Kajian Malaysia, Vol. 33, Supp. 2, 2015, 153–174 PENANG MUSEUMS, CULTURE AND HISTORY Abu Talib Ahmad School of Humanities, Universiti Sains Malaysia, MALAYSIA Email:
[email protected] The essay studies museums in Penang, their culture displays and cultural contestation in a variety of museums. Penang is selected as case study due to the fine balance in population numbers between the Malays and the Chinese which is reflected in their cultural foregrounding in the Penang State Museum. This ethnic balance is also reflected by the multiethnic composition of the state museum board. Yet behind this façade one could detect the existence of culture contests. Such contests are also found within the different ethnic groups like the Peranakan and non-Peranakan Chinese or the Malays and the Indian-Muslims. This essay also examines visitor numbers and the attractiveness of the Penang Story. The essay is based on the scrutiny of museum exhibits, museum annual reports and conversations with former and present members of the State Museum Board. Keywords: Penang museums, State Museum Board, Penang Story, museum visitors, culture and history competition INTRODUCTION The phrase culture wars might have started in mid-19th century Germany but it came into wider usage since the 1960s in reference to the ideological polarisations among Americans into the liberal and conservative camps (Hunter, 1991; Luke, 2002). Although not as severe, such wars in Malaysia are manifested by the intense culture competition within and among museums due to the pervasive influence of ethnicity in various facets of the national life. As a result, museum foregrounding of culture and history have become contested (Matheson- Hooker, 2003: 1–11; Teo, 2010: 73–113; Abu Talib, 2008: 45–70; 2012; 2015).