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Hark the Heraldry Angels Sing
The UK Linguistics Olympiad 2018 Round 2 Problem 1 Hark the Heraldry Angels Sing Heraldry is the study of rank and heraldic arms, and there is a part which looks particularly at the way that coats-of-arms and shields are put together. The language for describing arms is known as blazon and derives many of its terms from French. The aim of blazon is to describe heraldic arms unambiguously and as concisely as possible. On the next page are some blazon descriptions that correspond to the shields (escutcheons) A-L. However, the descriptions and the shields are not in the same order. 1. Quarterly 1 & 4 checky vert and argent 2 & 3 argent three gouttes gules two one 2. Azure a bend sinister argent in dexter chief four roundels sable 3. Per pale azure and gules on a chevron sable four roses argent a chief or 4. Per fess checky or and sable and azure overall a roundel counterchanged a bordure gules 5. Per chevron azure and vert overall a lozenge counterchanged in sinister chief a rose or 6. Quarterly azure and gules overall an escutcheon checky sable and argent 7. Vert on a fess sable three lozenges argent 8. Gules three annulets or one two impaling sable on a fess indented azure a rose argent 9. Argent a bend embattled between two lozenges sable 10. Per bend or and argent in sinister chief a cross crosslet sable 11. Gules a cross argent between four cross crosslets or on a chief sable three roses argent 12. Or three chevrons gules impaling or a cross gules on a bordure sable gouttes or On your answer sheet: (a) Match up the escutcheons A-L with their blazon descriptions. -
The Portcullis Revised August 2010
Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512. -
Heraldry: Where Art and Family History Meet Part II: Marshalling and Cadency by Richard A
Heraldry: Where Art and Family History Meet Part II: Marshalling and Cadency by Richard A. McFarlane, J.D., Ph.D. Heraldry: Where Art and Family History Meet 1 Part II: Marshalling and Cadency © Richard A. McFarlane (2015) Marshalling is — 1 Marshalling is the combining of multiple coats of arms into one achievement to show decent from multiple armigerous families, marriage between two armigerous families, or holding an office. Marshalling is accomplished in one of three ways: dimidiation, impalement, and 1 Image: The arms of Edward William Fitzalan-Howard, 18th Duke of Norfolk. Blazon: Quarterly: 1st, Gules a Bend between six Cross Crosslets fitchée Argent, on the bend (as an Honourable Augmentation) an Escutcheon Or charged with a Demi-Lion rampant pierced through the mouth by an Arrow within a Double Tressure flory counter-flory of the first (Howard); 2nd, Gules three Lions passant guardant in pale Or in chief a Label of three points Argent (Plantagenet of Norfolk); 3rd, Checky Or and Azure (Warren); 4th, Gules a Lion rampant Or (Fitzalan); behind the shield two gold batons in saltire, enamelled at the ends Sable (as Earl Marshal). Crests: 1st, issuant from a Ducal Coronet Or a Pair of Wings Gules each charged with a Bend between six Cross Crosslets fitchée Argent (Howard); 2nd, on a Chapeau Gules turned up Ermine a Lion statant guardant with tail extended Or ducally gorged Argent (Plantagenet of Norfolk); 3rd, on a Mount Vert a Horse passant Argent holding in his mouth a Slip of Oak Vert fructed proper (Fitzalan) Supporters: Dexter: a Lion Argent; Sinister: a Horse Argent holding in his mouth a Slip of Oak Vert fructed proper. -
Heraldic Badges, We
P/zoto . S ooner p . ) F 1 0 I . f f - A ee eater (Tower o London) in his full dre ss unifo rm s ho win the B , g o f “ e ancient method earing the badg . ARTH UR CH ARL ES FO " - DAVIES ’ O F L x N O L - - C N s IN N , BA R R IST ER AT LA W WIT H NUME ROUS I L L U S T R A T I O N S LO DO : OH LA THE BODL Y H AD N N J N NE , E E N EW YORK : OH LA CO PA Y C VI I J N NE M N . M M WI L I M L W L D L S . L A C O ES A N D SON S , LT D . , O N DON A N BECC E L IS T OF IL L US TR A TION S F IG . 1 A f T ower o f L f - s . Bee eater ( ondon) in his ull dre s uni f n o f orm , showing the a cient method wearing the badge Frontispie ce T O F AC E PAG E 2 o f E f 2 2 . The Badge ngland , rom the Royal Warrant o f f 3 . The Badge Scotland , rom the Royal Warrant e of f 4 . The Badg Ireland , rom the Royal Warrant o f f 5 The second Badge Ireland , rom the Royal War rant 6 fl o f U f . The ( oral) Badge the nited Kingdom , rom the Royal Warrant o f U n f t he 7 . -
Heraldry for Beginners
The Heraldry Society Educational Charity No: 241456 HERALDRY Beasts, Banners & Badges FOR BEGINNERS Heraldry is a noble science and a fascinating hobby – but essentially it is FUN! J. P. Brooke-Little, Richmond Herald, 1970 www.theheraldrysociety.com The Chairman and Council of the Heraldry Society are indebted to all those who have made this publication possible October 2016 About Us he Heraldry Society was founded in 1947 by John P. Brooke-Little, CVO, KStJ, FSA, FSH, the Tthen Bluemantle Pursuivant of Arms and ultimately, in 1995, Clarenceux King of Arms. In 1956 the Society was incorporated under the Companies Act (1948). By Letters Patent dated 10th August 1957 the Society was granted Armorial Bearings. e Society is both a registered non-prot making company and an educational charity. Our aims The To promote and encourage the study and knowledge of, and to foster and extend interest in, the Heraldry Society science of heraldry, armory, chivalry, precedence, ceremonial, genealogy, family history and all kindred subjects and disciplines. Our activities include Seasonal monthly meetings and lectures Organising a bookstall at all our meetings Publishing a popular newsletter, The Heraldry Gazette, and a more scholarly journal, The Coat of Arms In alternate years, oering a residential Congress with speakers and conducted visits Building and maintaining a heraldry archive Hosting an informative website Supporting regional Societies’ initiatives Our Membership Is inclusive and open to all A prior knowledge of heraldry is not a prerequisite to membership, John Brooke-Little nor is it necessary for members to possess their own arms. e Chairman and Council of the Heraldry Society The Society gratefully acknowledges the owners and holders of copyright in the graphics and images included in this publication which may be reproduced solely for educational purposes. -
Heraldry in Game of Thrones
genealogy Article The Shields that Guard the Realms of Men: Heraldry in Game of Thrones Mat Hardy School of Humanities & Social Sciences, Faculty of Arts & Education, Deakin University, Burwood 3125, Australia; [email protected] Received: 12 October 2018; Accepted: 6 November 2018; Published: 12 November 2018 Abstract: The vast popularity of the Game of Thrones franchise has drawn a new and diverse audience to the fantasy genre. Within the pseudo-medieval world created by G.R.R. Martin, a great deal of detail has gone into establishing coats of arms for the characters and families that are depicted. These arms fulfill an extremely important role, both within the arc of the story and as part of the marketing collateral of this very successful series. This article examines the role of arms in the Game of Thrones universe and explores how the heraldic system transcends the usual genealogical display and functions more as a type of familial branding. An exploration of some of the practices and idiosyncrasies of heraldry in the franchise shows that whilst Martin sets his foundation firmly in the traditional, he then extends this into the fanciful; in much the same manner as he does with other faux-historical aspects of his work. This study is valuable because Game of Thrones has brought heraldry from being a niche interest to something that is now consumed by a global audience of hundreds of millions of people. Several of the fantasy blazons in the series are now arguably the most recognisable coats of arms in history. Keywords: Game of Thrones; A Song of Ice and Fire; heraldry; blazonry; fantasy; G.R.R. -
HERALDRY MANUAL GUIDE: RULES for REGISTRATON and ADMINISTRATION
The Adrian Empire, Inc. HERALDRY MANUAL GUIDE: RULES FOR REGISTRATON and ADMINISTRATION This document is presented as a GUIDE. It is the Heraldry Manual: Rules for Registration and Administration as adopted October 1999 and amended November 2001. It also contains rulings, policies, and clarifications as published by the Imperial College of Arms since November 2001. This is NOT an official document of the Adrian Empire (it has not been adopted for use by any body within the Adrian Empire). It is a REFERENCE tool so that the College of Arms may consolidate its rules and regulations. ~Maedb Hawkins, Imperial Office of Publishing. As adopted October 1999 DRAFTamended November 2001 DRAFT AMENDMENTS ADDED MAY 2004 © 2004 The Adrian Empire Inc., all rights reserved. Anyone is welcome to point out any error or omission that they may find. Imperial Sovereign of Arms [email protected] Empress [email protected] Emperor [email protected] Page 2 of 35 DRAFT Heraldry Manual Guide as amended May 2004 TABLE OF CONTENTS Preface ................................................................................................................................................................5 I. The Rule of Tincture .......................................................................................................................................5 A. Simple Ordinaries.............................................................................................................................5 B. Field Divisions..................................................................................................................................5 -
British Heraldry (1921)
BERKELEY / LIBRARY ^ UNIVERSITY OF CALIFORNIA J BRITISH HERALDRY BRITISH HERALDRY I, Arms of James I. 2, Great Seal of Scotland BRITISH HERALDRY CYRIL DAVENPORT V.D.. J.P., F.S.A. WITH 210 ILLUSTRATIONS BY TH^ AUTHOR NEW YORK E. P. DUTTON AND COMPANY PUBLISHERS Digitized by the Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.archive.org/details/britislilieraldryOOdavericli — CKicii CONTENTS CHAPTER I PAGE The Beginnings of Armory—The Bayeux Tapestry—Early Heraldic Manuscripts—The Heralds* College—Tourna- ments I CHAPTER n Shields and their Divisions— Colours a; d their Linear Repre- sentations as Designed by Silvestro Petra Sancta—Furs Charges on Shields— Heraldic Terms as to position and Arrangement of Charges—Marshalling—Cadency—How to Draw Up Genealogical Trees 13 CHAPTER HI Badges and Crests— List of Crests of Peers and Baronets, 191 2- 1920 53 CHAPTER IV Supporters—List of Supporters of Peers and Baronets, 1912- 1920 .143 CHAPTER V The Royal Heraldry of Great Britain and Ireland . 200 Index 217 166 — —— LIST OF ILLUSTRATIONS rms of James I. Great Seal of Scotland . Frontispiece PAGE late I. Ancient Heraldry 2 I. English Shield from the Bayeux Tapestry—2. North American Tent with Armorial Totem—3. Rhodian Warrior with Armorial Shield 4. Standardof Duke William of Normandy— 5. Greek figure of Athene with Armorial Shield— 6. Norse Chessman with Armorial Shield 7. Standard of King Harold— 8. Norman Shield from the Bayeux Tapestry—9. Dragon Standard of Wessex. ate II. Divisions of Shields of Arms, etc 14 I. Paly—2. Bendy Sinister—3. Lozengy—4, Barry—5. -
The NATIONAL HORTICULTURAL MAGAZINE
I I I The NATIONAL HORTICULTURAL MAGAZINE JOURNAL OF THE AMERICAN HORTICULTURAL 80cmTY APRIL 1953 The American Horticultural Society, Inc. ROLL OF OFFICERS AND DIRECTORS OFFICERS President, Dr. Freeman Weiss, Washington, D. C. First Vice-President, Mr. John L. Creech, Glenn Dale, Md. Second Vice-President, Mrs. Robert Woods Bliss, Washington, D. C. Secretory, Dr. Francis de Vos, Washington, D. C. Treasurer, Miss Olive E. Weatherell, Olean, N. Y. Editor, Mr. B. Y. Morrison, Pass Christian, Miss. Assistant Editor, Mr. James R. Harlow, Washington, D. C. DIRECTORS Terms expiring 1954 Terms expiring 1953 Dr. Fred O. Coe, Bethesda, Md. Mr. Arnold Davis, Oeveland, Ohio Mrs. Walter Douglas, Chauncey, N. Y. Mrs. Mortimer J. Fox, Mt. Kisco, N. Y. Mrs. J. Norman Henry, Gladwyne, Pa. Mr. Frederic P. Lee, Bethesda, Md. Mr, Stuart Armstrong, Silver Spring, Md. Dr. David V. Lumsden, Chevy Chase, Md. Mrs. Arthur Hoyt Scott, Media, Pa. Dr. Donald Wyman, Jamaica Plain, Mass. HONORARY VICE-PRESIDENTS Mrs. Edna Korts, Pres., Mrs. Otto Zach, Pres., American Begonia Society, American Primrose Society, 3628 Revere Ave., 1172 S. E. 55th Ave., Los Angeles 39, Calif. Portland 15, Oreg. Mr. Calder W. Seibels, Mr. Harold Epstein, Pres., American Camellia Society, American Rock Garden Society, 800 Sweetbrier Rd., 5 Forest Court, Columbia, S. C. Larchmont, N. Y. Mr. C. E. Little, Pres., American Delphinium Society, Dr. C. Eugene Pfister, Pres., Richmond Hills, American Rose Society, Ontario, Can. Mundelein, Ill. Dr. Frederick L. Fagley, Prell., Mr. Wm. T. Marshall, Pres. Emeritus, American Fern Society, Cactus & Succulent Society of America, 287 Fourth Ave., 228 Security Bldg., New York 10, N. -
Tudor Rose Script
The Tudor Rose Junior Script by Gawen Robinson 4/031013/3 ISBN: 978 1 84237 036 0 Published by Musicline Publications P.O. Box 15632 Tamworth Staffordshire B78 2DP 01827 281 431 www.musiclinedirect.com Licences are always required when published musicals are performed. Licences for musicals are only available from the publishers of those musicals. There is no other source. All our Performing, Copying & Video Licences are valid for one year from the date of issue. If you are recycling a previously performed musical, NEW LICENCES MUST BE PURCHASED to comply with Copyright law required by mandatory contractual obligations to the composer. Prices of Licences and Order Form can be found on our website: www.musiclinedirect.com The Tudor Rose – Script 1 CONTENTS Cast List ................................................................................................................................ 2 Speaking Roles By Number Of Lines ................................................................................ 4 Cast List In Alphabetical Order (With Line Count) ........................................................... 5 Characters In Each Scene ................................................................................................... 6 List Of Properties ................................................................................................................. 7 Production Notes ................................................................................................................. 9 Act I: Henry VIII .......................................................................................... -
Montréal, Québec Population Rank: Canada
114 Canadian City Flags Montréal, Québec Population Rank: Canada. 2 Province. .1 Proportions: 1:2 Adopted: May 1939 DESIGN: The flag of the City of Montréal has a white field bearing a red cross whose bars’ widths are one-fourth the height of the flag and whose ends extend to its edges. Floral emblems are centred in the quarters: a blue fleur- de-lis in the upper hoist; a green-stemmed red rose in the upper fly; a green- stemmed purple thistle in the lower hoist; and a green shamrock or clover leaf in the lower fly, all outlined in black with black details. SYMBOLISM: The white field recalls the original coat of arms created by the first mayor of Montréal, Jacques Viger. The red St. George cross symbol- izes the Christian principles that governed the city’s founders. The four floral emblems represent the origins of Montréal’s population in the 19th century. The fleur-de-lis of the House of Bourbon represents the French, the first Euro- pean settlers on the island of Montréal. The Lancastrian rose stands for Mon- trealers with roots in England. The thistle symbolizes Montrealers of Scottish origin. The shamrock represents Irish Montrealers. HOW SELECTED: On 19 July 1832 Jacques Viger, Montréal’s first mayor, brought two proposals of his own design for coat of arms, one round and one Montréal, Québec 115 oval, to the councillors. The city adopted the second proposal in 1833. It dif- fered from the current arms by displaying a beaver (Castor canadensis) instead of the fleur-de-lis and a red saltire (X-shaped cross) instead of the current cross. -
The Heraldry of Queens' College Cambridge
The Heraldry of Queens’ College, Cambridge By David Broomfield BA (Hons) Introduction The representations of the coat of arms of Queens’ College are many and varied. On the face of it they should be easy to agree. They were granted in 1575 by Robert Cooke, Clarenceux King of Arms, during his heraldic Visitation to Cambridge. According to Cooke Queen Margaret granted “unto the saide President and fellowes and their successors her armes to be used in the saide colledge as they stand depicted in this margent.” He added to Margaret’s paternal arms a border of green to differentiate those of the College from those of her family. However, the painting of the arms in the grant is in error and many of these mistakes find their way into the arms as shown in the College. The main problem in agreeing a definitive version of the College’s arms is that of reconciling different heraldic traditions. In England it is a principle that the “metals”, gold and silver, take precedence over the “colours”, blue, black, red, green and purple. This is best illustrated in the arms of Grey where the silver bar appears at the top of the shield and is then followed by blue and so forth. This is at variance with some Continental practice, for example the arms of Hungary have at the top a red band followed by silver. Also in most English arms six “bars” usually suffice but for Hungary the four silver bars are said to represent the four main rivers of Hungary. The curious agglomeration of quarterings in Margaret’s arms can be traced back to the first House of Anjou.