Ethnolinguistics in the Year 2016∗
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1 the Politics of Ethnopoetics by Gary Snyder This “Politics” Is
1 The Politics of Ethnopoetics by Gary Snyder This \politics" is fundamentally the question of what occidental and indus- trial technological civilization is doing to the earth. The earth: (I'm just going to remind us of a few facts), is 57 million square miles, 3.7 billion human be- ings, evolved over the last 4 million years; plus, 2 million species of insects, 1 million species of plants, 20 thousand species of fish, and 8,700 species of birds; constructed out of 97 naturally occurring surface elements with the power of the annual solar income of the sun. That is a lot of diversity. Yesterday, (who was it), David Antin, I believe, told how the Tragedians asked Plato to let them put on some tragedies. Plato said, \Very interesting, gentlemen, but I must tell you something. We have prepared here the greatest tragedy of all. It is called The State." From a very early age I found myself standing in an undefinable awe before the natural world. An attitude of gratitude, wonder, and a sense of protection especially as I began to see the hills being bulldozed down for roads, and the forests of the Pacific Nothwest magically float away on logging trucks. I grew up in a rural family in the state of Washington. My grandfather was a homesteader in the Pacific Northwest. The economic base of the whole region was logging. In trying to grasp the dynamics of what was happening, rural state of Washington, 1930's, depression, white boy out in the country, German on one side, Scotch- Irish on the other side, radical, that is to say, sort of grass roots Union, I.W.W., and socialist-radical parents, I found nothing in their orientation, (critical as it was of American politics and economics), that could give me an access to understanding what was happening. -
Defining Ethnomusicology
10 1. THE HARMLESS DRUDGE : DEFINING ETHNOMUSICOLOGY DEFINITIONS. For years, people have been asking me the question: "You're an ethnomusicologist?" Shortly after 1950 it was likely to be accompanied by expressions of wonder and of the belief that I was somehow involved with "folk" music, with "primitive music," and particularly with "ancient music," and also that I must have a great deal of companionship with a tape recorder. By 1960 the questioner would likely bring up participation in an Indonesian gamelan, or perhaps an ability to "play" many of the world's odd instruments. In the 1970s, the conversation might well include the term "ethnic" music or even the etymologically outrageous "ethnomusic," and in the eighties and nineties, free association might lead to “diversity” and “world music.” I have always found it difficult to come to a precise, concise, and readily intelligible definition. Dictionaries differ considerably but espouse limited views. In the 120 years in which modern ethnomusicology can be said to have existed, since pioneer works such as those of Ellis (1885), Baker (1882), and Stumpf (1886), attitudes and orientations have changed greatly, and so has the name, from something very briefly called “Musikologie” (in the 1880s), to “comparative musicology” (through about 1950), then to “ethno- musicology” (1950–ca. 1956), quickly to “ethnomusicology” (removing the hyphen actually was an ideological move trying to signal disciplinary independence), with suggestions such as “cultural musicology” (Kerman 1985) and “socio-musicology” (Feld 1984) occasionally thrown in. The changes in name paralleled changes in intellectual orientation and emphasis. It is difficult to find a single, simple definition, to which most people in this field would subscribe, and thus ethnomusicologists have been perhaps excessively concerned with defining themselves. -
An Introduction to Cultural Anthropology
An Introduction to Cultural Anthropology An Introduction to Cultural Anthropology By C. Nadia Seremetakis An Introduction to Cultural Anthropology By C. Nadia Seremetakis This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by C. Nadia Seremetakis All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7334-9 ISBN (13): 978-1-4438-7334-5 To my students anywhere anytime CONTENTS Introduction ................................................................................................. 1 Part I: Exploring Cultures Chapter One ................................................................................................. 4 Redefining Culture and Civilization: The Birth of Anthropology Fieldwork versus Comparative Taxonomic Methodology Diffusion or Independent Invention? Acculturation Culture as Process A Four-Field Discipline Social or Cultural Anthropology? Defining Culture Waiting for the Barbarians Part II: Writing the Other Chapter Two .............................................................................................. 30 Science/Literature Chapter Three ........................................................................................... -
The Petersburg Text in Russian Literature of the 1990 S
THE PETERSBURG TEXT IN RUSSIAN LITERATURE OF THE 1990 S by DARIA S. SMIRNOVA A THESIS Presented to the Russian, East European, and Eurasian Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2012 THESIS APPROVAL PAGE Student: Daria S. Smirnova Title: The Petersburg Text in Russian Literature of the 1990s This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Russian, East European, and Eurasian Studies Program by: Dr. Katya Hokanson Chairperson Dr. Jenifer Presto Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2012 ii © 2012 Daria S. Smirnova iii THESIS ABSTRACT Daria S. Smirnova Master of Arts Russian, East European, and Eurasian Studies Program September 2012 Title: The Petersburg Text in Russian Literature of the 1990s The image of Saint Petersburg has influenced the imagination of Russian writers since the establishment of this city in 1703. Today, it is common to speak about the Petersburg Text in Russian literature that has its own mythology, imagery, and stylistics. However, the research in this sphere is predominately concentrated on works written before the second half of the 20th century. This thesis addresses the revival of the Petersburg mythology in the 1990s in works by such authors as Mikhail Veller, Andrei Konstantinov, and Marusia Klimova. It illustrates how the reinvention of traditional Petersburg themes contributed to the representation of the “wild 1990s” reality. -
Natural Causes of Language Frames, Biases, and Cultural Transmission
Natural causes of language Frames, biases, and cultural transmission N. J. Enfield language Conceptual Foundations of science press Language Science 1 Conceptual Foundations of Language Science Series editors Mark Dingemanse, Max Planck Institute for Psycholinguistics N. J. Enfield, University of Sydney Editorial board Balthasar Bickel, University of Zürich, Claire Bowern, Yale University, Elizabeth Couper-Kuhlen, University of Helsinki, William Croft, University of New Mexico, Rose-Marie Déchaine, University of British Columbia, William A. Foley, University of Sydney , William F. Hanks, University of California at Berkeley, Paul Kockelman, Yale University, Keren Rice, University of Toronto, Sharon Rose, University of California at San Diego, Frederick J. Newmeyer, University of Washington, Wendy Sandler, University of Haifa, Dan Sperber Central European University No scientific work proceeds without conceptual foundations. In language science, our concepts about language determine our assumptions, direct our attention, and guide our hypotheses and our reasoning. Only with clarity about conceptual foundations can we pose coherent research questions, design critical experiments, and collect crucial data. This series publishes short and accessible books that explore well-defined topics in the conceptual foundations of language science. The series provides a venue for conceptual arguments and explorations that do not require the traditional book- length treatment, yet that demand more space than a typical journal article allows. In this series: 1. N. J. Enfield. Natural causes of language. Natural causes of language Frames, biases, and cultural transmission N. J. Enfield language science press N. J. Enfield. 2014. Natural causes of language: Frames, biases, and cultural transmission (Conceptual Foundations of Language Science 1). Berlin: Language Science Press. -
Shadows in the Field Second Edition This Page Intentionally Left Blank Shadows in the Field
Shadows in the Field Second Edition This page intentionally left blank Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology Second Edition Edited by Gregory Barz & Timothy J. Cooley 1 2008 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2008 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Shadows in the field : new perspectives for fieldwork in ethnomusicology / edited by Gregory Barz & Timothy J. Cooley. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-19-532495-2; 978-0-19-532496-9 (pbk.) 1. Ethnomusicology—Fieldwork. I. Barz, Gregory F., 1960– II. Cooley, Timothy J., 1962– ML3799.S5 2008 780.89—dc22 2008023530 135798642 Printed in the United States of America on acid-free paper bruno nettl Foreword Fieldworker’s Progress Shadows in the Field, in its first edition a varied collection of interesting, insightful essays about fieldwork, has now been significantly expanded and revised, becoming the first comprehensive book about fieldwork in ethnomusicology. -
Cultural Heritage, Cinema, and Identity by Kiun H
Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St. -
Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education
University of Pennsylvania ScholarlyCommons GSE Faculty Research Graduate School of Education 12-16-2011 Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education Nancy H. Hornberger University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/gse_pubs Part of the Anthropological Linguistics and Sociolinguistics Commons, Educational Leadership Commons, Higher Education and Teaching Commons, Linguistic Anthropology Commons, Scholarship of Teaching and Learning Commons, and the Social and Cultural Anthropology Commons Recommended Citation Hornberger, N. H. (2011). Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education. Anthropology and Education Quarterly, 42 (4), 310-318. http://dx.doi.org/10.1111/ j.1548-1492.2011.01141.x This paper is posted at ScholarlyCommons. https://repository.upenn.edu/gse_pubs/310 For more information, please contact [email protected]. Dell H. Hymes: His Scholarship and Legacy in Anthropology and Education Abstract Dell Hathaway Hymes, linguistic anthropologist and educational visionary extraordinaire, passed away in November 2009, leaving behind a voluminous scholarship and inspirational legacy in the study of language and inequality, ethnography, sociolinguistics, Native American ethnopoetics, and education. This essay provides a brief account of Hymes's life and scholarly contributions, especially his early and enduring influence in the anthropology of education; and goes on to comment briefly on this AEQ set of essays -
Ethnography and Democracy: Hymes's Political Theory of Language
Ethnography and democracy: Hymes’s political theory of language JAN BLOMMAERT Abstract Dell Hymes’s oeuvre was explicitly political, and this paper addresses this often overlooked dimension of his work. The project of ethnography was intended by Hymes to be a counterhegemonic and democratic science, which o¤ered voice to the subjects it studied and so created a critical social-scientific paradigm that destabilized and negated established truths by dialogically engaging with reality. This critical and counterhegemonic paradigmatic dimension of ethnography is first sketched and discussed at some length. Next, we discuss Hymes’s ethnopoetic work. In his ethnopoetic work, Hymes’s critical concern with voice, democracy, and inequality is articulated most clearly and persuasively. It is by looking at ethnopoetics that we see the blending of a methodological and a political project. Keywords: Hymes; ethnography; ethnopoetics; critique; democracy. 1. Introduction Dell Hymes’s work is, like that of Bourdieu and Bernstein, but also that of Gumperz and Go¤man, highly political. Texts such as the essay ‘‘Speech and language’’ (Hymes 1996: ch. 3), or the introductory essay to his Reinventing Anthropology (2002 [1969]) explicitly testify to that; most of his oeuvre, however, can be read as a political statement, an at- tempt toward a critical science of language in social life, toward ‘‘a union of knowledge and social values’’ (2002 [1969]: 51). Hymes would often mention his own background as an explanation for this, especially his ex- periences as a GI enlisted so as to gain access to college education under the GI Bill, and stationed in the Far East. -
Etnolingwistyka Problemy Jêzyka I Kultury
ETNOLINGWISTYKA PROBLEMY JÊZYKA I KULTURY ETHNOLINGUISTICS ISSUES IN LANGUAGE AND CULTURE 28 MARIA CURIE-SK£ODOWSKA UNIVERSITY FACULTY OF HUMANITIES ETHNOLINGUISTIC COMMISSION INTERNATIONAL SLAVIC COMMITTEE ETHNOLINGUISTIC SECTION OF THE COMMITTEE OF LINGUISTICS, POLISH ACADEMY OF SCIENCES Editor−in−Chief JERZY BARTMIÑSKI Assistant to Editor STANIS£AWA NIEBRZEGOWSKA-BARTMIÑSKA Secretary MARTA NOWOSAD-BAKALARCZYK Translators ADAM G£AZ (project coordinator), RAFA£ AUGUSTYN, KLAUDIA DOLECKA, AGNIESZKA GICALA, AGNIESZKA MIERZWIÑSKA-HAJNOS Scientific Council DEJAN AJDAÈIÆ (Taras Shevchenko National University of Kyiv, Ukraine) ELENA BEREZOVIÈ (Ural Federal University, Yekaterinburg, Russia) WOJCIECH CHLEBDA (University of Opole, Poland) ALOYZAS GUDAVIÈIUS (Šiauliai University, Lithuania) ALEKSEJ JUDIN (Ghent University, Belgium) JACEK MICHAEL MIKOŒ (University of Wisconsin, Milwaukee, USA) HANNA POPOWSKA-TABORSKA (Polish Academy of Sciences, Warsaw, Poland) ZUZANA PROFANTOVÁ (Slovak Academy of Sciences, Bratislava, Slovakia) SVETLANA TOLSTAJA (Russian Academy of Sciences, Moscow, Russia) ANNA WIERZBICKA (Australian National University, Canberra, Australia) KRZYSZTOF WROC£AWSKI (Polish Academy of Sciences, Warsaw, Poland) ETNOLINGWISTYKA PROBLEMY JÊZYKA I KULTURY ETHNOLINGUISTICS ISSUES IN LANGUAGE AND CULTURE 28 Lublin 2017 Maria Curie-Sk³odowska University Press Reviewers MACIEJ ABRAMOWICZ (University of Warsaw), DEJAN AJDAÈIÆ (Taras Shevchenko National University of Kyiv), NIKOLAJ ANTROPOV (National Academy of Sciences of Belarus), ENRIQUE -
Confessional Reflexivity As Introspection and Avowal
Establishing the ‘Truth’ of the Matter: Confessional Reflexivity as Introspection and Avowal JOSEPH WEBSTER University of Edinburgh The conceptualisation of reflexivity commonly found in social anthropology deploys the term as if it were both a ‘virtuous’ mechanism of self‐reflection and an ethical technique of truth telling, with reflexivity frequently deployed as an moral practice of introspection and avowal. Further, because reflexivity is used as a methodology for constructing the authority of ethnographic accounts, reflexivity in anthropology has come to closely resemble Foucault’s descriptions of confession. By discussing Lynch’s (2000) critical analysis of reflexivity as an ‘academic virtue’, I consider his argument through the lens of my own concept of ‘confessional reflexivity’. While supporting Lynch’s diagnosis of the ‘problem of reflexivity’, I attempt to critique his ethnomethodological cure as essentialist, I conclude that a way forward might be found by blending Foucault’s (1976, 1993) theory of confession with Bourdieu’s (1992) theory of ‘epistemic reflexivity’. The ubiquity of reflexivity and its many forms For as long as thirty years, reflexivity has occupied a ‘place of honour’ at the table of most social science researchers and research institutions. Reflexivity has become enshrined as a foundational, or, perhaps better, essential, concept which is relied upon as a kind of talisman whose power can be invoked to shore up the ‘truthiness’ of the claims those researchers and their institutions are in the business of making. No discipline, it seems, is more guilty of this ‘evoking’ than social anthropology (Lucy 2000, Sangren 2007, Salzaman 2002). Yet, despite the ubiquity of its deployment in anthropology, the term ‘reflexivity’ remains poorly defined. -
RUSSIAN JOURNAL of COMMUNICATION Official Journal of the Russian Communication Association
RUSSIAN JOURNAL OF COMMUNICATION Official Journal of the Russian Communication Association Edited by IGOR E. KLYUKANOV Eastern Washington University ASSOCIATE EDITORS Donal A. Carbaugh, University of Massachusetts-Amherst, U.S.A. Irina N. Rozina, Institute of Management, Business and Law, Rostov-on-Don, Russia BOOK EDITORS William Graves III, Bryant University, U.S.A. Kseniya Shilikhina, Voronezh State University, Russia EDITORIAL BOARD MEMBERS Ol’ga V. Aleksandrova, Moscow State University, Russia; Steven A. Beebe, Texas State University, San Marcos, U.S.A.; Mira B. Bergel’son, Moscow State University, Russia; Pedro J. Chamizo-Domínguez, University of Málaga, Spain; Michael Cole, University of California, San Diego, U.S.A.; John Corner, University of Liverpool, England; Robert T. Craig, University of Colorado at Boulder, U.S.A.; Marcel Danesi, University of Toronto, Canada; Mikhail N. Epstein, Emory University, U.S.A.; William Graves III, Bryant University, U.S.A.; Nadezhda L. Greidina, Pyatigorskii State Linguistic University, Russia; Boris L. Gubman, Tver State University, Russia; Michael Hazen, Wake Forest University, U.S.A.; Vyacheslav V. Ivanov, University of California, Los Angeles, U.S.A.; Moscow State University, Russia; Vladimir I. Karasik, Volgograd State Pedagogical University, Russia; Vadim B. Kasevich, St. Petersburg State University, Russia; Antonina A. Khar’kovskaya, Samara State University, Russia; Sergei V. Klyagin, Russian State University for the Humanities, Russia; Viktoriya V. Krasnykh, Moscow State University, Russia; Richard L. Lanigan, Southern Illinois University, U.S.A.; Olga A. Leontovich, Volgograd State Pedagogical University, Russia; Mikhail L. Makarov, Tver State University, Russia; Brigitte B. Nerlich, University of Nottingham, England; John Parish-Sprowl, Indiana University-Purdue University; Indianapolis, U.S.A., Aila Pesonen, University of Vaasa, Finland, Susan Petrilli, University of Bari, Italy; Vera A.