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Great Expectations in Store for the Opening of the Syracuse Stage Season

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Great Expectations in Store for the Opening of the Syracuse Stage Season PRESS RELEASE Wednesday, October 5, 2016 CONTACT: Joanna Penalva, Marketing Manager 315-443-2636 or [email protected] Great Expectations in Store for the Opening of the Syracuse Stage Season Fast-paced, easy-to-understand take on the classic is sure to delight everyone from novices to Dickens devotees PRESENTING SPONSOR: SEASON SPONSORS: MEDIA SPONSORS: The Dorothy and Marshall Syracuse Media Group Central New York Business M. Reisman Foundation Destiny USA Journal Urban CNY SPONSORS: WAER Public Media M&T Bank Aloft Syracuse Inner Harbor SYRACUSE, NY –Syracuse Stage opens its 2016-2017 season with Charles Dickens’ classic Great Expectations. Adapted for the stage by Gale Childs Daly and directed by Michael Bloom, the production runs Oct. 19 – Nov. 6 at the Archbold Theatre in the Syracuse Stage/SU Drama Complex, 820 E. Genesee Street. The story of Great Expectations traces the life of Pip, an orphan in 19th century England. From childhood through adulthood, he rises from poor beginnings as he aspires to be a gentleman. In a journey filled with kindness and cruelty, Pip comes to realize that an increase in wealth and status does not necessarily make a happy and fulfilled life. Daly’s foray into Great Expectations began when she was assigned to write a 45- minute stage adaptation of the book as part of an educational outreach tour. “I thought that was impossible,” says Daly of the task, “But I said okay.” The success of the outreach tour led to her writing the adaptation’s current two-act version, a project that took two years to complete. The greatest strength of Daly’s script is her tightening of the source material’s multiple plotlines and characters to focus on the story’s center, the orphan Pip. Daly created a fast-paced and easily understandable story, for lifelong Dickens fans and Dickens novices alike. Daly’s adaptation was one of the things that attracted director Michael Bloom to the production. “I think it’s very clever,” says Bloom of the adaptation, “It really does a pretty accurate job of getting the basic story across. It also does it in a very fleet way, which is a great thing. And it has a lot of humor which is true to the novel as well.” The production employs a six-member cast, five of whom will be quickly switching costumes and accents as they narrate Pip’s journey and play the major characters in Pip’s life. “It’s really fun to come in and see a group of artists…just give virtuosity performances in different roles,” says Daly, “I think that’s one of the reasons why people like Dickens, too, is that you just get to live in this world of fantastic characters.” Bloom notes both the joy and the challenges of directing a small ensemble cast that juggles dozens of roles. “You get to see the versatility of actors. That’s always a joy,” says Bloom, “The challenge is that you have to make these changes very, very quickly.” Gale Childs Daly’s career in the theatre has seen her juggle the roles of playwright, actor, director, teacher, and parent. Her stage adaptations include The Secret Garden and The Story of Opal. Her acting credits include The Crucible and Much Ado About Nothing. Her directing credits include Rosencrantz and Guildenstern Are Dead and Julius Caesar. She currently lives in Milwaukee with her husband, actor Jonathan Gillard Daly, and their two children. Michael Bloom served as artistic director of the Cleveland Play House from 2004 to 2013. Before that, he was the head of the stage-directing program at the University of Texas in Austin. He has also taught at New York University, Harvard University, and Scripps College. Bloom’s directing credits include productions for American Repertory Theatre, the Old Globe Theatre, the Alley Theatre, and the Williamstown Theatre Festival, among others. In 2001, he published the book Thinking Like a Director. He has also contributed feature writings to American Theatre Magazine and The New York Times. Charles Dickens is widely considered to be one of the greatest writers of 19th century British literature. Born in Landport, Hampshire, England, in 1812, he became a child laborer at the age of 12, as a result of his father’s jail sentence for monetary debts. Dickens often used his writings to shine a light on the suffering of the working poor at the hands of his country’s rigid class system. In 1833, he began a career as a journalist. When he became the publisher of the magazine Bentley’s Miscellany, he used it to launch his first novel, Oliver Twist (1839). Dickens’ other literary works include The Life and Adventures of Nicholas Nickleby (1839), A Christmas Carol (1843), David Copperfield (1850), A Tale of Two Cities (1859), and Great Expectations (1861). In the United States, besides his writing, he became known for his opposition to slavery. Dickens’ health declined in his later years, as he was injured in a train accident in 1865 before ultimately dying of a stroke in 1870, leaving his novel The Mystery of Edwin Drood unfinished. Tickets are available in-person at the Box Office, by phone, 315-443-3275, or online at www.syracusestage.org. Great Expectations Adapted for the Stage by Gale Childs Daly Based on the novel by Charles Dickens Director: Michael Bloom Scenic Design: Michael Schweikhardt Costume Design: Tracy Dorman Lighting Design: Nancy Schertler Composer/Sound Design: Scott Killian Assistant Director: Nicholas Kowerko Hair, Wig & Makeup Designer: Dave Bova Dialect Coach: Ralph Zito Stage Manager: Laura Jane Collins Casting: Paul Fouquet CSA / Elissa Myers CSA Cast Seth Andrew Bridges……………………………………Narrator 2 Anthony Cochrane………………………………………..Narrator 1 Linda Mugleston…………………………………………..Narrator 3 Marina Shay……………………………………………...….Narrator 4 Robbie Simpson……………………………………………Pip William Oliver Watkins…………………………………Narrator 5 Special Events Oct. 21 Opening Night Party (free for ticket holders) Join the cast for a post-show celebration with live music, food, drinks and good times. Featuring live music by Castle Creek, an alternative blues-rock duo. Oct. 23 Prologue at 1 p.m. (free for ticket holders) An intimate, 20-minute pre-show discussion with the actors one hour prior to curtain. Bring your questions. Actor Talkback (free for ticket holders) A Q&A session with the actors following the 7 p.m. performance. Oct. 27 “A Taste of Fall” Happy Hour at 6 p.m. (free for ticket holders) Enjoy a complimentary maple-infused cocktail tasting from the innovative Last Shot Distillery, based in Skaneateles, and fall flavors from Phoebe’s Restaurant. All other drinks will be half-priced, including the Syracuse Stage signature cocktail The Pip. Oct. 28 New! Wine & Beer Flights ($40, includes wine and beer tastings and show admission) A delightful way for those who have come-of-age to get a spoonful of grape and grain. Oct. 29 Prologue at 2 p.m. (free for ticket holders) An intimate, 20-minute pre-show discussion with the actors one hour prior to curtain. Bring your questions. ASL Interpreted Performance at 3 p.m. for patrons who are deaf or hard of hearing. Oct. 30 “Subverting Expectations” Poetry & Play at 12:30 p.m. (free for ticket holders) A reading series that connects the literary arts to the work on our stage. Joan Sauro and other local writers share original works of poetry and prose prompted by themes, ideas and images in selected season offerings. Light refreshments provided. Nov. 2 Wednesday @ 1 Lecture (free for ticket holders) Christian DuComb, assistant professor of English and Theatre at Colgate University, will give a lecture at 1 p.m. in the Sutton Pavilion before the 2 p.m. performance. Open Captioning at 2 p.m. Performance for patrons who are deaf or hard of hearing. Dinner & Show ($45, includes dinner and show admission) Enjoy a buffet dinner with fellow theatre lovers in the Sutton Pavilion. Seasonal faire prepared by Phoebe’s Restaurant followed by great theatre. Nov. 3 Prologue at 6:30 p.m. (free for ticket holders) An intimate, 20-minute pre-show discussion with the actors one hour prior to curtain. Bring your questions. Nov. 5 Audio Described Performance at 3 p.m. for patrons who are blind or visually impaired. Nov. 6 Open Captioning at 2 p.m. Performance for patrons who are deaf or hard of hearing. ABOUT SYRACUSE STAGE Syracuse Stage is Central New York’s premier professional theatre in residence at Syracuse University. Founded in 1974, Stage has produced more than 300 plays in over 40 seasons including a number of world, American, and East Coast premieres. Each season 70,000 patrons enjoy an adventurous mix of new plays, and bold interpretations of classics and musicals, featuring the finest theatre artists. In addition, Stage maintains a vital educational outreach program that annually serves more than 15,000 students from 14 counties. A solid core of subscribers and supporters helps keep Syracuse Stage a vibrant artistic presence in Central New York. Additional support comes from the government, foundations, corporations and Syracuse University. Syracuse Stage is a constituent of the Theatre Communications Group (TCG), the national organization for the American theatre, and a member of the Arts and Cultural Leadership Alliance (ACLA), the University Hill Corporation and the East Genesee Regent Association. Syracuse Stage is a member of The League of Resident Theatres (LORT), the largest professional theatre association in the country. ### Syracuse Stage I Artistic Director: Robert M. Hupp I Managing Director: Jill A. Anderson 820 E. Genesee St. I Main: 315-443-4008 I Box Office: 315-443-3275 I www.SyracuseStage.org .
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