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Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 1 - - 2 - Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea The Representation of Black Heroism in American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 4 - Table of Contents: Preface Chapter One: The Western Victimization of African Americans during and after Slavery 1.1 – Visual Culture in Propaganda 1.2 - African Americans as Victims of the System of Slavery 1.3 - The Gift of Freedom 1.4 - The Influence of White Stereotypes on the Perception of Blacks 1.5 - Racial Discrimination in Criminal Justice 1.6 - Conclusion Chapter Two: Black Heroism in Modern American Cinema 2.1 – Representing Racial Agency Through Passive Characters 2.2 - Django Unchained: The Frontier Hero in Black Cinema 2.3 - Character Development in Django Unchained 2.4 - The White Savior Narrative in Hollywood's Cinema 2.5 - The Depiction of Black Agency in Hollywood's Cinema 2.6 - Conclusion Chapter Three: The Different Interpretations -
Info Fair Resources
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In This Issue: PA G E 2 the Ba C H Elor Sep T E M Ber 17, 2010
THINK CRITIC A L LY • ACT RESPON S I BLY • LEAD EFFECT I V E LY • LIVE HUMA N E LY Ba c he lor S e p t e m b er 17, 2010 t he student voice of wa b a sh since 1908 volume 103 • issue 3 S e n ate Lets Students Decide AFC Allocates $45,000 to Innova t ive Pro j e c t PETER ROBBINS ‘12 MANAGING EDITOR A “war-room session.” That’s how Student Body President Cody Stipes ’11 describes the Tuesday night meeting of the Student Senate’s Audit and Finance Com- mittee in which the AFC determined the budget for near- ly every club on campus. The AFC reallocated roughly $220,000. The session was different, however, from ones in years past, most notably because $45,000 was allocated to a new project entitled “Campus Improvement/Monon Bell,” and because the session did not live up to its conflict- alluding name. “I was really proud of the guys on AFC tonight,” Stipes said. “We did a good job of going through each club’s budget fairly and uniformly. We made minimal changes to clubs that weren’t also made to other clubs. Fairness is something we need to uphold; I’ve stressed that from the beginning.” Some of the allocations are things that get money every year: a $500 Wally Costume Deposit, the Student Activi- ty Coordinator’s Salary ($8,420), and the National Act, which received a $52,000 allocation. However, the most alluring allocation is the $45,000 one mentioned before, on which Stipes elaborated. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
ELIOT ELISOFON: BRINGING AFRICAN ART to LIFE By
ELIOT ELISOFON: BRINGING AFRICAN ART TO LIFE by KATHERINE E. FLACH Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Catherine B. Scallen Dr. Constantine Petridis, Co-Advisor Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May 2015 2 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Katherine E. Flach ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Catherine B. Scallen (signed)_______________________________________________ (chair of the committee) Constantine Petridis ________________________________________________ Henry Adams ________________________________________________ Jonathan Sadowsky ________________________________________________ DATE OF DEFENSE March 4, 2015 *We also certify that written approval has been obtained for any proprietary material contained therein. 3 This dissertation is dedicated to my family John, Linda, Liz and Sam 4 Table of Contents Acknowledgements ......................................................................................................... 11 Abstract ............................................................................................................................ 12 Eliot Elisofon and African Art: An Introduction ........................................................ 14 Elisofon and LIFE ...................................................................................................... -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected]
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected] Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. Paper 664. http://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. King’s legacy in mass culture. This work likewise is wrought from an intricate combination of support and insight derived from many individuals who, in some way, shape, or form, contributed encouragement, scholarly knowledge, or exceptional wisdom. -
Comedy Curated List for Free Rentals E-Mail Merritt Movie Experts at [email protected]
Comedy Curated list for Free Rentals E-mail Merritt Movie Experts at [email protected] BD-2 DAYS IN NEW YORK BD-BRASS TEAPOT, THE BD-21 & OVER BD-BREAKAWAY BD-22 JUMP STREET BD-BRIDE WARS BD-30 MINUTES OR LESS BD-BRIDESMAIDS BD-ACTION POINT BD-BROTHERS GRIMSBY, THE BD-ADMISSION (2013) BD-BURN AFTER READING BD-ALAN PARTRIDGE (2013) BD-CASA DE MI PADRE BD-ALL IS BRIGHT BD-CEDAR RAPIDS BD-AMERICAN REUNION BD-CENTRAL INTELLIGENCE BD-AMERICAN ULTRA BD-CHANGE-UP BD-ANCHORMAN BD-CHEF BD-ANCHORMAN 2: THE LEGEND CONTINUES BD-CLEAR HISTORY BD-ANGRIEST MAN IN BROOKLYN, THE BD-COLOSSAL BD-ARE YOU HERE BD-COP OUT BD-ARTHUR BD-CORNER GAS: THE MOVIE BD-BAD GRANDPA BD-COUPLES RETREAT BD-BAD MOMS BD-CRAZY STUPID LOVE BD-BAD MOM'S CHRISTMAS BD-DADDY'S HOME (2015) BD-BAD SANTA 2 BD-DADDY'S HOME 2 BD-BAD WORDS (2013) BD-DELIVERY MAN BD-BARBERSHOP: THE NEXT CUT BD-DICTATOR, THE BD-BAYWATCH (2017) BD-DILEMMA, THE BD-BEHAVING BADLY BD-DIRTY GRANDPA BD-BETTER LIVING THROUGH CHEMISTRY BD-DOM HEMINGWAY BD-BIG WEDDING, THE BD-DON'T THINK TWICE BD-BLENDED BD-DOWNSIZING BD-BLOCKERS BD-DUE DATE BD-BOSS, THE BD-DUFF, THE BD-BOUNTY HUNTER, THE (2010) BD-DUMB AND DUMBER TO (2014) Comedy Curated list for Free Rentals E-mail Merritt Movie Experts at [email protected] BD-ENTOURAGE: THE MOVIE BD-HANGOVER PART III, THE BD-EVERYBODY WANTS SOME BD-HANGOVER, THE: PART II BD-EXTRA MAN, THE BD-HANGOVER, THE BD-FADING GIGOLO BD-HEAT, THE BD-FAMILY, THE (2013) BD-HECTOR AND THE SEARCH FOR HAPPINESS BD-FATHER FIGURES BD-HENRY'S CRIME BD-FIFTY SHADES OF BLACK BD-HOPE SPRINGS -
The African the African Communist NUMBER 30-THIRD QUARTER
The African The African Communist NUMBER 30-THIRD QUARTER 1967 SOUTH AFRICAN MPERIA OEM VORSTER'S DRIVEl TO THE NORTH PRICE PER COPY AFRICA: 1 shilling (E. Africa), 10 cents (S.A.) or equivalent in local currency. ELSEWHERE: 2s. 6d. (U.K.), 50 cents (U.S.) or equivalent. SUBSCRIPTION AFRICA: 4 shillings or equivalent. U.K. & EUROPE 1 year (four issues) lOs. 2 years 15s. U.S. & CANADA I year $1.50 (Airmail $3) 2 years $2.25 (Airmail $5) STUDENTS: 25% discount on Surface mail subscriptions AGENTS Usual trade discount (one-third of retail price) to bookshops and sellers ordering 12 or more copies. EDITORIAL Articles, letters, material for articles and comment are invited on all themes of African interest, but payment is by prior arrangement only. ADDRESS All correspondence to the distributor: Ellis Bowles, 52 Palmerston Road, London, S.W.14, England. THE AFRICAN COMMUNIST Published quarterly in the interests of African solidarity, and as a forum for Marxist-Leninist thought throughout our Continent, by the South African Communist Party No. 30 Third Quarter 1967 Contents 5 EDITORIAL NOTES IMPERIALISM, ISRAEL AND THE ARABS THE NIGERIAN TRAGEDY AGAIN THE CONGO A WORTHY LAUREATE II THE SOURCES OF ECONOMIC GROWTH B. KADES A careful and realistic survey of one of the main problems facing independent African countries. How is capital to be obtained for development? What are the possible sources of investment for internal growth? What about foreign investment? Should development be along capitalist or socialist lines? These problems are discussed from the viewpoint of a scientific economist. 25 SOUTH AFRICAN IMPERIALIST EXPANSION Z. -
Religion in Independent Film
Journal of Religion & Film Volume 14 Issue 1 April 2010 Article 1 April 2010 Report from Sundance TwentyTen: Religion in Independent Film William L. Blizek University of Nebraska at Omaha, [email protected] Michele M. Desmarais University of Nebraska at Omaha, [email protected] Rubina Ramji Cape Breton University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Blizek, William L.; Desmarais, Michele M.; and Ramji, Rubina (2010) "Report from Sundance TwentyTen: Religion in Independent Film," Journal of Religion & Film: Vol. 14 : Iss. 1 , Article 1. Available at: https://digitalcommons.unomaha.edu/jrf/vol14/iss1/1 This Sundance Film Festival Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Report from Sundance TwentyTen: Religion in Independent Film Abstract This is the report from the Sundance Film Festival 2010. This sundance film estivf al review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/ vol14/iss1/1 Blizek et al.: Report from Sundance TwentyTen “Rebellious Cinema” REBEL: This is the renewed rebellion. This is the recharged fight against the establishment of the expected. This is the rebirth of the battle for brave new ideas. This is Sundance, reminded. And this is your call to join us (Sundance Guide). The TwentyTen Sundance Film Festival has a new feel to it this year – the theme for this year can be called the “5 Rs”: Renewal; Rebellion; Recharge; Rebirth; Remember. -
Sam Greenlee Visits the BFC/A Collection 4 David Wall 2010-2011 BFC/A Programs & Activities 5 Black Camera 6 Call for Papers
The Black Film Center/Archive Indiana University (W)rap In this issue: Q&A with L.H. Stallings 2Peter Davis Papers VOLUME 2, ISSUE 2 MAY 2011 SHEET FESPACO Posters Encoded Archival Descriptions EDITOR: LESLIE HOUIN 3 Ted Toddy Poster Sam Greenlee Visits the BFC/A Collection 4 David Wall 2010-2011 BFC/A Programs & Activities 5 Black Camera 6 Call for Papers Michael Martin and David Summer Film Festivals Wall interview Sam Greenlee, author and screenwriter of The Spook Who Sat By the Door. 7 Photo by Leslie Houin “My maternal grandfather and up for my birth. And imagine South Side of Chicago to upend the my mother were light enough to the looks on the white folks’ faces social status quo. pass. My grandfather was what when I came out!” A former employee of the was called at the time a ‘race And so Greenlee’s life began United States Information Agency, man’ or someone who was for with an act of controversy and Greenlee’s experience in Iraq, the [Black] race,” reminisced Sam rebellion, a common theme which Pakistan, Indonesia, and Greece Greenlee, author and screenwriter punctuated important stages of his during the 1950s and 60s served as of The Spook Who Sat by the Door life and inspired his most cre- inspiration for his novel. However, during an interview with Michael ative works in literature and film. he is quick to note that the ghetto Martin and David Wall at the Greenlee came back to Indiana of Chicago has much more in com- BFC/A. University this past March to at- mon with these nations than other “Saint Luke’s Hospital in Chi- tend a screening of The Spook Who areas of the United States and that cago didn’t accept Blacks [in the Sat by the Door at IU Cinema. -
A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2015 Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Film and Media Studies Commons Recommended Citation French, Wesley Tyler, "Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011" (2015). Dissertations. 104. https://aquila.usm.edu/dissertations/104 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 ABSTRACT RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French May 2015 This study is comprised of a five-point qualitative critical analysis of denotation strategies employed in the first three seasons of The Boondocks Animated Series, which aired on United States cable television between 2005 and 2011. The five encoding strategies discussed in this study were selectively employed into each episode by the cast and crew of The Boondocks Animated Series.