State University of New York at Purchase: Purchase, New York

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State University of New York at Purchase: Purchase, New York

E d u c a t i o n

M.F.A., Printmaking, 1989 State University of New York at Purchase: Purchase, New York Studied with Antonio Frasconi B.F.A., Printmaking, 1979 University of Iowa: Iowa City, Iowa Studied with Mauricio Lasansky

T e a c h i n g E x p e r i e n c e

Professor of Art California State University, Long Beach, California, 1989 - 2009 R o x a n n e D . S e x a u e r Printmaking Discipline Chair, Teaching responsibilities include: Relief Printmaking, Advanced Printmaking, Printmaking Survey, Etching, 4139 North Marwick Avenue Intermediate Drawing, History of Prints and Drawings Lakewood, California 90713 Home 562/429-6011 Lecturer State University of New York at Purchase, Purchase, New York, Art Department, CSULB Department of Art History, 1989 - developed and taught course 1250 Bellflower Blvd., curriculum for - Printmaking: Tradition and Practice - A Course in the Long Beach, California 90840 History of Prints Office 562/985-7866 Cell 562/355-1059 Graduate Teaching Fellow E-Mails [email protected] State University of New York at Purchase, Purchase, New York, [email protected] Division of Visual Arts, 1987-88 - Printmaking for Non-Visual Arts Majors, developed and taught course curriculum

Instructor State County Care Facilities, Washington and Williamsburg, Iowa, 1978, drawing and painting instructor for physically and mentally challenged adults

Instructor Continuing Adult Education, Robert Lee Recreation Center, City of Iowa City, Iowa City, Iowa, 1976-86 - printmaking, drawing and painting instructor

T e a c h i n g A w a r d s a n d H o n o r s

1. Most Inspirational Professor Award, California State University of Long Beach Alumni Association, 2011 2. Honorary Membership, Golden Key National Honor Society, 1997 3. Graduate Teaching Assistantship, Full Tuition and Stipend, State University of New York at Purchase, Purchase, New York, 1987-88 4. Certificate of Appreciation from the National Committee of Arts for the Handicapped, 1978

A r t i s t i c A w a r d s / S c h o l a r s h i p s / G r a n t s

2007 Conference Travel Grant, awarded by the California State University Scholarly and Creative Activities Committee Sexauer, page 2

A r t i s t i c A w a r d s / S c h o l a r s h i p s / G r a n t s c o n t i n u e d

2005 1. Award of Merit, Bold Expressions: 50th Annual International Exhibition, Northern California Arts, Sacramento Fine Arts Center, Carmichael, California 2. First Place Award, Lines Into Shapes, Art Center of Estes Park, Estes Park, Colorado

2004 Award of Merit, 38th Annual National Juried Exhibition, Placerville Art Association, El Dorado Hills, California

2003 Utrecht Manufacturing Corporation Award, 34th Annual National Juried Exhibition, Palm Springs Desert Museum, Palm Springs, California

1999 1. Juror’s Award, The 26th Annual Juried Competition, Masur Museum of Art, Monroe, Louisiana 2. Juror’s Award, The 31st Annual Counterpoint Exhibit, Hill Country Arts Foundation, Ingram, Texas

1997 1. Release Time Faculty Grant, California State University, Long Beach, California 2. Summer Stipend Award, California State University, Long Beach, California

1996 1. First Place Award, Prints and Graphics, 68th Annual Juried Exhibition, Art Association of Harrisburg, Harrisburg, Pennsylvania 2. Purchase Award, 9th McNeese National Works On Paper Exhibition, McNeese State University, Lake Charles, Louisiana

1994 Honorable Mention Award, 25th Annual Juried Exhibition, Palm Springs Desert Museum, Palm Springs, California

1993 1. Purchase Award, Cimmarron National, Gardiner Art Gallery, Oklahoma State University, Stillwater, Oklahoma 2. Affirmative Action Faculty Development Grant, California State University, Long Beach, California 3. Purchase Award, 17th Harper National Print and Drawing Exhibition, Harper College, Palatine, Illinois

1991 Best in Show and Purchase Award, Kirkwood College's 25th Anniversary Exhibition, Kirkwood Community College, Cedar Rapids, Iowa

1990 Touring Citation, At The Edge II: A National Print and Drawing Exhibition, awarded by the Mid-America Arts Alliance Sexauer, page 3 A r t i s t i c A w a r d s / S c h o l a r s h i p s / G r a n t s , c o n t i n u e d

1989 Artists' Space Grant, New York, New York for the exhibition Endangered Species, Visual Arts Gallery, State University of New York at Purchase

1985-87 Purchase Award, 9th University of Dallas Print Invitational, traveling exhibition

1986 1. Purchase Award, Kansas Eleventh National Small Painting, Drawing, and Print Exhibition, Fort Hays State University, Hays, Kansas 2. Continuing Education for Women Scholarship, for the study of photography, to attend The University of Iowa, Iowa City, Iowa

1985 1. Honorable Mention, 1985 Stockton National / 3rd Print and Drawing, Competition, Stockton, California 2. Honorable Mention, 16th River Road Art Competition, Louisiana Art and Artist’s Guild, Baton Rouge, Louisiana 3. Second Place Award, Women Art Annual, Fine Arts Center En Taos, Taos, New Mexico 4. Purchase Prize, 15th National Print and Drawing Exhibition, Minot, North Dakota

1984 Honorable Mention, 8th Annual Rock Island Fine Arts Exhibition, Augustana College, Rock Island, Illinois

1982 First Place Award, 12 th Annual Works on Paper Exhibition, Southwest Texas State University, San Marcos, Texas

1978 Iowa State Arts Council Grant, Art in County Care Homes, Iowa and Washington Counties, Iowa

1974 Grahame Scholarship to attend The University of Iowa, Iowa City, Iowa

1973 Proudfoot Scholarship to attend The University of Iowa, Iowa City, Iowa

S o l o a n d F e a t u r e d E x h i b i t i o n s

2011 Sight Readings: A 35 Year Survey of Work by Roxanne Sexauer, curated by Gordon Fuglie, Fresno City College, Art Space Gallery, sponsored by the Central California Museum of Art, Fresno, California

2008 Vital Signs, Graphic Art by Roxanne Sexauer, curated by Gordon Fuglie, San Luis Obispo Art Center, San Luis Obispo, California Sexauer, page 4 S o l o a n d F e a t u r e d E x h i b i t i o n s , c o n t i n u e d

2006 Pull Together, an exhibition with Cynthia Osborne, Brian Sanderson and Kimiko Miyoshi, Citrus College, Glendora, California

2004 1. Viento y Agua Gallery, Hungry Cuts, an exhibition of relief prints with Steve Gibson, Sarah Whorf and Lori Michelon, Long Beach, California 2. Frohring Art Center, Hiram College, Hiram, Ohio

2002 1. 3rd Annual Print Exhibition, Featuring the Work of the 2002 Print Residents, Plains Art Museum, an exhibition with Jon Swindler, Oscar Gillespie, Lynne Allen and Faye Passow, Fargo, North Dakota 2. Rock, Paper, Wood, an exhibition with Cynthia Osborne, Concordia College, Irvine, California

2001 Oklahoma State University, Gardiner Art Gallery, Stillwater, Oklahoma

2000 Printmakers’ Progress, an exhibition with H.C. Cassill, David Driesbach, Sylvia Schuster and Takeshi Takahara, Carleton College Art Gallery, Northfield, Minnesota

1999 Dartmouth College, an exhibition with Brian Cohen, Lower Jewett Exhibition Space, Exeter, New Hampshire

1997 1. Old Town Gallery, Tustin, California 2. La Velle Gallery, Maude Kerns Art Center, Eugene, Oregon

1992 Kruglak Gallery, MiraCosta College, Oceanside, California

1991 1. Nature Morte, South Bay Museum of Contemporary Art, an exhibition with Catherine Allen, Sandra Dal Pogetto, Mark Johnson and Marie Thibeault, Torrance, California, 2. University Art Gallery, Arkansas State University, an exhibition with Richard Martin Ash III, Jonesboro, Arkansas

1989 1. Visual Arts Gallery, State University of New York at Purchase, Endangered Species, an exhibition with Jacqueline Sindeband, Purchase, New York 2. Frohring Art Center, Hiram College, Hiram, Ohio

1986 Iowa State Bank & Trust, Iowa City, Iowa

1985 Creighton University, Printmakers, an exhibition with Karen Kunc and Gary Day, Omaha, Nebraska Sexauer, page 5 S o l o a n d F e a t u r e d E x h i b i t i o n s , c o n t i n u e d

1983 Coe College, Marvin Cone Gallery, Cedar Rapids, Iowa

1976 Artifactory, Iowa City, Iowa

1975 Exhibition with Sylvia Schuster, offices of Representative Edward Mezvinsky, Iowa City, Iowa

1974 1. First Honors Exhibition, with Michele Turre, University of Iowa, School of Art and Art History, Iowa City, Iowa 2. Frame House and Gallery, Iowa City, Iowa

I n t e r n a t i o n a l E x h i b i t i o n s

2005 50th Annual International Open Exhibition Bold Expressions, Northern California Arts, Sacramento Fine Arts Center, Carmichael, California (Juried- Award of Merit)

2003 1. 2003 Korea International Prints Art Exhibition, Sejong Cultural Center, Seoul, Korea (July); Danwon Art Center, Ansan City, Korea (August - Invitational) 2. First 2003 Printmaking Biennial, Aramona Studio, New York, New York (Juried)

2000 1. The Baren Exchange Print Exhibition, Manhattan Graphics Center, New York, New York (Invitational) 2. The Baren Exchange Print Exhibition, Skokie Public Library, Skokie, Illinois (Invitational)

1999 Third International Kiwa Exhibition and Tour, Kyoto International Community House, Kyoto, Japan. The exhibition then traveled and opened in Morioka City, Japan (Invitational)

1996 Greater Midwest International Exhibition XI, Art Center Gallery, Central Missouri State University, Warrensburg, Missouri (Juried)

1992 Sola de Bellas Artes Exhibition, University of Madrid, Spain (Invitational)

1988 1. Print Invitational, sponsored by the Philadelphia Print Club, Mechanicsburg Art Center, Mechanicsburg, Pennsylvania (Invitational) Sexauer, page 6 I n t e r n a t i o n a l E x h i b i t i o n s , c o n t i n u e d

2. Greater Midwest International Exhibition III, Central Missouri State University, Art Center Gallery, Warrensburg, MO (Juried) 3. Print Invitational, sponsored by the Philadelphia Print Club, Pennsylvania State University, University Park, Pennsylvania (Invitational) 4. Print Invitational, sponsored by the Philadelphia Print Club, Keystone Junior College, La Plume, Pennsylvania (Invitational)

1987 1. 3rd International Biennial Print Exhibit, Taipei Fine Arts Museum, Taipei, Taiwan (Juried) 2. The 63rd Annual International Competition of Prints, The Print Club, Philadelphia, Pennsylvania (Invitational)

N a t i o n a l E x h i b i t i o n s

2010 Germination, Red Delicious Press, Aurora, Colorado

2008 1. Committed to Pattern Portfolio exhibited at the Southern Graphics Conference, Virginia Commonwealth University, Richmond, Virginia 2. Still Pulling: Traditional Printmaking in the Digital Age, curated by Pam DeLaura, Elaine Jacob Gallery, Wayne State University, Detroit, Michigan

2006 1. Germination Portfolio exhibited at the Southern Graphics Conference, Art Department, University of Wisconsin, Madison Wisconsin, and at the Faulconer Gallery Collection, Grinnell College, Grinnell, Iowa 2. Ink and Idea: A Group Show of Leading Artists of the Print, Marjorie and Herman Platt and Borstein Galleries, University of Judaism, Los Angeles, California 4. The Transferred Image, A Printmaking Exhibition, 33 Collective Gallery, Chicago, Illinois 5. Selected Prints from Past Portfolios, The Coffee Shop Gallery, Vermillion, South Dakota 6. Zodiac – Year of the Monkey, portfolio exhibited at the MAPC Conference, “Forging Connections,” Art Department, Ohio University, Athens, Ohio 7. Faculty Exhibition, Main Gallery, The University of South Dakota, Vermilion, South Dakota (Invitational) 8. 2006 Delta National Small Prints Exhibition, Bradbury Gallery, Arkansas State University, Jonesboro, Arkansas

2005 1. Made in North Dakota, The Arts Center, Jamestown, North Dakota (Invitational) 2. Faculty Exhibition, Main Gallery, The University of South Dakota, Vermilion, South Dakota (Invitational) 3. The Coffeeshop Gallery, Vermilion, South Dakota (Invitational) 4. 2005 Lines Into Shapes, Art Center of Estes Park, Estes Park, Colorado (Juried – First Place Award) 5. Gulf Coast National, Museum of the Gulf Coast, Port Arthur, Texas

2004 1. Printmaking Exchanges, Gatov Gallery, California State University, Long Beach, California (Invitational) Sexauer, page 7 N a t i o n a l E x h i b i t i o n s , c o n t i n u e d

2. Placerville Arts Association38thAnnual National Exhibition, El Dorado Hills, California (Juried - Award of Merit) 3. New York Society of Etchers/Los Angeles Printmaking Society Exhibition Exchange, National Arts Club, Gramercy Park, New York, New York

2003 1. 34th Annual National Juried Exhibition, Palm Springs Desert Museum, Palm Springs, California (Juried - Utrecht Manufacturing Corporation Award) 2. Printmaking – Personal Impressions: A National Juried Exhibition, Makeready’s Gallery 214 ArtSpace, Montclair, New Jersey (Juried) 3. Works on Paper: A National Biennial Exhibition, Kirkland Fine Arts Center, Perkinson Gallery, Millikin University, Decatur, Illinois

2001 1. Los Angeles Printmaking Society’s, 16th National Biennial Exhibition, Laband Gallery, Loyola Marymount University, Los Angeles, California (Juried) 2. Women and Their Work, Austin Coalition of Artists’ Gallery, Austin, Texas (Invitational) 3. Group Printmaking Exhibition, Occidental College, Los Angeles, CA

2000 1. 96th National Open Exhibition, Long Beach Arts, Long Beach, California (Juried) 2. Northern National Juried Art Competition, Nicolet College, LRC Gallery, Rhinelander, Wisconsin (Juried) 3. Points of View, an invitational print exhibition of seven women printmakers, University of Delaware, Newark, Delaware (Invitational) 4. Ship of Fools, Books and Books, Coral Gables, Florida (Invitational) 5. Los Angeles Printmaking Society’s 16th National Biennial Exhibition, La Band Gallery, Loyola Marymount University, Los Angeles, California (Juried) 6. The Matrix and the Monoprint, Channing Peake Gallery, Santa Barbara, California

1999 1. Across the Grain, An American Woodcut Portfolio, Faculty Gallery, Department of Art, California State University, Long Beach, California (Invitational) 2. The 26th Annual Juried Competition, Masur Museum of Art, Monroe, Louisiana (Juried - Juror’s Award) 3. Another View: Selected Works from Contemporary American Printmakers, Saddleback College, Mission Viejo, California (Juried) 4. The Press of the Text: Rare Books and Artists’ Books of the 20th Century, Special Collections Department, University of Missouri, Kansas City University Library, Kansas City, Missouri (Invitational) 5. A Sense of Place, Associated Artists of Winston-Salem, Winston-Salem, North Carolina (Juried) 6. Counterpoint 1999, Hill Country Arts Foundation, Ingram, Texas (Juried - Juror’s Award) 7. Prints USA, 1999, Springfield Art Museum, Springfield, Missouri (Juried) 8. Across the Grain, An American Woodcut Portfolio, Culver-Stockton College's Mabee Gallery, Canton, Missouri (Invitational) 9. Yeiser ’99, Yeiser Art Center, Paducah, Kentucky (Juried) 10. Works On Paper, ’99, Kirkland Fine Arts Center, Millikin University, Decatur, Illinois (Juried) Sexauer, page 8 N a t i o n a l E x h i b i t i o n s , c o n t i n u e d

1998 1. Across the Grain, An American Woodcut Portfolio, University of Texas at Tyler, Tyler, Texas (Invitational) 2. Across the Grain, An American Woodcut Portfolio, University of Delaware, Department of Art, Recitation Hall, Newark, Delaware (Invitational) 3. Survey of Contemporary American Prints, Lankershim Arts Center, North Hollywood, California (Juried) 4. 20th Annual Art on Paper, 1997, Maryland Federation of Art, Annapolis, Maryland (Juried)

1996 1. Palm Springs Desert Museum’s Artists Council National Juried Exhibition, The Palm Springs Desert Museum, Palm Springs, California (Juried) 2. 9th McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana (Juried - Purchase Award) 3. Frogman’s Press and Gallery “Artwalk ‘96,” Beresford, South Dakota (Invitational) 4. 13th Annual National Juried Exhibition, Gallery ‘76, Wenatchee Valley College, Wenatchee, Washington (Juried) 5. 1996 Stockton National Print and Drawing Exhibition, The Haggin Museum, Stockton, California (Juried) 6. 20th Harper National Print & Drawing Exhibition, Harper College, Palatine, Illinois (Juried) 7. 1st Annual National Small Works Exhibition, An Art Place Gallery, Chicago, Illinois (Juried)

1994 1. 25th Annual Juried Exhibition, Palm Springs Desert Museum, Palm Springs, California (Juried - Honorable Mention) 2. Alternative Prints ‘94, Group Invitational Exhibition, University of South Dakota, Vermillion, South Dakota (Invitational)

1993 1. Signals, Group Invitational Exhibition, Artlink Contemporary Art Gallery, Fort Wayne, Indiana (Invitational) 2. Florida Printmakers’ Society 6th Annual Print Exhibition, New World School of the Arts, Miami, Florida (Juried) 3. 6th National Drawing & Print Competitive Exhibition, Gormley Gallery, College of Notre Dame, Baltimore, Maryland (Juried) 4. Cimmarron National, Gardiner Art Gallery, Oklahoma State University, Stillwater, Oklahoma, (Juried - Purchase Award) 5. 17th Harper National Print and Drawing Exhibition, Harper College, Palatine, Illinois, (Juried - Purchase Award) 6. Women's Art Works 3 - A National Exhibition of Women's Works On/Of Paper, Shoestring Gallery, Rochester, New York (Juried) 7. Invitational Exhibition, Farrington-Keith Creative Arts Center, Clara Kott von Storch Gallery, Dexter, Michigan (Juried)

1992 Alumni of Antonio Frasconi, Visual Arts Gallery, State University of New York at Purchase, Purchase, New York (Invitational)

1991 1. Eighty From the Eighties, Edna Barnes Salomon Room, The New York Public Library (Invitational) Sexauer, page 9 N a t i o n a l E x h i b i t i o n s , c o n t i n u e d

2. Farrington-Keith National Juried Exhibition, Clara Kott von Storch Gallery, Dexter, Michigan (Juried)

1990 At The Edge II, A National Print and Drawing Exhibition, Laguna Gloria Art Museum, Austin, Texas, (Touring Citation, sponsored by the Mid-America Arts Alliance) Tour Itinerary: Texas, Oklahoma, Arkansas, Kansas, and Missouri (Juried)

1986 1. 58th Annual Juried Exhibition, Art Association of Harrisburg, Harrisburg, Pennsylvania (Juried) 2. Kansas Eleventh National Small Painting, Drawing, and Print Exhibition, Fort Hays State University, Hays, Kansas (Juried - Purchase Award) 3. 36th Spiva Annual Competitive, Spiva Art Center, Joplin, Missouri (Juried) 4. LaGrange National XI, Chattahoochee Valley Art Association, LaGrange, Georgia (Juried) 5. 3rd Annual Batavia National Exhibit, Batavia, New York (Juried) 6. 16th Annual River Road Competition, Louisiana Art and Artist’s Guild, Baton Rouge, Louisiana (Juried) 7. September National Competition, Alexandria Museum, Alexandria, Louisiana (Juried)

1985 1. 9th Annual University of Dallas Print Invitational, Irving, Texas, 1985-87 (Purchase Award). Tour Itinerary: Haggerty Art Gallery, University of Dallas; Lamar University, Beaumont, Texas; Texas Christian University, Fort Worth, Texas; Abilene Fine Arts Museum, Abilene, Texas; Midwestern State University, Wichita Falls, Texas; East Texas State University, Commerce, Texas; Warehouse Center for the Living Arts, Corsicana, Texas (Juried) 2. 1985 S.P.A.R. National Art Exhibition, Barnwell Art Center, Shreveport, Louisiana (Juried) 3. 1985 Stockton National-3rd Print and Drawing Exhibition, Stockton, California (Juried - Honorable Mention) 4. 1st Annual National Print Exhibition, Galerie Triangle, Washington, D.C. (Juried) 5. Day of the Dead, National Juried Invitational Exhibition, Cameron University, Lawton, Oklahoma (Juried) 6. 20th Annual Juried Exhibition, Fine Arts Institute, San Bernardino Museum of Art, Redlands, California (Juried) 7. Second Annual National Artspace Exhibition, Sacramento, California (Juried) 8. Woodstock School of Art Third National Exhibition, Woodstock, New York (Juried) 9. Women Art Annual, Fine Arts Center En Taos, Taos, New Mexico (Juried - Second Place Award) 10. Small Works Expo ’85, Fine Arts Center En Taos, Taos, New Mexico (Juried) 11. Dakota Artist’s Guild 1985 National Art Competition, Dakota Art Gallery, Rapid City, South Dakota (Juried) 12. North Dakota Print and Drawing Annual, University of North Dakota, Grand Forks, North Dakota (Juried) 13. 15th National Print and Drawing Exhibition, Minot State College, Minot, North Dakota (Juried - Purchase Award) Sexauer, page 10 N a t i o n a l E x h i b i t i o n s , c o n t i n u e d

1982 The 12th Annual Works on Paper Exhibition, Southwest Texas State University, San Marcos, Texas (Juried - First Prize)

1975 1. M.F.A. Invitational, Eve Drewlowe Gallery, University of Iowa, Iowa City, Iowa (Invitational) 2. M.F.A. Invitational, Hathorn Gallery, Skidmore College, Saratoga Springs, New York (Invitational)

R e g i o n a l E x h i b i t i o n s

2011 1. Printmaking, Printmaking, Printmaking, Fine Arts Gallery, Golden West College, Huntington Beach, California, (Invitational)

2009 2. Printed: A Juried Exhibition, Cabrillo Gallery, Cabrillo College, Aptos, California, (Invitational) 3. California Prints II: An Invitational Exhibition, Arts Visalia, Visalia, California

2008 Ritual Duality: A Dance with Death, Mexican Cultural Institute of Los Angeles, Los Angeles, California, (Invitational)

2007 1. Day of the Dead at La Mano Press, Los Angeles, California (Invitational) 2. Annual Print Sale at La Mano Press, Los Angeles, California (Invitational) 3. Verve Gallery, Benefit Exhibition for the Heart Touch Project International, hosted by actress Rene Russo, Los Angeles, California (Invitational) 4. Faculty Exhibition, 301 Gallery, Long Beach, California 5. Impressions and Expressions, Second and Third Floor Galleries, The Wells Fargo Bank, Laguna Beach, California (Invitational) 6. CSU Print Invitational, The Janet Turner Print Museum, CSU, Chico, California (Invitational) 7. California Prints: An Invitational Exhibition, Arts Visalia, Visalia, California (Invitational)

2005 1. Transferring Ink in the West, The Art Center at Fallbrook, Fallbrook, California (Invitational) 2. Faculty Biennial, Art Department Galleries, California State University, Long Beach, California (Invitational) 3. Faculty Biennial, University Museum of Art, California State University, Long Beach, California (Invitational) 4. Ten Year Anniversary Print Showcase, Old Town Gallery, Tustin, California (Invitational)

2004 1. Mirror Image, Reflections of Southern California Printmaking, LAX, Terminal 1, Los Angeles, California (Invitational) 2. Mirror Image, Reflections of Southern California Printmaking, Part II, Ontario Airport, Ontario, California (Invitational) Sexauer, page 11 R e g i o n a l E x h i b i t i o n s , c o n t i n u e d

3. Made in California, Prints from the Los Angeles Printmaking Society, New York Society of Etchers, New York, New York (Invitational)

2003 Why Art?, Second City Art Council, Long Beach, California (Juried)

2002 Faculty Biennial, University Museum of Art, California State University, Long Beach, California (Invitational)

2001 1. Group Printmaking Exhibition, Occidental College, Los Angeles, California (Invitational) 2. Expanded Boundaries - The Matrix and the Monoprint, Channing Peake Gallery, Santa Barbara, California, sponsored by the Santa Barbara Arts Commission (Invitational)

2000 Long Beach 2000, Faculty Biennial, Museum of Art, California State University, Long Beach, California (Invitational)

1998 Faculty Biennial, Museum of Art, California State University, Long Beach, California (Invitational)

1997 Pressing Engagements, Los Angeles Harbor College, Wilmington, California (Invitational)

1996 1. Ink & Clay 22, Kellogg University Art Gallery, California State Polytechnic University, Pomona, California (Juried) 2. Works from Wood, Old Town Gallery, Tustin, California (Invitational) 3. Prints From The Studio - Featuring Black and White, Self-Help Graphics, Los Angeles, California (Invitational) 4. Faculty Biennial, Museum of Art, California State University, Long Beach, California (Invitational)

1995 1. Crosses & Parallels, A Printmaking Exhibition, Art Gallery, Mt. San Antonio College, Walnut, California (Invitational) 2. Los Angeles Printmaking Society Membership Exhibition, Brand Library Art Galleries, Glendale, California (Invitational)

1994 1. Printmaking on the West Coast, Saddleback College, Mission Viejo, California (Invitational) 2. Diversity, Korean Cultural Center, Invitational Exhibition, Co-Sponsored by the Los Angeles Olympic Lions Club and the Korean Cultural Center (Invitational) Sexauer, page 12 R e g i o n a l E x h i b i t i o n s , c o n t i n u e d

3. Faculty Biennial, Museum of Art, California State University, Long Beach, California (Invitational)

1993 1. Integration ‘93, Korean Cultural Center, Invitational Exhibition, Co- Sponsored by the Los Angeles Olympic Lions Club and the Korean Cultural Center, Los Angeles, California (Invitational) 2. The City of Los Angeles Cultural Affairs Department’s 1993 Los Angeles Juried Exhibition, Prints, Watts Towers Art Center, Los Angeles, California (Juried) 3. Recent Editions: Printmakers '93, Torrance Joslyn Fine Arts Center, Torrance, California (Invitational) 4. CSULB Artists, Phase One, Gallery “B”, California State University, Long Beach, California (Invitational) 5. West Coast Works On/Of Paper 1993, Humboldt Cultural Center, Eureka, California (Juried)

1992 1. Iowa Woman, Johnson County/Iowa City Fine Arts Center, Iowa City, Iowa (Invitational) 2. Eye-Sounds, University Art Museum, California State University, Long Beach, California (Invitational)

1991 1. From Real To Surreal, Brea Civic and Cultural Center Gallery, Brea, California (Juried) 2. Kirkwood College's 25th Anniversary Showcase Exhibition, Kirkwood Community College, Cedar Rapids, Iowa, (Juried - Best in Show and Purchase Award) 3. 1991 Juried Membership All Media Exhibition, Palos Verdes Art Center, Rancho Palos Verdes, California (Juried) 4. Cycles: Juried Exhibition, Brand Library Art Galleries, sponsored by the Southern California Women's Caucus for Art, Glendale, California (Juried)

1990 New Faculty Exhibition, Fine Arts Gallery "B", California State University, Long Beach, California (Invitational)

1989 Faculty Biennial, Museum of Art, California State University, Long Beach, California (Invitational)

1988/87 M.F.A. Exhibition, Visual Arts Gallery, State University of New York at Purchase, Purchase, New York (Invitational)

1986 1. Rock Island Fine Arts Exhibition, Augustana College, Rock Island, Illinois (Juried) 2. Six-State Competitive, McCook Community College, McCook, Nebraska (Juried) 3. Iowa Printmakers Invitational, traveling exhibition, 1985 -86, Tour Itinerary: Waldorf College, Forest City, Iowa; Brunnier Gallery and Museum, Iowa State University, Ames, Iowa; Witter Gallery, Storm Lake, Iowa; Produce Station Galleries, Webster City, Iowa; Luther College, Decorah, Iowa; McAuley Sexauer, page 13

R e g i o n a l E x h i b i t i o n s , c o n t i n u e d

Gallery, Mount Mercy College, Cedar Rapids, Iowa; Mills Gallery, Central College, Pella, Iowa; Shaw Center Art Gallery, Graceland College, Lamoni, Iowa; Waterloo Municipal Art Galleries, Waterloo Arts Center, Waterloo, Iowa; Wartburg College, Waverly, Iowa; Grinell College, Grinell, Iowa (Invitational)

1985 1. Rock Island Fine Arts Exhibition, Augustana College, Rock Island, Illinois (Juried) 2. 35th Tri-State Annual Juried Art Show, Quincy Art Club, Quincy, Illinois (Juried)

1984 1. Rock Island Fine Arts Exhibition, Augustana College, Rock Island, Illinois (Juried - Honorable Mention) 2. Women Art Seven, Century II Civic Center, Wichita, Kansas (Juried)

1982 Consideration of the Human Head, Fine Arts Center, Iowa City, Iowa (Invitational)

1981 Artist-Illustrated Books, Iowa City Public Library, Iowa City, Iowa (Invitational)

1978 The Women’s Art Celebration, Old Brick, Iowa City, Iowa (Invitational)

1977 1. All Women’s Show, Old Brick and The University of Iowa, Iowa City, Iowa (Invitational) 2. Iowa Artist Exhibition, Des Moines Art Center, Des Moines, Iowa (Juried) 3. Muscatine Art Exhibition, Muscatine Art Center, Stanley Gallery, Muscatine, Iowa (Juried)

1976 1. Iowa Artist Exhibition, Des Moines Art Center, Des Moines, Iowa (Juried) 2. Muscatine Art Exhibition, Laura Musser Art Museum, Muscatine, Iowa (Juried)

1975 Iowa Artist Exhibition, Des Moines Art Center, Des Moines, Iowa (Juried)

1974 1. Iowa Artist Exhibition, Des Moines Art Center, Des Moines, Iowa (Juried) 2. Muscatine Art Exhibition, Laura Musser Art Museum, Muscatine, Iowa (Juried)

S e l e c t e d P u b l i c C o l l e c t i o n s

AIGA Design Archives, Rare Book and Manuscript Library, Butler Library, Columbia University, New York, New York Alexandria Museum, Alexandria, Louisiana Des Moines Art Center, Des Moines, Iowa Dishman Art Gallery, Lamar University, Beaumont, Texas

Sexauer, page 14

S e l e c t e d P u b l i c C o l l e c t i o n s , c o n t i n u e d

Gardiner Art Gallery, Oklahoma State University, Stillwater, Oklahoma Huntington Library Collection, San Marino, California Iowa State Bank & Trust, Iowa City, Iowa Kirkwood Community College, Cedar Rapids, Iowa Los Angeles County Museum of Art, Los Angeles, California McNeese State University, Permanent Collection, Lake Charles, Louisiana Minot State College Collection, Minot, North Dakota Plains Museum of Art, Fargo, North Dakota San Luis Obispo Art Center, San Luis Obispo, California Santa Barbara Museum of Art, Prints and Drawings Department, Santa Barbara, California Spencer Museum of Art, The University of Kansas, Lawrence, Kansas South Bay Museum of Contemporary Art, Torrance, California The Gilkey Center Collection, Portland Art Museum, Portland, Oregon University of Dallas Collection, Irving, Texas University of Iowa, Main Library, Rare Book Collection, Iowa City, Iowa Visual Arts Center, Fort Hays State University, Hays, Kansas

A r t R e s i d e n c i e s

2002 Plains Art Museum, Hannaher’s Print Studio Printmaking Residency, Fargo, North Dakota

1996 Dorland Mountain Arts Colony, Temecula, California

1992 The Hambidge Center For Creative Arts and Sciences, Rabun Gap, Georgia

1991 1. Palenville Interarts Colony, Palenville, New York 2. Kalani Honua Intercultural Center, Kalapana, Hawaii. I was awarded this residency, but regretfully declined it, as it ran concurrently with Palenville Interarts.

T e a c h i n g R e l a t e d R e s i d e n c i e s

2005 Instructor, Woodcut Printmaking, University of South Dakota, Vermillion, South Dakota. A seven day workshop including a public lecture.

2004 1. Hiram College, Hiram, Ohio – Convocation Speaker, week-long residency. Met with Senior Studio, Printmaking, and Color Theory and Design classes. 2. The University of Akron, Akron, Ohio. Guest lecturer, met with Relief Printmaking classes.

2001 Arizona State University, Tempe, Arizona, week-long residency. Guest lecturer, met with Relief and Etching Printmaking classes, did demonstrations, slide lectures and critiques of both graduate and undergraduate printmaking majors.

Sexauer, page 15 T e a c h i n g R e l a t e d R e s i d e n c i e s , c o n t i n u e d

1996 Instructor, Woodcut Printmaking, Frogman’s Press and Gallery, Beresford, South Dakota. A seven day workshop including a public lecture.

1993 Participant in California State Summer Arts, Humboldt State University, Arcata, California. Included a public lecture.

I l l u s t r a t e d B o o k s

2006 Anthropology Unbound: A Field Guide to the 21st Century, (woodcuts), author: Paul Durrenberger, Paradigm Publishers

1986 Blood Harvest, (woodcut), author: Robert Dana, Windhover Press

1981 Robert the Devil, (wood-engravings), translator: W.S. Merwin, Windhover Press

1978 Charles Olson: Some Early Poems, (woodcut), author: Charles Olson, Windover Press

1976 Household, (gouache painting), author: Mark Van Tilburg, Athanor Press

E x c h a n g e P o r t f o l i o s

2008 1. Exchange Portfolio, Pattern, organized by Sarah Whorf

2006 1. Exchange Portfolio, Germination, organized by Rachel Melis and Kathleen King 2. Exchange Portfolio, Zodiac, organized by Jon Swindler

2005 Exchange Portfolio, Frogaoke, the 24th Frogman’s Print and Paper Workshop portfolio, organized by Lloyd Menard

2001 Exchange Portfolio, The “Big” Portfolio, organized by the University of South Dakota, Vermillion. This portfolio features large scale prints by faculty and graduate students from the top ten Universities noted for their Printmaking Programs by US News and World Report.

2000 Exchange Portfolio, Ship of Fools, organized by the University of Texas, Arlington, Texas Sexauer, page 16 E x c h a n g e P o r t f o l i o s , c o n t i n u e d 1999 Exchange Woodcut Portfolio, The International Baren Folio, organized by David Bull of Tokyo, Japan

1998 Exchange Portfolio, Bedtime Bible Stories, organized by the Museum School of Fine Arts, Boston, MA

1997 1. Organized and published the Exchange Portfolio, Across the Grain: An American Woodcut Portfolio, which features the work of thirty artists renown in the woodcut medium

1996 1. Exchange Portfolio, Black and White, California State University Long Beach, with California State University, Fullerton and Self-Help Graphics Workshop 2. Mountains, Lakes, Coasts, and Plains, the fifth exchange portfolio in the “Border to Border” series. Portfolio coordinated by the University of South Dakota, Vermillion. Universities included were: California State University, Long Beach, University of Minneapolis, University of Colorado at Boulder, and the University of South Dakota, Vermillion 3. 3rd Street Suite, National Exchange Portfolio organized by Lloyd Menard, Frogman’s Press, Beresford, South Dakota

1995 Artists Collected Together II, The Second Biannual International Portfolio Exchange. Organized by The Boston Museum School, Boston, Massachusetts

1992 Exchange Portfolio, "Teachers and Students" organized by the University of Notre Dame, portfolio exhibited at the School of the Museum of Fine Art, Boston, Mass; State University of Illinois at Normal, and the University of Notre Dame, Notre Dame, Indiana

______P r i n t P u b l i s h i n g ( L i m i t e d E d i t i o n s )

2006 Published (Black Dolphin Workshop) silkscreen print by Sean Star Wars

2005 1. Published (Black Dolphin Workshop) a lithograph by José Luis Cuevas 2. Published (Black Dolphin Workshop) two woodcuts by Artemio Rodriguez

2002 Published (Black Dolphin Workshop) a linoleum cut by Tom Huck

2000 Published (Black Dolphin Workshop in conjunction with the University Art Museum, California State University, Long Beach) two screenprints by Amy Myers

1999 Published (Black Dolphin Workshop) a lithograph by Domenic Cretara Sexauer, page 17 A r t i c l e s a n d L i s t i n g s

2011 1. Huntington Beach Independent, Happenings section, 3/3/2011, pgs. B-1 & B-4, Michael Miller, “Art Made From Everything” 2. Fresno Bee, 3/2/2011, “Woodcut Printmaker Celebrated” 3. The Western Sun, Arts & Living section, 3/9/2011, pg. 6, Jamie Corpuz, “Printmaking Art Gallery Runs Until March 24,” photo of my work by Chaim Adler

2008 Who’s Who of American Women, 27th edition

2007 1. Who’s Who of American Women, 26th edition 2. “Artists To Exhibit Hand-Pulled Prints at Visalia,” Kevin Bowman, Visalia Times-Delta, Arts Section, March 9, 2007

3. “Print Exhibit to Feature Works from CSU Faculty, Students,” After Five, the North State Magazine, pg. 5, January 2007, No. 3

2006 “Ink and Idea,” Debra Koppman, Artweek, pg. 6, Volume 37, Issue 6, July/August, 2006

2005 1. “Picasso in Fallbrook,” L.C. “Spike” Taff, Fallbrook/Bosall Village News, Arts Section, pg. A-23, February 3, 2005 2. “It’s All in the Wrist: ‘Transferring Ink in the West’ Illustrates Art of Printmaking,” Marcia Manna, San Diego Union-Tribune, February 10, 2005 3. “Refurbished Art Center Reopens with Printmaking Exhibition,” Betty Johnson, The Californian North County Times, January 22, 2005 4. “Fallbrook Galleries Host Major Printmaking Exhibits,” Bill Fark, The Californian North County Times, February 9, 2005 5. Who’s Who in American Education 6. “Occidental College Print Symposium,” Donna Westerman, Interleaf, pg. 1, Spring, 2005

2004 1. “Hiram Welcomes Artist-in-Residence,” Mike Brickner, The Advance, pg. 1, February 20, 2004 2. “Review of the ‘Mother Lode’ exhibition, ” Democrat Staff, The Mountain Democrat, September 6, 2004

2001 “Artist Carves Human Life Onto Wood Prints,” Jonathan Wance, The Daily Oklahoman, pg. 2, September 4, 2001

2000 “Tried and True,” Shirle Gottlieb, Long Beach Press Telegram, Weekend Theater and Arts Section, June 23, 2000

1999 1. “University Art Lecture Intrigues Audience,” Jason Kosareff, Daily Forty Niner, Vol. VII, #19, September 30, 1999 2. Listing, Art in America, Annual Art Dealers and Museum Directory, 1999 Sexauer, page 18 A r t i c l e s a n d L i s t i n g s , c o n t i n u e d

1997 1. Artwork and biographical information included for publication in the McClain’s Woodcut Printmaking Supply Catalogue, 1997 issue 2. Maude Kerns Art Center Newsletter, pg. 2, Spring Issue, 1997, Eugene, Oregon 3. “An Eclectic Display of Printmakers’ Art,” Shirle Gottlieb, Press Telegram, pgs. C1-C2, February 11, 1997. 4. “Wright State University Art Galleries - The Democratic Print: A National Contemporary Relief Print Exhibition,” pg. 35, Dialogue, March/April issue

1995 1. Primavera Magazine, University of Chicago, cover print published, Chicago, Illinois 2. Newsprint, “A Feminist Response: An Interview With Miriam Schapiro,” Patrick Merrill and Gail Jacobs, Winter, 1995, pgs. 9-4.

3. Newsprint, “ Contemporary Issues in Education: A Roundtable of Printmakers, May 22, 1994,” Rodman de la Cruz, Winter, 1995, pg. 26

1994 24th Edition of Who’s Who in the West

1992 1. The Daily Iowan, "50 Female Artists Featured in 'Iowa Woman'," Sonja West, November 12, 1992, pg. 8B, Iowa City, Iowa 2. The Gate, "Nature Morte: A Review," David Joseph, Winter/Spring Issue, 1992, San Pedro, California 3. Random Lengths News, "Lights of the Bay - A Natural Evolution," January 9-22, 1992, p. 9

1988 1. The New York Times, "Lasansky's Printmaking Virtuosity on Display in Purchase," Vivien Raynor, December 18, 1988, New York 2. Review in Fine Print Magazine, April, 1988, pp. 71-72

1987 Color reproduction of a woodcut, American Craft Magazine, June/July issue, Vol. 47/No. 3, 1987, p. 28

1985 The Daily Iowan, "Local Artist Selected for Washington D.C. Exhibition," Jill Lauritzen, November 14, 1985, Iowa City, Iowa

1983 Reproduction of a wood-engraving and review in Fine Print Magazine, July, 1983, pp. 121-123

1982 1. The Daily Iowan, "Artists Reveal Personalities in 'Human Head' Showings," Suzanne Richardson, January 26, 1982, Iowa City, Iowa 2. Iowa Woman Magazine, portfolio of prints published in winter issue, 1982

1978 1. The Daily Iowan, "Art More Popular Than TV in County Care Homes," John Peterson, June 15, 1978, Iowa City, Iowa Sexauer, page 19 A r t i c l e s a n d L i s t i n g s , c o n t i n u e d 2. Washington Evening Journal, "Iowa Program Takes Art To County Home Residents," Mark Keedy, June 20, 1978, Washington, Iowa 3. I Hope They Keep Coming – A Guide To Arts Programming in Special Facilities, a booklet published by the Iowa Arts Council, State Capitol Building, Des Moines, Iowa

1977 The Daily Iowan, "Art-Endure Produces Haunted Mural," John Peterson, January 31, 1977, Iowa City, Iowa

O r g a n i z a t i o n s

Previously a member of: Iowa City/Johnson County Arts Council; Wisconsin Women in the Arts; Orange County Art Association of Fullerton, California; The Foundation for the Community of Artists; Board of Directors, Los Angeles Printmaking Society; The Philadelphia Print Club; The Women’s Caucus for the Arts (both National and Southern California Chapters); California Women in Higher Education; University Art Museum, California State University, Long Beach; The Los Angeles County Museum of Art; College Art Association

Currently a member of: The Los Angeles Printmaking Society; The Southern Graphics Council; The University of Iowa Alumni Association

C u r a t o r i a l E x p e r i e n c e

2001 “Evaluation Inversion” an exhibition of Printmaking Faculty from colleges throughout Southern California, Design Gallery, California State University, Long Beach. A web site accompanied the exhibition (www.csulb.edu/ %7Ewoodcuts/printshow/)

1998 Exhibition Chair, Los Angeles Printmaking Society’s 15th National Exhibition, held jointly at Loyola Marymount University’s Laband Gallery, and at Saddleback College. An illustrated catalogue accompanied the former exhibition.

1989 Curator: The Artist's Hand: The Prints of Mauricio Lasansky, with related educational public programming developed for a broad and diverse audience, Neuberger Museum, Purchase, New York

L e c t u r e s , D e m o n s t r a t i o n s , a n d P a n e l s

2008 NAMTA Foundation International Convention, Reno, Nevada, Flex-Cut tool demonstration and display of my blocks and prints

2007 Midwest Matrix: Grounding the American Fine Print Movement of the Post- War Period to Present, presented at ”Points, Plots, and Ploys,” the conference of the Southern Graphics Council, Kansas City, Missouri Sexauer, page 20 L e c t u r e s , D e m o n s t r a t i o n s , a n d P a n e l s , c o n t i n u e d

2006 Whittier College Printmaking Symposium, Colloquium, “Belfast/Los Angeles: Prints, Politics and Demographics,” Whittier, California

2005 Printmaking Symposium, Occidental College, Weingart Center for the Liberal Arts, “The Contemporary Woodcut,” Los Angeles, California

2001 Participant for the Q & A session following the Los Angeles premiere of the film based on “The Nazi Drawings,” Directors Guild Theatre, Los Angeles, California. The film was nominated in the Short Documentary category for the 2001 Academy Awards competition. The panel included artists Charles Ray (UCLA), and Endi Poskovic (Whittier College).

1999 Lectured on “Sequences: A Collection of Prints,” University Art Museum, California State University, Long Beach, California

1998 1. Lectured on the history of the printmaking exchange portfolio, University Art Museum, California State University, Long Beach, California 2. Lectured on Across the Grain, An American Printmaking Exchange Portfolio, Lankershim Arts Center, North Hollywood, California

1995 1. Lectured on “The History of Women in Printmaking,” Mt. San Antonio College, Walnut, California 2. Panel Member: Artists Discussion, Mt. San Antonio College, Walnut, California

1994 Panel Member: Contemporary Issues in Education - A Roundtable of Printmakers, sponsored by the Grunwald Center for the Graphic Arts and the Los Angeles Printmaking Society, Beyond Baroque Literary/Arts Center, Venice, California

1992 Artist Dialogue, South Bay Contemporary Museum of Art, Nature Morte, Torrance, California

1989 1. Panel Member on: The Artist As Fine Arts Educator, in conjunction with Long Beach, '89: Faculty Biennial, Museum of Art, California State University, Long Beach, California 2. Guest Lecturer on: Print History, Saint Thomas Aquinas College, Sparkill, New York

1988 Guest Lecturer on: Ladies Against Women: A Look at the National Museum of Women in the Arts, Department of Art History, State University of New York at Purchase, Purchase, New York Sexauer, page 21 L e c t u r e s , D e m o n s t r a t i o n s , a n d P a n e l s , c o n t i n u e d

1984 Guest Lecturer on woodcuts, Creighton University, Department of Visual Arts, Omaha, Nebraska

1983 Guest Lecturer on woodcuts, Mount Mercy College, Department of Visual Arts, Cedar Rapids, Iowa

1982 Guest Lecturer on: The Prints of Blake and Hogarth, University of Iowa, Department of Comparative Literature, Iowa City, Iowa

J u r o r

2011 Juror, for the annual Golden West College Student Exhibition, Huntington Beach, California

2005 Juror, for Transferring Ink in the West, The Art Center at Fallbrook, Fallbrook, California

2004 Juror, for Made in California, a group exhibition bridging the Los Angeles Printmaking Society and the New York Society of Etchers, National Arts Club, Gramercy Park, New York

2002 Annual Juried Student Exhibition Insights 2002, (along with Doug Buis and Cheri Davis), University Art Museum, California State University, Long Beach, California

1999 Annual Juried Student Exhibition (along with Jay Kvapil), Saddleback College, Mission Viejo, California

1995 Juror: Los Angeles Printmaking Society Membership Exhibition, Brand Library Galleries, Glendale, California

1993 1. Mural Selection Committee, City of Long Beach, California 2. Juror, Long Beach Schools, Reflections, sponsored by the Long Beach PTA

1989 9th Annual Byram River Arts Festival, Port Chester, New York

1978/76 Installed and judged exhibitions for the Iowa City Schools Art Fair (K-12) Sexauer, page 22 F o r e i g n T r a v e l

2011 The Netherlands. Belgium and Germany: Studied artworks, and architecture in Amsterdam, Brussels, Ghent, Bruges, Nuremberg, and Berlin

2009-10 Mexico: Studied artworks, archeological sites and architecture in Oaxaca

2008 France: Studied artworks and architecture in Paris, Versailles, and d’Asnieres-sur-Seine

2007 South Korea and China: Accompanied California State University art students - studied artworks in Ichon, Seoul, Shanghai, Hangzhou, Jingdezhen, Xi’an and FuPing.

2005 France and Great Britain. Studied artworks and architecture in Paris, Mantes la Jolie, Vernon, Rouen and London.

2001 Italy: Accompanied eighteen California State University Students from the Printmaking and Ceramics Areas - studied artworks and archeological sites in Rome, Ancient Ostia, Florence, and Venice.

1984 Italy: Studied artworks and archeological sites in Pompeii, Rome, Florence, and Siena.

R e l a t e d E x p e r i e n c e

2011 Donation of a print to the Boston Origami Project, an organization in Boston that raises funds for victims affected by the earthquake/tsunami in Japan. The exhibition was held in the Yes Oui Si Gallery in Boston, with 100% of the funds raised going to the Japanese Red Cross.

2009 Anonymously nominated for a Visual Arts USA Fellowship

1994 Salon de la Bonne Chance, donation of prints for fundraising for the Hambidge Center, Rabun Gap, GA.

1989 Museum Internship, Research Assistant to Suzanne Delehanty, Director, Neuberger Museum, Purchase, New York, 1987-89

1987 Administrative Assistant to Suzanne Delehanty, Director, Neuberger Museum, Purchase, New York, summer of 1987 Sexauer, page 23 R e l a t e d E x p e r i e n c e , c o n t i n u e d

1978/76 Created and equipped print studio for the Iowa City Recreation Center, Iowa City, Iowa

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