Students Rally for More Solidarity, Sensitivity Womyn's Center Relocates
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective. -
04/30/2018 Daily Program Listing II 03/04/2018 Page 1 of 120
Daily Program Listing II 43.1 Date: 03/04/2018 04/01/2018 - 04/30/2018 Page 1 of 120 Sun, Apr 01, 2018 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Closer to Truth EPS (S) (CC) N/A #1613H Marvin Minsky: Like No Other One of artificial intelligence's legendary pioneers, Marvin Minsky, recently died. With this tribute, we celebrate his penetrating analysis of brains, minds, AI, religion and God. 00:30:00 American Forum NETA (S) (CC) N/A #318H Crossing President Trump Former Acting U.S. Attorney General SALLY YATES on her clash with President Donald J. Trump, the Russia investigation, and the risks of rolling back criminal justice reform. 01:00:00 Speakeasy APTEX (S) (CC) N/A #301H Jimmie Vaughan and Gary Clark Jr. Grammy Award winner Gary Clark Jr. is joined by four-time Grammy Award winner Jimmie Vaughan at New York City's Iridium for a taping of the intimate conversation series "Speakeasy." Clark has been called "The Chosen One" by Rolling Stone and has been hailed as a major talent by icons including the Rolling Stones, Sheryl Crow, and Paul McCartney. He has leant his unique blend of rock, R&B, blues, soul, and pop to multiple soundtracks including the acclaimed movie "12 Years a Slave." Vaughan has been regarded by Guitar Player magazine as "a living legend" and is one of the most respected guitarists in the world of popular music. With the Famous Thunderbirds, he spearheaded the current blues revival and has earned the admiration of B.B. -
Ets Violence Prevention All Spouses Are Invited to Meet Mrs
SPEED Halloween Safety A-2 \ DASH Doer's Profile A-10 HydroFest, B-1 Running, B -1 Football Pool B-5 Vol, 26r No, 40 Hitt bo,50 of cho cry Col the `d.1 rit c.r,rrlvey Octobctir 16, 1997 Krulak Coffee FSC ets violence prevention All spouses are invited to meet Mrs. Charles C. Krulak, Sgt. William Poff include protecting victims, creating a wife of the commandant of the Combat Correspondent climate which has zero tolerance for Marine Corps, at a coffee to be spouse and child abuse and holding held in her honor Friday from The Family Services Center here is offenders accountable for their 1.0:30 to noon at the Officers' using fundraisers, classes and video- actions, said Kiefer. Club Lanai. For more infor- taped programs on Channel 2 to "We want to ensure all commands, mation, call Katie at 254- highlight Domestic Violence agenCies and employees on base have 1477. Awareness Month. the same focus and goals for reduc- The national military theme for the ing domestic violence," said Kiefer. Hawaii Marine month is, "The power to prevent "The events we hold are designed to domestic violence begins with me:" specialist here. managing the domestic violence promote awareness and enable "Abuse of family members is "In 1993 the Marine Corps took cases." everyone to come forward, partici- Due to increased questions assault and inconsistent with over family advocacy from the Navy The Marine Corps developed three pate and uphold the three goals," it .regarding submissions to the Marine Corps values," said Gail L. -
Rites of Passage Album Download Brother Ali Rites of Passage Album Download Brother Ali
rites of passage album download brother ali Rites of passage album download brother ali. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c9c194fb320d46 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Brother Ali. Brother Ali has no reservations in saying that he’s “trying to be one of the greatest of all time” (on the Molemen track “Life Sentence”). Inspired by golden era legends like KRS-One and Rakim, this undisputed Master of Ceremony began rapping as a means of survival. Growing up albino (colorless hair, skin and eyes, poor vision, and extreme sensitivity to the sun) in a world of cruel kids made it strikingly obvious to Ali that he needed a high-powered way to earn some respect and prestige among his peers. As a result, every since elementary school he hasn’t slowed down with his lyrical grind. In his rare moments of silence these days, if you catch his eyes, you’ll notice that this Minneapolis denizen is rapping in his head. -
Hawaiʻi Review Issue 79
Hawaiʻi Review Issue 79 Call & Response 2014 © 2013 by the Board of Publications, University of Hawaiʻi at Mānoa. All requests for reproduction and other propositions should be directed to the writers and artists. ISSN: 0093-9625 About: Hawaiʻi Review is a publication of the Board of Publications of the University of Hawaiʻi at Mānoa. A bold, student-run journal, Hawaiʻi Review reflects the views of its editors and contributors, who are solely responsible for its content. Hawaiʻi Review is a member of the Coordinating Council of Literary Magazines and is indexed by the Humanities International Index, the Index of American Periodical Verse, Writer’s Market, and Poet’s Market. Subscriptions: Subscribe to Hawaiʻi Review! Domestic rates are $12.50/copy. International rates are $15/copy. Subscriptions include the cost of shipping at bookrate. Address all subscription requests to Hawaiʻi Review, 2445 Campus Road, Hemenway Hall 107, Honolulu, HI 96822. Advertising rates are available upon request. Contact: www.hawaiireview.org [email protected] bit.ly/submit2HR Cover Art: The primary art for this cover is Joy Enomoto’s “The Mitosis of Papahānaumoku No. 1,” also featured inside this issue (see 158). Hawaiʻi Review’s design editor, Donovan Kūhiō Colleps, created the block cover overlay and added the type for this cover. Permissions: The following pieces have been reprinted with the permission of the authors: Albert Wendt’s “Garden 1” and “Garden 2” were originally published in his poetry collection, titled From Mānoa to a Ponsonby Garden (Auckland University Press, 2012); Kathy Jetnil-Kijiner’s “Lessons from Hawaiʻi” was originally published in a slightly different form in the literary journal Storyboard 12: A Journal of Pacific Imagery Crossing. -
Squashed "The Trustees Approved the "Dr
THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 42: ISSUE 68 FRIDAY, JANUARY 18,2008 NDSMCOBSERVER.COM College's five-year plan propagated One club President Mooney's 'strategic plan' underway after unanimous Board of Trustees vote sport not of Trustees approved it after their the plan, as suggested by the Some of the goals of the plan By KATIE KOHLER first meeting of the academic trustees. Most of these changes, include making Saint Mary's Sainr Mary's Ediror year, in October. however, were minor. more nationally recognized as squashed "The trustees approved the "Dr. Mooney took the board's one of the best colleges in the After a unanimous approval at plan unanimously and were very suggestions, but most were with nation, diversifying the campus, the Board of Trustees' meeting in pleased with the way it turned the format, not with the content," stabilizing and growing enroll October, Saint Mary's College out," Dampeer said. Dampeer said. ment and increasing financial ~[)students engage in President Carol Ann Mooney's Mooney announced plans for Mooney pitched the finalized resources. Each of the goals is "Strategic Plan" for the College the initiative in her College plan to California alumnae followed by Mooney's recommen squash events, matches has now been finalized, published Forum address in August 2006 between Thanksgiving and dations to fulfill them. and distributed to students, facul and held 12 one-hour sessions Christmas and received more While some of the goals are ty and alumnae through the throughout the fall to explain the positive feedback, Dam peer said. -
Blues Music and the Art of Narrative Self-Invention
UNIVERSITY OF CALIFORNIA Los Angeles The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Kimberly Renee Mack 2015 © Copyright by Kimberly Renee Mack 2015 ABSTRACT OF THE DISSERTATION The Fictional Black Blues Figure: Blues Music and the Art of Narrative Self-Invention by Kimberly Renee Mack Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Richard A Yarborough, Chair My dissertation examines representations of black American blues musicians in contemporary American fiction, drama, and popular music, and it argues that blues music can be examined as a narrative art rooted in the tradition of fictionalized autobiographical self- fashioning. I contend that the contemporary, multi-racial, literary and musical characters in my project who participate in so-called “authentic” blues expression create, sometimes consciously and sometimes unwittingly, a fiction on top of a fiction. This project questions the belief held by many blues scholars, critics, and fans that blues music is a racially essentialized form instead of a narrative tradition made possible through carefully constructed autobiographical and biographical fictions. ii My project makes two important interventions into traditional discussions of blues production and the representations of blues figures in 20th- and 21st-century American literature. First, it destabilizes racial, socio-cultural, temporal, and gendered blues tropes by shifting blues expression from an innate skill to a storytelling art form through which its makers invent themselves. Second, this study allows for a different, interdisciplinary approach to autobiographical and biographical expression. -
43.1 Date: 03/01/2017
Daily Program Listing II 43.1 Date: 02/01/2017 03/01/2017 - 03/31/2017 Page 1 of 117 Wed, Mar 01, 2017 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Newsline APTEX (S) (CC) N/A #7238 00:30:00 Euromaxx WNVT (S) (CC) N/A #1308H 01:00:00 Sun Studio Sessions NETA (S) (CC) N/A #612H Deering and Down Deering and Down, is a Memphis based duo that brings their genre-bending, unorthodox style to fans worldwide, including as featured artists on the Recording Academy's inaugural "Grammy Festival at Sea." In this episode, the artists talk about their approach to music and perform several tracks, including songs from their acclaimed release "Out There Somewhere." 01:30:00 Jammin at Hippie Jack's NETA (S) (CC) N/A #903H Kevin Gordon Gordon's songs have been recorded by Keith Richards of the Rolling Stones, Levon Helm of The Band, Ronnie Hawkins, Kate Campbell, Blackie & the Rodeo Kings, and others. The title track from his Down to the Well CD, a duet with Grammy-winner Lucinda Williams, was featured on two prominent compilations: the 2001 Oxford American Southern Music Sampler, and No Depression: What It Sounds like, Volume 1,released by Dualtone in 2004. Gordon tours regularly throughout the U.S., and is a regular performer at the New Orleans Jazz and Heritage Festival and Louisiana Folklife Festival. Also a published poet, Gordon holds an MFA degree from the renowned University of Iowa Writers' Workshop. He lives in Nashville with his wife and two children. -
1 Viacom As a Firearm? Progressive Hip-Hop Lyrics
VIACOM AS A FIREARM? PROGRESSIVE HIP-HOP LYRICS, THE CONSTRUCTION OF SOCIAL PROBLEMS, AND THE CULTURE INDUSTRY By STEVEN M. JACOBS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Steven M. Jacobs 2 To the idea that music . may be more than ―just music‖ 3 ACKNOWLEDGMENTS It does not require a Ph.D. in sociology to recognize that my completion of this milestone would have been impossible without the love, support, and guidance of some very, very special people. I hope that my successes, achievements, and progression to this pinnacle of my educational career stand as tributes to those who have inspired and assisted me along my journey. I would like to use this space to mention some of these people. First, I would like to acknowledge the entire Jacobs family. My incomparable, amazing parents, Ken and Madeline, deserve the most special of recognition. It is impossible for me to adequately convey here my appreciation for the opportunities they provided for me. My completion of a Ph.D. program is a credit to their love, faith, and support. My siblings, Alan, Jessica, and Michael, are my three life-long best friends, and they continue to challenge, strengthen, and inspire me. My grandparents, Bernie, Fay, Gil, and Rose, warrant special acknowledgement for the foundations they have built and for being living examples of the importance of love and family. I have been privileged to learn from some incredible teachers who over the years inspired me to pursue this particular career path. -
Soul Anchor Collective
FALL 2012 S.A.C.soul anchor collective Soul Anchor Collective’s blog is dedicated to serving the hip hop community through journalism that covers hip hop’s present and future, seen through the lens of her past, with authenticity, passion and tact. It is our hope that we, the community/culture, will mature as the genre does. A Quarterly Publication Issue No. 2 - Fall 2012 Letter from the Editor Album Spotlight: Collectively: Visual: Video Reviews Audio: Album Reviews Events: Concert Review Brother Ali is Mourning In America And Homeless Get Gone Macklemore and Ryan Dreaming in Color feat. K.Raydio and Lewis tour the globe to others... promote their debut LP, The Heist Passion vs. Duty - As Swerve - The life’s responsibilities SD’s Mr. Brady is Barrelhouse LP and mount, inspiration/ solidifying his more... desire to pursue our... legacy... Page 1 Pages 2-3 Pages 4-7 Page 9 Page 10 Pages 10-12 + extras PassionA Letter from the vs. Editor Duty 1:22 a.m. and my weary fingers frantically one of many possible catalysts that might dance among they keys of my keyboard push them over the edge of moonlighting as my mind juggles the SAC fall quarterly, thePiecemakers’ (Antonio emcees/producers to professional artists PAZ-1 and myself) first EP, my who are able to provide themselves, and sophomore album, my writing career their families, with a living in and which has been made manifest by God through their art. via GoodVibeSD and TRUE Magazine I suppose, though, that at that point the (and a lil dedication and hard work), not artist is then faced with the paradox of to mention my lovely wife, our one year finding fun and joy in your passion that old son and our family and friends, oh has now become your duty. -
Freyermuth Ku 0099D 16682
“We Shall Go Forth”: A Musical Analysis of the Women’s Music Movement, 1969-1985 By Jessica Leann Freyermuth M.M., Kansas State University, 2010 B.M., Kansas State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Roberta Freund Schwartz Colin Roust Alan Street Ketty Wong Katie Batza Date Defended: The dissertation committee for Jessica Freyermuth certifies that this is the approved version of the following dissertation: “We Shall Go Forth”: A Musical Analysis of the Women’s Music Movement, 1969-1985 Chair: Roberta Freund Schwartz Date Approved: ii Abstract In the wake of the social and political movements that defined the 1960s, the women’s music movement emerged as a means to cultivate an outlet for young lesbian musicians who saw themselves as equal to their straight male counterparts, but were unwilling to compromise their musical integrity in order to perform on major labels. The movement became a social experience, as women’s music artists would tour coffee shops, college campuses, and feminist bookstores to perform their woman-identified woman music to all-female audiences. The concerts eventually grew into larger events, such as the National Women’s Music Festival and the Michigan Womyn’s Music Festival, which offered women of myriad backgrounds a safe space to gather as friends, family, and lovers. Within this cultural movement were musicians Margie Adam, Meg Christian, Alix Dobkin, Kay Gardner, Holly Near, Linda Tillery, Mary Watkins, and Cris Williamson. -
All Eyes on Tech As Campus Begins to Cope with Shooting That Claimed 33
JMU responds to shooting, The Breeze page 3 James Madison University's Student Newspaper \o/. S4, Issue >2 Thiirsiliiu, April I1), 2007 ph.*..-. by KVAN DYSON \rm.n phnmvaphtt Students, faculty and community member! express their emotion* at a candlelight vigil at Virginia Tech Tuesday night, the day after 33 were killed In two separate shootings. Timeline All eyes on Tech as campus begins to cope 7:15 a.m. with shooting that claimed 33 of its own \ irj;ini;i Tech HI I \ vs DYSON \orns Hall. According to police, the re- between the shootings Police Department '-irimiv.'f'iy (i/iiVr spemding officers found the front doora barri- At press time, police had not yet pn>- recedes Mil cull In caded and chained from the inaide i toes at vided details regarding the identities ol the Students and faculty .it Virginia lech an cess was gained to the building, shots COUld victims from the second shooting. Official respond to West still in shook .liter Monday's massacre by .1 OS heard on the second BoOf As the officers information will be made available only after ''. Amhler Johnston Knit' gunman th.it resulted in the deaths nt 13 approached the ares ot the gunfire, thai snoot- all of the victims are positiveh identified and ing caflaed. Acamiing to police, the gunman families are notified. As of Tuesday after- Residence Hall. people, including the shooter. Virginia lech Pieatdent ( harles Stager ex- took Ins own Ufebefore Officers reached IUHUI, all families had been notified but not tended fill ayinpalhiea ti« the famillaa M the him.