispositions around the Courtyard. The 2.1. The Roman Climatic Optimum Sequence Patio-Portico-Qubba/Tower 2.2. The Early Medieval Pessimum 6.1.B. Indirect Methods of Passive Refrigeration (Heat 2.3. The Medieval Warm Period Dissipation) 2.4. The Little Ice Age 6.1.B.1. Ventilation 6.1.B.2. Radiation 6.1.B.3. Evaporation and Evapotranspiration 3. BUILDING AGAINST A HARSH CLIMATE IN THE ISLAMIC WORLD 7. BIOCLIMATIC DEVICES IN OTHER ISLAMIC REGIONS 3.1. Orientation and Flexibility WITH COMPARABLE CLIMATOLOGY TO THE SOUTHEAST 3.2. Shading IBERIAN PENINSULA 3.3. Ventilation 7.1 The North West of Maghreb 7.1.1. The Courtyard House in the Medinas of North Maghreb 4. COURTYARD HOUSES 7.2 The Anatolian Peninsula 4.1. The Sequence from the Outside to the Courtyard 7.2.1. Mediterranean Continental Climate 4.2. Taming the Climate 7.2.2. Mediterranean Marine Climate 7.2.3. Mediterranean Mountainous Climate 5. NASRID HOUSE TYPOLOGY 7.2.4. Dry and Hot Climate 7.2.5. -
Sound and Scent in the Garden Garden and Landscape Studies Symposium at Dumbarton Oaks May 9-10, 2014
Sound and Scent in the Garden Garden and Landscape Studies Symposium at Dumbarton Oaks May 9-10, 2014 Speaker Biographies D. Fairchild Ruggles is Professor in the Department of Landscape Architecture at the University of Illinois, Urbana-Champaign, with additional appointments to Architecture, Art History, Women's Studies, Medieval Studies, and Spanish, Italian, and Portuguese Studies. She is the author of two award-winning books on gardens: Gardens, Landscape, and Vision in the Palaces of Islamic Spain (2000), and Islamic Gardens and Landscapes (2008) as well as seven edited and co-edited volumes on heritage, landscape history and theory, and Islamic art. This year, with a fellowship from the American Council of Learned Societies, she has been writing a new book about the slave-queen who ruled Egypt in the mid-13th century before her ignominious assassination. Elizabeth Fowler is a literary scholar, architect, and rookie gardener. This year she is finishing a book on poetry and the built environment and beginning to work on the material culture of prayer, a project stimulated by teaching ”world prayer” on a trip around the world in 2012. Her work persistently concerns poetry in the context of other cultural practices. Literary Character (Cornell, 2003) considers how literary representations of the person draw upon those in law, philosophy, and economics. New Literary History published her “Art and Orientation” this winter. She is a General Editor of the Oxford Collected Works of Edmund Spenser, for which she makes a penitential pilgrimage to teach in Ireland every January. The rest of the year she’s “on grounds” at the University of Virginia. -
Evaluation of Spatial Fictions, Design Concepts, Aesthetic Quests of Traditional, Modern Mosques from Past to Present and the Analysis of Mosque Samples
Civil Engineering and Architecture 4(2): 54-66, 2016 http://www.hrpub.org DOI: 10.13189/cea.2016.040203 Evaluation of Spatial Fictions, Design Concepts, Aesthetic Quests of Traditional, Modern Mosques from Past to Present and the Analysis of Mosque Samples Ş. Ebru Okuyucu Department of Interior Architecture and Environmental Design, Afyon Kocatepe University, Turkey Copyright©2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Mosque has played a central role in Islamic elements involved by the mosque were grouped and these society. The Prophet ordered for the construction of a elements were discussed in terms of material, form and mosque in Medina (Yesrib) where he arrived after hegira, aesthetic. The design concepts of the mosques were made thus he began to form Islamic institutions from the mosque. within the context of the materials and forms of indoor and That’s why the mosque maintained its place throughout the outdoor spaces, whereas space fiction analysis was made history as an important source for Islamic institutions. within the context of covering system and plan arrangement, Mosques are also the spaces, as a socio - cultural element, and the aesthetic concept analysis of the indoor space was where the social life is maintained, which are used for achieved within the context of basic design principles. In line worship by Muslims as their primary objective, which are with the data obtained; differences and similarities were appropriate for individual and common worship and where revealed in terms of physical compliance, design concepts, they are educated religiously.