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Treatise on Combined Metalworking Techniques: Forged Elements and Chased Raised Shapes Bonnie Gallagher
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1972 Treatise on combined metalworking techniques: forged elements and chased raised shapes Bonnie Gallagher Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Gallagher, Bonnie, "Treatise on combined metalworking techniques: forged elements and chased raised shapes" (1972). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TREATISE ON COMBINED METALWORKING TECHNIQUES i FORGED ELEMENTS AND CHASED RAISED SHAPES TREATISE ON. COMBINED METALWORKING TECHNIQUES t FORGED ELEMENTS AND CHASED RAISED SHAPES BONNIE JEANNE GALLAGHER CANDIDATE FOR THE MASTER OF FINE ARTS IN THE COLLEGE OF FINE AND APPLIED ARTS OF THE ROCHESTER INSTITUTE OF TECHNOLOGY AUGUST ( 1972 ADVISOR: HANS CHRISTENSEN t " ^ <bV DEDICATION FORM MUST GIVE FORTH THE SPIRIT FORM IS THE MANNER IN WHICH THE SPIRIT IS EXPRESSED ELIEL SAARINAN IN MEMORY OF MY FATHER, WHO LONGED FOR HIS CHILDREN TO HAVE THE OPPORTUNITY TO HAVE THE EDUCATION HE NEVER HAD THE FORTUNE TO OBTAIN. vi PREFACE Although the processes of raising, forging, and chasing of metal have been covered in most technical books, to date there is no major source which deals with the functional and aesthetic requirements -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
VA Form 40-1330, Claim for Standard Government Headstone Or Marker
GENERAL INFORMATION SHEET CLAIM FOR STANDARD GOVERNMENT HEADSTONE OR MARKER RESPONDENT BURDEN - Public reporting burden for this collection of information is estimated to average 15 minutes per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. VA cannot conduct or sponsor a collection of information unless it has a valid OMB number. Your response (per OMB guidance) is voluntary, however, your response is required to obtain benefits. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden to the VA Clearance Officer (005R1B), 810 Vermont Avenue, NW, Washington, DC 20420. Please DO NOT send claims for benefits to this address. PRIVACY ACT - VA considers the responses you submit confidential (38 U.S.C. 5701). VA may only disclose this information outside the VA if the disclosure is authorized under the Privacy Act, including the routine uses identified in the VA system of records, 48VA40B, published in the Federal Register. VA considers the requested information relevant and necessary to determine maximum benefits under the law. BENEFIT PROVIDED a. BURIAL HEADSTONE OR MARKER Only for Veterans who died on or after November 1, 1990 - Furnished for the grave of any eligible deceased Veteran and provided for placement in private and local government cemeteries regardless of whether or not the grave is marked with a privately-purchased headstone or marker. Only for Veterans who died before November 1, 1990 - Furnished for the UNMARKED GRAVE of any eligible deceased Veteran. -
American Bronze Co., Chicago
/American j^ronze C^- 41 Vai| pUreii S^ree^, - cHICAGO, ILLS- Co.i Detroit. ite arid <r\ntique t^ponze JVlonumer|tal Wopk.. Salesroom: ART FOUNDRY. II CHICAGO. H. N. HIBBARD, Pres't. PAUL CORNELL, Vice-Pres't, JAS, STEWART, Treas, R J, HAIGHT, Sec'y, THE HEMRT FRAXCIS du POJ^ WIXrERTHUR MUSEUM LIBRARIES Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/whiteantiquebronOOamer Tillr rr|ore prominent cemeteries in this country are noW arranged or) what is l<;noWn as the LfavVn I'lan, which gives the grounds a park-like appearaqce, n]ore in harmony With the impulse of our natures to make tl^ese lastresting places beautiful; in striking contrast to the gloomy burying places of olden times. pences, hedges, curbiqg aqd enclosures of all kinds are prol]ibited and tl^e money formerly expended for such fittings is invested in a central monu- ment, theicby enabling the lot oWner to purchase a better niemorial tl]an could otherwise haVe been afforded. (Corner posts are barely Visible aboVe the surface of the ground, and markers at the head of graVes are allowed ' only a feW inches higher, thus preserving the beautiful landscape effect. JViaiiy of tl]e n"ionum|ents novV being erected, and several that are illustrated in this pamphlet, bear feW, if aiw, fcmiily records, thus illustrating the growing desire to provide a fan]ily resting place and an enduring n-jonu- rqent. Without deferring it until there Fjos been a death in the family, as has been the custom in tlie past. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Sculptors' Jewellery Offers an Experience of Sculpture at Quite the Opposite End of the Scale
SCULPTORS’ JEWELLERY PANGOLIN LONDON FOREWORD The gift of a piece of jewellery seems to have taken a special role in human ritual since Man’s earliest existence. In the most ancient of tombs, archaeologists invariably excavate metal or stone objects which seem to have been designed to be worn on the body. Despite the tiny scale of these precious objects, their ubiquity in all cultures would indicate that jewellery has always held great significance.Gold, silver, bronze, precious stone, ceramic and natural objects have been fashioned for millennia to decorate, embellish and adorn the human body. Jewellery has been worn as a signifier of prowess, status and wealth as well as a symbol of belonging or allegiance. Perhaps its most enduring function is as a token of love and it is mostly in this vein that a sculptor’s jewellery is made: a symbol of affection for a spouse, loved one or close friend. Over a period of several years, through trying my own hand at making rings, I have become aware of and fascinated by the jewellery of sculptors. This in turn has opened my eyes to the huge diversity of what are in effect, wearable, miniature sculptures. The materials used are generally precious in nature and the intimacy of being worn on the body marries well with the miniaturisation of form. For this exhibition Pangolin London has been fortunate in being able to collate a very special selection of works, ranging from the historical to the contemporary. To complement this, we have also actively commissioned a series of exciting new pieces from a broad spectrum of artists working today. -
Tremglaze® Silicones Color Card
TREMGLAZE® SILICONES COLOR CARD TREMGLAZE S500+ Stock Special CLEAR WHITE ANDERSEN WHITE TREMGLAZE S600 Stock CLEAR WHITE BLUE WHITE BLACK Special FRENCH VANILLA ALMOND INLINE ALMOND CLAY CLAYSTONE SABLE BRONZE INLINE BROWNSTONE DARK BROWN TG DARK BROWN CHESTNUT BROWN LIFESTYLE HICKORY SANDALWOOD SANDSTONE ANODIZED ALUMINUM SMOKE INLINE SLATE TREMGLAZE S700 Stock Special WHITE BLACK TREMGLAZE S900 Stock CLEAR TREMGLAZE® SILICONES COLOR CARD TREMGLAZE S1400 Stock CLEAR WHITE ARCTIC WHITE ANODIZED ALUMINUM SANDSTONE ANDERSEN SANDSTONE ANDERSEN TERRATONE ALMOND TG BEIGE IVORY PEARL GRAY CLAY SPECIAL BEIGE CHOCOLATE BROWN BRONZE BLACK TG DARK BROWN Special POLAR WHITE ANDERSEN WHITE BLUE WHITE FRENCH VANILLA ANDERSEN CANVAS CANVAS LIGHT WOOD GRAIN BUFF DARK WOOD GRAIN CHERRY RES. SANDALWOOD JW SANDALWOOD SABLE CLAYSTONE LIMESTONE SMOKE ALUMINUM STONE CHESTNUT BROWN GREEN Special colors are available upon request. Minimum order requirements exist for special colors. All colors shown are approximate and may not reflect sheen or shade precisely, as varying amounts of aggregate will alter light-reflecting properties. Tremco always recommends a test patch to gain final color approval. TREMGLAZE® URETHANE & HYBRIDS COLOR CARD TREMGLAZE U1500 Stock WHITE DARK BRONZE TREMGLAZE U1600 Stock WHITE ANDERSEN WHITE ANDERSEN CANVAS BEIGE TG BEIGE ALMOND SANDSTONE ANDERSEN SANDSTONE ANDERSEN TERRATONE BRONZE BLACK Special MODERN WHITE POLAR WHITE IVORY WICKER ROYAL CLAY HARVARD SLATE PEARL GREY ANODIZED ALUMINUM LINEN GRAY CHARCOAL ROYAL BEIGE CREAM/IVORY -
Copper Alloys
THE COPPER ADVANTAGE A Guide to Working With Copper and Copper Alloys www.antimicrobialcopper.com CONTENTS I. Introduction ............................. 3 PREFACE Conductivity .....................................4 Strength ..........................................4 The information in this guide includes an overview of the well- Formability ......................................4 known physical, mechanical and chemical properties of copper, Joining ...........................................4 as well as more recent scientific findings that show copper has Corrosion ........................................4 an intrinsic antimicrobial property. Working and finishing Copper is Antimicrobial ....................... 4 techniques, alloy families, coloration and other attributes are addressed, illustrating that copper and its alloys are so Color ..............................................5 adaptable that they can be used in a multitude of applications Copper Alloy Families .......................... 5 in almost every industry, from door handles to electrical circuitry to heat exchangers. II. Physical Properties ..................... 8 Copper’s malleability, machinability and conductivity have Properties ....................................... 8 made it a longtime favorite metal of manufacturers and Electrical & Thermal Conductivity ........... 8 engineers, but it is its antimicrobial property that will extend that popularity into the future. This guide describes that property and illustrates how it can benefit everything from III. Mechanical -
316 Stainless Steel Infiltrated with Bronze
316 Stainless Steel Infiltrated with Bronze ExOne’s 3D Printed 316 Stainless Steel infiltrated with Bronze is a matrix material composed of 60% stainless steel and 40% bronze infiltrant. The lower yield strength of the material enables it to be easily machined and polished. This material also exhibits enhanced corrosion resistance properties. Applications This material system has low magnetic properties which makes it particularly useful for applications in the food and medical industries. The copper alloy acts as a natural antibacterial agent making it easy to decontaminate printed parts. Since the matrix material is easy to polish, additional applications exist in bath and kitchen hardware prototypes and low volume production. Printed part Composition Stainless Steel: Alloy 316 Bronze: 90% Cu / 10% Sn Printing Using binder jetting technology, ExOne’s state-of-the-art 3D Printing machines produce parts directly from 3D CAD models by precisely controlling the jetting of binder onto a powder bed, and then subsequently spreading new layers of powder. This process is repeated until the part is completed. This 3D Printing process offers increased design flexibility, reduced manufacturing cost and 316 SS / Bronze shortened lead times. Post Processing After printing is complete, the parts are cured in an oven, which enables the parts to be handled. After curing, the parts are sintered and infiltrated with bronze above 1100°C. Cool down can be varied to control the machinability and hardness of the material. INDUSTRIAL-GRADE MATERIALS FOR 3D -
Raymond & Leigh Danielle Austin
PRODUCT TRENDS, BUSINESS TIPS, NATIONAL TONGUE PIERCING DAY & INSTAGRAM FAVS Metal Mafia PIERCER SPOTLIGHT: RAYMOND & LEIGH DANIELLE AUSTIN of BODY JEWEL WITH 8 LOCATIONS ACROSS OHIO STATE Friday, August 14th is NATIONAL TONGUE PIERCING DAY! #nationaltonguepiercingday #nationalpiercingholidays #metalmafialove 14G Titanium Barbell W/ Semi Precious Stone Disc Internally Threaded Starting At $7.54 - TBRI14-CD Threadless Starting At $9.80 - TTBR14-CD 14G Titanium Barbell W/ Swarovski Gem Disc Internally Threaded Starting At $5.60 - TBRI14-GD Threadless Starting At $8.80 - TTBR14-GD @fallenangelokc @holepuncher213 Fallen Angel Tattoo & Body Piercing 14G Titanium Barbell W/ Dome Top 14G Titanium Barbell W/ Dome Top 14G ASTM F-67 Titanium Barbell Assortment Internally Threaded Starting At $5.46 - TBRI14-DM Internally Threaded Starting At $5.46 - TBRI14-DM Starting At $17.55 - ATBRE- Threadless Starting At $8.80 - TTBR14-DM Threadless Starting At $8.80 - TTBR14-DM 14G Threaded Barbell W Plain Balls 14G Steel Internally Threaded Barbell W Gem Balls Steel External Starting At $0.28 - SBRE14- 24 Piece Assortment Pack $58.00 - ASBRI145/85 Steel Internal Starting At $1.90 - SBRI14- @the.stabbing.russian Titanium Internal Starting At $5.40 - TBRI14- Read Street Tattoo Parlour ANODIZE ANY ASTM F-136 TITANIUM ITEM IN-HOUSE FOR JUST 30¢ EXTRA PER PIECE! Blue (BL) Bronze (BR) Blurple Dark Blue (DB) Dark Purple (DP) Golden (GO) Light Blue (LB) Light Purple (LP) Pink (PK) Purple (PR) Rosey Gold (RG) Yellow(YW) (Blue-Purple) (BP) 2 COPYRIGHT METAL MAFIA 2020 COPYRIGHT METAL MAFIA 2020 3 CONTENTS Septum Clickers 05 AUGUST METAL MAFIA One trend that's not leaving for sure is the septum piercing. -
Handbook : Brass, Bronze, Copper, Nickel Silver
•ui#:.r fc ::* £ \ ' TONKt* * i i "t ' 1 .'.'. i HANDBOOK tt BRASS • BRONZE • COPPER NICKEL SILVER I fc Anacon dA from mine to consumer • IftUitilHlli'l J July 1, 1935 3 h * THE AMERICAN BRASS COMPANY 3 * *.. Copyright, 1935 The American Brass Company Printed in U. S. A. C THE AMERICAN BRASS COMPANY General Offices WATERBURY, CONNECTICUT, U.S.A. Manufacturing Plants ANSONIA, CONN. TORRINGTON, CONN. WATERBURY, CONN. BUFFALO, N. Y. DETROIT, MICH. KENOSHA, WIS. Offices and Agencies BOSTON, MASS. 140 Federal Street PROVIDENCE, R. I. 131 Dorrance Strei 1 NEW YORK, N. Y. 25 Broadway SYRACUSE, N. Y. 207 East Genesee Street Place NEWARK, N. J. 20 Branford WASHINGTON, D. C. 1511 K Street, N. W. PHILADELPHIA, PA. 117 South Seventeenth Strei t PITTSBURGH, PA. 535 Smithfield Street CLEVELAND. OHIO 925 Euclid Avenue DAYTON, OHIO 52 North Main Street CINCINNATI, OHIO 101 West Fourth Street CHICAGO, ILL. 1326 West Washington Boulevard ST. LOUIS, MO. 408 Pine Street ATLANTA. GA. 10 Forsyth Street HOUSTON, TEXAS 609 Fannin Street DENVER, COLO. 818 Seventeenth Street LOS ANGELES, CALIF. 411 Weai Fifth Street SAN FRANCISCO, CALIF. 235 Montgomery Street SEATTLE, WASH. 1358 Fourth Avenue THE AMERICAN BRASS COMPANY OF ILLINOIS 1326 West Washington Boulevard, Chicago, 111. In Canada ANACONDA AMERICAN BRASS LIMITED Main Office and Mill NEW TORONTO, ONTARIO Montreal Agency: 1010 St. Catherine Street, W. * 3 CABLE ADDRESSES "AMBRAC" Waterbury, Conn. "AMBRAC" 25 Broadway, New York Codes Used All Standard Cable and Telegraph THE AMERICAN BRASS COMPANY - Tl ANACONDA -
Pac-Clad® Color Chart
pa c - c l a d ® c O l O R c H a RT Cardinal Red Colonial Red Burgundy Terra Cotta Sierra Tan Mansard Brown Stone White Granite Sandstone Almond Medium Bronze Dark Bronze Slate Gray Bone White Musket Gray Charcoal Midnight Bronze Matte Black Cityscape Interstate Blue Hemlock Green Arcadia Green Patina Green Hunter Green Military Blue Award Blue Teal Hartford Green Forest Green Evergreen Denotes PAC-CLAD Metallic Colors Denotes Energy Star® Colors Denotes PAC-CLAD Cool Colors Kynar 500® or Hylar 5000® pre-finished galvanized steel and aluminum for roofing, curtainwall and storefront applications. Berkshire Blue Slate Blue PAC-CLAD Metallic Colors Zinc Silver Copper Penny Aged Copper Champagne Weathered Zinc PETERSEN ALUMINUM CORPORATION HQ: 1005 Tonne Road 9060 Junction Drive 10551 PAC Road 350 73rd Ave., NE, Ste 1 102 Northpoint Pkwy Ext, Bldg 1, Ste 100 Elk Grove Village, IL 60007 Annapolis Junction, MD 20701 Tyler, TX 75707 Fridley, MN 55432 Acworth, GA 30102 P: 800-PAC-CLAD P: 800-344-1400 P: 800-441-8661 P: 877-571-2025 P: 800-272-4482 F: 800-722-7150 F: 301-953-7627 F: 903-581-8592 F: 866-901-2935 F: 770-420-2533 pa c - c l a d ® c O l O R aVa I l a BI l ITY PAC-CLAD 3 year STeeL ALuMiNuM eNeRGy STANDARD RefLectiviTy EmissiviTy SRi 24ga. 22ga. .032 .040 .050 .063 ® COLORS exposuRe STAR Almond 0.56 0.83 0.27 64 √ √ √ √ √ • Arcadia Green 0.33 0.84 0.32 33 √ √ • Bone White 0.71 0.85 0.71 86 √ √ √ √ √ √ • Cardinal Red 0.42 0.84 0.41 45 √ √ √ • Charcoal 0.28 0.84 0.28 27 √ √ √ • Cityscape 0.37 0.85 0.34 39 √ √ √ √ • Colonial Red 0.34