Chasing Coral
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Racing Extinction
Racing Extinction Directed by Academy Award® winner Louie Psihoyos And the team behind THE COVE RACING EXTINCTION will have a worldwide broadcast premiere on The Discovery Channel December 2nd. Publicity Materials Are Available at: www.racingextinction.com Running Time: 94 minutes Press Contacts: Discovery Channel: Sunshine Sachs Jackie Lamaj NY/LA/National Office: 212.548.5607 Office: 212.691.2800 Email: [email protected] Tiffany Malloy Email: [email protected] Jacque Seaman Vulcan Productions: Email: [email protected] Julia Pacetti Office: 718.399.0400 Email: [email protected] 1 RACING EXTINCTION Synopsis Short Synopsis Oscar®-winning director Louie Psihoyos (THE COVE) assembles a team of artists and activists on an undercover operation to expose the hidden world of endangered species and the race to protect them against mass extinction. Spanning the globe to infiltrate the world’s most dangerous black markets and using high tech tactics to document the link between carbon emissions and species extinction, RACING EXTINCTION reveals stunning, never-before seen images that truly change the way we see the world. Long Synopsis Scientists predict that humanity’s footprint on the planet may cause the loss of 50% of all species by the end of the century. They believe we have entered the sixth major extinction in Earth’s history, following the fifth great extinction which took out the dinosaurs. Our era is called the Anthropocene, or “Age of Man,” because evidence shows that humanity has sparked a cataclysmic change of the world’s natural environment and animal life. Yet, we are the only ones who can stop the change we have created. -
Facebook Timeline
Facebook Timeline 2003 October • Mark Zuckerberg releases Facemash, the predecessor to Facebook. It was described as a Harvard University version of Hot or Not. 2004 January • Zuckerberg begins writing Facebook. • Zuckerberg registers thefacebook.com domain. February • Zuckerberg launches Facebook on February 4. 650 Harvard students joined thefacebook.com in the first week of launch. March • Facebook expands to MIT, Boston University, Boston College, Northeastern University, Stanford University, Dartmouth College, Columbia University, and Yale University. April • Zuckerberg, Dustin Moskovitz, and Eduardo Saverin form Thefacebook.com LLC, a partnership. June • Facebook receives its first investment from PayPal co-founder Peter Thiel for US$500,000. • Facebook incorporates into a new company, and Napster co-founder Sean Parker becomes its president. • Facebook moves its base of operations to Palo Alto, California. N. Lee, Facebook Nation, DOI: 10.1007/978-1-4614-5308-6, 211 Ó Springer Science+Business Media New York 2013 212 Facebook Timeline August • To compete with growing campus-only service i2hub, Zuckerberg launches Wirehog. It is a precursor to Facebook Platform applications. September • ConnectU files a lawsuit against Zuckerberg and other Facebook founders, resulting in a $65 million settlement. October • Maurice Werdegar of WTI Partner provides Facebook a $300,000 three-year credit line. December • Facebook achieves its one millionth registered user. 2005 February • Maurice Werdegar of WTI Partner provides Facebook a second $300,000 credit line and a $25,000 equity investment. April • Venture capital firm Accel Partners invests $12.7 million into Facebook. Accel’s partner and President Jim Breyer also puts up $1 million of his own money. -
OFIGINAL TI-IE FACEBOOK, INC., Et Al., Plaintiffs-Appellees-Cross-Appellants
Case Nos. 08-16745, 08-16849, 08-16873, 09-15jjjNNED ay m--ïç. UNITED STATES COURT OF APPEALS FOR TI'IE NINTH CIRCUIT OFIGINAL TI-IE FACEBOOK, INC., et al., Plaintiffs-Appellees-cross-Appellants, CONNECTU, INC.(formerly known as CONNECTU LLC ) ,CAMERON wmKtfvoss, TYLER wmKtfvoss, DIVYA NARENDM , Defendants-Appellants-cross-Appellees, Appeal from the United States District Court Northern District of CGk liforp a, ilj ;tl .- ; . ' : Case No. CV 07-01389-JW, The Honorable James Wareu. pu .. .y.j . :. - .) :.; ., 7i =)r:, -/.7 '.T t2-: ?-'J, ( -' * j : .:. k : :ië r-e-). (:';. .r: 7.'- :l . è: ' ' 7 jg(.))! ' .' ::. -i l . ;.2f . , , -:- ., DECLAM TION OF THERESA A s.-. j lj j : ï.F ( t;ëljq.yk gyjy fy-, .'yj . SUTTON IN SUPPOIW IOF q:t.p,cu, APPELLEES/CROSS-APPELLANTS FACEBOOK, INC. AND- j M1 ARK j'jr:à.t y.-.rj.(/, g10y ZUCKERBERG'S MOTION TO DISMISS qèri.':)y.r '1 tI ' , 'c, 7ytrc ; t , L 5 1 n:ico VOLUME 2 of 2 (EXHIBITS K - U) 1. NEEL CHATTERJEE (STATZ BAR NO. 173985) WARIUNGTON S. PARKER, 11l (STATE BAR NO. 148003) MONTE COOPER (STATE BAR NO. 196746) TX RESA A. SUTTON (STATE BAR NO. 21 1857) YVONNE P. GREER (STATE BAR NO. 214072) The Facebook, Inc., et al v. ConnectU, Inc., et al Doc. 52 ORRICK, Y RRINGTON & SUTCLIFFE LLP 1000 Marsh Road Menlo Park, CA 94025 Telephone: 650-614-7400 Facsimile: 650-614-7401 Attorneysfor Appellees/cross-Appellants Facebook Inc. and Mark Zuckerberg OHS '$::st:260612554.1 Dockets.Justia.com 1, Theresa A. Sutton, declare as follows; 1 am an Associate with the law fin'n of Orrick, Herrington & Sutcliffe LLP, counsel for Facebook, Inc. -
Download A\J Documentary Reviews
Going, Going … It’s impossible to properly describe The film also captures the largest glacial the sight of Alaska’s Columbia glacier calving event ever caught on tape – a Lower Chasing Ice, directed by Jeff Orlowski, retreating four kilometers in three years. Manhattan-sized hunk of ice collapsing in United States: Exposure LLC, 2012, In this sense, the film completely real- a frozen sea. 75 minutes. izes Balog’s gut-wrenching, spellbinding In one of many candid scenes, Balog Reviewed by Eric Rumble vision: to communicate our situation visu- talks about the “tension between the huge his quietly jarring documentary about ally, like no words or hockey stick graph enduring power of these glaciers, and their TNational Geographic photographer ever could. Director Orlowski adds other fragility.” His hope is that Chasing Ice’s James Balog’s work explores the challenge practical and understated material, prob- imagery will move the rest of us enough of bringing climate change into focus. In ing the cryoconite holes that melt giant ice to embrace a solution. search of a seductive, meaningful display sheets, rappelling into spectacular moulins Eric Rumble is editor of Alternatives. and panning vast landscapes with Balog’s The top photo is by James Balog, © 2009 James Balog/ of global warming’s impact, Balog realized Extreme Ice Survey; the photo of Balog is by Tad Pfeffer “the story is in the ice, somehow,” and created crew in view to convey the daunting scale. © 2007 Extreme Ice Survey. the Extreme Ice Survey (extremeicesurvey.org) in 2005. He launched the project with a small team, who built two dozen automated cam- Chasing Ice will be released in era rigs to endure Arctic punishment, and selected theatres later this fall. -
Chasing Ice – a Documentary
Chasing Ice – a documentary James Balog Review by JZ Murdock – Part I [The original for this article was for PerihelionSF.com] THE MULTIPLE AWARD WINNING documentary, “Chasing Ice” explores a topic so massive that many people cannot realistically grasp its significance. It is, after all, much easier to stick one’s head in the sand and deny its existence. Noted photographer James Balog and his Extreme Ice Survey (EIS) team have attempted to get those people to pull their heads out and to explain to the rest of us just what is happening to our world, using facts and hauntingly beautiful imagery. Difficult subjects are always easier to understand when they involve pretty pictures. “Chasing Ice” artfully uses the imagery of our planet’s disappearing glaciers like a velvet sledgehammer to drive that reality home. Balog’s filmic poem to the devastation that we are undeniably heading into is directed and produced by Jeff Orlowski, and beautifully edited by Davis Coombe. The film first reminds us of the storms that have flooded Texas and the Gulf waters, events all the more poignant after the devastations of Katrina and “superstorm” Sandy. Articles in recent years in magazines like “Scientific American” have regularly pointed out that although we may not see increases in the numbers of storms, we will surely see a rise in their size and power. These destructive weather patterns are not going away and we will be paying attention to them whether we want to believe in them or not. Melting glaciers are a major element in those changes. -
Impact Campaigns, Summarised in Impact Reports Which Are Published on Our Website
@britdoc britdoc.org 2 The Art of Impact. STORIES CAN CONQUER FEAR, YOU KNOW. THEY CAN MAKE BEN OKRI POET THE HEART LARGER. 04 The Art of Impact. The Impact of Art. 05 OUR ABOUT FUNDS OUR BRITDOC p34 p06 FILMS p40 Helping good films be great Engaging new HELLO partners GOOD PITCH p82 IMPACT Sharing our FIELD GUIDE learning p124 We are a nonprofit, founded in 2005, committed to enabling great Building new documentary films and connecting audiences them to audiences. Doing and measuring Based in London and New York, we work with filmmakers and partners globally, reaching IMPACT DOC audiences all over the world. AWARD ACADEMY p118 p94 In this book you can find out SOMETHING more about what we do and IMPACT REAL how it fits into our five DISTRIBUTION p102 interconnected strategic areas. p106 06 The Art of Impact. The Impact of Art. 07 “For many years, BRITDOC has spotted and supported the most urgent projects – OUR MISSION OUR DRIVING PRINCIPLE nurturing them with love, ensuring they make a difference. But gradually We befriend great filmmakers, Great documentaries enrich BRITDOC became more support great films, broker the lives of individuals. They than a fund. It is, by now, new partnerships, build have a unique ability to the forum for our most important conversations new business models, share engage and connect people, in nonfiction cinema.” knowledge and develop transform communities and Joshua Oppenheimer Director audiences globally. improve societies. “ BRITDOC are experts in We aim to lead by example — That’s why we are dedicated collaboration, innovation and rapid prototyping.” innovate, share and be copied, to the Impact of Art, and the Cara Mertes and innovate again. -
July 2016 Tamarack Hall
COLUMBIA COLLEGE LIBRARY July 2016 Tamarack Hall NEW VIDEOS AGRICULTURE SF 408.6 .K54 B53 2013 Blackfish CALIFORNIA/U.S. HISTORY E 687 .M87 2016 Murder of a president E 757.3 .R667 2014 The Roosevelts : an intimate history CHILD DEVELOPMENT/EDUCATION LB 3011.5 .H37 2006 Early childhood environment rating scale, revised edition LB 3479 .U6 T86 2009 Two angry moms FIRE SCIENCE SD 421.32 .M9 A44 2014 The big burn GEOGRAPHY/ANTHROPOLOGY/RECREATION GB 2514 .S65 C495 2013 Chasing ice GV 199.44 .H55 M47 2015 Meru HEALTH AND MEDICINE RA 784 .I53 2016 In defense of food : an eater’s manifesto LANGUAGE AND LITERATURE/THEATRE PN 1992.77 .A63 2015 And then there were none PN 1992.77 .G37 2016 Game of thrones Season 5 PN 1992.77 .O73 2014 Orange is the new black Season 1 PN 1992.77 .O73 2015 Orange is the new black Season 2 PN 1992.77 .S56 2016 Show me a hero PN 1995.9 .A5 W33 2014 When Marnie was there PN 1995.9 .C5 K53 1921 The kid PN 1995.9 .C5 R45 1940 Remember the night PN 1995.9 .C5 B538 2012 The big wedding PN 1995.9 .C6 B69 2008 Bottle shock LANGUAGE AND LITERATURE/THEATRE, cont. PN 1995.9 .C6 D24 2015 Daddy’s home PN 1995.9 .C6 F57 1991 The fisher king PN 1995.9 .C6 G683 1987 Good morning, Vietnam PN 1995.9 .C6 I56 2015 The intern PN 1995.9 .C6 J35 1999 Jakob the liar PN 1995.9 .C6 L25 2015 The lady in the van PN 1995.9 .C6 L68 2015 Love the Coopers PN 1995.9 .C6 M57 2015 Miss you already PN 1995.9 .C6 S58 2015 Sisters PN 1995.9 .C6 T72 2015 Trainwreck PN 1995.9 .C6 V23 2015 Vacation PN 1995.9 .C6 W56 1962 Who’s got the action? PN 1995.9 .D7 -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
Winklevoss Twins Face Suit Over Failed Alliance
Winklevoss Twins Face Suit Over Failed Alliance By Sophia Pearson - May 13, 2011 Cameron and Tyler Winklevoss, the twins challenging a $65 million settlement with Facebook Inc., must face a lawsuit filed by a Boston businessman over a failed partnership, a judge ruled. The businessman, Wayne Chang, claims in a lawsuit filed in December 2009 that a former partnership with the Winklevosses’ ConnectU project entitles him to part of the Facebook settlement. Superior Court Judge Peter Lauriat in Boston on April 28 denied the Winklevoss twins’ motion to dismiss the case, ruling that Chang’s prior relationship with the twins gives him standing to seek a share of the settlement proceeds in proportion to his ownership interest in ConnectU as determined by a fact-finder. “We’re pleased with the court’s ruling,” Alan Rose Jr., an attorney for Chang, said today in a phone interview. “The value of Mr. Chang’s claims are completely intact, and that’s what we care most about.” Chang is seeking half of any settlement proceeds with Facebook, Rose said. Erin E. Howard, an attorney for the Winklevosses, didn’t immediately return a phone call today seeking comment. The Winklevosses sued Facebook founder Mark Zuckerberg in 2004 claiming he stole the idea for the social network and delayed their ConnectU project while they were all Harvard University students. Accord Upheld A federal appeals court in San Francisco on April 11 upheld the Winklevosses’ $65 million settlement with Facebook in 2008, rejecting their claim that it should be thrown out because Facebook misled them about the company’s value at the time. -
Mapping the Landscape of Social Impact Entertainment
Bonnie Abaunza Neal Baer Diana Barrett Peter Bisanz Dustin Lance Black Johanna Blakley Caty Borum Chattoo Don Cheadle Wendy Cohen Nonny de la Peña Leonardo DiCaprio Geralyn Dreyfous Kathy Eldon Eve Ensler Oskar Eustis Mapping the landscape of Shirley Jo Finney social impact entertainment Beadie Finzi Terry George Holly Gordon Sandy Herz Reginald Hudlin Darnell Hunt Shamil Idriss Tabitha Jackson Miura Kite Michelle Kydd Lee Anthony Leiserowitz David Linde Tom McCarthy Cara Mertes Sean Metzger Pat Mitchell Shabnam Mogharabi Joshua Oppenheimer Elise Pearlstein Richard Ray Perez Gina Prince-Bythewood Ana-Christina Ramón James Redford Liba Wenig Rubenstein Edward Schiappa Cathy Schulman Teri Schwartz Ellen Scott Jess Search Fisher Stevens Carole Tomko Natalie Tran Amy Eldon Turteltaub Gus Van Sant Rainn Wilson Samantha Wright Welcome to the test — a major university research SIE’s work to date: the most effective Welcome center focused on the power of strategies for driving impact through entertainment and performing arts to storytelling; the question of when, inspire social impact. The structure of within the creative process, impact Note this new center would be built upon three should first be considered; the key role pillars: research, education and special of research to explore, contextualize initiatives, and public engagement, and help define the field; and the programming and exhibition. importance of partnering with the right allies across the entertainment At the time, there wasn’t a university and performing arts industries for new model fully focused on this topic that ideas, special projects and initiatives. I could draw upon for information as the field was in its infancy. -
Visual Rhetoric in Environmental Documentaries
VISUAL RHETORIC IN ENVIRONMENTAL DOCUMENTARIES by Claire Ahn BEd The University of Alberta, 2002 MEd The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Language and Literacy Education) THE UNIVERSITY OF BRITISH COLUMBIA (VANCOUVER) June 2018 © Claire Ahn, 2018 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: Visual rhetoric in environmental documentaries submitted by Claire Ahn in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Faculty of Education, Department of Language and Literacy Education Examining Committee: Teresa Dobson, Department of Language and Literacy Education Co-supervisor Kedrick James, Department of Language and Literacy Education Co-supervisor Carl Leggo, Department of Language and Literacy Education Supervisory Committee Member Margaret Early, Department of Language and Literacy Education University Examiner Michael Marker, Department of Educational Studies University Examiner ii Abstract Environmental issues are a growing, global concern. UNESCO (1997) notes the significant role media has in appealing to audiences to act in sustainable ways. Cox (2013) specifically remarks upon the powerful role images play in how viewers can perceive the environment. As we contemplate how best to engage people in reflecting on what it means to live in a sustainable fashion, it is important that we consider the merits of particular rhetorical modes in environmental communication and how those approaches may engender concern or hopelessness, engagement or disengagement. One form of environmental communication that relies heavily on images, and that is growing in popularity, is documentary film. -
CMSI Journey to the Academy Awards -- Race and Gender in a Decade of Documentary 2008-2017 (2-20-17)
! Journey to the Academy Awards: A Decade of Race & Gender in Oscar-Shortlisted Documentaries (2008-2017) PRELIMINARY KEY FINDINGS Caty Borum Chattoo, Nesima Aberra, Michele Alexander, Chandler Green1 February 2017 In the Best Documentary Feature category of the Academy Awards, 2017 is a year of firsts. For the first time, four of the five Oscar-nominated documentary directors in the category are people of color (Roger Ross Williams, for Life, Animated; Ezra Edelman, for O.J.: Made in America; Ava DuVernay, for 13th; and Raoul Peck, for I Am Not Your Negro). In fact, 2017 reveals the largest percentage of Oscar-shortlisted documentary directors of color over at least the past decade. Almost a third (29%) of this year’s 17 credited Oscar-shortlisted documentary directors (in the Best Documentary Feature category) are people of color, up from 18 percent in 2016, none in 2015, and 17 percent in 2014. The percentage of recognized women documentary directors, while an increase from last year (24 percent of recognized shortlisted directors in 2017 are women, compared to 18 percent in 2016), remains at relatively the same low level of recognition over the past decade. In 2016, as a response to widespread criticism and negative media coverage, the Academy of Motion Picture Arts & Sciences welcomed a record number of new members to become part of the voting class to bestow Academy Awards: 683 film professionals (46 percent women, 41 percent people of color) were invited in.2 According to the Academy, prior to this new 2016 class, its membership was 92 percent white and 75 percent male.3 To represent the documentary category, 42 new documentary creative professionals (directors and producers) were invited as new members.