Evening Star. (Washington, DC). 1935-11-27 [P A-7]
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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Uw Cinematheque Announces Fall 2012 Screening Calendar
CINEMATHEQUE PRESS RELEASE -- FOR IMMEDIATE RELEASE AUGUST 16, 2012 UW CINEMATHEQUE ANNOUNCES FALL 2012 SCREENING CALENDAR PACKED LINEUP INCLUDES ANTI-WESTERNS, ITALIAN CLASSICS, PRESTON STURGES SCREENPLAYS, FILMS DIRECTED BY ALEXSEI GUERMAN, KENJI MISUMI, & CHARLES CHAPLIN AND MORE Hot on the heels of our enormously popular summer offerings, the UW Cinematheque is back with the most jam-packed season of screenings ever offered for the fall. Director and cinephile Peter Bogdanovich (who almost made an early version of Lonesome Dove during the era of the revisionist Western) writes that “There are no ‘old’ movies—only movies you have already seen and ones you haven't.” With all that in mind, our Fall 2012 selections presented at 4070 Vilas Hall, the Chazen Museum of Art, and the Marquee Theater at Union South offer a moveable feast of outstanding international movies from the silent era to the present, some you may have seen and some you probably haven’t. Retrospective series include five classic “Anti-Westerns” from the late 1960s and early 70s; the complete features of Russian master Aleksei Guerman; action epics and contemplative dramas from Japanese filmmaker Kenji Misumi; a breathtaking survey of Italian Masterworks from the neorealist era to the early 1970s; Depression Era comedies and dramas with scripts by the renowned Preston Sturges; and three silent comedy classics directed by and starring Charles Chaplin. Other Special Presentations include a screening of Yasujiro Ozu’s Dragnet Girl with live piano accompaniment and an in-person visit from veteran film and television director Tim Hunter, who will present one of his favorite films, Tsui Hark’s Shanghai Blues and a screening of his own acclaimed youth film, River’s Edge. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Slapstick, Sex Og Screwball
The Miracle o f Morgan’s Creek Slapstick, sex og screwball Preston Sturges’ guddommelige komedier A f Kenneth T. de Lorenzi “There’s a lot to be said for making people laugh (Joel McCrea i Sullivans Travels) Verdensmanden og komediegeniet kameraet. Havde Sturges ikke Lubitschs Preston Sturges (1898-1959) var sammen lette touch havde han til gengæld en evne med sit store forbillede, den sofistikerede til skrive de mest vanvittige dialoger og få komedies ophavsmand, Ernst Lubitsch, en dem leveret i et hæsblæsende tempo, der af de få instruktører, der blev lige så får hans film til at virke friske, udfordren- berømt som de glamourøse stjerner foran de og enormt morsomme den dag i dag. 45 Slapstick, sex og screwball I 1940 blev Preston Sturges Hollywoods sådan. Der skulle dog gå næsten et årti, første egentlige writer/director, da han førend hans bemærkelsesværdige talent endelig fik lov at stå bag indspilningen af endelig fik ham placeret på toppen af sit på det tidspunkt seks år gamle origi filmbyens fødekæde. nalmanuskript The Great McGinty 1930’erne var dog på ingen måde (Portræt af en bums). Allerede senere ufrugtbare for Preston Sturges. Hans pro samme år kom så Christmas in July blem var først og fremmest den uskrevne (Sommerjul - baseret på hans eget teater regel - et vaskeægte ’punkt 22’ - at ingen stykke A Cup of Coffee) og over de følgen ville tage chancen at lade en uerfaren de fire år ialt otte film - alle for instruktør instruere sin første film. Men, Paramount - og de blev næsten hver og én ud over de mange film han skrev med på, forrygende kunstneriske og kommercielle med og uden navns nævnelse, formåede hits: The Lady Eve (1941, En moderne han alligevel at bryde tidens princip som Eva), Sullivan’s Travels (1942, Med ti cent dikterede, at mange forfattere til hver en på lommen), The Palm Beach Story (1942, tid ville gøre et hvilket som helst m anu Flugten til Florida), The Miracle of skript bedre. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
STOKOWSKI “VIRGINIA.” Phone Alex 3491 I
-----— Audience Watches Barnes the fine points of disrobing There’s No entertainingly, yet without disturb- Just Gratitude Real ing the censors. in Theaters This Week Strip Tease, Binnie proved an apt pupil. The Washington scene was soon filmed. , Ex-Lifeguard Ronald Reagan Saved Photoplays Reacts .. .. ■■■■■' ■■■ next was t !■■■■■■.. -|| Properly Rogeirs task to record an audience reaction to the Barnes Was Thanked Once WEEK OF MAY 4 I SUNDAY j MONDAY TUESDAY | WEDNESDAY THURSDAY FRIDAY 8ATURDAY B> the Associated Press. Many, Only Several didn't AmHiamw I ‘This-Thin?: Called This Thing Called “Arise, My Love. and “Ariw- My Love." and Melody and Moon- “Melody and Moon- “South of Suez" and HOLLYWOOD. undressing. attempts Bt the Associated Press. Mcaatmy and “Light of t” and of "Boss of Bullion HOLLYWOOD. Love.. nnd Love*. pnd Xhe Devll Com. The Devil Com- light Ugl "Light What’s the best way of getting a go so well. Finally he said to Misa 6th and G Bta. 81 1 “Escape toGlory“Escape to Glory_mands_/|_ _mauds.”_Western Stars.”_Western 8tars.”_City.”_ Would you feel grateful if, your last, a you favorable audience reaction to an Troy. gasping lifeguard pulled Irene”Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Irene Dunne and Merle Oberon. Dennis Merle Oberon. Dennis to safety? nmuabbauur Cary Grant in Cary Grant in Cary Grant in Cary Grant in Cary Grant in Morgan. ‘Affection- Morgan. AfTection- tease from a theater ** imaginary strip ‘'How about the real thing?" but 18th and Columbia Rd. “Penny Serenade.'* Penny Serenade.'* “Penny Serenade "Penny Serenade.” "Penny Yours.” Maybe, Movie Actor Ronald Reagan won't take any bets. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
Ucla Festival of Preservation
Saving Film & Television for Future Generations UCLA FESTIVAL OF PRESERVATION UCLA Film & Television Archive’s signature biennial film festival screens Friday, February 15 - Sunday February 17, 2019 at the Billy Wilder Theater at the Hammer Museum in Westwood FOR IMMEDIATE RELEASE Los Angeles, CA (February 8, 2019)—The UCLA Film & Television Archive presents its biennial celebration of films preserved and restored by the world-renowned preservation department during its first-ever three-day UCLA Festival of Preservation, February 15-17, 2019. Each day the Festival will offer an eclectic survey of the Archive's latest restoration work, headlined by director Frank Borzage's WWII classic The Mortal Storm (1940) with James Stewart and Margaret Sullavan. The Festival will showcase rarely seen silent films, classic Hollywood, golden- age TV treasures, Laurel and Hardy, film noir thrillers, animation and much more. As in years past, the Festival will be a “deep dive into the seldom-explored sea that is American film history, alternating between extreme rarities seen nowhere else and new prints of beloved movie classics,” wrote Los Angeles Times film critic Kenneth Turan. “Previously [since 1988] spread out over an entire month, this year we decided to schedule the Festival of Preservation as a long weekend event,” says Jan-Christopher Horak, Ph.D., director of the UCLA Film & Television Archive. “We believe this will provide more of a festival environment and allow our film-loving audience to see a cornucopia of films over the long weekend. We begin the Festival Friday morning with a delightful 1930s Fox musical comedy, My Lips Betray (dir. -
XV:4) Preston Sturges the MIRACLE of MORGAN's CREEK (1944
September 18, 2007 (XV:4) Preston Sturges THE MIRACLE OF MORGAN’S CREEK (1944) 99 minutes Eddie Bracken...Norval Jones Betty Hutton...Trudy Kockenlocker Diana Lynn...Emmy Kockenlocker William Demarest...Const. Kockenlocker Porter Hall...Justice of the Peace Emory Parnell...Mr. Tuerck Al Bridge...Mr. Johnson Julius Tannen...Mr. Rafferty Victor Potel...Newspaper editor Brian Donlevy...Gov. McGinty Akim Tamiroff...The Boss Directed and written by Preston Sturges Written by Preston Sturges Produced by Buddy G. DeSylva and Preston Sturges Cinematography by John F. Seitz Costume Design by Edith Head Makeup Department Wally Westmore Selected for the National Film Registry by the National Film Preservation Board, 2001 Preston Sturges (29 August 1898, Chicago—6 August 1959, New York, heart attack) is the first Hollywood director to get the double credit, “written and directed by.” His only Oscar, in fact, was for the screenplay of The Great McGinty 1941. (He received best screenplay nominations for Hail the Conquering Hero and The Miracle of Morgan’s Creek, both in 1944. He split the vote with himself and the award went to Lamar Trotti for Wilson, a film no one has heard of since). He wrote 45 screenplays and directed 15, among which were The French they Are a Funny Race (1955), The Beautiful Blonde from Bashful Bend (1949), Unfaithfully Yours (1948), The Sin of Harold Diddlebock (1947), The Great Moment (1944), Hail the Conquering Hero (1944), The Palm Beach Story (1942), Sullivan’s Travel’s (1941), The Lady Eve (1941), Christmas in July (1940), and The Great McGinty (1940). He won a best screenplay Oscar for The Great McGinty and was nominated for The Miracle of Morgan’s Creek and Hail the Conquering Hero. -
THE APPRENTICESHIP of ROBERT ANDERSON. The
This dissertation has been microfilmed exactly as received 70-6715 AYERS, David Hugh, 1924- THE APPRENTICESHIP OF ROBERT ANDERSON. The Ohio State University, Ph.D., 1969 Theater University Microfilms, Inc., Ann Arbor, Michigan ( c ) David Hugh Ayers 1970 ALL RIGHTS RESERVED THE APPRENTICESHIP OF ROBERT ANDERSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David Hugh Ayers, B.A., H.A. ****** The Ohio State University 1969 Approved by ^ __ ^XCo-Adviser D^ision of Theatre ^ Co-Adviser Division of Theatre PREFACE For over fifteen years, Robert Anderson has been recognized as a major American playwright, but no full-length critical consider ation of his work has been undertaken. This first comprehensive treat ment of his career developed as an outgrowth of the American Play wrights Theatre program. As Executive Director of the APT project for the past six years, ray association with Mr. Anderson in connec tion with fifty nationwide APT productions of his play. The Days Between, resulted in some of the most rewarding and stimulating ex periences of my life. Inspired initially by admiration for the man and his work, the present study grew out of the realization that a wealth of material has accumulated over the period of this associa tion in the form of letters, tape-recorded broadcasts, various re visions of The Days Between, the author's notes on interpretation, etc., which could serve as valuable sources of information for future biographers, critics, historians, and play directors. The purpose of the dissertation is twofold: to present a professional biography of Robert Anderson and to provide explication of his major plays through an examination of his development as a playwright and by the inclusion of Mr. -
January 20, 2009 (XVIII:2) Preston Sturges SULLIVAN’S TRAVELS (1941, 90 Min)
January 20, 2009 (XVIII:2) Preston Sturges SULLIVAN’S TRAVELS (1941, 90 min) Written and Directed by Preston Sturges Produced by Paul Jones Cinematography by John F. Seitz Film Editing by Stuart Gilmore Art Direction Hans Dreier Costume Design by Edith Head Makeup Wally Westmore Selected for the National Film Registry 1990 Joel McCrea...John L. Sullivan Veronica Lake…The Girl Robert Warwick …Mr. Lebrand William Demarest…Mr. Jones Franklin Pangborn…Mr. Casalsis Porter Hall…Mr. Hadrian Byron Foulger…Mr. Valdelle Margaret Hayes…Secretary Robert Greig…Sullivan's Butler Eric Blore…Sullivan's Valet Bend 1949, Unfaithfully Yours 1948, The Sin of Harold Torben Meyer…The Doctor Diddlebock 1947, The Great Moment 1944, The Palm Beach Victor Potel…Cameraman Story 1942, The Lady Eve 1941, Christmas in July 1940, and The Richard Webb…Radio Man Great McGinty 1940. The five films in bold and Sullivan’s Charles R. Moore…Chef Almira Sessions… Travels are considered his masterpieces. In 1919 Sturges invented Ursula Esther Howard…Miz Zeffie kissproof lipstick. Frank Moran …Tough Chauffeur Georges Renavent…Old Tramp JOEL MCCREA (5 November 1905, South Pasadena, California— Harry Rosenthal… Trombenick 20 October 1990, Woodland Hills, California, pulmonary Al Bridge…The Mister complications) appeared in nearly 100 films between The Fair Jimmy Conlin…Trusty Co-ed 1927 and Mustang Country 1976. After his appearance in Jan Buckingham…Mrs. Sullivan Buffalo Bill 1944, he did mostly westerns. Some of his other films Elsa Lanchester…Bit Part are Ride the High Country 1962, The Oklahoman 1957, The Preston Sturges…Studio Director Outriders 1950, Four Faces West 1948, The Virginian 1946, The Palm Beach Story 1942, Foreign Correspondent 1940, Espionage PRESTON STURGES (29 August 1898, Chicago—6 August 1959, Agent 1939, Union Pacific 1939, Three Blind Mice 1938, Wells New York, heart attack) has 45 writing and 15 directing credits. -
Como Agua Para Chocolate Cine Y Malabarismo Tú Me Quieres Blanca Los Viudos De Margaret Sullavan Llamadas Telefónicas Un Ensay
LECCIÓN 1 Golpe AL CORAZÓN CONTENIDO CINE 4 Como agua para chocolate Alfonso Arau La magia de la cocina dará vida a un amor frustrado por la tradición. CUENTO 12 Cine y malabarismo Ángeles Mastretta El mundo de Inés cambió para siempre tras una llamada. POEMA 20 Tú me quieres blanca Alfonsina Storni La poetisa reacciona frente a las absurdas pretensiones masculinas. CUENTO 28 Los viudos de Margaret Sullavan Mario Benedetti La idealización de una estrella de cine une a dos admiradores. CUENTO 36 Llamadas telefónicas Roberto Bolaño La historia de un amor no correspondido tiene un desenlace inesperado. ESCRITURA 44 Un ensayo literario interpretativo REPASO GRAMATICAL: Los verbos ser y estar Las preposiciones ITG2e_L01_002-003_LO.inddITG2e_spread_template.indd 2-3 2 02/09/2015 12:20:07 p.m. ITG2e_L01_002-003_LO.indd 3 02/09/201514/09/2015 12:20:0809:31:18 p.m.a.m. 4 CINE Prepárate LECCIÓN 1 Golpe al corazón 5 SOBRE EL DIRECTOR CONTEXTO CULTURAL lfonso Arau nació en El realismo mágico Ciudad de México en La magia es un lugar donde A1932. Antes de empezar hay castillos encantados, a dirigir, se dedicó al mundo hechicerosº y dragones. del espectáculo de diversas La realidad es un lugar maneras: fue comediante, cotidiano, donde hay bailarín, cantante, guionista edificios, policías de tránsito y actor de cine y de teatro. y gente que saca a pasear a su Siempre inquietoº, viajó por todo el mundo durante perro. En el realismo mágico la división no es tan cuatro años (1964–1968) haciendo un espectáculo clara. Imaginemos un edificio que desaparece tras unipersonal de pantomimas.