AMERICAN CHR1STIF)N in C H P H L
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Pearl S. Buck Il Vento Dell'est E L'impero Americano
C.I.R.S.De - Università degli studi di Torino Corso on line - Intoduzione agli studi di genere Modulo di II Livello – Saperi, immagini, rappresentazioni Pearl S. Buck: il vento dell’est e l’impero americano (Valeria Gennero – Università di Bergamo) Sommario 1. Chi ha paura di Pearl S. Buck? Sentimentalismo e sovversione 2. Pearl S. Buck e il nuovo canone americano 3. A proposito di uomini e donne: il genere delle razze 4. Il patriota : nazionalismo e identità 5. Genealogie 6. Appendici 1-4 7. Bibliografia Sommario Chi è stata la prima donna americana premiata con il Nobel per la Letteratura? Quale autore del Novecento ha raggiunto i primi posti delle classifiche di vendita statunitensi con ben quindici delle sue opere? E infine: quale artista, secondo FBI e CIA, ha costituito la minaccia più grave per la democrazia americana negli anni della guerra fredda? Tre domande, una sola risposta: Pearl S. Buck. Pearl Buck? L’esitazione sarebbe motivata. Il nome è ormai sconosciuto alla maggioranza dei lettori e dei critici, ma lo stupore che oggi suscita è in sé un indizio prezioso. Osannata dalla critica, apprezzata dal grande pubblico, opinionista influente fino alla conclusione della Seconda Guerra Mondiale, negli anni successivi Buck è stata cancellata dalla storia artistica degli Stati Uniti con un’operazione di damnatio memoriae che rappresenta uno dei successi più clamorosi della politica culturale della guerra fredda. La sua vicenda biografica e la sua produzione artistica si collocano all’interno di alcuni dei terreni più fertili della ricerca su donne e letteratura: la questione del canone letterario, il ruolo e il significato della letteratura “popolare”, lontana dai modelli formalmente raffinati proposti dalla sperimentazione modernista, e infine le conseguenze politiche delle codificazioni culturali di genere e razza. -
Pearl S. Buck, the Woman of Two Worlds: the Old and the New”
UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN ESCUELA DE LENGUA Y LITERATURA INGLESA UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN ESCUELA DE LENGUA Y LITERATURA INGLESA “PEARL S. BUCK, THE WOMAN OF TWO WORLDS: THE OLD AND THE NEW” Trabajo de titulación previa a la obtención del Título de Licenciada en Ciencias de la Educación, en la Especialización de Lengua y Literatura Inglesa DIRECTORA: MAGISTER KATHERINE HENLEY DE YOUMAN AUTORA: INGENIERA MARITZA MONCAYO AVECILLAS CUENCA-ECUADOR 2015 “PEARL S. BUCK, THE WOMAN OF TWO WORLDS: THE OLD AND THE NEW” Ing. Maritza Moncayo Avecillas 1 UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN ESCUELA DE LENGUA Y LITERATURA INGLESA ABSTRACT “Pearl S. Buck, the Woman of Two Worlds: the Old and the New” is a window through which the public in general can learn about this intelligent and worthy woman whose literary work has helped Westerners understand people living in the East. She is also the voice of the voiceless minority groups of our society. The thesis is developed in four chapters. Chapter 1, The Life of Pearl S. Buck, focuses on the two worlds in which Pearl lived, China and America. Chapter 2, Brief History of China from the Imperial Era, the Political Transition and the Communist Regime, is a description of the historical circumstances experienced by this giant Asiatic country from its mythological origin until our days. Chapter 3, How are the Two Worlds, the Old and the New, Reflected in Her Novels? begins with the knowledge of two traditional Chinese practices, concubinage and foot binding. -
Recommended Reading—Nonfiction Andrade, Tonio
CHINA TEACHERS PROGRAM Recommended Reading—Nonfiction Andrade, Tonio. Lost Colony: The Untold Story of China’s First Great Victory over the West. 2011. Becker, Jasper. Dragon Rising: An Inside Look at China Today. 2006, Hungry Ghosts: Mao’s Secret Famine. 1998. Graphic analysis of the world’s worst famine—an entirely manmade tragedy. Callahan, William. China Dreams: 20 Visions of the Future. 2013. Chang, Iris. The Rape of Nanking: The Forgotten Holocaust of World War II. 1997. Chang, Jung. Mao: The Unknown Story. 2006. Careful research that exposes what Mao really was and really wanted for China; Wild Swans: Three Daughters of China. 2003. Three generations of women share their experiences from the warlord period through the Maoist era. Chang, Leslie T. Factory Girls: From Village to City in a Changing China. 2009. An explanation of why so many youth are leaving their rural homes, their fears and their aspirations. Chen, Da. Colors of the Mountain. 2001. Da Chen’s story of growing up during the Cultural Revolution which, fortunately, had a happy ending. Cheng, Nien. Life and Death in Shanghai. 1988. Story by a cultural revolution survivor of six and one-half years in prison, seven years of house arrest and finally escape from China. Dikötter, Frank. Mao’s Great Famine. 2010. Fallows, James. Postcards from Tomorrow Square: Reports from China. 2009. A compilation of articles written for the Atlantic Monthly from 2006 to 2008. Hessler, Peter. Country Driving: A Journey through China from Farm to Factory. 2010, Oracle Bones: A Journey between China’s Past and Present. 2006, River Town: Two Years on the Yangtze. -
Pearl S. Buck on Asian and American Women, 1930–1963
UC Santa Barbara Journal of Transnational American Studies Title Feminist Novels in a "Non-Feminist" Age: Pearl S. Buck on Asian and American Women Permalink https://escholarship.org/uc/item/1r45m1dq Journal Journal of Transnational American Studies, 7(1) Author Shaffer, Robert Publication Date 2016 DOI 10.5070/T871017965 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Feminist Fiction in a “Non-Feminist” Age: Pearl S. Buck on Asian and American Women, 1930–1963 ROBERT SHAFFER When the editors at W. W. Norton were preparing to release Betty Friedan’s The Feminine Mystique in late 1962, they called on novelist Pearl S. Buck, who had just turned seventy, to host a reception for women journalists to meet Friedan, and to create, as we would say today, some “buzz” around the new book.1 The connections between Buck, the first American woman to win the Nobel Prize for Literature, in 1938, and one of the best-selling American authors of the mid-twentieth century, and Friedan, the pioneering tribune of the new feminism of the 1960s, were deeper than simply those among two female writers in the US, however. In Buck’s work, from the early 1930s until the late 1960s, as in Friedan’s career, we see a strong attention to women’s status, including both their oppression and their potential strength. Moreover, Friedan’s analysis of “the problem that has no name”—the dissatisfaction of middle-class, educated housewives in the US in the 1950s with too few options for productive work outside of their households— echoed a theme in Buck’s earlier writings. -
Pearl Buck Revisited Andrea Kempf Johnson County Community College, [email protected]
Johnson County Community College ScholarSpace @ JCCC Library Papers and Presentations Billington Library 3-2012 Pearl Buck Revisited Andrea Kempf Johnson County Community College, [email protected] Follow this and additional works at: http://scholarspace.jccc.edu/lib_pp Part of the Library and Information Science Commons Recommended Citation Kempf, Andrea, "Pearl Buck Revisited" (2012). Library Papers and Presentations. 21. http://scholarspace.jccc.edu/lib_pp/21 This Article is brought to you for free and open access by the Billington Library at ScholarSpace @ JCCC. It has been accepted for inclusion in Library Papers and Presentations by an authorized administrator of ScholarSpace @ JCCC. For more information, please contact [email protected]. PEARL BUCK REVISITED by Andrea Kempf, Professor/Librarian Emeritus Editor’s Note: This article will be published later this year in US-China Today. In 2002, I published a column in the Library portraying a farmer’s family caught up in the early life, when Min imagines a best friend, Journal entitled, “After Pearl Buck: Modern disasters of the 1930s Great Depression. The Willow, who will believe in Pearl no matter what Chinese Fiction.” Now almost 10 years later, it novel Pavilion of Women portrays Madam Wu, she suffers during the government of Mao. seems appropriate to revisit Pearl Sydenstricker who on her 40th birthday informs her husband Anchee Min was herself forced to denounce Buck herself. In the last two years, two major that he needs to get a concubine because she is Pearl Buck during the Cultural Revolution. At works have been published about the Nobel finished with the physical aspects of marital life. -
This Book Reflects a Changing World and My Own Vicissitudes As an Intellec- Tual Migrant
CODA This book reflects a changing world and my own vicissitudes as an intellec- tual migrant. While a graduate student of English specializing in Renaissance British literature at Berkeley in the late 1970s and early 1980s, I was unable to use Chinese (my mother tongue) to fulfill the second language require- ment of the doctoral program: only Indo-European languages qualified. (I took an intensive Latin workshop.) As the first Asian faculty member at the University of California, Los Angeles (UCLA) English department, I struck my colleagues then as the ideal candidate to tackle emerging Asian American literary studies, an interloper though I might have been in a field that considered American nativity as requisite credential. Because of the Anglophone emphasis in this field (and American studies generally) at the time and due to my institutional affiliation, none of the books I edited (Asian American Literature: An Annotated Bibliography, An Interethnic Companion to Asian American Literature, Words Matter: Conversations with Asian American Writers) lingered on the crossroads between Asia and Asian America, let alone included works penned in other tongues. But I have never veered from the inclusive principle adopted while compiling the book-length bibliography. The transnational turn in American studies, the diasporic expansion in Asian American studies (and in Sinophone studies particularly), and the increasing mutual engagement of the United States and China have brought about significant curricular changes. This turn has allowed me to bring together many loves: Cantonese opera, Chinese poetry and novels, Homer, Shakespeare, Milton, Romantic poetry, and translation. © The Author(s) 2016 295 K.-K. -
Pearl S. Buck on Asian and American Women, 1930–1963
Feminist Fiction in a “Non-Feminist” Age: Pearl S. Buck on Asian and American Women, 1930–1963 ROBERT SHAFFER When the editors at W. W. Norton were preparing to release Betty Friedan’s The Feminine Mystique in late 1962, they called on novelist Pearl S. Buck, who had just turned seventy, to host a reception for women journalists to meet Friedan, and to create, as we would say today, some “buzz” around the new book.1 The connections between Buck, the first American woman to win the Nobel Prize for Literature, in 1938, and one of the best-selling American authors of the mid-twentieth century, and Friedan, the pioneering tribune of the new feminism of the 1960s, were deeper than simply those among two female writers in the US, however. In Buck’s work, from the early 1930s until the late 1960s, as in Friedan’s career, we see a strong attention to women’s status, including both their oppression and their potential strength. Moreover, Friedan’s analysis of “the problem that has no name”—the dissatisfaction of middle-class, educated housewives in the US in the 1950s with too few options for productive work outside of their households— echoed a theme in Buck’s earlier writings. Thus, I argue here that Buck and her colleagues in the literary milieu of the 1930s, 1940s, and 1950s—reviewers, fellow authors, and readers—helped prepare the ground for modern feminism, and that the Norton editors were quite astute in associating Friedan with the elder writer. Numerous historians have recently identified continuities between the feminism of the 1910s -
Historical Fiction About China
Historical Tapestry has invited me to guest post with a discussion of historical novels set in China. This in response to my comment (as Old China Books) on Mary Tod’s blog A Writer of History that I find historical fiction about China to be indifferently represented in forums devoted to the historical genre (HT, however, has a category for Chinese History with five entries). I assume the principle reason for this scarcity may be that we American readers are not so familiar with Asian history; in our schools Western history generally receives more emphasis – Athens rather the Warring States, Rome instead of the Han Dynasty, the Hanover monarchs and not the Manchu empire. So, the Far East is a longer reach. Still, the reasons for reading historical novels about China are not unlike those for reading historicals set in the West or near East. The people invoked have similar troubles and triumphs, and the events evoked have similar storm and stress – but in different contexts often fascinating in their contrast. We gain some insight into people of another time, and perhaps into how our time came to be, by sharing in their drama. Adventure, war, hard times, love, understanding – they live in the pages of historical fiction about China just as they do in that about other places. And what am I calling historical fiction? In addition to novels about events regarded as historical, events older than 50 years according to some forums, there are included here titles that, while not historical when published, are set in places that time has since changed enough to make them quite different now and, as such, have become chronicles of the vanished past (e.g.