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20120906-Ob-Umbrella.Pdf
U m b r e l l a By the same author F ICTION The Quantity Theory of Insanity Cock and Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis Tough, Tough Toys for Tough, Tough Boys How the Dead Live Dorian Dr Mukti and Other Tales of Woe The Book of Dave The Butt Liver Walking to Hollywood N on- F ICTION Junk Mail Sore Sites Perfidious Man Feeding Frenzy Psychogeography (with Ralph Steadman) Psycho Too (with Ralph Steadman) U m b r e l l a W i l l S e l f First published in Great Britain 2012 Copyright © 2012 by Will Self The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatever without written permission from the Publishers except in the case of brief quotations embodied in critical articles or reviews ‘Apeman’ by Ray Davies © Copyright 1970 Davray Music Ltd. All rights administered by Sony/ATV Music Publishing. All rights reserved. Used by permission ‘Chirpy Chirpy Cheep Cheep’ (Cassia/Stott) © 1971 Warner Chappell Music Italiana Srl (SIAE). All rights administered by Warner Chappell Overseas Holdings Ltd. All rights reserved ‘Don’t Let It Die’ (Smith) – RAK Publishing Ltd. Licensed courtesy of RAK Publishing Ltd. ‘Sugar Me’ by Barry Green and Lynsey De Paul © Copyright Sony/ATV Music Publishing Ltd. All rights reserved. Used by permission ‘Take Me Back to Dear Old Blighty’ Words and Music by Fred Godfrey, A. J. Mills & Bennett Scott © 1916. Reproduced by permission of EMI Music Publishing Ltd, London W8 5SW Every reasonable effort has been made to trace copyright -
Book List: Complete List of Books by Alisa Avruch and Sharon Schwartz
A_00663 Secular Book List: Complete List of Books By Alisa Avruch and Sharon Schwartz Grade Level: Elementary, Middle School, High School, Administration Description: Updated summer 2015! The Secular Book List contains almost 4000 secular children’s books which have been evaluated for appropriateness of content. This list is designed to enable parents and educators to choose secular reading material which is suitable to be read by Jewish children. An explanation for the criteria used for evaluation is included. The Secular Book List is available in four formats: 1. Secular Book List: Complete List of Books (A_00663). CURRENT FILE. This item contains the entire list of evaluated books, including those books which were not approved. Detailed comments on each book are provided to help adults discern the appropriateness of content. Download this item for all books which have been reviewed by this contributor. 2. Secular Book List: Approved and Questionable Books(A_00663-05). This item contains only those books whose content was deemed acceptable or questionable and includes comments explaining why the books were rated as such. It does not include books which have not been approved. Download this item if you would like to select books from a list which does not contain books which were deemed inappropriate. 3. Secular Book List: Approved Books Only (A_00663-03). This item contains only those books from the Secular Book List which were deemed appropriate. This file does not include comments as it is intended for student use. 4. Secular Book List: New Books Reviewed in 2015 (A_00663-06). This item contains all books (approved, questionable and unapproved) which were reviewed in the year 2015. -
A Study Guide by Katy Marriner
OBSESSED WITH W ALKING ©2010 Screen Australia, Flaming Star Films, Film Victoria A STUDY GUIDE by K http://www.metromagazine.com.auAty M Arriner http://www.theeducationshop.com.au Featuring notorious writer and cultural provocateur Will Self, Obsessed with Walking follows Self on a 120-mile trek from Los Angeles Airport to the heart of Hollywood, and interrogates the meaning of walking in a globalised, industrialised world. This study guide to accompany Obsessed with Walking (2010), a Flaming Star Films production, has been written for middle and senior secondary students. It provides information and suggestions for learning activities in English, Geography, Literature and Media. Obsessed with Walking has a running time of 26 minutes 30 seconds. SCREEN EDUCATION 2 os Angeles International Airport. A jumbo jet lunges onto the tarmac and taxis to the terminal. L An unusually tall and very thin man strides out of the terminal onto Century Boulevard. It’s Will Self, the novelist once notorious for his addictions and excesses but now known for his eccentric walking habits. Will has already walked from his home in South London to Heathrow. Now he’ll trek 120 miles across LA to Hol- lywood for a book he’s writing about the impact of the environment on the human psyche. Will chooses a route through the grittiest suburbs, the ‘un-places’ and the ‘interzones’, in search of a new kind of urban beauty. As he walks, he muses on the power of walking to connect us to place, time and memory and evokes the spirit of other walkers whose art has changed the way we think, see and hear: Rebels like Guy Debord and the Situationists (a pack of hard-living French bo- hemians who tried to overturn the urban order in 1950s Paris with the dérive – a walk without a route, destination or purpose. -
Voices and Silence in the Contemporary Novel in English
Voices and Silence in the Contemporary Novel in English Voices and Silence in the Contemporary Novel in English Edited by Vanessa Guignery Voices and Silence in the Contemporary Novel in English, Edited by Vanessa Guignery This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Vanessa Guignery and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1247-1, ISBN (13): 978-1-4438-1247-4 TABLE OF CONTENTS Acknowledgements .................................................................................... ix Introduction ................................................................................................. 1 So Many Words, So Little Said Vanessa Guignery Part I: Will Self or the Language of Resistance Chapter One............................................................................................... 10 Radical No-Saying. The Contradictions and Paradoxes of the Will/Self Didier Girard Chapter Two.............................................................................................. 20 Demotic English in The Book of Dave Will Self Chapter Three........................................................................................... -
Self Chapter Aug 2013
1 “The finger points backwards”: Satirical Endism and the 1990s Fictions of Will Self “The 1990s will come to be seen as the Gotterdammerung of periodicity itself [...] never again will the brute fact of what year it is matter so much in cultural terms” (Self 2002, 26) This chapter argues that contemporary British author and cultural commentator Will Self uses satire in his writings from the 1990s to interrogate the “endism” of the period. Challenging perceived conclusions to evolution, gender and time at the close of the twentieth century and interrogating interrelationships between love, anger, longing, power, isolation, dependence, hopelessness, depression, trauma, transition and crisis, his 1990s fictions present a controversial perspective on pre-millennial anxiety and search for a mode in which to speak of resulting anomie and doubt. As a genre of literature, satire can be traced back to Ancient Egypt and Greece, to the Romans and Medieval Europe. The role of satire as a mode of social commentary came into focus during the Enlightenment period, with seminal literary satires including Pope’s The Rape of the Lock (1714) and the writings of Jonathan Swift and Daniel Defoe. During the nineteenth century, this tradition was developed by the novels of Charles Dickens, the social satires of Bernard Shaw and the rise of the political satirical cartoon by artists including as James Gillray and publications such as Punch magazine. A trend for caricature and parody developed in the twentieth century with prophetic warnings about the future of the human race in Huxley’s Brave New World and Orwell’s Animal Farm (1945) and Nineteen Eighty Four (1949). -
Transport, Technology and Ideology in the Work of Will Self
Durham E-Theses Transport, Technology and Ideology in the Work of Will Self GLEGHORN, JAMES,MARTIN How to cite: GLEGHORN, JAMES,MARTIN (2017) Transport, Technology and Ideology in the Work of Will Self, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12135/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Transport, Technology and Ideology in the Work of Will Self James Martin Gleghorn Thesis submitted for the qualification of Doctor of Philosophy Department of English Studies Durham University 2017 Contents List of Abbreviations …………………………………………………………………………………………. 2 Statement of Copyright ……………………………………………….………………………………….. 3 Introduction ………………………………………………………………………………………………………. 4 Chapter 1: Ironic Entrapment and Fundamental Instability: Will Self’s Literary Aesthetic …………………………………………………………………………………………………………… 42 Chapter 2: The Book of Dave …………………………………………………………………………… 85 Chapter 3: Driving Fiction ……………………………………………………………………………….122 Chapter 4: Walking to Hollywood …………………………………………………………………. 164 Conclusion ………………………………………………………………………………………………………. 198 Bibliography ……………………………………………………………………………………………………. 208 1 List of Abbreviations D – Dorian DM – Dr. -
1 Abstract Will Self's Sixth Novel, the Book of Dave
SURROGATE DADS:INTERROGATING FATHERHOOD IN WILL SELF’S THE BOOK OF DAVE DANIEL LUKES “A father is a man who fails every day.”1 Abstract Will Self’s sixth novel, The Book of Dave (2006) develops the British writer’s ongoing interest in fathers and children, and fatherhood as a key nexus where masculinity and patriarchy are reproduced. The nov- el channels and critiques various types of narrative, including the “dad lit” genre, best represented by the popular novels of Nick Horn- by and Tony Parsons, the post-apocalyptic and dystopian idiolect science fiction tradition of Anthony Burgess’ A Clockwork Orange and Russell Hoban’s Riddley Walker, and social phenomena such as “new” fatherhood and the “fathers’ rights” movement. With wit, in- sight, anger, and compassion, Self’s novel engages and interrogates matters of paternity, patriarchy, power, the religions of the father, the malaise of millennial British working-class masculinities, and the question of what it might mean to be a post-patriarchal dad. The topic of fatherhood is one of Will Self’s major concerns, and spans the writer’s oeuvre from his early satirical fictions to his latter, weightier works. Self, who has four children, has gravitated through- out his writing to narratives concerning fathers and children, and fa- ther-son relationships, in particular ones that involve surrogate, non- biological, foster- and father-figure mentors. As one of the central places where masculinity is reproduced, and the male body fashioned and coerced into citizenship, Self’s fiction recognizes how fatherhood 1 Michael Chabon, Manhood for Amateurs, New York: HarperCollins, 2000, 7. -
Fictive Inscaping
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: Shaw, Katy and Tew, Philip (2015) Satirical Apocalypse: Endism and the 1990s Fictions of Will Self. In: The 1990s: A Decade of Contemporary British fiction. The Decades Series . Bloomsbury, pp. 95-122. ISBN 9781441172587 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/34228/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) 1 “The finger points backwards”: Satirical Endism and the 1990s Fictions of Will Self “The 1990s will come to be seen as the Gotterdammerung of periodicity itself [...] never again will the brute fact of what year it is matter so much in cultural terms” (Self 2002, 26) This chapter argues that contemporary British author and cultural commentator Will Self uses satire in his writings from the 1990s to interrogate the “endism” of the period. -
Introduction: 'The Magus of the Quotidian'
Notes Introduction: ‘The Magus of the Quotidian’ 1. CW, ‘Selfage: Making a Parallel World’. The Phoenix (14–21 March 1996). www. bostonphoenix.com/alt1/archive/books/reviews/03-96/WILL_SELF.html. 2. Elizabeth Ermath, Realism and Consensus in the English Novel (Edinburgh University Press, 1998), p. x. 3. M. Hunter Hayes, Understanding Will Self (Columbia: University of South Carolina Press, 2007), p. 185. 4. Northrop Frye, Anatomy of Criticism: Four Essays (Princeton University Press, 2000), p. 365. 5. Will Self, ‘At the Blackrose Netcafe’ in Will Self: Writer (2 February 2006). http://will-self.com. 6. Frye, p. 311. 7. Robert Clarke, ‘Pre-Millennium Tension: Will Self, Tough, Tough Toys for Tough, Tough Boys’. Spike Magazine (1 April 1998). www.spikemagazine. com/0498selfint.php. 8. Deborah Orr, ‘For a Moment I Really Thought My Husband Had Won the Booker. But No!’ The Guardian (19 October 2012). 9. Will Self, ‘Foreword’ in The End of Everything: Postmodernism and the Vanishing of the Human, ed. Richard Appignanesi (Cambridge: Icon, 2003), p. v. 10. Will Self, ‘Psychiatrists: The Drug Pushers’. The Guardian (3 August 2013). 11. See Alex Mold, ‘Making the Patient-Consumer in Margaret Thatcher’s Britain’. The Historical Journal 54(2), 2011, pp. 509–28. 12. See Deborah Orr, ‘10 Things Not to Say to Someone When They’re Ill’. The Guardian (18 April 2012). 13. Will Self, ‘False Blood’. Granta No. 117: Horror (Autumn 2011), p. 10. 14. David Alderson, ‘“Not Everyone Knows Fuck All About Foucault”: Will Self’s Dorian and Post-Gay Culture’. Textual Practice 19(3), 2005, p. -
Chapter 10, the Doubling
The exclusive license for this PDF is limited to personal website use only. No part of this digital document may be reproduced, stored in a retrieval system or transmitted commercially in any form or by any means. The publisher has taken reasonable care in the preparation of this digital document, but makes no expressed or implied warranty of any kind and assumes no responsibility for any errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of information contained herein. This digital document is sold with the clear understanding that the publisher is not engaged in rendering legal, medical or any other professional services. Chapter 10 AN INTERVIEW WITH DIANA SHEETS: J. M. COETZEE AND WILL SELF— 20TH CENTURY FICTION AND INTO THE NEW MILLENNIUM, ITS APEX AND ITS DESCENT Keywords: Coetzee, Disgrace, doubling, Life & Times of Michael K, Liver: A Fictional Organ with a Surface Anatomy of Four Lobes, Self, The Book of Dave, Umbrella, Waiting for the Barbarians MFS: First of all, J. M. Coetzee seems to have one of the most peripatetic lives I have ever encountered—born in South Africa, worked in computers in England, got his Ph.D. at the University of Texas before heading back to South Africa. Now he’s living in Adelaide, Australia. Does this say anything to you about him as a writer? DS: Peripatetic is apt. J. M. Coetzee (1940-) was born in Cape Town, South Africa. His parents were Afrikaners, that is, South Africans who were principally of Dutch descent. Nevertheless, Coetzee grew up speaking English at home and in school.