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The President of the Noël Coward Society
The Newsletter Of The Noël Coward Society October 2005 FREE TO MEMBERS OF THE SOCIETY CHAT Price £3 ($5) The Presidenthome of The Noël Coward Society His Royal Highness The Duke of Kent The Society is delighted to announce Sid Field Benefit…….Highest spot – that His Royal Highness, The Duke of Judy Garland.” Kent, KG, GCMG, CVO, ADC, has As the years passed there were other accepted our invitation to become the references, some more fleeting than oth- Society’s President, succeeding the late ers: “Lunched with the Duchess and Sir John Mills, CBE. Princess Alexandra”, “had tea with This is a fitting tribute to the long Princess Marina”, and so on. friendship of His Royal Highness’s par- Noël was a genuine friend who ents, the late Prince George, Duke of adored being with the Duchess, whether Kent and Princess Marina, with Noël. entertaining her in lavish style, or mere- Prince George was the fourth son of ly dropping in for a quiet chat over a King George V, and Princess Marina drink or two. Princess Marina died in was the daughter of Prince Nicholas of 1968, aged only 61, from an inoperable Greece. The couple married in 1934 and brain tumour. Noël visited her for tea were regarded as the most attractive, on the day she returned from hospital popular and, above all, stylish royal cou- and wrote afterwards, “She was in bed ple of their generation. Prince George and looked very papery. I am worried g r o . met Noël in 1923, just as his career was about her. -
How Does Context Shape Comedy As a Successful Social Criticism As Demonstrated by Eddie Murphy’S SNL Sketch “White Like Me?”
The University of Maine DigitalCommons@UMaine Honors College 5-2012 How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?” Abigail Jones Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Jones, Abigail, "How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?”" (2012). Honors College. 58. https://digitalcommons.library.umaine.edu/honors/58 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HOW DOES CONTEXT SHAPE COMEDY AS A SUCCESSFUL SOCIAL CRITICISM AS DEMONSTRATED BY EDDIE MURPHY’S SNL SKETCH “WHITE LIKE ME?” by Abigail Jones A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications) The Honors College University of Maine May 2012 Advisory Committee: Nathan E. Stormer, Professor of Communication, Advisor Kristin M. Langellier, Professor of Communication Sandra Hardy, Associate Professor of Theater Mimi Killinger, Honors College Rezendes Preceptor for the Arts Adam Kuykendall, Marketing Manager for the School of Performing Arts Abstract This thesis explores the theory of comedy as social criticism through an interpretive investigation. For comedy to be a potent criticism it is important for the audience to understand the context surrounding the sketch. Without understanding the context the sketch still has the ability to be humorous, but the critique is harder to acknowledge. -
POLITICAL PARODY and the NORTHERN IRISH PEACE PROCESS Ilha Do Desterro: a Journal of English Language, Literatures in English and Cultural Studies, Núm
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Phelan, Mark (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 191-215 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696010 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative (Un)Settlement: Political Parody and... 191 (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS 1 Mark Phelan Queen’s University Belfast Human beings suffer, They torture one another, They get hurt and get hard No poem or play or song Can fully right a wrong Inflicted and endured... History says, Don’t hope On this side of the grave. But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme. (Heaney, The Cure at Troy 77) Ilha do Desterro Florianópolis nº 58 p. 191-215 jan/jun. 2010 192 Mark Phelan Abstract: This essay examines Tim Loane’s political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As “parodies of esteem”, both plays challenge the ultimate electoral victors of the peace process (the Democratic Unionist Party and Sinn Féin) as well as critiquing the cant, chicanery and cynicism that have characterised their political rhetoric and the peace process as a whole. -
American Comedy in Three Centuries the Contras4 Fashion, Calzforniα Suile
American Comedy in Three CenturieS The Contras4 Fashion, Calzforniα Suile James R. Bowers Abstract This paper is a survey of the development of American comedy since the United States became an independent nation. A representative play was selected from the 18th century(Royall Tyler’s The Contrast), the 19th century(Anna Cora Mowatt’s Fashion)and the 20th century(Neil Simon’s Califoグnia Suite). Asummary of each play is丘rst presented and then fo110wed by an analysis to determine in what ways it meets or deviates from W. D, Howarth’s minimal de且nition of comedy. Each work was found to conform to the definition and to possess features su岱ciently distinct for it to be classified as a masterpiece of its time. Next, the works were analyzed to derive from them unique features of American comedy. The plays were found to possess distinctive elements of theme, form and technique which serve to distinguish them as Ameri. can comedies rather than Europeal1, Two of these elelnents, a thematic concern with identity as Americans and the technical primacy of dialog and repartee for the stimulation of laughter were found to persist into present day comedy. Other elements:characterization, subtlety of form -145一 and social relevance of theme were 6bserved to have evolved over the centuries into more complex modes. Finally, it was noted that although the dominant form of comedy iロthe 18th and 19th centuries was an American variant of the comedy of man- ners, the 20th century representative Neil Simon seems to be evolving a new form I have coined the comedy -
A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period. -
Review: Punt and Dennis – Ploughing on Regardless | Nouse
Nouse Web Archives Review: Punt and Dennis – Ploughing on Regardless Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Arts › Features Reviews Books Review: Punt and Dennis – Ploughing on Regardless Hilarious radio duo Hugh Dennis and Steve Punt take to stage as Katy Sandalls reviews Monday 17 February 2014 Photo courtesy of Punt and Dennis ★★★★☆ As a perennial fan of Hugh Dennis and Steve Punt’s inputs on the BBC Radio 4 programme The Now Show, the prospect of seeing them live on stage promised to be a treat – and it didn’t disappoint. Indeed, sat in the majestic setting of the York Grand Opera House, at times it felt like I was at a recording of the radio show with Punt producing his usual masterful set ups for Dennis to later pick up and run with. And run he did, with topics ranging from the TV listings experience to our obsession with the snow the show touched upon every possible avenue. One thing that did come across, lost to a radio audience, was Dennis’ mastery of visual comedy. A particular favourite being his take on the giving out of buns in Denmark to celebrate the signing of the treaty of Rome. That was the first and probably the last time I will see a man old enough to be my father walk in circles around a stage with the flap of jacket lifted up showing the audience his “beautiful buns”. Punt’s earlier cynical comment really summed this up well; the pair are indeed “wasted on the radio”. -
Radio 4 Listings for 10 – 16 April 2010 Page 1 of 15
Radio 4 Listings for 10 – 16 April 2010 Page 1 of 15 SATURDAY 10 APRIL 2010 This medieval fortress has around 4,000 years of continuous As the campaign begins, Gordon Brown proclaims that he's occupation and since 1996 the Bamburgh Research Project has from a middle class family, while David Cameron insists that SAT 00:00 Midnight News (b00rthpl) been working on the castle, unearthing many exciting finds it's all about the 'great ignored'. What does it all mean? 'The The latest national and international news from BBC Radio 4. including the 7th century Bowl Hole cemetery. Heckler' explores the nature of political reality in a surreal Followed by Weather. Finally Matt heads south where, in stark contrast to the campaign. with one of Britain's leading philospophers, Alain de grandeur of Alnwick and Bamburgh, he arrives at the iconic Botton, and ponders what the public really want from next ruins of Dunstanburgh Castle. Dunstanburgh is the largest in week's Prime Ministerial debate with football pundit Hunter SAT 00:30 Book of the Week (b00rqqpj) Northumberland and here Matt meets poet and historian, Davies and TV soapwatcher Gareth McClean. Plus why the Graham Robb - Parisians Katrina Porteous whose work is inspired and influenced by the parties' slogans sound so familiar, and how to make sense of the Northumberland coast, and the cultural and natural history of blizzard of economic statistics swirling around the campaign. Episode 5 the area. Over the course of a year, Katrina visited Presented by Clive Anderson, without any loose ends or Dunstanburgh Castle several times in all weathers, observing its unreliable evidence. -
Three Little Words and the Critical Argument of the Best Show on WFMU
Angles New Perspectives on the Anglophone World 1 | 2015 Brevity is the soul of wit Three Little Words and the Critical Argument of The Best Show on WFMU Thomas Britt Electronic version URL: http://journals.openedition.org/angles/2118 DOI: 10.4000/angles.2118 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Thomas Britt, « Three Little Words and the Critical Argument of The Best Show on WFMU », Angles [Online], 1 | 2015, Online since 01 November 2015, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/2118 ; DOI : https://doi.org/10.4000/angles.2118 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. Three Little Words and the Critical Argument of The Best Show on WFMU 1 Three Little Words and the Critical Argument of The Best Show on WFMU Thomas Britt 1 Brevity is not the first word that comes to mind when thinking of comedian Tom Scharpling’s The Best Show on WFMU.1 A listener-supported show on an independent, free form radio station, The Best Show was on the air from 2000 to 2013 for three hours weekly. In a media age saturated with podcasts hoping to keep a listener engaged for twenty minutes, The Best Show defined long-form radio comedy for more than a decade as its popularity grew internationally through physical releases, streams and downloads. 2 Scharpling often summarized the content of his show as “three hours of Mirth, Music, and Mayhem”.2 The most memorable moments of The Best Show combined all three qualities at once, featuring madcap humor about music. -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
4458 PHC BPA A4 Programme 24Pp.Indd
BRITISH PORTS ASSOCIATION CONFERENCE 2017 Hosted by Poole Harbour Commissioners 17th - 20th October 2017 Haven Hotel, Poole Harbour #bpaconf2017 WELCOME TO THE CONFERENCE FROM THE BPA CHAIRMAN BRITISH PORTS ASSOCIATION Welcome to this year’s BPA Annual Conference in what promises to CONFERENCE 2017 be an interesting and constructive few days in Poole. We know how busy an industry this is so we are extremely grateful for your support and attendance. DAY 1: Tuesday 17 October 2017 Our gratitude goes to Poole Harbour’s Chief Executive, Jim Stewart and his team for their hospitality and all the planning that goes into 14:00-16:30 Fishing Ports Group Meeting (invite only) putting on this event. I’d also like to say thanks to all the speakers, Haven Hotel (Business Suite) sponsors and exhibitors who help make the Conference possible. I’d encourage all the delegates to show some appreciation by visiting the 15:00-16:30 Pilots National Pension Fund briefing session (for Participating Bodies only) Richard Everitt CBE, Chairman, APBPNPF various exhibition areas during the intervals where there will be plenty Haven Hotel (Business Suite) of networking opportunities. 17:30 Registration open With the political climate as dramatic as it has been in a generation, Haven Hotel gathering together is vitally important to ensure that the ports sector 17:30 Coaches to transport delegates from the Harbour Heights Hotel to the Haven Hotel is not overlooked by decision makers. As ever the policy and economic 17:40 Coaches to transport delegates from the Sandbanks Hotel to the Haven Hotel climate continues to change and we look forward to hearing from both government and business as to what this will mean for our industry. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
Daily Mail Online
17/10/2019 A study may claim 1978 was Britain's unhappiest year, but ROGER LEWIS says 'what rot' | Daily Mail Online Privacy Policy Feedback Thursday, Oct 17th 2019 9AM 13°C 12PM 13°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel DailyMailTV Discounts Login Nineteen seventy GREAT! A study may Site Web Enter your search claim 1978 was Britain's unhappiest Like Follow Daily Mail Daily Mail year, but ROGER LEWIS says 'what rot' Follow Follow @DailyMail Daily Mail as he remembers Brucie on the box Follow Follow and seven-pint tins of beer @MailOnline Daily Mail By ROGER LEWIS FOR THE DAILY MAIL PUBLISHED: 22:20, 16 October 2019 | UPDATED: 23:15, 16 October 2019 51 486 shares View comments What strikes me is how innocent it all was. If we drank Mateus Rose, the bottles were turned into lampshades. DON'T MISS Few ventured far for their holidays. Weymouth, Margate and Bridlington had yet to Ryan Reynolds shares be eclipsed by the Balearics. first snap of his third child with Blake Lively in sweet family photo... Eating out meant scampi and chips in a basket, an egg burger at a Wimpy with the and seemingly reveals squeezy, tomato-shaped ketchup dispenser and somehow cake tasted different baby's gender So happy when it was called Black Forest Gateau at a Berni Inn. Strictly's Kelvin I’m talking, of course, about 1978, the year a new study tells us was the most Fletcher reveals 12-hour dance rehearsals, 5am miserable for two centuries.