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Makers: Women in Hollywood
WOMEN IN HOLLYWOOD OVERVIEW: MAKERS: Women In Hollywood showcases the women of showbiz, from the earliest pioneers to present-day power players, as they influence the creation of one of the country’s biggest commodities: entertainment. In the silent movie era of Hollywood, women wrote, directed and produced, plus there were over twenty independent film companies run by women. That changed when Hollywood became a profitable industry. The absence of women behind the camera affected the women who appeared in front of the lens. Because men controlled the content, they created female characters based on classic archetypes: the good girl and the fallen woman, the virgin and the whore. The women’s movement helped loosen some barriers in Hollywood. A few women, like 20th century Fox President Sherry Lansing, were able to rise to the top. Especially in television, where the financial stakes were lower and advertisers eager to court female viewers, strong female characters began to emerge. Premium cable channels like HBO and Showtime allowed edgy shows like Sex in the City and Girls , which dealt frankly with sex from a woman’s perspective, to thrive. One way women were able to gain clout was to use their stardom to become producers, like Jane Fonda, who had a breakout hit when she produced 9 to 5 . But despite the fact that 9 to 5 was a smash hit that appealed to broad audiences, it was still viewed as a “chick flick”. In Hollywood, movies like Bridesmaids and The Hunger Games , with strong female characters at their center and strong women behind the scenes, have indisputably proven that women centered content can be big at the box office. -
Essential Dignities and Debilities
Essential Dignities and Debilities A planet which has rulership over a sign has essential dignity in that sign.1 Types of Essential Dignity There are five types of rulership in traditional astrology: domicile, exaltation, triplicity, bound/term, decan/face.1 Each level of rulership corresponds to a different level of responsibility.1 Dignity, Behavior, and Responsibility A planet with rulership over a house is responsible for seeing that the affairs of that house are carried out as well as possible.1 When a planet in rulership has essential dignity, it tends to behave in a balanced and controlled way, and things tend to turn out well.1,3 Dignity supports a planet in being more of what it's supposed to be.3 Planets without essential dignity have a difficult time behaving well.1 Planets that have debility are trying to be something they're not. They don't know what they are.3 People with debilitated planets tend to feel motivated to correct an imbalanced planet. A challenge can become a source of strength.1 Planets that are either very debilitated or dignified tend to become dominant influences in a life.1 When a ruler is debilitated, look down the chain of rulership command to find planets that are in better shape to help that planet.1 Domicile Sun Leo Moon Cancer Mercury Gemini, Virgo Venus Taurus, Libra Mars Aries, Scorpio Jupiter Sagittarius, Pisces Saturn Capricorn, Aquarius When a planet is in its domicile, it feels comfortable and at home.1 Using business as a metaphor, a planet is like the manager of its domiciles.1 Detriment Sun Aquarius Moon Capricorn Mercury Sagittarius, Pisces Venus Aries, Scorpio Mars Taurus, Libra Jupiter Gemini, Virgo Saturn Cancer, Leo When a planet is in a sign where it is in detriment, it feels off-balance, not at east, and disorganized. -
Essential Dignity
Essential Dignity Essential dignity is a way of evaluating the innate level of development or refinement of each planet in the chart. Planets that have a lot of essential dignity are generally stronger, show more positive effects, are better integrated into the personality, and function more freely in their domains. Some modern astrologers give little credence to the rulerships, just as they fail to regard any planet as innately malefic or benefic. In surveying the history of astrology, this is evidently a great error. The rulerships are a seminal principle in astrology, and one on which a large proportion of interpretive work was based for thousands of years before the common era. Sign Rulerships The first consideration in assessing the essential dignity of a planet is to observe whether it is in a sign that it rules. Each planet rules two signs, except the sun and moon, which rule only one each. When planets are in the signs they rule, the expression of their energy is easy and has relatively free reign. You should imagine that the planets are literal rulers of their respective signs, which constitute their kingdoms. Rulers within their own kingdoms have the benefit of their own resources to execute their desires, provide for their protection, and distribute to other regions. Rulers in foreign lands are necessarily more vulnerable and subject to interference. This will become an important operative principle when we discuss dispositorship below. Planetary rulership of the signs falls within a pattern that is often little appreciated by modern astrologers. That pattern is illustrated in the following diagram: k j l 3 3 i 4 4 a 5 5 g b 7 7 h 8 8 c 9 6 f d e The sun and moon rule Leo and Cancer respectively. -
Is Brad Pitt Ruining Your Love Life?
Is Brad Pitt Ruining Your Love Life? We know how effective media is in shaping our perspective and even our values, including our self-image. We know that being bombarded with images of beautiful men and women molds our vision of attractiveness. As we mature, we know it’s fantasy, and that even Hollywood beauties don’t look that stunning without professional hair, make-up, wardrobe and lighting. By now, you’ve probably seen the Dove video called “Evolution.” It shows how an attractive woman morphs into a fabulous knockout through professional hair, make-up, lighting, and yes, even Photoshop. How do these unrealistic images affect your dating life? 1. They can influence your expectation of a man’s looks. Very few men, especially middle-aged men, look anything close to George Clooney, Brad Pitt, Johnny Depp, Colin Firth or Pearce Bronson. While we realize these men personify an unattainable ideal, some small part of many women want – and perhaps expect – their guys to look as yummy. 2. The Photoshopped images of pencil-thin people on magazine covers and in movies exacerbates women’s feelings of inadequacy. Actresses like Cher, Teri Hatcher, Vanessa Williams, Julia Roberts, Helen Mirren, Glenn Close and Ellen Barkin are sparkling in their perfection — with personal trainers, private chefs, and perhaps a bit of nip-tuck. How many real-life middle-aged women do you see looking like that? Just as women have unrealistic expectations of a man’s looks, so, too, men have an idealized expectation that women should look like these air-brushed fantasy females. -
Cher Lloyd I Wish Ft Ti
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Psych Film Paper (Honors Project #1).Doc.Docx
Name:_______________________________ Block:____ Date:___________________ PSYCHOLOGY: ANALYTICAL RESEARCH PAPER Objective – Compare & contrast the real effects of the psychological disorder(s) shown in the film. DIRECTIONS: In this assignment you will choose one film related to Psychology and complete a well- developed analytical research paper, based on both the film of your choice, and a profile of the psychological disorder(s) depicted in the film. Pay close attention while taking notes during the film to help you with both assignments. You will also do in depth research on your films topic online to see how the actual events compare to the film. Your paragraphs should correspond to the format below. Format: 1. Introduction with a thesis statement. 2. After viewing the film describe what the movie is about. What is the key plot in the film? Who are the characters in the film? 3. Explain how the psychological disorder(s) in the film are accurately and/or inaccurately portrayed in the film through your in depth online research. 4. Describe (in depth) the causes/effects and other related information associated with the disorder. 5. Conclusion. Explain your own opinion of the film. Would you recommend it? Why or why not? Additional Requirements: 1. Notes taken during movie 2. 3 full pages, MLA format 3. Typed, double spaced, 12 font, Times New Roman, 1 inch margins 4. Well written with proper grammar, spelling etc. 5. Well researched with accurate information 6. Works cited page (minimum of 3 online sources) 7. Presentation of Paper Parental Advisory – Some films on this list are Rated R and need parental permission. -
Erin Brockovich
Erin Brockovich Dir: Steven Soderbergh, USA, 2000 A review by Matthew Nelson, University of Wisconsin- Madison, USA When a film opens with the title "based on a true story," a sinking feeling of gloom comes over me. Will this be yet another typical triumph over adversity, human-interest flick, cranked out by the Hollywood machine to force-feed an increasingly lazy mass audience interested only in star power and happy endings? The lack of original story lines and plot conventions has turned the American motion picture industry into a creator of shallow popular interest films bested in their absurdity and lack of depth only by made-for-TV movies. While it has been said that our greatest stories come from real life, the griminess of the modern world rarely fits into the tightly regulated limitations surrounding mainstream American screenwriting. Details that do not fit within the formula of a marketable "true story" film, which must attempt to appeal to a large audience base of diverse people, are edited out in favor of more pleasing elements, such as a love story, gripping court room confession, or death bed recovery. With this admittedly jaded viewpoint, I went into Erin Brockovich hoping for the best (a rather vacant, feel-good movie, forgotten before I had pulled out of the multi-plex parking garage), but expected far worse. To my pleasant surprise, it turned out to be neither. Director Steven Soderbergh (of Sex, Lies and Videotape fame) manages to pull off an amazingly interesting film, with snappy writing, fine casting, and plenty of that feel good energy, that does not fall into sugary sentimentalism. -
In Love in a Movie : Women and Contemporary Romantic Comedy
IN LOVE IN A MOVIE: WOMEN AND CONTEMPORARY ROMANTIC COMEDY By ANDREA ROCHELLE MABRY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Andrea Rochelle Mabry For Olivia and Grace ACKNOWLEDGMENTS This dissertation is very much a collaborative effort, and for its existence I am indebted to a great many people. I first wish to express my appreciation to the faculty of the University of Florida Department of English, particularly the members of my dissertation committee. Professor Maureen Turim, my advisor and dissertation director, has been an invaluable mentor, not only over the course of this project, but throughout my studies at Florida. Her guidance in the writing of this dissertation, from the original seed of an idea to the final reading, has been invaluable. I am also truly grateful to Professors Susan Hegeman, Roger Beebe, and Nora Alter for their enthusiasm, their advice, and their encouragement to take my work to new levels. My thanks also go out to my fellow graduate students in the Florida English Department for their friendship and their good humor. The camaraderie of other students helped lighten many a stressful day as I worked to complete this journey. Finally, my family—Mom, Dad, Linda, Christine, Tony, Olivia and Grace—have always provided me with love and support, not just as I wrote this dissertation, but all along the road I have taken to get to this point. For that they have my love and my thanks. -
Season 10 Social Media Toolkit Social Media Assets Relevant Handles
Season 10 Social Media Toolkit PBS SoCal and Variety present Variety Studio: Actors on Actors, a series of half-hour specials that take you inside the biggest TV shows of the year through candid conversations between some of today's most acclaimed actors. Social Media Assets Preview Videos Download: https://www.dropbox.com/sh/7kyaetopdwid2gn/AAAErl-cJ0aYi_W6uCccQ5UXa?dl=0 Pictures: https://www.flickr.com/photos/pbssocal/albums/72157707188153471 Relevant Handles & Hashtags #ActorsOnActors 1001 Facebook Twitter Instagram Julia Roberts @juliaroberts @PatriciaArquetteOffici Patricia Arquette al @PattyArquette @patriciaarquette Amy Adams Richard Madden @_richardmadden @maddenrichard Taraji P. Henson @TherealTaraji @TherealTaraji @tarajiphenson Ellen Pompeo @EllenPompeo @ellenpompeo 1002 @MichaelDouglasOffici Michael Douglas al @michaelkirkdouglas Benicio Del Toro Emilia Clarke @emiliaclarke @emilia_clarke Regina Hall @morereginahall @MoreReginaHall @morereginahall Sam Rockwell Renée Zellweger 1003 Robin Wright @Robin Wright @RealRobinWright @robingwright Chris Pine Michelle Williams Patricia Clarkson @SachaBaronCohe Sacha Baron Cohen @SachaBaronCohen n @sachabaroncohen Don Cheadle @DonCheadle @doncheadle 1004 Rachel Brosnahan @Rachel Brosnahan @RachelBros @rachelbrosnahan Billy Porter @theebillyporter @theebillyporter @theebillyporter @TraceeEllisRossOffic Tracee Ellis Ross ial @TraceeEllisRoss @traceeellisross @mssarahcatharinepaulso Sarah Paulson @MsSarahPaulson n Natasha Lyonne @nlyonneofficial @nlyonne @nlyonne Maya Rudolph @MayaRudolph -
Origins of the Tājika System of Astrological Aspects and Dignities
History of Science in South Asia A journal for the history of all forms of scientific thought and action, ancient and modern, in all regions of South Asia Origins of the Tājika System of Astrological Aspects and Dignities Martin Gansten Lund University MLA style citation form: Martin Gansten. “Origins of the Tājika System of Astrological Aspects and Dignities.” History of Science in South Asia, 6 (2018): 162–199. doi: 10.18732/hssa.v6i0.34. Online version available at: http://hssa-journal.org HISTORY OF SCIENCE IN SOUTH ASIA A journal for the history of all forms of scientific thought and action, ancient and modern, inall regions of South Asia, published online at http://hssa-journal.org ISSN 2369-775X Editorial Board: • Dominik Wujastyk, University of Alberta, Edmonton, Canada • Kim Plofker, Union College, Schenectady, United States • Dhruv Raina, Jawaharlal Nehru University, New Delhi, India • Sreeramula Rajeswara Sarma, formerly Aligarh Muslim University, Düsseldorf, Germany • Fabrizio Speziale, Université Sorbonne Nouvelle – CNRS, Paris, France • Michio Yano, Kyoto Sangyo University, Kyoto, Japan Publisher: History of Science in South Asia Principal Contact: Dominik Wujastyk, Editor, University of Alberta Email: ⟨[email protected]⟩ Mailing Address: History of Science in South Asia, Department of History and Classics, 2–81 HM Tory Building, University of Alberta, Edmonton, AB, T6G 2H4 Canada This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Copyrights of all the articles rest with the respective authors and published under the provisions of Creative Commons Attribution-ShareAlike 4.0 License. -
ICE - Making Predictions
A ICE - Making Predictions What do the lines, • “What if everything is an illusion and nothing exists? In that case, I definitely overpaid for my carpet.” • “Sex without love is an empty gesture. But as empty gestures go, it is one of the best.” and, • “When I was in school, I cheated on my metaphysics exam: I looked into the soul of the boy sitting next to me.” all have in common? The answer is that they were all conceived by writer, actor and director Woody Allen (see Figure 11. Born Allan Stewart Konigsberg on December 1, 1935, in Brooklyn New York, he adopted the name “Woody Allen” in 1952 - a year before graduating from high school. Allen enrolled in NYU and astonishingly (given his long and critically acclaimed career as a film maker) failed the class on motion picture production. After graduating from NYU, Allen made a career as a comedy writer for television programs such as “Your Show of Shows” starring Pat Boone (see Figure 22). Figure 1: Described as a “pale, bespectacled, 120 pound neurotic,” Woody Allen has written, directed or starred in (sometimes all of the above) more than 40 feature films during a career spanning almost than 40 years. 1 Image source: http://www.ibiblio.org/mal/MO/phlim/woody/ 2 Image source: http://pages.prodigy.net/dianamorris/feat1k.htm Allen made his first professional appearance as a comedian in 1960, and between 1964 and 1965 released three comedy albums that were enthusiastically received. Also in 1965, Allen’s first motion picture “What’s New, Pussycat” was released. -
ALEXANDRA CUERDO Filmmaker Working Locally in NY and LA UCLA Film 2011 | Cum Laude [email protected] | 714.746.1351 RESUME
ALEXANDRA CUERDO Filmmaker working locally in NY and LA UCLA Film 2011 | Cum laude [email protected] | 714.746.1351 RESUME Video Producer BUZZFEED | Sept 2017 - Present Produces, directs and edits viral video content for BuzzFeed. Produced the #1 most shared video on beauty brand Top Knot for September, October and November. Videos have achieved 100 million+ views and 1 million+ shares on Facebook. Director/Producer ULAM: MAIN DISH | Sept 2015 - Oct 2017 Creator of a feature-length documentary about Filipino food. Hosted by Jonathan Gold and the Los Angeles Times’ Food Bowl, the sold-out preview garnered articles in Vogue, TimeOut, Eater LA and the film is currently listed by MSN as one of the “Top 5 Food Documentaries to Watch” now. Producers’ Assistant ROUGH NIGHT | SONY PICTURES | Sept - Nov 2016 Assistant to executive producer Matt Hirsch and producer Matt Tolmach on Sony feature film in NY, starring Scarlett Johansson, Zoe Kravitz, Ilana Glazer and Kate McKinnon. Assistant Director THE PRICE | ORION PICTURES | Sept 2015, Jan - Feb 2016 Second assistant director on SXSW-premiering feature film, shot in LA and NY starring Sense8’s Aml Ameen. Production Manager THE IRON MAN EXPERIENCE | WALT DISNEY IMAGINEERING & MARVEL STUDIOS | June - Aug 2015 Managed all visual effects and live action shoots for the main Iron Man attraction in Disneyland Hong Kong. Producers’ Assistant CANNES FILM FESTIVAL | ROB HEYDON | May 2015 Assistant for the Cannes Film Festival in France. Cast Assistant - 1st MONEY MONSTER | SONY PICTURES | Feb - May 2015 Team Assistant to George Clooney, Julia Roberts and Jack O’Connell on Sony feature film in NY, dir.