Odober 1 Miscellany Datebook Deadline for nominations for CAA standing committees and awards committees

July 26 Deadline for applications for Millard Catalogue Raisonne Scholars Associa­ Deadline for submissions for Septem­ Meiss Publication Fund grants tion. Anyone attending our session at ber/October CAA News the CAA annual conference in Boston in February who paid cash for member­ November 1 ship or gave written special requests, August 2 Deadline for receipt of ballots for please notify Roberta Tarbell, 250 Fine Deadline for applications to serve on the election to the Board of Directors Arts Bldg., Rutgers University, Camden, CAA Nominating Committee NJ 08102; fax 609/225-6330. Some records were lost in transit. 5 Deadline for eAA awards nominations January 31, 1996 Deadline for applications for Profes­ sional Development Fellowships in September 18 American Art Deadline for theme proposals for 1999 CAA eAA conference Deadline for applications for Profes­ sional Development Fellowships for Artists and Art Historians to September 27 Deadline for submissions for Novem­ ber /December CAA News February 12-15 L.A. CAA annual conference, New York

n April 20, 1996, the CAA Board of Directors voted to Nonprofit Organization O reverse its boycott of Califor­ U.S. Postage nia as a possible location for the 199,9 annual conference. This boycott, ,. Paid unanimously passed by the board on 5 NewYork,N.Y. April 22, 1995, had been enacted in Permit No. 4683 response to Proposition 187, which is a Judy F. Baca, La Ofrend a to the Domestic Worker, 1993, acrylic and mixed media, July/August 1996 law that denies certain public services to illegal immigrants in the state of 14' x 6' College Art Association California. 275 Seventh Avenue Initially, the CAA Board of Direc­ Prop 187 and it would signal CAA's California). CAA President Leslie King­ New York, New York 10001 tors felt that a boycott would help draw embracing of a large percentage of its Hammond pointed out that it is CAA attention to the issues surrounding membership." At the same time, policy to meet in all regions of the California immigration advocates began country, adding that "it is crucial to Board of Directors immigration that have always had a significant impact on the arts and challenging the initiative in the courts select this area as a site to serve the Leslie King-Hammond, President education in this country. Soon after this immediately after it became law, nearly 3,000 constituents who live in the John R. Clarke, Vice-President decision was announced, CAA constitu­ drawing significant media attention to West." The board is hopeful that Nancy Macko, Secretary ents in California protested, arguing the issue and tremendous national sessions at the Los Angeles conference John W. Hyland, Jr., Treasurer public outcry. will foster debate over the issues that Barbara Hoffman, Esq., COUl1sel that CAA had not held its conference in Susan Ball, Execl/five Director Los Angeles since 1985. Many indi­ In light of the court challenge to have been raised by the boycott. vidual CAA members wrote letters in Proposition 187, and the significant Proposition 187, known as the Ellen T. Baird Arturo Lindsay support of the annual conference being CAA membership concern, the CAA "Save our State" initiative, denies the Judith K. Brodsky Victor Margolin held in California, among them Steven Board of Directors voted by a clear following public services to illegal Diane Burko John Hallmark Neff F. Ostrow, president of the Art Histori­ majority to have the 1999 conference in immigrants in the state of California: Bradford R. Collins Beatrice Rehl ans of Southern California, who stated, Los Angeles. The board felt strongly social services and all welfare, admis­ Whitney Davis Rita Robillard that it could not ignore the fact that sion to public schools and universities, Vishakha Desai Norie Sato "Ending the boycott and bringing the CAA has not met in southern California and all forms of publicly funded Jonathan Fineberg Roger Shimomura CAA annual meeting back to California Shifra M. Goldman Lowery Stokes Sims would therefore serve two significant in over ten years, since 15 percent of its medical care, except necessary emer- Susan L. Huntington Jeffrey Chipps Smith ends: it would more forcefully commu­ membership resides in California (and Michi ltami Nancy J. Troy nicate our organization's opposition to more than half of those are in Southern CONTINUED ON PAGE 4 Christine Kondoleon Alan Wallach Irving Lavin Deborah Willis Joe Lewis the issue. Professors are going in with Gary Radke, the textbook Art in We have much to think about in Contents CAAin different directions with introductory Paoletti Renaissance Italy (Abrams, forthcoming). terms of the continuing evolution of the art history, he says, although 'right now He has contributed articles to such Art Bulletin. Technology is the area of journals as Apollo, Arts Magazine, and the concern perhaps uppermost in all of our Volume 2/, NUll/be/"4 everyone is thinking about going somewhere, but no One is sure where to Named Art Bulletin. President of the New minds. A move to publish reviews online July/August 1996 the News go.' So, he reports, colleges are holding England Renaissance Conference and will give us important information for on to the survey while trying to incorpo­ vice-president of the Italian Art Society, assessing how technology might affect rate new material. 'That's creating a Art Bulletin he has been a member of CAA since the dissemination of our material in the 1 CAA to L.A. tremendous strain.' ... 1962. future. But there are other less obvious 'While professors believe that the Editor As editor designate of the Art areas that I think we need to investigate. shift in how art history is taught makes Bulletin, he will select and edit manu­ I think it is important that the colleagues 2 CAA in the News intellectual sense, they agree that scripts for publication. Submissions with whom we work in other countries students don't always take to the new should be sent to: John T. Paoletti, Art also feel that the Art Buf/etin is a place Paoletti Named Art Bulletin Editor Artworld approach easily. At the College Art Dept., Wesleyan University, where their scholarship is welcome. Kaplan Named Art journaL "The College Art Association voted to Association meeting, some professors Middletown, CT 06459-0442. Along these lines we might also consider 3 Executive Editor rescind a year-old boycott of California said enrollments might drop if changes publication more often of research by as a site f<:r its annual conference during scholars whose stated discipline is not were introduced too hastily or if ohn T. Paoletti, professor of art its April board meeting. The boycott was students lose their bearings in courses Art Bulletin art history but whose work is critically CAANews history at Wesleyan University, 5 in response to Proposition 187, which that give up on chronology. 'It no longer Editor Designate's Statement important for the study of visual and denies state services to undocumented has been appointed editor looks like art history,' said Ann J Insofar as the Art Bulletin is the publica­ material culture. immigrants. After lengthy acrimonious designate of the Art Bulletin. He will Bermingham of the University of tion of the College Art Association, its Any plans for the future of the Annual Conference Update debate, letters from concerned constitu­ succeed Nancy J. Troy as editor-in-chief, 8 California at Santa Barbara. 'The new editorial policies are in very real ways journal are, however, deeply dependent ents and intense internal and external effective July 1, 1997. curriculum can be irritatingly disap­ directed by the scholarly needs and on the submission of challenging and lobbying, the CAA decided to hold its Paoletti received a B.A., as well as pointing to undergraduates.'" predispositions of CAA's membership. critically constructed articles by scholars Directory of Affiliated Societies 1999 annual conference in Los Angeles. an M.A. and Ph.D. in art history, from 9 -Chronicle of Higher Education, May 3, Given that we represent scholars in the field. I hope that an open editorial The board, which passed the initiative Yale University. His fields of specializa­ 1996 working on historical issues concerning policy will generate ever more active by an overwhelming majority, felt the tion are Italian Renaissance art and all art for all times in all places, and participation by colleagues in the future Solo Exhibitions by Artist Members association could better address the twentieth-century painting and sculp­ 13 More Hot Type given the varieties of new methodologi­ history of the Art Bulletin. issues raised by Proposition 187 in ture. He has been at Wesleyan since "Case studies are a popular way to cat theoretical, and critical approaches special conference panels held during a 1972, prior to which he taught at introduce undergraduates to art history. now entering the mainstream of the People in the News meeting in California than by throwing Dartmouth College, Bryn Mawr College, 15 Rarely is such a course as eclectic, wide­ discipline, it is only reasonable to expect stones from, let's say, Houston, Texas. Yale University, and the Phillips ranging, and time-hopping as the a great diversity in the nature of the "The last time the CAA met in Academy. He is the author of several version of 'Introduction to the Visual articles published in the Art Bulletin. In a 16 Grants, Awards, & Honors southern California was in 1985. book-length studies, among them The Arts' that was developed by a group of field where center and periphery no Approximately 20 percent of the Siena Baptistry Font: A Study of an Early 13 graduate students at the University of longer have meaning as terms, but Kaplan association's more than 13,000 members Renaissance Collaborative Program, 1416- Texas at Austin. where there are multiple centers, the Art 18 Conferences & Symposia reside in the West (which also includes 1434 (Garland) and The Critical Eye/I: "The class attracts about 1,000 Bulletin must attempt to reach an ever Washingto;n and Oregon) and over half Victor Burgin, Gilbert and George, Mary Named students a term, but it is not required for more diverse and demanding readership of that group live in southern California. Kelly, Richard Long, Bruce McLean, David art-history majors. The department of art by publishing articles that challenge 19 Opportunities Dr. Leslie King-Hammond, president of Tremlett (Yale Center for British Art). In and art history still offers two traditional conventional thinking in individual the board (and the first African-Ameri­ addition, he co-wrote and co-edited Art Journal & survey courses .... areas of research and that also provide Programs, New Revised can to hold that position), adds, 'If this Collaboration in Italian Renaissance Art Infonnatiol1 Wanted "The [graduatel students would like new modes of conceptualization for the area was not selected as a site this time (Yale University Press) and co-authored, Classified Ads to export their model. They attended the discipline at large. Executive 22 around it might be another 10 years recent annual conference of the College Articles published in the Art Bulletin before those constituents would be Art Association and are trying to should, like the recent articles comrnis-­ Datebook served.' The 1997 and 1998 CAA develop a textbook based on their course sioned by the current editor on theory Editor Miscellany conferences will meet in New York City 24 studies." and criticism, generate animated and Toronto, respectively." eAA News, a publication of the -Chronicle of Higher Education, May 3, discussion and should as well be the -Art in America, June 1996 College Art Association, is published 1996 standard reference points for further six times a year, Material for work in the area that they represenj. anet A. Kaplan, professor of art inclusion should be addressed to: Hot Type These two desiderata are not mutually history at Moore College of Art Editor "Two sessions on teaching art history exclusive. We also need continued and Design and a member of the CAANews drew large crowds at this year's meeting J attention to focused statements about graduate faculty of Vermont College, 275 Seventh Avenue of the College Art Association. Several of directions in the discipline such as the New York, New York 10001 has been appointed executive editor of the speakers were featured in a compre­ review articles detailing the state of Art Journal. She succeeds Lenore Malen, Telephone: 212/691-1051, ext. 215 hensive issue of Art Journal that came Fax: 212/627-2381 research in particular areas of art history effective July 1, 1996. out last year, which included sugges­ E-mail: [email protected] that have appeared over time in the Art Kaplan received a B.A. from tions about how to change the courses, Bulletin. They have been important Brandeis University and a Ph.D. in art Editor Renee A. Ramirez what kinds of writing assignments to contributions to the discipline precisely history from Columbia University. Her Managing Edifor Virginia Wageman include, and what to expect from because they engendered self-reflection specialization is modernism/ Editor-ill-Chief Susan Ball students. and, in some cases, heated discussion. postmodernism, including cultural "Bradford R. Collins, a professor at Printed on recycled paper. John T. Paoletti the University of South Carolina, edited © 1996 College Art Association, Inc.

2 CAA NEWS JULY! AUGUST 1996 CAA NEWS fULY!AUGUST 1996 3 Land of Go-bla-dee: Homage to MaryLou securing employment. or an internship criticism, media analysis, feminist CAA to L.A. Williams, published in 1993, is still at a museum or university, with subsidy theory, and social issues. She has been at CONTLNUED FROM PAGE 1 CAA for the position. The American Art Moore College since 1980 and Vermont available. For information, call: Jennifer fellowship includes a second optional College since 1991; prior to that she Kyvig, 212/691-1051, ext. 209 (see order employment year. All professional taught at the University of New News form, page 23). gency treatment. Immigrants wishing to positions must include a curatorial Hampshire-Plymouth, Franconia receive these services must provide component. Candidates are required to College, and the University of Wiscon­ adequate documentation of their legal be citizens or permanent residents of the sin-River Falls. She served as chair of Fellowship status. This initiative also stipulates that United States. Applications for both the Liberal Arts Department for Moore a corporation, institution, or individual Opportunities programs will be available in September College for seven years. She wrote the The Professional Development Fellow­ is required to report "suspected" illegal in most art and art history graduate monograph Unexpected Joul'I1eys: The Art ship in American Art is open to Ph.D. or immigrants to the Immigration Natural­ departments, or write or can CAA, 275 aad Life of Remedios Varo (Abbeville), Faith Ringgold Print terminal M.A. students in art history, iza tion Services. Voted into California Seventh Ave., New York, NY 10001; editions of which have been published The Sunflower Quilting Bee at ArIes is still conservation, criticism, art theory, law during the November 1994 elec­ 212/691-1051, ext. 209. Deadline for in Mexico, Spain, England, and Japan. available for purchase at a special price museum studies, and arts administra­ tions, Proposition 187 was sponsored applications: Januanj 31,1997. Applicants She has contributed to many interna­ for CAA members. Faith Ringgold tion whose focus of study is on a topic and drafted by Barbara Coe of the created this original limited-edition, will be notified by May 30,1997. tional exhibition catalogues and Janet A. Kaplan California Coalition for Immigration in the history of the visual arts of the published numerous articles in such nine-color print especially for CAA to United States. Candidates must demon­ Reform, Orange County, and actively benefit the Professional Development journals as M/E/A/N/I/N/G and Womaa's supported by Governor Pete Wilson. strate financial need and plan to receive Art Joul'I1al. ogy. Together with the reviews editor, I Fellowship Program (see January / the Ph.D. or M.A. degree in the spring Art Journal For the 1999 annual conference in February CAA News). Valued at $1,500, Kaplan has been a member of CAA will work toward supporting the lively of 1998. Editorial Board Los Angeles, the Board of Directors the print is offered to CAA members for since 1977 and has served as a panelist debate generated by ~uch subjects. I am encourages the submission of theme The Professional Development Appoints New Member and chair for sessions at the annual also interested in developing interna­ $1,000 until November 1, 1996. Inspired Fellowship for Artists and Art Histori­ David Joselit, assistant professor of art proposals that deal specifically with the by her French Collection I series, conferences. As executive editor of Art tionallinks with publications and issue of immigration and how it has ans is open to artists and art historians history at the University of California, Journal, she will work with the Art organizations to foster global exchange Ringgold created a new composition of color and from other culturally Irvine, has been appointed to serve a affected the study, teaching, and creative and added new figures for The Sunflower Journal editorial board in selecting around such topics. diverse backgrounds. CAA defines three-year term on the Art Journal activity of visual art. For details ~:m Quilting Bee at ArIes. Van Gogh's garden theme issues and advising guest editors. As we rapidly approach the nominating or self-nominating art cultural diversity in the broadest editorial board. Joselit, who contributes Correspondence should be sent to: Janet millennium, the dialogue between past in ArIes becomes the meeting place for possible terms to include race, ethnicity, regularly to Art il1 America, was a history and/or studio art theme chairs, such historical African American A. Kaplan, Art Journal, 275 Seventh Ave., and future and between generations is see" Annual Conference Update," p. 8. sexual orientation, and economic class. curator at the Institute for Contempo­ New York, NY 10001. brought into even more sharpened heroines as Harriet Tubman and Rosa Candidates must demonstrate financial rary Art in Boston for six years, where focus. Building on important work done Parks. Ringgold collaborated with need and plan to receive the M.F.A. or he organized such exhibitions as "The Eileen N. Foti, master printer at the by previous editors, I see Art Joumal as PhD. degree in the spring of 1998. BiNational: American Art of the Late an exciting forum for exploring the Rutgers Center for Innovative Print and Both programs provide two (in '80s" (1988-89); "Utopia Post Utopia" Art Journal Paper, to print the 22-by-30-inch Executive Editor's Statement creative spaces in which traditions and some cases, three) years of funding: a (1988); and "Endgame: Reference and innovations, the center and the margins, lithograph. Art Journal serves a unique function grant of $5,000 for the first year and Simulation in Recent Painting and can intersect and inform each other. A limited number of Miriam within the College Art Association. As a assistance for the second year in Sculpture" (1986). He received his PhD. With the support of the editorial Schapiro's six-color lithograph In the publication devoted to exploring critical from Harvard University in 1995, staff at CAA, I will work hard to make issues in modern and contemporary art, writing a dissertation titled "Infinite Art Journal provocative, energetic, it brings together the creative energies of Regress: Marcel Duchamp, 1910-1935." serious, thoughtful, substantive, and­ ar-tists, art historians, critics, curators, why not?-even fun to produce and librarians, and others committed to the read. But only the CAA membership, as production, consumption, and analysis Join a initiator and audience, will ensure that of visual culture. CAA Committee Art Journal continues to work toward Structured around thematic issues The membership is urged to participate productive dialogue through words and developed by guest editors and an in the activities of CAA by serving on images. I strongly encourage you to editorial board, Art Journal is a distinctly the association's diverse and increas­ contact us with ideas for future issues. collaborative enterprise at every step, ingly active committees. Committee We also welcome suggestions for from first idea to publication. It is this members serve for fixed terms of three alternative formats that would allow for spirit of collaboration that I seek to years (1997-2000); at least one new more rapid response to current ques­ foster. Drawing on the broad-based member rotates onto a committee each tions or different conceptual models for interests of the CAA membership, I will Richard Wyatt, City of Dreams/River of year. Each committee is composed of at addressing our concerns. Please join us focus on inclusivity, welcoming diverse History, mural, Gateway Transit Center, least three members, and the chair of in creating a magazine that is alive to Los Angeles methodologies, philosophies, and points each committee is ordinarily a member the issues of our time. PHOTO: LOS ANGELES COUNTY METROPOLITAN of view. TRANSPORTATION AUTHORITY METRO ART PROGRAM of the CAA Board of Directors. Art history and studio practice are Committee candidates must possess now engaged in an expanding range of expertise appropriate to the committee's overlapping concerns including work and must be CAA members in aesthetic and formal issues, critical good standing. Members of all commit­ theory, sociopolitical dynamics, identity, tees volunteer their services to the and difference, codes of representation, association without compensation. regionalism and diaspora, alternative Nominations for committee member­ pedagogies, and the impact of technol- Faith Ringgold, The Sunflower Quilting ship should include a brief statement Bee at ArIes, 1995,lithograph, 22" x 30"

CAA NEWS JULY I AUGUST 1996 5 4 CAANEWS JULY/AUGUST1996 outlining the individual's qualifications exhibition policies and procedlUes, in constituencies. Nominations should College Art AssodationlNational .Renaissance, Penn State Press; Anne ted to the serious practice and advance­ and experience and a resume or c.v. Self­ order to exercise influence and share include a brief statement outlining the Institute for Conservation Award for Markham Schulz, Giammaria Mosca ment of the visual arts, or to the study of nominations are encouraged. Write to: efforts in issues of mutual interest, individual's qualifications and experi­ Distinction in Scholarship and Conser~ Called Padovano: A Renaissance Sculptor in some broad, major area of the history of Cristin Tierney, CAA, 275 Seventh Ave., particularly in matters of presentation, ence and a complete resume or c.v. Self­ vation is for an outstanding contribution Italy and Poland, Penn State Press; Beth art. It must possess a formal organiza­ New York, NY 10001. Deadline: October 1, preservation, conservation, access for nominations are encouraged, including by one or more persons who, individual S. Wright, Painting and History during the tional structure, i.e., elected officers, and 1996. scholars, and education of the public. those from past award recipients. Please or jointly, have enhanced understanding French Restoration: Abandoned by the Past, identifiable membership, and such signs The following are standing commit­ Professional Practices Committee write to Cristin Tierney, CAA, 275 of art through the application of know­ Cambridge University Press. of ongoing activity as a newsletter, tees of the Board of Directors: responds to specific concerns of the Seventh Ave., New York, NY 10001. ledge and experience in conservation, Millard Meiss Publication Fund periodicat exhibition record, or other Committee on Cultural Diversity: . membership in relation to such areas as Deadline for receipt of materials: October 1, art history, and art. grants are given twice annually for documentation. For information and an One-third of this nation is composed of job placement and recruitment, tenure 1996. book-length scholarly manuscripts that application, write to: Cristin Tierney, individuals whose cultural, ethnic, and and promotion procedures, scholarly The fonowing are CAA awards have been accepted by a publisher but CAA, 275 Seventh Ave., New York, NY racial background and sexual preference standards and ethics, studio health and committees: Nominating cannot be published without a subsidy. 1O00l. are different from the majority. The safety, and artists' practices. Charles Rufus Morey Award is Committee The author must be a CAA member in The 1996 Directory of Affiliated Committee on Cultural Diversity is presented for an especially distin­ As a reminder, the Board of Directors is good standing. Applications are Societies appears in this newsletter, charged with the recognition and guished book in the history of art, soliciting nominations of CAA members available from the CAA office. page 9. support of the contributions, talents, published in the penultimate calendar in good standing for election to the 1997 possibilities, and needs of this constitu­ CAAAwards year. Nominating Committee. Self-nomina­ ency and with the increased inclusion of Committees Alfred H. Barr, Jr., Award is tions are encouraged. The 1997 Nomi­ Affiliated Directory of this group within the association and The Board of Directors invites members of presented for museum scholarship, nating Committee is responsible for Societies M.F.A. Programs within the field. the association to submit nominations and presented to the author(s) of an espe­ evaluating the nominations submitted to The College Art Association welcomes As stated in the last issue of this Committee on Electronic Informa­ self-nominations for forthcoming open­ cially distinguished catalogue in the the CAA office and compiling the slate two new affiliated societies, the Interna­ newsletter (May jJune 1996, p. 10), the tion attempts to keep abreast of new ings on CAA awards committees. At all history of art, published during the of candidates for election to the Board of tional Association of Word and Image M.F.A. program at City College of New ideas and developments in the area of times CAA encourages the highest penultimate year under the auspices of a Directors to serve the term 1998-2002. Studies (IA WIS) and the Society of York was omitted in the latest edition of automated information in order to standards of scholarship, practice, museum, library, or collection. Send letters of recommendation and Historians of East European and CAA's Directory of M.F.A. Programs in ensure that the special needs of our connoisseurship, and teaching in the arts. Arthur Kingsley Porter Prize is supporting material to: Nominating Russian Art and Architecture (SHERA). the Visual Arts because of incorrect constituencies for access to visual and To this end, the association publicly awarded for a distinguished article Committee, c/o Cristin Tierney, CAA, IAWIS, founded in 1987, aims to be information. In an attempt to rectify the specialized resources linking texts and recognizes achievements by individual published in the Art Bulletin during the 275 Seventh Ave., New York, NY 10001. an international forum for the different error, the program infonnation was images are fully represented at the artists, art historians, curators, and critics penultimate calendar year, the author of Deadline: August 2, 1996. disciplines and approaches, where published in the May /June newsletter conceptual-both design and delivery­ by regularly conferring a number of which is either less than 35 years of age literary and art historians, and also (p. 12) and is being inserted into all levels. annual awards, several of which are or has received the doctorate----if a psychologists, artists, educationalists, books in stock. Committee on Women in the Arts is doctorate degree has been earned-less It has come to our attention that named for distinguished members of the CAA and design and publicity specialists, can charged with promoting the scholarly profession. These awards are made to than 10 years previously. meet and exchange ideas about the way since the notice of the error appeared study and recognition of the contribu­ living individuals whose achievements Frank Jewett Mather Award is for Awards the visual and verbal interact. The two pages away from the City College tions of women to the visual arts, transcend the immediate region in which published art criticism that has ap­ Nominations are also being sought for association has a triennial international program information, readers may not developing linkages with organizations they work and serve the profession and peared in whole or in part during the the 1997 CAA awards (see May jJune conference and publishes a newsletter at have understood why the program was that have compatible interests, and the larger community. preceding year beginning September 1 CAA News). These awards are presented least twite a year. included in the newsletter. monitoring the current status of women The awards are presented each year and ending August 31. Attention is paid every year at the annual conference for SHERA provides an international in the visual arts professions at the CAA annual conference upon the to the range of criticism that appears outstanding achievements in the fields network for information among scholars Education Committee provides an recommendation of the individual awards throughout the country. of art, art history, criticism, and conser­ working in the field of Russian and East ongoing review of career options and committees. Members of awards commit­ Distinguished Teaching of Art vation. By submitting nominations, European visual culture. SHERA development opportunities available to tees are distinguished professionals, Award is presented to an artist of CAA members have the opportunity to publishes a quarterly newsletter that arts graduates, with special attention many of whom themselves have been distinction who has developed a widen the pool of candidates for awards includes bibliographic citations of new directed toward fellowships, grants, and honored by CAA in the past. Each philosophy or technique of instruction committees to consider. If you would research in the field. Members contrib­ internships; maintains an awareness of committee has at least three members, one based on his/her experience as an artist like to see someone recognized for her ute "state of research" essays to the art and art history programs at the of whom rotates off each year. Chairs are and has encouraged his/her students to or his contributions to the field of art newsletter as well SHERA will have a college and graduate levels; and devel­ appointed annually by the president and develop their own individual abilities. and art history, we urge you to write a panel at the upcoming annual confer­ ops an awareness of art education at the may be reappointed. The composition of Distinguished Teaching of Art letter to the appropriate committee. For ence of the American Association for the K-12 level. each committee is inclusive, representing History Award is awarded to an information, contact Cristin Tierney in Advancement of Slavic Studies. Intellectual Property Rights the broad range and diverse interests of individual who has been actively the CAA office at ext. 206. Deadline: CAA welcomes as affiliated Committee is responsible for keeping the membership. As a collective body, the engaged in teaching for most of his/her August 2, 1996. societies groups of artists or scholars abreast of the latest issues and legislation committee is expected to provide a career and has been, among other whose goals are generally consonant that affect reproduction rights and national perspective for the award. things, an inspiration to a broad range of with those of CAA, with a view to scholarly publishing. Candidates must possess expertise' students in the pursuit of humanistic Millard Meiss facilitating enhanced intercommunica­ International Committee is charged appropriate to the committee's work and studies. Grants tion and mutual enrichment. It is with developing relationships between must be members of the association in Artist Award for a Distinguished CAA is pleased to announce four recent assumed that a substantial number of CAA and organizations and institutions good standing. Members of all commit­ Body of Work, Exhibition, Presenta­ Millard Meiss publication subsidies: the members of such groups will in other countries with goals and tees volunteer their services to the tion, or Performance is a peer award Emily Braun, Mario Sironi: Art and already be members of CAA. To be activities similar to those of CAA. association without compensation and given for work mounted in the Politics in Fascist Italy, 1910-1945, recognized as an affiliated society, a Museum Committee monitors the serve for fixed tenns of three years (1997- penultimate year. Cambridge University Press; Hayden B. group must be national or international activities of public and private institu­ 2000). Members of CAA committees Distinguished Artist Award for J. Maginnis, Rethinking the Trecento: in scope and must present evidence that tions in the art sector, particularly in represent the intellectual, geographic, and Lifetime Achievement is a peer award Tuscan Painting at the Dawn of the it is primarily, or in large ,part, commit- relation to acquisition, deaccession, and individual diversity of the association's celebrating the career of an artist.

6 CAANEWS JULY/AUGUSTI996 CAANEWS JULY/AUGUST 19% 7 The theme chairs will formulate, tradition of addressing 'contemporary upholding professional standards. AIC Arts Council of Annual develop, and produce the 1999 annual social and political issues. Papers are holds an annual conference and conference program in consultation with sought that examine various ways in Directory of the African Studies publishes a bimonthly newsletter (AlC the Annual Conference Program which graphic design, interior design, News), a scholarly journal (Journal of the Association Conference Committee; select and oversee session fashion design, industrial design, etc., Affiliated American Institute for Conservation) ACASA, founded 1982. Membership: chairs; and work with the CAA confer­ have engaged with specific or general issued three times a year, an annual 500. Annual dues: $35 regular and ence coordinator to produce conference social concerns. Practicing designers/ membership directory, and other institutional; $15 special (students, Update publications and ensure smooth running artists and design/ art historians are Societies occasional publications. Executive unemployed, retired). Purpose: to of sessions during the conference. This encouraged to propose topics. Send director: Sarah Z. Rosenberg, 1717 K St., promote scholarship, communication, position offers the opportunity to draw proposals to: Joseph Ansell, School of NW, Ste. 301, Washington, DC 20006. and collaboration among scholars, together a variety of methodologies and the Museum of Fine Arts, 230 The artists, museum specialists, and others topics to provide a stimulating venue for Fenway, Boston, MA 02115. Deadline: interested in African and African discussion. August 25, 1996. American Society for Diaspora arts. ACASA's business Requirements include: CAA Under the auspices of the Histori­ meeting is held at the ASA annual membership; practicing artist/art ans of Islamic Art (formerly North Hispanic Art conference; ad hoc meetings are held at his directory is published historian preferably with academic or American Historians of Islamic Art): An Historical Studies the CAA conference. Members receive Theme Chairs annually on the basis of museum affiliation; wide knowledge of untitled session to be chaired by Walter the ACASA newsletter three times a Sought for information provided annually ASHAHS, founded 1975. International the field and practitioners, as well as Denny, Program in Art History, T membership: 150. Annual dues: $12.50 year. Secretary-treasurer: Kathy Los Angeles 1999 by each society. The societies listed sensitivity to the needs and interests of University of Massachusetts, Amherst, regular; $7.50 students; $17.50 institu­ Curnow, Art Dept., Cleveland State Nominations and self-nominations are below have met specific standards for CAA's diverse 14,OOO-person member­ MA 01003. Those who wish to present a tional. Purpose: to promote the study of University, Cleveland, 0[-[ 44115; 216/ sought for CAA annual conference theme purpose, structure, range of activities, ship. Duties may be divided between co­ paper are invited to send proposals, Spanish and Portuguese art through 687-2105; fax 216/932-1315; k.curnow@ chairs-art history and studio art-to and membership enrollment required chairs, but at least one chair for art preferably following the standard CAA meetings, a newsletter, and other means csuohio.edu. organize and coordinate the program for for formal affiliation. history and one for studio art must be . proposal format (see Call for Participa­ it deems appropriate. ASHAHS presents the 1999 conference, to be held in Los from the Los Angeles area and be tion), to the RIA program committee, in the annual Eleanor Tufts Award for an Angeles. Sessions will be selected accord­ employed at a college, university, art care of the session chair. Deadline: outstanding publication and an annual ing to three groupings: sessions orga­ Association for school, or museum. Institutional September 30,1996. American photography grant to a graduate nized around a preselected art history Textual Scholarship approval and support in the form of Under the auspices of the Renais­ Committee student writing a dissertation on an theme; sessions organized around a release time, telephone, photocopying, sance Society of America: "Ut pictura aspect of Hispanic art. General secre­ in Art History preselected studio art theme; and sessions for South Asian and postage are customary. poesis: Art and Audience in the 15th and tary: Marcus B. Burke, 295 Glenbrook ATSAH, founded 1991. Membership: 65. selected as part of a general call for Theme proposals should be 16th Centuries." Chair: Mary Pardo, Art Rd., Stamford, CT 06906; 203/348-2919. Annual dues: $20 U.s.; $22 overseas. proposals. The art history and studio art submitted to Suzanne Schanzer, CAA Dept. of Art, University of North ACSAA, founded 1966. Membership: Purpose: to promote the study and thematic portions of the program will be Conference Coordinator, and must Carolina at Chapel Hill, Chapel Hill, NC 300. Annual dues: $25 regular; $10 publication of art historical primary the primary responsibility of an art history include 18 copies of the following: a 27599-3405; [email protected]. student and unemployed; $30 institu­ sources and to facilitate communication theme chair and a studio art theme chair. Art Libraries one-page explanation of the proposed The comparison of the literary and tional; $50 contributing; $100 sustaining. among scholars working with art Members residing in the general theme (including its title and rationale) figurative arts is a familiar theme in the Purpose: to promote the understanding Society of literature. The association publishes a geographic region where the conference and a short c.v. of the proposer. It is historiography of Renaissance art, one of the arts of South Asia and related North America biannual newsletter to disseminate will be held are invited to submit propos­ recommended that proposals be sent via that has generally been subjected to a areas including India, Pakistan, Nepal, ARLIS/NA, founded 1972. Membership: information about ongoing scholarship, als for the art history and studio art certified mail, return receipt requested. fairly narrow analysis (structural, Bangladesh, Sri Lanka, and Southeast 1,450. Annual dues: $65 individual; $40 publications, and conferences and themes. For the purposes of submitting Proposers should indicate whether the thematic, or iconographic in focus, but Asia. ACSAA publishes a biannual student/retired/unemployed; $80 arranges discOlmts for members on theme proposals for the Los Angeles topic is intended for the art history or with the emphasis on "art theory"). newsletter, supports a continuing slide institutional; $100 business affiliate. reprints and modern editions of texts. conference, the "region" will be defined as studio art thematic portion of the Following the example of John project, and holds a major symposium Purpose: to promote the development, ATSAH organizes a conference session the western United States and western program. Proposers are welcome to Shearman's Only Connect . .. ,this every two years. Secretary: Dorothy good management, and enlightened use every two years in conjunction with the Canada. collaborate in submitting related art session proposes to take the comparison Fickle, 6405 N.B. Baker Hill Rd., of all art libraries and visual resources Society of Textual Scholarship meeting The Board of Directors strongly history and studio art themes. Theme in a broader sense, as encompassing the Bainbridge Island, WA 98110.206/780- collections, and to further the interests at CUNY and holds its annual business encourages theme proposals that address chairs will be appointed at the October many kinds of interaction between 2748. and goals of all professionals involved meetings at CAA conferences. President: how immigration has affected the study, 1996 meeting of the Annual Conference Renaissance beholder and work of art with the organization and retrieval of Elizabeth Pilliod, 415 Lincoln Ave., teaching, and creative activity of the Program Planning Committee. Deadline that might properly be described as art information. The society holds an Highland Park, NJ 08904; 908/828-9243; visual arts (see page 1). Proposals will be for submitting theme proposals: September "rhetorical" -that is, concerned with American Institute for annual conference, sponsors awards for [email protected]. reviewed by the CAA Program Commit­ 18,1996. devices and effects of persuasion. From excellence in art-related activities, and tee, and the proposers of the selected Conservation of this perspective, the work of art is not publishes Art Documentation quarterly, themes will serve as theme chairs and will only a "demonstration" (of skill, status, Historic and ARLISINA Update bimonthly, an annual become members of the CAA Annual Association etc.) but a kind of imaginative vehicle Artistic Works Handbook and List of Members, and two Conference Program Planning Committee 1997 Affiliated Society of Art Editors that requires a responsive beholder to AlC, founded 1958. Membership: 3,000. monograph series. Executive director: from appointment in October 1996 Sessions-Call for Participation AAE, founded 1994. Membership: 95. "drive" it. Session participants might Annual dues: $100 individual; $40 Penney De Pas, CAE, 4101 Lake Boone through the 1999 conference. During their The fonowing will be 1 l/z-hour sessions Annual dues: $10. Purpose: to advance analyze documented instances of students and retirees; $150 institutional Trail, Ste. 201, Raleigh, NC 27607; 919/ terms theme chairs will serve as fun presented between program sessions: and set standards for the profession of beholder response from the period and business affiliates. Purpose: to 787-5181; fax 919/787-4916; members of the committee and will help Under the auspices of the Design art editor; to provide a forum for the 1400-1600, or deal with other aspects of advance the practice and to promote the [email protected]. to shape both the thematic and Forum: "Design and Social Responsibil­ exchange of information among art the "rhetoric" of art; it is hoped that importance of the preservation of nonthematic portions of the program, ity." Chairs: Joseph Ansell, School of the editors and others involved in art­ proposals will not be limited to Italian cultural property through publications, with primary responsibility (and greater Museum of Fine Arts, Boston, and related publications; to provide authors topics. Send proposals to the chair at the research, and the exchange of knowl­ authority) for selecting panels for the Richard Martin, Metropolitan Museum information about editing and publica­ address above. Deadline: July 31, 1996. edge as well as by establishing and theme portions of the program. of Art. The design arts have a long tion procedures; to exchange informa-

8 CAANEWS fULY/AUGUSTl996 CAA NEWS JULY/AUGUST 1996 9 contact, and through all of these, works History of Art; Univ. of Mass., Amherst, International tion about editing positions available, nineteenth-century art as well as the Design Forum: for the greater visibility of lesbian and MA 01003; 413/545-3880; wbdenny both free-lance and institutional. AAE biennial newsletter. President: Patricia Association History, Criticism, gay people in the arts, and above all, the @arthist.umass.edu. Secretary-treasurer: meets annually at the CAA conference Mainardi; secretary: Nina greater equality of gays and lesbians in Carol Fisher, Kresge Art Museum, of Word and and sponsors a session on publishing. Athanassoglou-Kal1myer; treasurer: and Theory our society. The caucuS publishes a Michigan State University, East Lansing, Image Studies Directory of members includes areas of Sally Webster; newsletter editor: Petra DF, founded 1983. Membership: 185. regular newsletter and sponsors panels MI 48824-1119; 517/353-9835; nahia­ IAWIS, founded 1987. Membership: 200. expertise. Co-presidents: Virginia ten-Doesschate Chu. Business office: Annual dues: $10. Purpose: to nurture at the CAA annual conference. Co­ [email protected]. Dues: dfl50 credit card; dfl 75 check. Wageman, College Art Association; AHNCA, Dept. of Art History, CUNY and encourage the study of design chairs: Harmony Hammond, University Purpose: to be an international forum Sheila Schwartz, 343 E. 51st St. (2D), Graduate Center, 33 W. 42 St., New history, criticism, and theory and to of Arizona, HC75, Box 100, Galisteo, for the different disciplines and ap­ New York, NY 10022. Send membership York, NY 10036-8099. provide, through its various events, NM 87540; and James Smalls, Rutgers proaches, where literary and art dues to: Michaelyn Mitchell, AFA, 41 E. better communication among its Historians of University, Voorhees Hall, Rm. 112, historians, and also psycholOgists, 65 St., New York, NY 10021. members, the academic and design Netherlandish Art New Brunswick, NJ 08903. Secretary: artists, educationalists, and design and community, and the public at large. DF HNA, founded 1983. Membership: Association of Christopher Reed. publicity specialists, can meet and holds an annual meeting in conjunction approx. 500. Annual dues: $15 student; Research Institutes exchange ideas about the way the visual with the CAA annual conference and an $25 regular; $50 supporting; $100 Association of and verbal interact. The association has in Art History autonomous symposium on design. The patron; $200 benefactor; $100 institu­ College and a triennial international conference and ARIAH, incorporated in 1988. Full DF newsletter, Object Lessons, founded Historians of tional. Purpose: to foster communication publishes a newsletter at least twice a University members: 17; Affiliate member: 1. 1990, is published occasionally. Co­ and collaboration among historians of British Art year. Contact: Lauren Weingarden, Purpose: to promote scholarship by chairs: Joseph Ansell, School of the Northern European art from about 1350 Museums HBA, founded 1992. International IAWIS, Dept. of Art History, 220 Fine institutes of advanced research in art Museum of Fine Arts, Boston; and to 1750. HNA holds an annual meeting and Galleries membership: 225. Annual dues: $10 Arts Bldg., R133B, Florida State Univer­ history and related disciplines; to Richard Martin, Costume Institute, and program in conjunction with the ACUMG, founded 1980. Membership: professional; $5 students; $50 institu­ sity, Tallahassee, FL 32306-2037; 904/ exchange administrative, scholarly, and Metropolitan Museum of Art, Fifth Ave. CAA annual conference, publishes two 300. Annual dues: institutional $35; tional. Purpose: to foster communication 644-1250; fax 904/644-8977. research information; to encourage at 82nd St., New York, NY 10028; 212/ newsletters per year and a Directory of individual $20. Purpose: to address the and to promote the study and sharing of cooperation in the development and 570-3908; fax 212/570-3970. Members, and holds scholarly confer­ issues that are relevant and unique to ideas among those engaged in any type funding of joint programs. ARIAH ences every 3-5 years. Secretary: Kristin college and university museums and of scholarship or other professional meets twice yearly: in October and Loshose Belkin, 23 South Adelaide Ave., International galleries of all disciplines including art, endeavor related to all areas of British during the CAA annual conference. Foundations in art. HBA has 1-2 affiliates sessions at the Highland Park, NJ 08904. 908/937-8394 history, natural history, and science. The Center of Chair: Therese O'Malley, Center for (tel./fax); [email protected]. Treasurer: association holds an annual issue­ Art: Theory and CAA annual conference. A scholarly Medieval Art Advanced Study in the Visual Arts, HBA conference is held annually, Jane c. Hutchison, Dept. of Art History, oriented, one-day conference in conjunc­ Education ICMA, founded 1956. Membership: National Gallery of Art, Washington, usually on the weekend of the CAA University of Wisconsin-Madison, 800 tion with the annual meeting of the FATE, founded 1977. Membership: 400. 1 300 Annual dues: $35 active (U.S. DC 20565; 202/842-6480; fax 202/842- conference. The HBA Newsletter is University Ave., Madison, WI 53706; AAM. ACUMG publishes News and Annual dues: $20. Purpose: a national a'nly); $40 (all other countries); $15 6733. Secretary: Anne Low, Research published biannually. A Directory of 608/263-2349. Issues, a newsletter containing informa­ organization concerned with college­ students (all countries); $50 institutional; Center Coordinator, Wolfsonian HBA Members is available upon request. tion on issues of concern, and offers level introductory art courses in both $100 contributing; $500 supporting; Foundation, 1001 Washington Ave., A $100 prize is awarded annually for the members a forum to share information studio and art history. FATE aims to $1,000 benefactor. Purpose: to promote Miami Beach, FL 33139; 305/535-2625; Best Book on a British Art Topic. A $200 through published articles. Founded as promote discussion, analysis, strategies, International the study of medieval art and civiliza­ fax 305/531-2133. travel grant is also awarded annually to an Affiliate Professional Organization of goals, and understanding in this area of Association tion from A.D. 325 to 1500. ICMA a graduate student presenting a paper at the American Association of Museums, the art curriculum. The FATE newslet­ of Art Critics publishes a scholarly journal, Gesta; a ACUMG is a network of museums and our CAA affiliates session. President: newsletter; a list of dissertations on ter, journal (FATE in Review), and AICA/US, American affiliate founded galleries affiliated with academic Catalogue Raisonne Jody Lamb, Ohio University, Seigfred medieval art; and two continuing series, regional/national conferences provide a early 1950s. Membership: 300. Annual institutions throughout North America. Scholars Association Hall, Athens, OH 45701; 800/766-8278; The Census oj Romanesque Sculpture in platform for exchange and publication. dues: $45 ($60 new members). Purpose: President: Peter Tirrell, Oklahoma CRSA, founded 1993. Membership: 60. fax 614/593-0457. North American Collectiol1s and The President: Ying Kit Chan, Dept. of Fine to promote critical work in the field and Museum of Natural History, University Annual dues: $10; $15 overseas. Pur­ Census oj Gothic Sculpture in North Arts, University of Louisville, Louisville, to help insure its methodological basis; of Oklahoma, 1335 Asp Ave., Norman, pose: a forum for discussing the American Collections. ICMA also orga­ KY 40292; 502/852-6794. For member­ to create permanent links among OK 73019-0606; 405/325-4712; fax 405/ catalogue raisonne; sessions at the CAA Historians nizes symposia, sponsors sessions at ship, contact FATE treasurer: Jeff Boshart, members through international meet­ annual conference address funding and international conferences, supports the 325-7699. Art Dept., FAA 216, Eastern Illinois of Islamic Art ings and exchange; and to contribute to publishing possibilities, legal issues, publication of the resulting papers, and University, Charleston, IL 61920; 217/ RIA (formerly North American Histori­ the international understanding of new technologies, and obtaining supports liThe Limestone Sculpture 581-2059. ans of Art), founded 1983. Membership: different cultures. AKA/US aims to cooperation from museums, collectors, Provenance Project." Administrator: Association of 300. Annual dues: $10. Purpose: to protect and further art criticism as a dealers, estates of artists, conservation Nancy Wu, ICMA, The Cloisters, Fort promote high standards of scholarship profession in the United States and to Historians of scientists, and other scholars. CRSA Tryon Park, New York, NY 10040; 212/ Gay and and instruction in the history of Islamic act on behalf of the physical preserva­ 19th-Century Art publishes a biannual newsletter. 928-1146 (tel./fax); 73430.2037@ art; to facilitate communication among tion and moral defense of works of art. AHNCA, founded 1994. Membership: President: Gail Levin, 125 E. 84th St., Lesbian compuserve.com. its members through meetings and Frequent membership meetings are 200+. Annual dues: suggested $15, New York, NY 10028; vice-president: Caucus through the HIA Newsletler and Direc­ organized in different parts of the minimum $10; foreign minimum $15. Barbara Buhler Lynes, 47 Warrenton GLC, founded 1989. Membership: 300. tory; and to promote scholarly coopera­ country, as well as lectures and sympo­ Purpose: to foster communication and Rd., Baltimore, MD 21210. Send mem­ Annual dues: $25 employed; $5 low tion among persons and organizations sia, open to members and nonmembers. Italian Art collaboration among historians of bership dues to treasurer: Roberta K. income and students. Purpose: to concerned with the study of Islamic art. The organization publishes a quarterly Society nineteenth-century art through such Tarbell, Dept. of Art and Art History, encourage, nurture, and publicize the HIA holds periodic majlis, or meetings, newsletter. Membership is by invitation lAS, founded 1986. Membership: 300+. activities as research conferences and a Rutgers, State University of New Jersey, study of gay and lesbian art history, of its members, often in conjunction only. President: Alexandra Anderson­ Annual dues: $15 within the U.s.; $20 newsletter. AHNCA holds an annual Camden, NJ 08102. theory, criticism, and studio practice. with meetings of CAA or MESA Spivy, 125 W. 12th St., New York, NY overseas, includes Bibliography of meeting and program at the annual The caucus serves as a conduit of (Middle East Studies Association). 10011. Members' Publications and Newsletter. CAA conference and publishes an information and ideas, a sponsor of President: Walter Denney, Dept. of Purpose: to foster communication annual directory of historians of academic exchange, a means of social

CAA NEWS JULY/AUGUST 1996 11 10 CAANEWS JULY/AUCUSTl996 among disciplines and scholarship The association is a member of the foreign; $27 student or retired; $75 enormous, and frequently no provision is made field and come into courses expecting a level of devoted to the study of Italian art and Confederation Internationale des institutional; $100-$299 contributing; Guidelines for professional development. This disparity in instruction that will enable them to continue to civilization. lAS sponsors sessions at Negotiants en Oeuvres d'Art (CINOA). $300 patron. Purpose: to establish a the demands made upon computer media work with state-of-the-art computers and national conferences, including the PADA members receive a newsletter continuing forum for communication filculty and their studio arts colleagues grows software once they have left the institution. Technological innovations expand the International Congress on Medieval and to further research and education in ever wider as the technology continues to evolve twice yearly. A directory of dealer for Faculty and is incorporated in more aspects of art <1l1d artists' vocabulary, raising unavoidable aesthetic Studies and CAA, and publishes a members is published annually. PADA, the field of visual documentation. VRA­ design curricula. issues, which must be addressed in course newsletter in addition to the Bibliography PO Box 872 Lenox Hill Station, New sponsored publications include a The following descriptions outline the content. Characteristically, the use of computer­ of Members' Publications. President: Anita York, NY 10021; 212/741-7264 (teL/fax). quarterly newsletter, the VRA Bulletil1; a Teaching in typical responsibilities faculty teaching in based media encourages the formation of Moskowitz, 420 Riverside Dr., Apt. 8G, scholarly journal, Visual Resources: An computer-based media generally encounter in interdisciplinary links with other media and New York, NY 10025; 212/316-3438. International Journal of Documentation; four major areas: the academic program, programs including photography, printmaking, Vice-president: John Paoletti, Art Dept., and a number of monographs and Computer­ progmm management, program support, and sculpture, video, film, theater, dance, and music. Renaissance faculty performance. These links can also be extended to develop special bulletins on various aspects of Wesleyan University, Middletown, CT Society connections between art and science by 06457; 203/685-3146. Secretary-trea­ visual resources administration and Based Media including computer science computer graphics surer: Steven Bule, Art Dept., Brigham of America image retrieval. The association orga­ I. The Academic Program programs in this interdisciplinary experimenta­ Young University, Provo, UT 84602. R5A, founded 1954. Membership: 3,700. nizes workshops and an annual confer­ tion. While this is to be encouraged on general Dues: $65 institutional; $50 individual; ence and sponsors the VRA WWW in Fine Art principles, faculty are often requested to give $25 student. Purpose: an international, Homepage and VRA-L electronic The range of tasks typically demanded of full­ informal advice to colleagues who wish to time studio faculty involves a significantly venture into computer applications in these interdisciplinary organization dedicated listserve. President: Joseph Romano, National Council greater investment of time and energy for areas without their colleagues realizing the to the promotion and encouragement of Dept. of Art, Oberlin College, Oberlin, and Design of Art computer-based media fClcuIty. This is true even significant burden these requests can entail. the study of the Renaissance period. OH 44074; 216/775-8666; fax 216/775- in comparison with the responsibilities of As interest grows in the areas of computer Administrators RSA holds an annual conference, 8969; [email protected]. colleagues in other visual arts areas, including animation, multimedia, machine control, virtual NCAA, founded 1972. Membership: 200. other teclmically oriented studio areas such as reality, and interactive presentations, computer­ usually in the early spring, and pub­ UI/{/IIilllOfls/yadopted by eM Board of Directors, photography, printmaking, and video. based media faculty are also often expected to be Annual dues: $30. Purpose: to provide a lishes Renaissance Quarterly and a Ocfobl'f 21, 1995. resource perS011S in these areas and to expand forum for the exchange of ideas, the newsletter, Renaissance News and Notes, The entire knowledge and equipment base Women's in the discipline of electronic media is changing their programs to accommodate them. l1lese identification of problems, and the three times a year. R5A, 24 W. 12th 5t., Caucus constantly and with amazing rapidity. This computer-based media faculty may not generation of shared solutions to the New York, NY 10011; 212/998-3797; fax continual technical obsolescence requires faculty necessarily be skilled in these new and ever issues that confront visual art profes­ 212/995-4205; [email protected]. for Art to constClntly rewrite their curriculum. In other developing areas; yet, because they use the sionals in higher education today. WCA, founded 1972. Membership: areas, it is possible to continue instruction and computer, there is an assumption that one NCAA is an organization representing 4,000. Annual dues: $30-$50 individual This document was presented to CAA by production with materials that remain current should be able to teach in or work in these new programs in schools, colleges, and (sliding scale), with local chapter dues concerned members working in computer-based from year to year, still engaging in meaningful applications. Society of investigations of the basics of the field. However, universities throughout the U.s. optional; $75 institutional. Purpose: to media, in response to typical circumstances that faculty working within this area routinely computer-based media programs are largely Membership is open to current and Historians of -win parity in the valuation of creative East European encounter. Frequently, colleagues and adminis­ dependent on equipment designed to compete in Keeping Current previous art department chairs; deans, and scholarly work by women; to create trators are unaware of many critical issues in this the rapidly changing commercial marketplace. Unique to computer-based media, the level of directors, and presidents of art schools; and Russian Art new opportunities for women to fi'lpidly developing area, thus making initial Equipment that is ten years old is almost constant change ilnd expansion of capabilities of directors of university affiliated muse­ and Architecture document, produce, and exhibit works; hiring hiterviews and subsequent performance completely incompCltible with the easily software and hardware mandate that faculty ums; and other persons dedicated to and to assemble for the exchange of reviews difficult for both the faculty and available equipment of today. Equipment even spend inordinate time and effort just to remain administrative quality in the visual arts 5HERA, founded 1995. Membership: ideas, experience, and constructive administrators. This document is presented as an just five years old is seriously limited in current. As the generation of new or updated usefulness. This is true for the aesthetic concerns in higher education. President: Melody 120. Dues:. $15; $10 graduate sludents criticism. Members include artists, art attempt to develop guidelines for faculty hiring, products in this field is often nine months to one workload, compensation, and support in this in the medium as well as the technical ones. Weiler, Dept. of Art, Texas Tech and others of limited income. Purpose: historians, arts administrators, arts year, faculty must acquire new, or relearn field and to provide- information about faculty existing skills once and sometimes twice a year University, Box 42081, Lubbock, TX to provide an international network for activists, publishers, conservators, information among scholars working in working in this area that could be used in with numerous software packages and need to 79409; 806/742-3826. Administrative educators, collectors, students, and making accurate and comprehensive evaluations Curriculum Design incorporate new hardware as soon as possible the field of Russian and East European coordinator: Robert Shay, Herron School friends of art. WCA offers a national in hiring, promotion, and tenure. In addition, it Computer-based programs at most institutions after it is introduced. visual culture. SHERA publishes a of Art, 1701 N. Pennsylvania St., network of 45 chapters, exhibitions, briefly outlines the kinds of administrative and are fairly new and the curriculum is still Because of this constant level of change, Indianapolis, IN 46202; rshay@indyvax. quarterly newsletter that includes national publications, an annual financial support necessary to sustain programs developing. The variety and number of courses tasks which appear to be comparable in similar using computer technology. iapui.edu. bibliographic citations of new research exhibition and catalogue of honor tha't any program can offer change with the goals areas may in fact represent widely disparate Anecdotal evidence from faculty teaching of the program, the number and skills of the demands of time and energy. For example, the in the field. Members contribute "state awards, a quarterly newsletter (UP­ of research" essays to the newsletter as fine art and design courses in computer-based instructors available, the availability and kind of ordering of supplies in other studio areas may be DATE), and an alJ-nual conference, media programs reveals a great discrepancy in well. SHERA will have a panel at the compurers, peripherals, and software, and the so routine that they can be filled on an annual which provides an occasion to teach, the responsibilities of and expectations for amount of shtdents' available lab time. As many basis with little or no review. In computer-based Private upcoming annual conference of the Art Dealers learn, present work, and celebrate faculty in this area as compared with colleagues of these factors change from one semester to the media, however, each and every software and American Association for the Advance­ scholarly and creative achievements by in other studio art areas. Computer media next in concert with the evolution of technology, hardware upgrade takes careful study, as the faculty from a wide range of higher education Association ment of Slavic Studies. Contact: Pamela women. President: Imma Arroyo, courses are constantly being rewritten. Unique to desirability of one product over another changes institutions throughout the United States and with the ability of the product developers to PADA, chartered 1990. Membership: 60. KlUchin, Advisory Committee Member, Eastern Connecticut State University, 83 computer-based media, the content and practice 266 Ashmont 5t., Dorchester, MA 02124; internationally report that they not only have the of the discipline may entirely change with an introduce innovations of capability and Annual dues: $425. Purpose: to repre­ Windham 5t., Willimantic, CT 06226; traditional academic responsibilities of teaching, [email protected] academic year, requiring the re-adaptation of functionality. In times of limited budgets, the sent a select group of dealers who work 860/465-5209, fax 860/465-5180. advising, and committee work, but also oversee content and technology (hardware and software) pressure on these decisions increases, as faculty from non public spaces and who are National office executive director: Essie program development and the incorporation of by the instructor to address concerns of changing attempt to predict the future. specialists in specific areas of the fine Karp, WCA, Moore College of Art, 20th technology into the visuClI arts curriculum. TIley aesthetics, systems, and output. As a result of the rate of change in this arts. Election to membership is by Visual and the Parkway, Philadelphia, PA may also engilge in fund raising, equipment Unlike other disciplines in which the basic arena, faculty must read a tremendous quantity installation, and staff training. In some cases, a of technicalliterahtre as well as keep up on invitation and is based on a dealer's 19103; 215/854-0922; fax 215/854-0915. skills may remain constant over decades, or even Resources single faculty member has the sole responsibility cenhtries, the changes are so frequent in aesthetic issues in the field. Regular attendance experience, scholarship, ethics, and Association for all computer-based media within a depart­ computer-based media that one could be at conferences and trade shows is a must, for the contributions to the arts community. ment. VRA, founded 1982. Membership: 800. completely lost without up-to-date training. purpose of acquiring advice from industry PADA supports scholarship through As in any rapidly changing discipline, the Since our students do not live in a vacuum, they experts as well as other faculty and artists. Annual dues: $55 North America; $70 public lectures, symposia, and grants. work load of simply keeping current is are generally aware of the innovations in the Although this generally results in financial

12 CAANEWS jULY!AUGUSTl996 Ii

silvings in purchases, conference (lttendance is II. Program Management c\ln uSLl

involvement in fundraising and technical Evaluation of professiomil contributions Julie A. Gawne. ARC Gallery, Chicago, June 4- support not only increase these faculty's must include recognition of the alternative Solo 29,1996. WOIrICll'S Work, mixed media. responsibilities but cause them to be quantita­ exhibition and research opportunities outside of Delanie Jenkins. Automatic Art Gallery, tively different. the traditional gallery /museum structure which Chicago,JWle 7-July 7,1996. Veil, mixed-media Recent descriptions of positions in the are an aspect of any emerging art form. installation. College Art Association's Careers indicate that Exhibitions Yu Ji. Perkinson Gallery at Millikin University, instihttions are searching for candidates who In accordance with CAA guidelines, Decatur, Ill., February 26-March 15, 1996. No can teach in a wide variety of areas within the faculty in computer-based. media should not be Escapil1g Edges. domain of computer technology. While it may expected to carry out duties not specifically by Artist be possible that someone just entering the related to their position as faculty without Constance Lowe. Forum for Contemporary Art, academic world from full-time work with compensation. This includes: acting in an St. Louis, May 31-July 27, 1996. Blankets, compu ters may have basic skills in several areas, advisory capacity to colleagues, in the depart­ Members FUl'/liture, Paintillgs: 1993-96. departments must recognize that in the context ment and out, who want to adopt computer Dale Osterle. IDC Gallery, Rockford, Ill., April­ of full-time teaching and other responsibilities it technology; the installation and maintenance of June 1996. ARC Gallery, Chicago, June 4-9, 1996. is impossible to also maintain subskills in generalized computer equipment; and Olily artists who are CAA members are included Politically Speakil1g: What Becomes a LegClld? several subspedaltie:s (e.g., computer photo~ production of computer graphic designs for ill this listing. Wllell submitting information, processing, computer animation, computer institutional use. il/clude lIame of artist, gallery or museum /lame, graphic design, or computer illustration). city, dates of exhibitioll, medium. Please indicate Many departments of art have recently CAA members/lip. inaugurated programs in computer-based media Photographs are 'we/come bllt will be Ilsrd ollly if without planning for continuing funding, space allows. Photographs cal1not be refilmed. program development, adequate staffing, or Writtell by: Cynthia Beth Rubin, University of support of these programs. Faculty teaching in Vermont; Annette Weintraub, City College of New these areas have, by default, stepped up to York; Dave Poindexter, Supercomputer COll1puta- . Camille Eskell, Who're you? 1995, mixed confront ever escalating demands. If these lions Research Illstitllte; David Sokol, Cftair, alld media, 631/4" x 48 1/8" programs are to survive, the inequities raised in members of the CAA Committee OIl Professional PHOTO: O. JAMES DEE this report must be given consideration. Practices,1?95. ABROAD/ Lucy Arai. Galerie am Markischen Platz, Rathenow, Gennany, April 25-May 28, 1996. Mona Brody. Maurice M. Pine Gallery, Fair Recommendations Brandenburg Art Center, Brandenburg, Lawn, N.J., April 21-June 9, 1996. All lllsfallation. Germany, June 1-July 15, 1996. Sculptural We endorse the following recommendations as Margaret Byrd. Arthur Danziger Gallery, New installation. additional, specific guidelines for faculty of York, June 3-29,1996. Paintings, assemblage, computer-based media programs: Mark Staff Brandl. Kaj Forsblom Gallery, and sculpture. Zurich, May 24--June 21,1996. Drawings and Jane Dickson. Whihley Museum of American Ongoing faculty research and development prints. Art at Philip Morris, New York, April l1-june requirements must be integrated into the Robert Hromec. Slovak Institute, Prague, Czech 28, 1996. Paradise Alley. description of positions in computer-based Republic, May 23-JWle 25, 1996. Mixed-media media, and provisions must be made for such Margret Dreikausen. Perche 'no, New York, paintings and prints. research and development beyond what is Dale Osterle, If the Glove Fits . .. O. J. April 15-May 15, 1996. Paintings. Dean Trisko. Maison des Arts Gaston Williot, Simpson, mixed-media impression, normally allotted in the fine arts. Camille Eskell. Hoyt Institute of Art, Castle, Pa., Brussels, Belgium, April 26--May 14, 1996. 26" x 25" June 2-30, 1996. Sullivan County Museum of Forrest, installation, prints and drawtngs. Provisions must be made in the form of Art, Hurleyville, N.Y., June 2-30, 1996. CllOscn release time or swnmer stipends to support Gary Walters. O'Connor Gallery, Toronto, Ones, mixed-media paintings and works on faculty development efforts. We urge faculty to February 8--March 2,1996. Painlillgs from the New Mabi Ponce de Leon. Moonspinners Cafe, paper. work closely with administrators in finding the Cambrian. Columbus, Ohio, May 1-31, 1996. Spirits of tile best solutions in each situation, including the Mountain. Coffee Table, Columbus, Ohio, june 1- Linda Gilbert-Schneider. Seagate Associates, following possibilities: grants for research time; 30,1996. Allcient Drenmscnpes. Waldo's on High, N.J., January 23-May 1996. Uniondale Public collaboration on cross-diSciplinary research MID-ATLANTIC/ Columbus, Ohio, August 1-31, 1997. Allcestral Library, Uniondale, N.Y., October 2-November 2,1996, grants; and consideration for exceptional faculty Anne J. Banks. Gallery 10 Ltd., Washington, Labyrinths, paintings, drawings, prints. research and development in weighing other D.c., April 23-May 18, 1996. Recurrillg Themes, Juliet Rago. Loyola University, Chicago, May 27- Leslie Gillette Jackson. Schoolhouse Gallery, responsibilities. drawings, collage, sculpture. June 24,1996. Angels, Sf/rilles, al1d Sacred Spaces, North Truro, Mass., July 26-August 8, 1996. Thirty VerraznllO Drawings, oil pastel. Virginia Cuppaidge. World Bank, Washington, paintings and works on paper. An annual budget for hardware mainte­ D.C., May 1-June 30, 1996. Paintings. Margaret Grimes. Blue MOlmtain Gallery, New nance, consumables, technology upgrades, and Karen Sardisco. Artemisia Gallery, Chicago, June York, February 9-28,1996. new acquisitions should be planned for Yousef Javan. Lane Center, Frostburg State 4--29,1996. The Nature of Life: Drawings and programs responsible for maintaining their University, Frostburg, Md., March 4-ApriI14, Paintillgs from the Progeny Series. Rosalyn Jacobs. Synchronicity Space, New York, equipment. 1996. Tombstone Cafe, Frostburg, Md., March 4- Mara Adamitz Scrupe. ARC Gallery, Chicago, May 7-June 1, 1996. New Work. April 14, 1996. Paintings and mixed-media June 7-29, 1996. Preserve, site-specific installation. Gail Kolflat. Ocean County Artists Guild, Island Decisions on hiring, reappointment, and sculpture. James B. Thompson. ARC Gallery, Chicago, Heights, N.J., March 1996. David Brodsky tenure should consider the difficult balance that March 1996. Medievalll1vestigatiol1s, intaglio prints. Gallery, E.T.5., Princeton, N.J., August 1- each individual in the field of computer-based September 12, 1996. People al1d Placr's. media must keep between production of quality MIDWEST/ Bruce Thorn. Zaks Gallery, Chicago, JWle 28-July visual art and maintaining technical expertise. Thomas Allen. Katherine E. Nash Gallery, 31,1996. New Works. Lynda J. Lambert. Main Exhibit Gallery, University of Minnesota, Minneapolis, May 21- Ligonier, Pa., June 1-30, 1996. Carriage HOl/se Memories: Neo-Abstract Woodcut Prillts. Evaluation of teaching performance should June 7, 1996. Science: Fact or Fictioll? NORTHEAST/ consider the demands of the ongoing integration Tim Curtis. Elliot Smith Contemporary Art, St. Samella Lewis. Bill Hodges Gallery, New York, Mary Abbott. Arlene Bujese Gallery, of new materials into course wrriculum and the Louis, May 17-JWle 23,1996. New Work. May 9-June 29,1996. T//C Painter: Past (ll1d burdens this places on both students and Easthampton, N.Y., August 3-22,1996. Present, 1940-1996. Keith Fox. Arts Iowa City/Center and Gallery, faculty. Thomas Barrow. Laurence Miller, New York, March 1, 1996. A Free-Speech Motif, paintings. Jane Logemann. Conde Gallery, New York, March 2-April13, 1996. Pillk Stu{fand Other March 27-April 20, 1996. New Work. Dualities.

CAA NEWS JULY I AUGUST 1'190 13 'I

1···.'·1

Ann Meredith. Hotel 309, New York, March 21, Suzan Shutan. Discovery Museum, Bridgeport, Goya, George Segal, Antoni Tapies, and Jack 1996. Tile Re-defillitiol1 of Home: An End to the Conn., March 25-July 1, 1996. Infinite Measure: Chambers. His book on Jose Gutierrez Solana l.egncy of Pvverty-A Closing, performance and Elevator Art find Instal/ation, remains the definitive study of that artist's paintings and the relationship between his installation. Andrzej Siwkiewicz. St. John Fisher College, paintings and writings. Since 1972 Barrio-Garay Jill Moser. Wynn Kramarsky, New York, April Rochester, N.Y., March 25-May 4, 1996. was a foreign correspondent for Goya (Madrid) 23-May 18, 1996. North Fork Drawings. TfIlllsgressiol1s, paintings. in the U.S. and Canada. When he died, he was Judith Ostrowitz. SoHo 20, New York, April 23- Lisa M. Tackett. 937 Gallery, Pittsburgh, July 6- preparing an exhibition of the master drawings May 18, 1996. Coin Vanishillg Series. 27,1996. Trnnsitiolls II, drawings and paintings. from the Biblioteca Nacional, in Madrid, of Goya Sweetwater Art Center, Pittsburgh, August I-3~, Raquel Rabinovich. Trans Hudson Gallery, and his contemporaries for Biblioteca Nacional 1996. Labyrinth, installation of drawings. Jersey City, N.J., May 5-June 2,1996. Recent and the National Gallery of Canada. drawings. Intar Latin American Gallery, New Hirotsune Tashima. Cast Iron Gallery, New -Madelille Lennon York, April 15-June 7, 1996. Drawings. York, April 20-28, 1996. Ceramic sculpture.

Marta Sanchez. Walt Whibnan Cultural Arts Fotini Vurgaropulou. Alexander S. Onassis Rowland P. Elzea, chief curator emeritus of the Center, Camden, N.J., April 12-May 22, 1996. Center, New York, May 2-June 14, 1996. Delaware Art Museum, died on December 17, Call Safos/Wit/1 5011/, mixed media. Daydreams. 1995, in his beloved cottage in Kent. Born in Rhonda Roland Shearer. New York Botanical Barbara Zucker. Goldie Paley Gallery, Moore Columbia, Missouri, Rowland earned his Garden, Bronx, July 2-0ctober 6, 1996. Shapes of College of Art and Design, Philadelphia, May bachelor's and master's degrees from the Natllre: Ten Years of Brollze SC1Ilpt1lres. 22-August 9, 1996. For Beallty's Sake, sculpture. University of Missouri, followed by painting and graphics studies in New York. To the end of his life he continued to paint and draw, though he underrated his real talents with characteristic Lisa M. Tarkett, Untitled, 1995, charcoal modesty. There is no question that his painting on paper, 22 1/2" x 30" helped him immeasurably as a curator and art historian. Guillermo Pefiafiel, A Better Mousetrap, In 1958 he secured employment in the silver print, 16" x 24" Delaware Art Center, now the Delaware Art SOUTH! Museum, at Wilmington and rather surprisingly Jill Bedgood. Connemara Nature Conservancy, stayed there for his entire career-to the great Dallas, March 17-May 26, 1996. Pilgrimage: fortune of that institution. After serving as the Transfonnatiol1. curator of the splendid pre-Raphaelite collection, Julia Couzens. Christopher Grimes Gallery, Lynda Frese. Louisiana State Museum, New he became curator of collections and finally Santa Mon.ica, Calif., Febmary 24-March 23, People in Orleans, May-December 1996. Reconstituting the associate director and chief curator, earning the 1996. Sculpture. Vanislted: The Baroness POl1talba and tfle Shaping of well-deserved accolade of chief curator emeritus Urban New Orlealls, installation. Gallery for Suvan Geer. EI Camino College Art Gallery, the News on his retirement in 1993. Southern Photographers, New Orleans, California, March ll-AprilI2, 1996. With During his thirty-five years of service at the September-October 1996. Recent Work. Mother's Milk, installation. museum, he organized more than 300 exhibi­ tions and saw the collections expand from less Heather Ryan Kelley. Abercrombie Gallery, Jo Going. Alaska Pacific University Gallery, than 800 works to over 11,000. More than any McNeese State University, Lake Charles, La., Anchorage, August 6-September 7,1996. other single person, Rowland was responsible March 7-29, 1996. Images from the Wake: Pailltings Prayers, Poems, Landscapes, drawings. Based all Finnegan's Wake by James Joyce. Still Karen Kitchel. Liberty Village Arts Center, In Memoriam Zinsel Contemporary Fine Art, New Orleans, Chester, Mo., June 30-July 31,1996. Understand­ May 4-31, 1996. Still Lifes, paintings. ing Symbolism in the Vis1lal World, paintings. Jose Luis Barrio-Garay, professor of art history Suzanne Ragan Lentz. Art 800, Miami Beach, Western Heritage Center, Billings, Mo., June 12- and criticism, University of Western Ontario, Fla., June 8-july 6, 1996. Animal Crackers. July 20, 1996. Home, Home on the Range, died of cancer of the pancreas on December 18, paintings. Blue Heron Gallery, Vashon Island, Vince Lupo. Savarmah College of Art and 1995, at the age of 63. Born in Zaragoza, Spain, Wash., April 5-30, 1996. Activities ill tile Design, Savannah, Ga., May 27-June 9, 1996. TIle Prof. Barrio-Garay held degrees in fine arts and Landscape, paintings. Night Sea Journey, photography installation. in design from Escuela de Bellas Artes de San Sheila Kriemelman. Kirsch Gallery, Honolulu, Fernando of the University of Madrid, and a Guillermo Penafiel. SWFAS Gallery, June 1995. 171 Cedar Gallery, Corning, N.Y., Ph.D. in art history from Columbia University. Nacogdoches, Tex., June 14-26, 1996. Volvera October 1995. Koa Gallery, Honolulu, October The focus of his work was the theory and Vel', photography. 1995. criticism of art with special interests in 19th- and Greg Shelnutt. Piedmont College, Demorest, Marjorie Lindsay. Arl Department, University 20th-century art and Spanish Baroque art. His Ga., March 29-April18, 1996. Sculpture. of Utah, April 18-26, 1996. Portrait Series 5. skill and influence as a professor was evident in Roger ShimomUra. Weatherspoon Art Gallery, the reputation of his introductory course, Judith Selby. Arts and Healing Network, Greensboro, N.C., May 5-July 28, 1996. Delayed "Understanding the Visual Arts," which he Sausalito, Calif., May I-June 21, 1996. Morgan + Reactions, paintings and prints. continued to offer throughout his career. 4 Portraif Instal/a/iOlts. Students praised the course as especially Carol Wax. Stone and Press Gallery, New James Jared Taylor III. Ross Watkins Gallery, influential in their comprehension of visual Orleans, May 3-31,1996. Mezzotints. Palm Desert, Calif., April4-May 10, 1996. language and in their choice of art history as an Painting, sculpture, prints. area of specialization. Before coming to Canada as professor and chair of the Department of Matt West. Goodstein Gallery, Casper College, WEST/ Visual Arts at the University of Western Ontario, Jane Brucker. Mendenhall Art Gallery, Whittier Casper, Wyo.~ September 30-0ctober 24, 1996. he was professor and director of the School of College, Whittier, Calif., April 1-26, 1996. Bridge Shake YOUI' Mom,,!! Maker. Mariani Gallery, Art, Ohio University, assistant professor at the of Diamonds. University of North Colorado, Greeley, October University of Wisconsin-Milwaukee, and at the 15-30,1996. The Lively Teapot. Peck Arts Center, Luca BuvoH. Santa Monica Museum of Art, University of Southern Mississippi. . Rhonda Roland Shearer, Nina and Central Wyoming College, Riverton, October Santa Monica, Calif., March 9-May 26, 1996. Prof. Barrio-Garay published and Child Vacuuming, 1991-92, bronze, 21-November 15, 1996. Big SIIOWY, Big Sligar, Big Behind fhe Mask. presented papers on, among others, Picasso, 112" x 96" x 26" Fun. Northwest College, Powell, Wyo., October Rowland P. Elzea, 1931-1995 1996. Script.

14 CAA NEWS JULY/AUGUST 19% CAANEWS fULY/AUGUST1996 15 I J for establishing the national and international the Mary Fair Croushore Professor of Humani­ Michael J. Crumbock has won a Charlotte W. Richard Martin was honored with Pratt tiona! Communications and Exchanges to reputation that the Delaware Art Museum ties at the University of Michigan. Newcombe Doctoral Dissertation Fellowship Institute's "Excellence by Design" award in May conduct a research project on Japanese-Russian enjoys today. In many ways his scholarly Grants, from the Woodrow Wilson National Fellowship 1996 and was inducted as the 1996 fellow of the cultural contacts. expertise developed directly from the collection Thomas E. Linehan is president of the Ringling Foundation. His thesis is titled "The Alchemy of Costume Society of America, honoring lifetime and concerns of his museum, with the result that School of Art and Design, Sarasota, Fla. Fame: Hieronymous Bosch and the Politics of achievement in costume study. Coleen Sterritt was awarded a 1996 fellowship he successfully wore many different hats and Awards, & Identity at the Court of the Emperor Charles V." from the California Community Foundation, J. created enviable reputations in a number of Richard J. Powell has been appointed chair of J. Philip McAleer has been awarded a 3-year Paul Getty Trust Fund for the Visual Arts. diverse fields. the Department of Art and Art History at Duke Diane Edison is artist-in-residence CIt the Blue grant by the Social Sciences and Humanities In pre-Raphaelite studies he is above all University. Honors Mountain Center Art Gallery, Blue Mountain Research Council of Canada to research and Mika Watanabe is artist-in-residence at Art! remembered for his fine catalogues of the Lake, N.Y. write an architectural history of Ely Cathedral. OMI, New York, July 1996. Samuel and Mary K Bancroft Collection, which were so popular that they went under Lynda Frese received a 1996 Louisiana Division Heather McPherson has been appointed a 1996- The following CAA members have been elected P1Iblication policy: Only grallts, mvards, or hOl1ors Rowland's authorship through no less than three of the Arts GrClnt for the project "Reconstituting 97 Yale Center for British Art fellow. She will fellows of the American Academy of Arts and Museums and Galleries received by individual CAA members are listed. The editions. For many of us, his crowning the Vanished: Caroline Dorman and the examine representations of the actress Sarah Sciences. In the fine arts: Jonathan Brown, grallt/award/llOllor amount is not incl1lded. Please achievement remains the pioneering exhibition Preservation of Wild Places in Louisiana." Siddons. David Summers, and Anthony Vidler. note tlte followillg format: cite name, institutiollal that he organized with his wife, Betty, the Robert T. Buck has stepped down as director of affiliatioll, and title of the grant, award, or 11OIIor, and outstanding Frederick Sandys scholar: The Pre­ the Brooklyn Museum, BroOklyn, N.Y. Dorine Miles Gross installed Dawn-Isles of Anita Moskowitz has received a Lila Wallace­ The Center for Advanced Study in Visual Arts (optiollal) lise or purpose of gral1t. Please indicate Raplwe/ite E.ra: 1848-1914 (1976), the catalogue Slloal, an acrylic painting on linen, at the Reader's Digest Special Project grant, awarded announces the following 1996-97 postdoctoral that YOIl are a CAA member. being one of the major American contributions Sheryl Conkelton is senior curator at the Henry Rockingham County Courthouse, Brentwood, by Harvard's Villa I Tatti, for a photographic appointment..:; to the center: Samuel H. Kress to Victorian studies. After his retirement in Kent, Art Gallery, University of Washington, Seattle. N.H. The public art was commissioned by the campaign on Italian Gothic sculpture. Professor: Hubert Damisch (Ecole des Hautes Rowland became an honorary research fellow at New Hampshire State Council on the Arts Etudes en Sciences Sociales, Paris). Andrew W. the University of Glasgow with the intention of Trevor Fairbrother has been appointed Deputy Percent for Art Program and is part of the Giilm Nedpoglu has received two awards for Mellon Professor: David Freedberg (Columbia editing a volume of Whistler's letters. The world Director for Art/Jon and Mary Shirley Curator permanent art collection of the State of New her book TIle Topknpi Scroll: Geometn) and University). Paul Mellon Senior Fellow: Bernard of scholarship has been robbed of that projected of Modern Art at the Seattle Art Museum. Hampshire. Omamellf in Islamic Architecture: the Spiro Frischer (University of California, Los Angeles). work, just as Rowland himself was cheated of Formerly he was Beal Curator of Contemporary Kostoff Book Award of the Society of Architec­ Samuel H. Kress Senior Fellows: Alan his full retirement. Art at the Museum of Fine Arts, Boston. . Pat Adams received the Jimmy Ernst Award in Archer St. Clair Harvey has received the Warren tural Historians, given for an English-language Colquhoun (Princeton University); and Within the field of American art history, Art from the American Academy of Arts and I. Susman Award for Excellence in Teaching work that has made the greatest contribution to Katherine Fischer Taylor (University of Rowland became the leading authority on the Lise Holst is director of the Emerson Gallery at Letters. from Rutgers, State University of New Jersey. our understanding of the physical envirorunent, Chicago). Ailsa Mellon Bruce Senior Fellows: works of John Sloan, organizing with Elizabeth Hamilton College in Clinton, N.Y. and the annual "Best New Book on Architecture Michael Ann Holly (University of Rochester); Hawkes the exhibition John Sloal1: Specfator of Ufe Mike Alewitz traveled to the Ukraine to Eloise Quinones Keber received the 1996 and Urban Planning," awarded by the and Jeffrey Schnapp (Stanford University). (1988) and publishing the magisterial and David William Kiehl has been appointed complete a mural commission for the Chemobyl Distinguished Scholarship Award from Baruch Association of American Publishers, Profes­ Frese Senior Research Fellow: Iris Gareis definitive two-volume catalogue raisonne of the curator for prints at the Whitney Museum of accident commemoration. The mural spotlights College/CUNY for her book Codex Telleriallo­ sional/Scholarly Publishing (p.s.p.) Division, (lnstitut fUr V6lkerkunde und Afrikanistik, paintings in 1922. At the time of his death, he American Art, New York. the sacrifice of workers who gave their lives to Remensis: Ritual, Divination, and History ilt a which recognizes excellence and innovation in Luwig-Maximilians-Universitat Munchen). Ailsa was working on an edition of Sloan's diaries. He shut down the plant following the explosion. Pictorial Aztec Manllscript. professional and scholarly publishing. Mellon Bruce National Gallery of Art Sabbatical also became a champion of American illustration Raechell Smith has been appointed director of Curatorial Fellow: Franklin Kelly (Washington, at a time when such work was scarcely exhibitions at the Kansas City Art Instihtte. Julia F. Andrews has won the Joseph Levenson Elaine A. King was awarded a FaCUlty John A. Pinto, and co-author William L. D.c.). Paul Mellon Visiting Senior Fellows: Beth appreciated as a subject of serious art history. Book Prize for her book Paillters and Politics ill Development Grant at Carnegie Mellon MacDonald, received the 17th annual George Cohen (New York); Maurizio Gargano Among the ground-breaking exhibitions and Scott A. Sullivan has been appointed dean of the People's Republic of China, 1949--1979. University to continue her research on Wittenbom Book Award for Hadrian's Villa alld (Universita degli Studi di Roma Tre); Christian publications that he produced in this area are the the College of Fine and Professional Arts at Kent transformations in contemporary culture inside Its l.egacy (Yale University Press). Heck (Universite de Strasbourg); and Marie Catalog of the Howard Pyle Collection (1971) and State University. Barbara Arciszewska has been appointed a Central Europe. Tanner (New York). Ailsa Mellon Visiting The Go/dell Age of American I/Iustrafioll,1880-1914 1996-97 Yale Center for British Art fellow. She Warren Sanderson has been awarded a 3-year Senior Fellows: Thierry de Duve (independent); (1971) for the Delawme Art Museum. Deborah Wye has been named chief curator of will shtdy the importance of foreign immigrant Julia King was awarded a fellowship from the SSHRC (Social Sciences and Humanities and Wouter Kloek (Rijksmuseum, Amsterdam). As a good curator and an effective and the Department of Prints and Illustrated Books architects in the development of English United States Capitol Historical Society. Research Council of Canada) grant to pursue his Inter-American Development Bank Ailsa Mellon caring teacher, he understood the need to at the Museum of Modern Art, New York Palladianism. studies of the Romanesque architecture of the Bruce Visiting Senior Research Fellows: Juan B. encourage and commWlicate with new Robert Kirschbaum is the recipient of a 1996-97 Lorraine (L'otharingian) Refonns 933-1080. Albarracin-Jordan (Empresa Consultora en generations of scholars and students. Many of Olive M. Ayhens received a 1996 Adolph and Fulbright Senior Scholar award for research in Arqueologia, La Paz). Association of Research you reading these words have been inspired and Esther Gottlieb Foundation Individual Support India. Mara Adamitz Scrupe was awarded the John J. Instihttes in Art History Latin American Fellow: assisted by Rowland at some point in your Organizations Grant. Humphrey Best of Show Award in sculpture at Laura de Paiva Cava1canti (Pat;a Imperial, Rio careers. He was a uniquely lovable person, Kay Dian Kriz has been appOinted a 1996-97 the Three Rivers Arts Festival of the Carnegie de Janeiro). quiet, gentle, modest, sincere, loving, and A still-life drawing by William Berry, Curators' Yale Center for British Art fellow. She will Museum for her installation KIN (All My Plastic dependable, his erudition balanced by a David Lloyd Brown is executive director of the Professor of Art and chair of the Art Department pursue work on CI book provisionally titled Trash for the Past Six Years). The Center for Advanced Study in the Visual deliciously dry sense of humor. By all who had South Shore Art Center, Cohasset, Mass. at the University of Missouri-Columbia, was Sligar, Slavery, alld the Culture of Refinement: Arts announces the follOWing 1996-97 the privilege of knowing him, he will be sorely named Best of Show at the 13th AnnuCll Gallery Imaging the ColOllial Exchange between Britain and Pamela H. Simpson was awarded a 1996-97 predoctoral appointments to the center: Mary missed. A memorial service was held at the Stanley N. Katz is stepping down as president '76 National Juried Art Exhibition, Wenatachee, the West indies, 1750-1840. National Humanities Center fellowship to Davis Fellow: Edward Eigen (MIT). Wyeth Delaware Art Museum. Contributions may be of the American Council of Learned Societies Wash. conduct research on her project Cheap, Quick, Fellow: Branden Joseph (Harvard University). made to the Curatorial FWld, Delaware Art some time in late 1997. He will rehtrn to Donald Kuspit has been awarded an honorary and Easy: Imitative Architectural Materials, Samuel H. Kress Fellow: Matthew Kennedy Museum, 2301 Kentmere Parkway, Wilmington, teaching at Princeton University. Ronald E. Bimrose is the recipient of the Snell doctorate in fine arts by the San Francisco Art 1870-1930. (New York University). Chester Dale Fellows: DE 19806. and Wilmer Award, Visual Arts Fellowship, Institute, on the occasion of its 125th anniversary Stephen Lucey (Rutgers); and Erika Wolf -Douglas Schoenherr, National Gallen) of Callada, Arizona Commission on the Arts. (May 1996). Richard E. Spear was awarded a residency at (University of Michigan). Robert H. and Clarice Ottawa the Rockefeller Foundation's BeUagio Study Smith Fellow: Catherine Lusheck (University of Jonathan Bloom has been awarded a 1996-97 Constance Lowe has been awarded a residency Center for June. He will complete his book on California, Berkeley). David E. Finley Fellow: senior fellowship at the Metropolitan Museum in the Intemational Artist-in-Residence Program Guido Reni, The "Divine" Guido. Richard Neer (University of California, of Art to study the history of paper in Islamic at ArtPace: A Foundation for Contemporary Berkeley). Paul Mellon Fellow: Leila Academe lands. Art/San Antonio. She also received the Regina Stefaniak was awarded a 1996-97 NEH Whittemore (Columbia University). Ittleson President's Award for Creative Achievement at Fellowship for College Teachers and Indepen­ Fellow: Jie Xu (Princeton University). Andrew Diane Bush has been awarded an Educator's the University of Texas at San Antonio, where dent SchOlars to study Parmigianino's Vision of W. Mellon Fellow: Heghnar Zeitlian (University David Brody is assistant professor at the Fellowship to attend workshops at KI.T. in she is assistant professor. St. Jerome within the cultural context of Rome in of California, Los Angeles). University of Washington in Seattle. digital web page building and stroboscopic and the 1520s. photomicrographic photography. Ken Luyrnes has been awarded a 1996 Projects Recipients of the 1996-97 J. Paul Getty Diane Kirkpatrick has been named interim Grant by the Canada Council. Eugeny Steiner was awarded a 1996-97 grant Postdoctoral Fellowships in the History of Art director of the Institute for the Humanities and James Clark is a visiting scholar at New York from the Yokohama Association for Interna- and the Humanities are as follows, with their University's Tanb Urban Research Center.

16 CAA NEWS JULY I AUGUST 1996 CAANEWS JULY/AUGUSTIWomen Artists of Color, a for sale. $30/first 5 slides; $7/each additional. the Body of Christ: Corpus Christi in Colonial The Grotesque in Art is the theme of the 1997 multi-etlmic artists network, invites women For information: Levitan Gallery, 42 Grand St., Cuzco, Peru"; Elizabeth Alice Honig, "Market/ Art History Student Graduate Association artists of color to submit a 9-inch square. Artists New York, NY 10013. Deadline: Novemlier 9, 1996. Fair/Kermis: Images of Commerce and Festivity Symposium to be held February 28, 1997, at the collectives are also encouraged to contribute in the Dutch Republic"; Christina Hilleboe University of Arizona, Tucson. One-page squares or a finished quilt. Squares should Blue Sky Gallery/Oregon Center for the Kiaer, "Socialist Objects of Desire: Russian abstracts of scholarly papers of 20 minutes in express the theme "mother" and have a front, Photographic Arts, an artist-run, nonprofit Constructivism and Consumer Culture in the length are requested from M.A. candidates or Award back, a layer of batting in between, and finished gallery, is reviewing work for show consider­ 1920s"; Kenneth Dean Shapiro Lapatin, recent M.A. graduates in art history or related edges. Send SASE for information to: Gloria ation. No deadlines/fees. Send 20 slides and SASE J/Chryselephantine Statuary in the Classical fields. Send abstract, c.v., and statement to: 1997 Patton, 205 Greene Ave., Brooklyn, NY 11238; to: Blue Sky Gallery, 1231 NW Hoyt, Dept. CAA, World"; Olivier Lugon, "Les Idees dans l'espace: AHGSA, Jessica Mackta and Leslie Blanton, The Vanessa Lynn Prize Competition, 718/783-6675. Deadlil1e: Augusf 31, 1996. Portland, OR 97209. L'Exposition didactique en Allemagne, 1919- Calls for Papers University of Arizona, Dept. of Art, PO Box sponsored by the American Craft Council, seeks 1939"; Martha Jeanne McNamara, "Disciplining 210002, Tucson, AZ 85721; [email protected]. to stimulate and recognize exceptional critical On/Of Paper is the title of a juried competition The Gay and Lesbian Caucus of CAA will be Justice: Massachusetts Courthouses and the arizona.edu. Deadline: December 1,1996. writing on contemporary craft. The cash prize of to be exhibited at Chowan College, sponsoring numerous exhibitions throughout Murfreesboro, N.C., November IS-December 6, the tristate area in conjunchon with the 1997 Architecture of Professionalization, 1750 to 1850"; Defining the Basics is the theme of the 1997 $3,000 will be awarded to an outstanding essay 1996. $1,500 in cash awards and purchases and a CAA conference in New York, February 12-15. David Ashley Morgan, "Imaging the Faith: conference of Foundations in Art: Theory and on contemporary American craft. The winning Mass-Produced Imagery and American one-person show for first place. Seeking 2~ Galleries, museums, art institutions, and Education (FATE), March 12-15, 1997, in essay will be published in American Craft, the dimensional work." related to using the material alternative spaces are invited to submit ideas for Protestant Piety"; Chon Augustus Noriega, Richmond, Va. This national organization is To Attend bimonthly magazine of the American Craft and/or concept of pulp. Entries may include exhibitions of lesbian and gay artists/performers "Curatorship, Latino Art, and the National dedicated to excellence in the development and CowlCil. Essays must be 3,000 words max., Community"; Mary Nooter Roberts, "Popular prints, photos, mixed media, graphics, paintings, to be pClrt of the program. For information: Ann teaching of college-level foundation courses in typed, and double-spaced. For information: and drawings. Send SASE for prospechts to: On/ Meredith, Cooper Station, Box 1094, New York, Islamic Art and the Inscription of Memory in both studio art and art history. Panels already The Visual Resources Association will meet in American Craft, 1996 Vanessa Lynn Prize, 72 Urban Senegal"; Massimiliano Rossi, "La Of Paper, Green Hall Gallery, Chowan College, NY 10276-1094; 212/691-8452; fax 212/229-2588; planned address a wide range of topics conjunction with the Comite International Spring St., New York, NY 10012. Deadlille: 200 Jones Dr., Murfreesboro, NC 27855. Deadlille: [email protected]. Lctteratura degli Artisti nel XVI e XVII Secolo: Un induding uses of computers in the freshman d'Histoire de l' Art (CIHA) during the Interna­ October 1,1996. Septem/Jer 13, 1996. Catalogo Ragionato"; Helena Katalin Szepe, year, multicultural education, developing critical tional Congress of the History of Art, September Parkside National Small Print Exhibition "Privilege and Duty in the Serene Republic: The thinking, creativity, distance learning, and 1-8, 1996, in Amsterdam, the Netherlands. The The Rights of Children is a thematic exhibition invites printmakers whose primary focus is Dogal Documents of Venice (1300 to 1553)"; and interdisciplinary education. Send 150-word VRA meeting will take place September 4-7 and to be held at St. Xavier University in Chicago, in mezzotint to submit slides for invitational to be Marie-Therese Zenner, "The Sciences of Measure abstracts to: Mary Stewart, 1022 East Colvin St., will include three formal sessions, three tours, Calls for Entries conjunction with a symposium of the same held January 1997. For information: Doug in Romanesque France, between Vitruvius and Syracuse, NY 13210; [email protected]. and a workshop. For information: Jenni M. name. Artists working in this theme are DeVinny, Art Dept., UW-Parkside, Box 2000, Villard." edu. Deadline: August 1,1996. Rodda, VRA/CIHA Liaison Committee, Visual Resources Collection, Institute of Fine Arts, 1 E. Southwestern Pennsylvania Juried Art encouraged to submit slides and a statement Kenosha, WI 53141. addressing their work to: C. Ruggie Sanders, The following CAA members have been named Visual Resources Association's 15th annual 78th St., New York, NY 10021-0178; 212/772- Exhibition, sponsored by the Greensburg Area SXU Gallery, St. Xavier University, Chicago, IL Guggenheim Fellows. In art: Susanna Coffey; conference will be held February 11-15, 1997, in 5872; fax 212/772-5807; [email protected];or Cultural Council and the Westmoreland 60655. Deadlinc: September 15, 1996. Rochelle Feinstein; Mike Glier; Todd McGrain; New York. Papers are sought for sessions Joy Blouin, Dept. of the History of Art, Museum of Art, is accepting entries of 2- and 3-d and Sam Messer. Scholars and writers: Nina M. dealing with various aspects of accessing, University of Michigan, Ann Arbor, MI 48109- artwork for an exhibition to be held September Calls for Manuscripts Athanassoglou-Kallmyer; Carmen Bambach The Print Center, formerly the Print Club, is cataloguing, preserving, and digitizing images. 1357; 313/763-6114; fax 313/747-4121; jblouin@ 23-November 5,1996. Send SASE for prospectus seeking entries for its 71st annual competition. Cappel; and Jann Matlock. Such topics as shared databases, copyright, use umich.edu. to: Greensburg Area Cultural Council, 111 N. All forms of editioned and noneditioned prints, of digitized images in teaching, and automated Main St., Greensburg, PA 15601. Deadline: July TIle Chicago Art Journal, an alUlUal publication installations, artist's books, and other 3- The following CAA members have been selected collections are applicable. For information: Museums in the New Millennium is hosted by 20,1996. devoted to the srudy of the visual arts, is dimensional work created between 1994 and for the 1996 Marie Walsh Sharpe Art Foundation Patricia L. Keats, Director of the Library, the Smithsonian Institution, September 5-7, soliciting papers and artwork for its spring 1997 1996 are eligible. $30 entry fee includes I-year Space Program: Matthew Harle; Heidi Kumao; California Historical Society, 678 Mission St., San 1996, on the occasion of the 150th anniversary of Metaphor for the 20th Century: Personal special issue, "Frames of Reference." Papers may membership; $20 for full-time students. For Carol Wax; and Karen Yasinsky. Francisco, CA 94105; 415/357-1848, ext. 19; the Smithsonian. Museum professionals from Perspectives is open to artists from New York engage the topic on many levels: objects, ------prospectus: Joan Wetmore, Print Center, 1614 [email protected]. Deadline: August 30, 1996. around the world will convene to identify and and New England working in all media. $15/3 architectural space, discourse, methodology. Latimer St., Philadelphia, PA 19103. Deadline: interpret significant emerging issues in the field, slides. Works must be for sale. Send SASE for More thematically, issues of chronology, September 21,1996. Whose Art Is It Anyway? Art and Ownership is disseminate new information, and examine the prospectus to: Hera Gallery, Box 336, Wakefield, geography, nationality, margin, memory, a conference sponsored by the Southeast nature and purposes of museums in the 21st RI 02880-0336. Deadline: August 1, 1996. gender, or authorship might be addressed. Greater Midwest International XII: open to Modernist Council, January 18, 1997, at the century. For information: Center for Museum Artwork may be of any media and should artists 21 and older, working in all media except Cummer Museum of Art and Gardens, focusing Shtdies, MRC 427, Smithsonian Institution, Within and Without: The Intimate Moment is address the thematic approaches outlined above. video and performance. Juried by 35-mm slides. on issues of possession, both of object and idea, Washington, DC 20560; 202/357-3101; fax 202/ the title of the Musky National, a competition For information: Chicago Art IOllrnal, University $20/3 entries; $25/4 or 5 entries. Send SASE for from Byzantium to Berlin. Topics might indude 357-3346. sponsored by Muskingum College, New of Chicago, Dept. of Art, Cochrane-Woods Art prospectus to: Morgan Dean Gallatin, Central stylistic and thematic appropriation, the theft of Concord, Ohio, open to all U.s. artists working Center, 5540 S. Greenwood Ave., Chicago, IL Missouri State University, Art Center Gallery, cultural patrimony and the ensuing moral and Art History in the Age of Bellori will be held in in all media except video and performance. $20/ 60637: Deadli//(': Ocfo/Jer 1,1996. Warrensburg, MO 64093; 816/543-4498. political dilemmas, the art of forgery, and Rome, November 20-22, 1996, commemorating 3 entries. Send SASE for prospectus to: J. Wallace, Deadline: Odober 15, 1996. questions of artistic originality. Papers are the 300th anniversary of the death of Giovanni Louis O. Palmer Gallery, Johnson Hall, Art Education, published by the National Art encouraged from a variety of disciplines. Send Pietro Bellori (1613-1696), art theorist, historian, Muskingum College, New Concord, OH 42762; Education Association, seeks manuscripts for a The Texas International invites submissions abstract and c.v. to: Conference, Cununer and antiquarian. The conference is sponsored by 614/826-8310; [email protected]. theme issue related to research in visual arts from visual artists residing in the U.s., Mexic9, Museum of Art and Gardens, 829 Riverside the Association for Textual Scholarship in Art Deadline: August 2, 1996. education. Sought are thoughtful, critical and Canada, 18 and older. 2- and 3-d works are Ave., Jacksonville, FL 32204. Deadline: September History (ATSAH), the American Academy in discussions of issues relevant to research and eligible. $20/up to 4 entries. For information: 16,1996. Rome, and the Samuel H. Kress Foundation. For The Space Group of Korea sponsors the practice, especially in response to the briefing information: Janis Bell, 320 Oakland Park Ave., International Miniature Print Exhibition, which Mark Alexander, Texas International, Dept. of papers Creating a Visllal Arts Research Agcnda Art, University of Texas at El Paso, El Paso, TX Transforming the Mirror is the title of the 5th Columbus, OH 43214; fax 614/447-8983; jcbell@ promotes mutual appreciation of artistic values toward fhe 21st Ccntury, recently published by 79968; 915/747-7837; fax 915/747-6749. Deadline: national Women in Photography Conference, to magnus.acs.ohio-state.edu. and international cultural exchange among the NAEA. Manuscripts should be 3,000 words max. Novembcr 1, 1996. convene in Boston, June 5-7, 1997. Proposals for nations of the world. Works eligible for entry and follow guidelines in the Pllblications Manl/al papers, presentations, and panels from must be 2-dimensional original prints in any of the American Psyc!wlogical Association, 4th ed. Chuck Levitan Gallery, New York, national, commercial, scientific, and fine artists, scholars, media in black-and-white or color produced For information: Mary Ann Stankiewicz, Art juried, small works exhibition: open to artists and educators are invited. The conference will after January 1996. Work must be within the EdrlcatiolJ, 5089 S. Kestral Pkwy., Sarasota, FL working in painting, prints, drawing, assem- focus on the changing issues in the conception, limits of 10 x 10 cms. $20/each entry; 2 max. For 34231-3203. Dcadline: October 15, 1996.

18 CAANEWS JULY/AUGUSTl996 C'AANEWS JULY/AUGUST 1996 19 I .J Art Journal is seeking submissions for an issue senior fellmuship and associate appointments: ments. Scholars from fields normally associated requirements and course work for the Ph.D. as summer) to students and beginning profeSSion­ The Feminist Art History Listserve (FAH) devoted to performance art. Guest Editor October 1, 1996. with the humanities, representatives of the well as general or preliminary examinations als and 12-month internships to recent is for researchers, curators, art historians, Martha Wilson is soliciting both theoretical natural and social sciences, the arts, the before the date of application. Students must graduates. Applicants to all programs must faculty, students, and all those interested in articles and eyewitness accounts of significant The American Antiquarian Society offers professions, and public life may be admitted to know two foreign languages. Application for submit an application, resume, and two letters of discussing research issues and sharing resources performance art events. Send precis to: Martha fellowships for historical research by creative the center if their work has humanistic these fellowships may be made only through the recommendation (either academic or profes­ of women artists throughout history. The focus Wilson, Franklin Furnace, 112 Franklin St., New and performing artists. The program is designed dimensions. Fellowship stipends are determined chair of graduate departments of art history and sional). Applicants submitting materials by fax is the discussion of women artists in alllevcli; of York, NY 10013-2980; [email protected]. to enhance the ways in which history is individually and include travel expenses. For other appropriate departments, who should act should send the original by mail. Late/ curricula and research in order to increase the Deadline: October 31, 1996. communicated to the American people. application: Fellowship Program, National as sponsors for applicants from their respective incomplete applications will not be considered. visibility of women artists in all aspects of the Fellowships will be provided to those whose Humanities Center, PO Box 12256, Research schools. For information: Fellowship Program, Send all originals with one complete set of art world. Topics may indude: theoretical Siglls: Journal of Womell ill Culture and Socieh} research objectives are to produce works dealing Triangle Park, NC 27709-2256; nhc®Uncecs.edu. Center for Advanced Study in the Visual Arts, copies, together in the same envelope, to: discourse of historical or contemporary women seeks submissions for a special issue, "Femi­ with pre-20th-century American history Deadline: October 15, 1996. National Gallery of Art, Washington, DC 20565; Internship Program, Dept. of Education, artists' imagery, sharing obscure resources, nisms and Youth Cultures," slated for publica­ designed for the general public rather than for 202/842-6482; fax 202/842-6733; http://www. Museum of Modern Art, 11 West 53rd Street, discussing newly discovered underrepresented tion spring 1998. The lack of attention given to the academic/educational communities. University of Pennsylvania Mellon capcon.net/casva. Deadline: November 15, 1996. New York, NY 10019; fax 212/333-1118. artists, sharing course syllabi and bibliographies, challenges facing youth cultures and the virtual Fellowships will allow recipients to conduct Postdoctoral Fellowships in the Humanities are The Helena Rubinstein Foundation and anything else that will heighten the invisibility of the voices and concerns of youth uninterrupted research, reading, and collegial available for younger scholars who, by October Gladys Krieble Delmas Foundation offers Summer Program is a 9-week summer program visibility of women in the arts. All levels of in academic and popular debates is the impetus discussion at AAS, which houses the world's 15,1996, will have received the Ph.D. but not yet grants for independent study in Venice and the at MoMA open to college juniors and seniors students are encouraged to submit queries on of this issue. Youth indicates persons aged 13 to preeminent and most accessible collection of have held it for more than 8 years nor been Veneto. Grants will be awarded for historical and graduate students. Regular attendance is their research topics. 30 for the purposes of this issue. The editors pre-20th-century American printed materials. At granted tenure. Research proposals are invited research on Venice and the former Venetian required Monday through Friday, 9:30 A.M. to The Women Artists Listserve (WAL) is a welcome submissions that are (1) based on least 3 fellowships will be awarded for residence in all areas of humanistic studies except empire, and for study of contemporary Venetian 5:30 P.M. Stipends are based on available discussion forum for contemporary international independent or collaborative research conducted of 4-8 weeks at the society for any thne between educational curriculum-building and perform­ society and culture. Applicants must be citizens funding. Deadline: January 31, 1997. women artists. Designed for women to by, about, and/or within youth communities, January 1 and December 31,1997. $1,200/month ing arts. Preference is given to proposals that are or pennanent residents of the US., have some Fall or spring academic-year programs are communicate worldwide, this resource is open and (2) texhtal analyses (widely defined) of stipend, plus travel expenses. For information: interdisciplinary and to candidates who have experience in advanced research, and, if three-month, full/part-time internships to women artists of all backgrounds. Students popular culture produced by youth from a wide John B. Hench, American Antiquarian Society, not previously utilized the resources of this graduate students, have fulfilled all doctoral available to high school, college, and graduate are encouraged to participate. Topics may range of racial, ethnic, religious, and national 185 Salisbury St., Worcester, MA 01609-1634; university. Stipend of $32,000. For information: requirements except completion of the students, and currently employed museum/art include: exhibition opportunities; studio space; origins. For information: Signs, "Feminisms and 508/752-5813. Deadline: October 7,1996. Tracey L. Cheek, 16 College Hall, University of dissertation (but including acceptance of institution professionals. No stipends are sharing resources; materials/technical issues; Youth Cultures," Box 354345, University of Pennsylvania, Philadelphia, PA 19104-6378. dissertation proposal). Grants range from $500 available for academic-year terms. International balancing art, family, relationships, and work; Washington, Seattle, WA 98195-4345. Deadline: Michigan Society of Fellows Postdoctoral Deadlille: October 15, 1996. to $12,500, for a full academic year. For students may apply. Deadline for 1996 fall obstacles/opportunities facing women artists Jr/llllmy 31,1997. Fellowships: 1997-2000. Three-year postdoctoral information: Gladys Krieble Delmas Foundation, intemsliip: July 19, 1996; for 1997 sprillg i/ltems/lip: today; networking; financial issues; forming fellowships in the humanities and the arts American Institute for Yemeni Studies 521 Fifth Ave., Ste. 1612, New York, NY 10175- November 22,1996. international alliances; how to use electronic Exploratiolls ill Renaissance Culture, an annual available to scholars early in their professional supports research on Yemeni and South Arabian 1699. Deadline: December 15, 1996. resources to gain visibility; marketing and sales, scholarly journal published jointly by the South­ careers who have received the Ph.D. or studies and promotes scholarly exchange etc. Central Renaissance Conference and Southwest comparable professional or artistic degree between Yemen and the U.S. Two fellowship The Marie Walsh Sharpe Art Foundation offers Please do not send announcements of Missouri State University, seeks submissions. between January 1, 1994, and September 1, 1997. programs of in-country residence and research free studio spaces in New York to visual artists Online upcoming exhibitions to the list. To subscribe/ One article in each volume will receive the The purpose of the fellowships is to provide for American scholars in Yemen are available. 21 and older. Applicants must be U.S. citizens unsubscribe to either listserve go to the Varo Albert W. Fields Award of $100. The journal financial and intellectual support to individuals The general fellowship progqim accepts and not in school at the time of residency. The Registry of Women Artists (http://wv..W.net seeks submissions from any discipline in Early selected for scholarly or artistic achievement, proposals from graduate and postgraduate studios are nonliving spaces for the making of ArtNet Magazine, http://www.artnet.com/ dreams.com/registry /) and follow the links. To Modern studies: literature, art and iconography, professional promise, and interdisciplinary scholars, with priority given to doctoral training. new works of art. There is no stipend and no magazine.html, provides immediate access to send a message address your conununication to: music, history, gender studies, culture. interests. Fellows are appointed as assistant There is no restriction as to field or discipline, equipment is provided. Studios are available continually updated news and analysis of the [email protected]. Manuscripts should be 20-30 pages, double professors in appropriate departments and as but project funds may only be used to support beginning September 1, 1997, and are available contemporary art world. It also includes critical spaced. Send 3 copies of manuscript, with postdoctoral fellows in the Michigan Society of research costs incurred in Yemen. The US. for up to one year. For information: Space essays and reviews of museum and gallery http://www,ads,org. The American Council of author's name on cover sheet only, to: Tita Fellows. They are expected to be in residence in Scholars in Residence program invites proposals Program, Marie Walsh Sharpe Art Foundation, exhibitions, commentary, interviews with art Learned Societies (ACLS) is the preeminent French Baumlin, Exp/orations in Renaissance Ann Arbor during the academic years of the from U.s. postdoctoral scholars who plan to 711 N. Tejon St., Ste. B, Colorado Springs, CO world figures, reports from correspondents from private humanities organization in the United ClIlhlre, Dept. of English, Southwest Missouri fellowship, to teach for the equivalent of one spend a sabbatical or postdoctoral time in 80903; 719/635-3220. Deadline: Ja/wan} 31,1997. around.the world, and e-mail discussions of States. Founded in 1919, ACLS supports State University, Springfield, MO 65804; 417/ year, to participate in the informal intellectual Yemen. For information: Maria Ellis, American current ideas and trends. humanistic research through awards to 836-4738; fax 417/836-6940; MFB137F@ life of the society, and to devote time to their Institute for Yemeni Studies, PO Box 311, The Camargo Foundation maintains a center in individual scholars, serves as a national vma.smsu.edu. independent research. Stipend: $32,500. Ardmore, PA 19003-0311; 610/896-5412; fax Cassis, France, for the benefit of scholars who Artnoir Showcase is a monthly journal representative for 56 constituent societies, and Application fee: $25. For information: Michigan 610/896-9049; [email protected]. wish to pursue studies in the humanities and specializing in African American, Afro­ helps to identify and meet the present and Society of Fellows, 3030 Rackham Bldg., Deadline: November 1, 1996. social sciences related to French and Caribbean, Afro-Latin and Brazilian, and future needs of humanistic scholarship. By University of Michigan, Ann Arbor, MI 48109- francophone cultures. The foundation also Polynesian and Micronesian art of the diaspora. bringing together learned societies concerned Grants and Fellowships 1070; 313/763-1259; [email protected]. Henry Luce Foundation/American Council of supports creative projects by visual artists, The following sections are included: "ask the with the humanities and with humanistic DeadlillC: October 12, 1996. Learned Societies offers a dissertation photographers, composers, and writers. The palette," bookmart, calendar of events (tables aspects of social services, ACLS enables these fellowship program in American art. Awards of foundation offers, at no cost, eleven htrnished and nontables), feature artist, artist index of organizations to speak on matters of common The Center for Advanced Study in the Visual Columbia University Society of Fellows in the $18,500 will be made to graduate students at any apartments, a reference library, an artist's images online, history 101, news 'n' ques, theft concern. Arts awards approx. 6 senior fellowships and 12 Humanities. 1997-98 postdoctoral fellowships stage of Ph.D. dissertation work for a I-year studio, a composer's studio, and a photography alert, buying & selling info, request forms, order visiting senior fellowships each year for study of are available to those who will have received the term beginning sununer or fall 1997. Applicants darkroom. Because the Camargo award is a fonns, fine arts advertising directory, and other the history, theory, and criticism of art, Ph.D. between January 1, 1991, and July I, 1997. must be Ph.D. candidates in a department of art strictly residential grant, no stipends are goodies. http://www.artnoir.com architecture, and urbanism of any geographical $30,000 stipend; one-half for independent history, with a dissertation focused on a topic in available. The normal term of residence is one Publication area and any period. Applicants should have research and one-half for teaching in the the history of visual arts of the U.5., and must be semester (early September to mid-December, or The Varo Registry of Women Artists is an held the Ph.D. for 5 years or more or possess a undergraduate program in general education. US. citizens or permanent legal residents. For mid-January to May 31). For information: online commercial service for women artists to record of professional accomplishment. Scholars Additional funds are available to support information: Fellowship Office, ACLS, 228 E. Ricardo Bloch, Camargo Foundation, West 1050 have their work available on the Internet via the TI,e Graphic Artists Guild Handbook: Pridllg are expected to reside in Washington, D.C., research. For information: Director, Society of 45th St., New York, NY 10017-3398; fax 212/949- First National Bank Bldg., 332 Minnesota St., World Wide Web. In addition to building web alld Ethical Guidelilles, 8th cd. This volume is throughout their fellowship period and Fellows in the Humanities, Mail Code 5700, 8058; [email protected]. Dead/hie: November 15, 1996. Saint Paul, MN 55101-1312; 612/290-2237. pages·for women artists, artists and artwork compiled to help both artists and art buyers participate in the activities of the center. All Columbia University, 2960 Broadway, New Deadline: February 1, 1997. databases are being developed, with the artists determine how to arrive at fair prices. It is also a grants are based on individual need. The center York, NY 10027. Deadline: October 15, 1996. The Center for Advanced Study in the Visual and the work accessible by keywords of life guide to ethical business standards for the will consider appointments of associates who Arts announces its annual program of dates, mediwn, genre, movement, etc. The Varo graphic design industry. Chapters include Legal have obtahied awards for full-time research National Humanities Center Fellowships predoctoral fellowships for productive scholarly Registry is also a clearinghouse for information Rights and Issues, New Technology Issues, from other granting institutions and would like support advanced study in history, languages work in the history of art, architecture, and Internships on women artists, including bibliography, facts, lllustration Prices and Trade Customs, Standard to be affiliated with the center. For infonnation: and literature, philosophy, and other fields of urban form. The 9 fellowships, which vary in resources, and reviews of recent exhibitions. It is Contracts, and a Resources and Reference CASV A, National Gallery of Art, Washington, the humanities. Fellows are expected to work at length from 1 to 3 calendar years, are intended also the host of two listserves: Feminist Art section. $24.95 paper. Graphic Artists Guild, 11 DC 20565; 202/842-6482; fax 202/842-6733; the center. Applicants should hold the doctorate to support doctoral dissertation research. The Museum of Modem Art, New York, offers History Listserve and Women Artists Listserve. W. 20th St., 8th fl., New York, NY 10011-3704; http://www.capcon.net/casva. Dc(/dlinc for or have equivalent professional accomplish- Applicants must have completed their residence short-term internships (spring, fall, and These listserves are free and available to all: 212/463-7730.

20 CAANEWS JULY/AUGUST1996 CAANEWS IULY/AUGUST19Y6 21 Residencies Classified Ads 1959-73,1975-84; incomplete: 1924, Programs 1925,1974. College Art Journal, complete: 1948-49,1951-52,1960,1962,1964-71, Order Form: Ringgold and Schapiro Prints The John Michael Kohler Arts Center's Arts! 1973-85,1989; incomplete: other years Industry program is a unique collaboration New & The CAA newsletter accepts claSSIfied ads of 1950-72. Journal of the Society of Architec· between art and industry, providing financial tural Historimls, complete: 1975-81, support for artists from all over the world, a professional or semiprofessional nature. Please send: working in all media, to work in the Kohler Revised $1.25/word ($2/word for nonmembers). 1984-86; incomplete: 1974, 1982, 1983. Company factory facilities in Sheboygan, Wis. Journal of Glass Studies, Coming Museum Kohler is the world's leading manufacturer of of Glass, complete: 1959-87. Make firm print(s) Faith Ringgold, The Sunflower Quilting Bee at plurnbingware products. Artists-in-residence are offer for each to Dr. Eileen Michels, 2183 Aries ($1,000 until Nov. 1, 1996; $1,500 provided with studio space in the factory Hendon Ave., st. Paul, MN 55108. thereafter) accessible 24 hours a day, 7 days a week. Each Canadian Centre for Architecture annOlll1CeS its Art Editors. Directory lists 95 editors Visiting Scholars Program, established to artist receives free materials, use of equipment, with their areas of freelance specialty. technical assistance, free housing, round-trip encourage advanced research in architectural Gay and Lesbian Caucus: for a free print(s) Miriam Schapiro, In the Land of Go·bla·dee: $6.00 + $2.00 mailing charge; prepaid transportation within the continental U.S., history and thought. The program was created copy of newsletter and membership Homage to MaryLou Williams ($500) photographic services, and a weekly hono­ for scholars and architects conducting research only {payable to AAEJ. v. Wageman, application: Jonathan Weinberg, PO Box rarium of $120. For information: Lynne at the postdoctoral or equivalent level. 360 Ridgeview Rd., Princeton, NJ 08540. 208272, New Haven, CT 06520·8272; Shumow, Arts/Industry Coordinator, John Applicants are invited to make a proposal [email protected]; 203/432· within one of the three areas of study defined for Michael Kohler Arts Center/60B New York Ave., Artists' studios: in beautiful landmark 2683. Box 489, Sheboygan, WI 53082-0489; 414/458- the initial year of the program: Architecture and building, Tribeca, near SoHo. Quiet, 6144; fax 414/458-4473. Deadline: August 1, 1996. the Critical Debate after 1945; the Baroque Phenomenon beyond Rome; and Central and professional environment. Average: Mediterranean sabbatical? Live name Bemis Center for Contemporary Arts offers 2- Eastern European Architecture. CCA will $1.33 per sq. ft.; 280-650 sq. ft. available. economically in restored farmhouse in to 6-month residencies open to U.S. and welcome its first visiting scholars in September Katia Cushue, 212/966·7040. quiet southern Cyprus village. 3 international visiting artists. Bemis provides 1997. For information: Madeleine LeBlanc, Press bedrooms, terraces, garden, grape arbor, address 1,000-2,000-square-foot private studio/living Officer, or Helene Panaioto, Head of Communi­ Artists' elegant/rustic home: on 12 orange and pomegranate trees. 20 min. spaces and facilities for steel/woodworking and cations Services, 514/939-7000; fax 514/939- private, silent acres in Catskill Preserve. 7020; [email protected]. from archaeological sites and secluded prinhnaking/photography, as well as $500- Skylights, jacuzzi, fireplace. Below $1,000 stipends and exhibition possibilities. Send beaches. Martin Giesen for pictures and city /state/zip telephone assessed value. $149,000. 212/929·0952. SASE for application: Bemis Center for Contempo­ rates, 403/672·7790. rary Arts, 724 S. 12th St., Omaha, NE 68102-3202; 402/341-7130; fax 402/341-9791. Deadline: Books on the Fine Arts. We wish to Paris: lovely, fully furnished I-bedroom CAA membership number amount enclosed September 30, 1996. purchase scholarly o.p. books on apartment, suitable for 1 person or Western European art and architecture; couple; 50 sq. meters; 17e also review copies. Andrew D. Washton arrondissement, Metro Courcelles. Books, 411 E. 83rd St., New York, NY Available 3 weeks to 10 months (possi~ 10028; 212/481·0479; fax 212/861·0588. bly more). Security and excellent Charge to: VISA MasterCard Information Wanted references requrred. 310/821·8514. Charming 1 bedroom in hills near UCLA, September-June. Sublet or Reliable faculty couple needs work/ German and Netherlandish Drawings 1350- exchange for downtown New York. live space Manhattan/Brooklyn, name on card account number 1500: Please alert me, as soon as possible, to the 310/396·2064. September-December 1996. Sandy, 413/ whereabouts of not only German and Nether­ 528·4934. landish sheets, but also those of Bohemian and English/French translation: established, French origin of the same era. My request is Montreal-based translator specializing expo date signature amount urgent because r plan to visit the United States Rome rental: fully furnished apartment, and Canada in October this year, and will need in the visual arts. 514/521·0537. living, dining, 2 bedrooms, central to organize my itinerary in advance. Please location near stores, buses, subway. include pertinent information with your replies. For rent: attractive furnished bedroom, Available January 1997. Security Fritz Koreny, Graphische Sammlung Albertina, NYC, upper East Side near museums. deposit, references required. 508/877- Augustinerstrasse 1, 1010 VieIUla, Austria; 011. Suitable visiting woman scholar. 2139. All orders must be prepaid. Make check payable to CAA. Special 43.1.53483; fax 011. 43. 1. 533.76.97. Doorman building. Good transporta­ price is available to CAA individual and institutional members only. tion. Security and references required. Henry Fitch Taylor (1853-1925) and Clara Support the Arts-your art! Print full­ Sidney Davidge (1858--1921): For a dissertation $200/week; minimum three weeks. Call color postcards, exhibition announce­ Mail completed order form to COllege Art Association, Dept. 0,275 DC Associates, 212/996·4629. about the Taylors' importance to early ments, catalogues, and posters. 200-line Seventh Ave., New York, NY 10001. Allow 6 to 8 weeks for delivery. modernism, information, particularly manu­ separations, coated 12 pt. stock. Write script material, is wanted about their involve­ For rent: funy furnished Rome apart­ for samples: Images for Artists, 2543 ment with the Armory show, their New York For ~nformation, or to request a postcard reproduction of either ment near American Academy. 2 Cleinview St., Cincinnati, Ohio 45206; business, the Madison Art Gallery ICoventry bedrooms, living/ dining, study, eat~in print, call Jennifer Kyvig, 212/691·1051, ext. 209. Studios, the location of works by Henry Taylor, fax 513/961·5655. and Clara Taylor as an interior decorator and art kitchen, bath, central heating, dish/ patron. Chlistine I. Oaklander, 112 Delaware St., clothes washers. Spring 1997 semester. Wanted for rent: apartment in Rome, #1, New Castle, DE 19720; [email protected]. $1,500/month, plus utilities. Prof. Jack Italy. Quiet, secure studio or I-bedroom Wasserman, 215/625·3902. apartment, January-May 1997. 217/345· 6954. For sale: as periodical runs, not single issues: Art Bulletin, complete: 1947-53,

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