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June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Combined Senior Issue.Pdf
Admin/ASB FArewellS May 2016 Auld bids farewell ASB, Sr. Presidents offer parting words To the Class of 2016, To the Class of 2016! Graduating from high school, for most, is the first major milestone one ex- I’d just like to tell you, periences: it truly is a historic moment in the story of your life. In fact, some THANK YOU. Thank you not choose to regard high school graduation as the closing of the first chapter in only for the best senior year one’s life and the beginning of another. However, my take on the symbolism possible but for the best four of writing one’s life story and the significance of high school graduation is a years of my life. Thank you for bit different than most. letting me represent you guys; it Although there certainly has been a cast of “characters” in your life story means so much and I am forever thus far, you will encounter and befriend a multitude of other “characters” as grateful for it. But most impor- your story unfolds. However, I am also speaking of the main character in your tantly, thank you all for sharing story…you. You, over the course of the past 17 or 18 years, have developed, to and creating the friendships and a great degree, your core belief system. These core beliefs won’t likely deviate lifelong memories we now have. much. The formative development of the “main character” in your story has, As we are all about to part to a significant extent, taken place and, therefore, will contribute substantially ways and create even more to the way your story unfolds. -
SNEP Launches European VAT Initiative
JULY 5, 1997 Music VOLUME 14, ISSUE 27 £3.95 DM11 FFR35 M&M looks at the European US$7 jazz festival scene-and DFL11.50 how labels see their role in it Media® (pages 8-10). SNEP launches European VAT initiative by Emmanuel Legrand "This association rights society Sacem, although artists' and Mini Bouton must unite all players in society Adami seems reluctant so far to themusicfield,from back the project. PARIS - French record industry body record labels and music pub- Rony says he welcomes the declara- SNEP is stepping up its fight for a lishers to artists and recordingtion made on June 21 by the new minis- lower VAT rate on pre-recorded music studios,"explainsHerveRony, terofcultureand communications, by unveiling a long-term, pan-Euro- director general of SNEP. At present, Catherine Trautmann, in favour of a pean action plan. the group is active in France only, but lower VAT rate. "The person we have to The key instrument in SNEP'sgroup together all forces within theplans to open branches in other Euro- convince now is Mario Monti, the Euro- strategy is the European AssociationEuropean music industry interested in pean countries soon. pean Commission member in charge of For Lower VAT On CDs, launched inthe VAT issue and lobby both national In France, SNEP's initiativehas the single market," says Rony. Paris recently. The association aims to and European authorities. received positive feed -back from authors continued on page 20 BMG faces challenge of monetary union by Adam White, nomic and monetary union (EMU). International Editor -
August 2010 Poly As CST SCORES Media up AGAIN Darling Poly Beats CST Targets for Tenth Year in a Row
The Poly Optimist John H. Francis Polytechnic High School Vol. XCVII, No. 1 Serving the Poly Community Since 1913 August 2010 Poly as CST SCORES Media UP AGAIN Darling Poly beats CST targets for tenth year in a row. Briahna Angulo Staff Writer By Daniel Martinez Staff Writer he TV crews are often here before many students. ecently released California T Their objective: the Standardized Test (CST) scores show secret to Poly’s ongoing success R in raising test scores. Poly has exceeded its target scores for Principal Gerardo Loera has the tenth year in a row. become the must-get interview “We have gains in almost proficient or above in English for local TV and print media and every single possible area,” said ran 39% versus 30% in 2009. his quotes appear weekly in the Poly Principal Gerardo Loera. Eleventh grade student scores press. Big improvements included increased to 35% from 24% last On TV, Poly has been Algebra 2 results, where 20% year. making the 6 o’clock news with Photo by Alejandro Cadena of Parrots scored proficient or “About eight years ago, regularity. PLEASED: Poly Principal Georado Loera smiles at the news of above compared to 3% last year. Poly was at the bottom And the news is all good. another year of rising CST scores for Parrots in all grades. Ninth Grade students scoring 10% of schools with similar Fox News was here opening demographics,” said Principal day to talk about Poly’s new Gerardo Loera. “This year, Poly balanced traditional calendar and is in the top 20% of schools with early start and interviewed Loera. -
On Writing : a Memoir of the Craft / by Stephen King
l l SCRIBNER 1230 Avenue of the Americas New York, NY 10020 Visit us on the World Wide Web http://www.SimonSays.com Copyright © 2000 by Stephen King All rights reserved, including the right of reproduction in whole or in part in any form. SCRIBNER and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. DESIGNED BY ERICH HOBBING Set in Garamond No. 3 Library of Congress Publication data is available King, Stephen, 1947– On writing : a memoir of the craft / by Stephen King. p. cm. 1. King, Stephen, 1947– 2. Authors, American—20th century—Biography. 3. King, Stephen, 1947—Authorship. 4. Horror tales—Authorship. 5. Authorship. I. Title. PS3561.I483 Z475 2000 813'.54—dc21 00-030105 [B] ISBN 0-7432-1153-7 Author’s Note Unless otherwise attributed, all prose examples, both good and evil, were composed by the author. Permissions There Is a Mountain words and music by Donovan Leitch. Copyright © 1967 by Donovan (Music) Ltd. Administered by Peer International Corporation. Copyright renewed. International copyright secured. Used by permission. All rights reserved. Granpa Was a Carpenter by John Prine © Walden Music, Inc. (ASCAP). All rights administered by WB Music Corp. All rights reserved. Used by permission. Warner Bros. Publications U.S. Inc., Miami, FL 33014. Honesty’s the best policy. —Miguel de Cervantes Liars prosper. —Anonymous First Foreword In the early nineties (it might have been 1992, but it’s hard to remember when you’re having a good time) I joined a rock- and-roll band composed mostly of writers. -
Absolute 2005
Absolute Absolute 2005 Absolute is published by the Arts and Humanities Division of Oklahoma City Community College in the spring of each year. All essays, poems, short stories, and artwork are the creations of college students and community members. To retain the creative intent of the writers and artists, only minimal editing of the works has been made. The items published herein represent the editorsʼ best choices from hundreds of original submissions. Editorial Board Heather Erwin, Student Editor Shannon Holverson, Student Editor Naomi Christofferson, Senior Copy Editor April Jackson, Graphic Editor Jon Inglett, Associate Faculty Editor Clay Randolph, Faculty Editor/Adviser The Editorial Board thanks the following individuals for their support and help: Dr. Robert P. Todd, Dr. Paul Sechrist, Susan VanSchuyver, Rochelle Mosby, Sheri Hobbs and many photography, art and writing students at Oklahoma City Community College. All information supplied in this publication is accurate at the time of printing; however, changes may occur and will supersede information in this publication. This publication, printed by B & S Quality Printing, Inc., is issued by Oklahoma City Community College. A total of 150 copies were printed at a cost of $ 1957.00. Oklahoma City Community College complies with all applicable Federal and State laws and regulations and does not discriminate on the basis of race, color, national origin, gender, age, religion, disability or status as a veteran in any of its policies, practices or procedures. This includes, but is not limited to, admissions, employment, financial aid, and educational services. Oklahoma City Community College is accredited by the Commission on Institutions of Higher Education of the North Central Association of Colleges and Schools and holds a prestigious 10-year accreditation as of 2001. -
Entire Issue (PDF)
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 113 CONGRESS, SECOND SESSION Vol. 160 WASHINGTON, THURSDAY, SEPTEMBER 11, 2014 No. 130 House of Representatives The House met at 9 a.m. and was Mr. FRELINGHUYSEN led the of New Jersey and from many States called to order by the Speaker. Pledge of Allegiance as follows: and nations around the world. Let’s re- f I pledge allegiance to the Flag of the member those who have fought from United States of America, and to the Repub- that day and given their lives to pro- PRAYER lic for which it stands, one nation under God, tect our country over those past 13 The Chaplain, the Reverend Patrick indivisible, with liberty and justice for all. years. J. Conroy, offered the following prayer: f Let us renew our determination to Loving God, we give You thanks for honor forever all those whose memo- giving us another day. ANNOUNCEMENT BY THE SPEAKER ries remain a blessing to us and to the The attention of our Nation is drawn The SPEAKER. The Chair will enter- Nation we love so much. toward a raging tragedy. We are torn tain up to 5 requests for 1-minute f by aversion to a repeat of years of mili- speeches on each side of the aisle. tary engagement while compelling nar- INTRODUCING THE SCAN CON- f ratives unfold in so many places TAINERS ABSOLUTELY NOW ACT around our world. MARKING THE ANNIVERSARY OF (Ms. HAHN asked and was given per- Send Your spirit among the Members SEPTEMBER 11, 2001 mission to address the House for 1 of this people’s House, that they might (Mr. -
Ppusa-X Event Progra
P ROGRAM INDEX 06. Fates Warning 08. Crimson Glory 12. Royal Hunt Promoter: 16. Brainstorm Glenn Harveston 18. Sabaton HoS Productions, LLC 28. Pagan’s Mind 30. Orphaned Land Media Director: Deron Blevins 32. Circus Maximus 36. Diablo Swing Orchestra Stage Manager: 38. Mindflow Chris Roy 42. Cage All band interviews were conducted and transcribed by: Greg & Paula Hasbrouck, SI GNING SEssi ONS Milton Mendonca and Bill & Elisabeth Murphy. For the FRIDAY full interviews (including 5:15 - 5:45 pm Circus Maximus interviews with the showcase 6:30 - 7:00 pm Orphaned Land bands!) head on over to 7:45 - 8:15 pm Brainstorm (table 1), Rob Rock (table 2) www.theartofprog.com . 9:15 - 9:45 pm Fates Warning 11:00 - 11:30 pm Diablo Swing Orch. (table 1), Cage (table 2) SATURDAY 4:00 - 4:30 pm Pagan’s Mind (table 1), Mindflow (table 2) 5:40 - 6:10 pm Sabaton PROGRAM LAYOUT/ 7:20 - 7:50 pm Crimson Glory DESIGN BY: 9:00 - 9:30 pm Royal Hunt All signing sessions times are subject to change and/or cancellation at the artists’ availability. WWW.METALAGES.COM Sessions will be held in the outer lobby hallway. Table 1 is located at the far end of the lobby. Table 2 is near the main entrance (same as previous years). PROGRAM PRINTING P ROGP OWER USA F OR UM SPONSORED BY: Join us at the ProgPower USA online forum! If you enjoy the social spirit of our ProgPower USA events, then the forum will be your home away from home. -
Reconsidering the Legacy of Alma Mahler
Illinois State University ISU ReD: Research and eData Faculty and Staff Publications – Milner Library Milner Library 5-2021 Taking Her at Her Work: Reconsidering the Legacy of Alma Mahler Rachel E. Scott Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/fpml Part of the Musicology Commons Recommended Citation Scott, Rachel E., "Taking Her at Her Work: Reconsidering the Legacy of Alma Mahler" (2021). Faculty and Staff Publications – Milner Library. 136. https://ir.library.illinoisstate.edu/fpml/136 This Dissertation is brought to you for free and open access by the Milner Library at ISU ReD: Research and eData. It has been accepted for inclusion in Faculty and Staff Publications – Milner Library by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. TAKING HER AT HER WORK: RECONSIDERING THE LEGACY OF ALMA MAHLER by Rachel Elizabeth Scott A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Major: Music The University of Memphis May 2021 Copyright© Rachel Elizabeth Scott All rights reserved ii Acknowledgements I am fortunate to have learned from the finest faculty members at the University of Memphis. Dr. Kenneth Kreitner, Dr. Jeremy Orosz, Dr. Janet Page, Dr. Daniel Unowsky, and Professor Mary Wilson were a Dream Team of a committee and offered helpful input throughout the process. Dr. Page’s insatiable curiosity and encyclopedic knowledge of music in Vienna recruited me to the program and have inspired me throughout. My interest in the compositions of Alma Mahler has been nurtured by Dr. -
Blues We Must Stay Focused on Who We Are As a Brubeck Joined the Trumpeter for a Wry Take on in Her Deeply Pliable Alto
DB0509_001_COVER.qxd 3/18/09 12:06 PM Page 1 DOWNBEAT DIANA KRALL WAYNE SHORTER 10 CLASSIC SAXOPHONIST INTERVIEWS SUMMER FESTIVAL GUIDE INTERVIEWS SUMMER FESTIVAL CLASSIC SHORTER 10 SAXOPHONIST DIANA KRALL WAYNE DownBeat.com $4.99 05 MAY 2009 0 09281 01493 5 MAY 2009 U.K. £3.50 DB0509_002-005_MAST.qxd 3/18/09 12:10 PM Page 2 DB0509_002-005_MAST.qxd 3/18/09 12:10 PM Page 3 DB0509_002-005_MAST.qxd 3/18/09 1:57 PM Page 4 May 2009 VOLUME 76 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Cello City Online Spring 2016 (PDF)
Newsletter of the New Directions Cello Association & Festival Inc. Vol 19, No. 1, Spring/Summer 2012 Welcome to the Nexus of the Next Step in Cello In this issue: • Message from the Director • NDCA Membership Renewal • New Directions Cello Festival 2012 • NDCF 2012 Workshops • Interviews with Ashia Grzesik & Matt Haimovitz • Cellin’ Out! With guest columnist Trevor Exter • Ask a New Directions Cellist! • CelliTubbies – New Directions Cellists on Youtube • Concert Review: Exter vs Kimok • Sheet Music Review – Revisited: “Dead Cello” rises again! • CD Review: Will Martina’s “The Dam Levels” • Music in the Mail • InCelligence Briefings • The CelLowdown – Final Words Don’t forget to visit: • Celli-Communications – The NDCA Online Forum • Cello City Store – CDs, sheet music and more This issue’s theme: Cello & Voice Take a Bow to the Power of Song! Not so many years ago, singer-songwriters who However it wasn’t until the very end of the 20th century accompanied themselves on cello were all but unheard that the practice became anything other than extreme of. It’s hard to imagine now, but at one time there fringe. The worldwide culture of singing cellists has now were people who actually questioned whether such grown to the point that a young person just starting out an endeavour were even possible! There is historical can draw on a number of inspiring recording artists precedence for singing and playing simultaneously; whose main expression is cello and voice. hundreds of years ago troubadours were known to accompany themselves on viol-like instruments which In this issue of Cello City Online, we will explore the were played more or less in the cello position. -
I the Right Kind of Music: Fundamentalist Christianity As
The Right Kind of Music: Fundamentalist Christianity as Musical and Cultural Practice by Sarah Bereza Department of Music Duke University Date:_______________________ Approved: ___________________________ Philip Rupprecht, Supervisor ___________________________ Louise Meintjes ___________________________ Jacqueline Waeber ___________________________ Jeremy Begbie Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2017 i v ABSTRACT The Right Kind of Music: Fundamentalist Christianity as Musical and Cultural Practice by Sarah Bereza Department of Music Duke University Date:_______________________ Approved: ___________________________ Philip Rupprecht, Supervisor ___________________________ Louise Meintjes ___________________________ Jacqueline Waeber ___________________________ Jeremy Begbie An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2017 i v Copyright by Sarah Bereza 2017 Abstract Fundamentalist Christians loosely affiliated with Bob Jones University (Greenville, SC) teach that music influences listeners’ faith and moral characters for both good and evil, expounding their views since the evangelical Worship Wars began in the 1960s over the use of popular music styles in church services. In their dichotomous moral view, good music reveals God’s nature, allowing born-again listeners to draw closer to God and witness their salvation to unbelievers, and bad music pulls listeners away from God by promoting immorality and false worship. Fundamentalists also prioritize mental engagement with music over emotional and physical responses to it because they believe that people more directly relate to God through their conscious minds and only indirectly with their bodies, as when fundamentalist musicians make music with their bodies, an activity that they believe glorifies God.